Aisles have been regarded as Neo-Prog, but their approach to music goes far beyond. Their soulfully crafted combination of rock, progressive rock, art rock, fusion, world music and other styles illustrates the band’s unique liberal and eclectic music vision, reaching their own sound by forming an identity which makes it unmistakably unique to anyone’s ear, and a spirit in which prevails above all, the desire to create.
SOURCE: Official Bio
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Earthset – Flush & In the Pendant (Live Studio Sessions)
After a demo EP in 2013 and two years spent playing ’round northern Italy, Earthset have released their debut album “In a State of Altered Unconsciousness”. The album was recorded live in three days at Fonoprint Studios by Enrico Capalbo and produced by Carlo Marrone and Earthset. The first single “So What?” is an energetic, melodic number backed by an infectious beat and a crunchy guitar attack making it one of the most promising tracks to come out of the Italian indie rock scene.
LINKS:
https://www.facebook.com/Earthset
https://twitter.com/EarthsetBand
https://earthset.bandcamp.com -
John Adams – Flames
John Adams is a Singer/Songwriter/Busker hailing from Aberdare in the South Wales Valleys. With a reach in his tone to match Sam Smith and James Blunt he draws influences from the likes of honest songwriters such as James Morrison, Damien Rice, and David Gray. John’s acoustic approach and atmospheric piano accompaniment compliment his unique and impressive vocal ability as he earns the undivided attention of the listener by addressing them directly with emotive and heartfelt narratives.
This faithfulness to a personal story is mirrored in how John came into the musical world and continues to progress as a musician. A truly homegrown talent, he began his career busking on the streets, using the money to pay for his first release, fittingly entitled “The Pavement is My Stage”. After the album reached No.7 in the iTunes Singer/Songwriter charts in 2016 he took a leap of faith and left his job as a Mathematics Teacher. That gamble paid off and John has gone on to support household names such as Take That, Lemar, T’Pau and Katherine Jenkins. His hard work and impressive live performance have built a strong following of 50,000 online followers, over 6 million views on YouTube and a steady 300,000 monthly listeners on Spotify.
Eager to show his progression John released his album “You Never Know Who’s Listening” in 2018 which combined his live organic sound with a minimal electronic production to make a sound that is satisfyingly different from the usual guitar wielding Singer/Songwriter. The album was very well received by fans and the music industry alike and has already accrued over 6 million plays on Spotify. All 4 singles were playlist by the BBC and Spotify editorials with “See You Again” and “Dandelion Wishes” becoming Radio 2 favorites. He spent the year up and down the country performing at the UK’s largest festivals such as The Isle of Wight Festival, Great Escape, and Victorious Festival, and his headline tour sold out in just two days from release. To end the year on a high his festive hit “Lost In Christmas” became the soundtrack for “La Feltrinelli” Christmas campaign all across Europe.
Not showing any signs of writer’s block, John is excited to reveal ‘Flames’, the first single off his new EP “No White Lies”, was released on February 8th. Directed by John himself and Rhys Davies of Furball films, the stirring music video was imagined after a house fire occurred outside the studio. He explains: “All the usual questions flooded my mind as I strummed my guitar. How did they feel? What did they grab? Who was to blame? I eventually came to the conclusion that they’d be so concerned with survival that these questions were never answered. As dramatic as it seems I felt exactly the same about a relationship at the time and after writing the song I decided to take the same approach to the situation and leave. I centered the song around the lyric “It’s too late to argue who’s to blame, this house will burn down anyway” and pulled on a few semantics to compare the feelings of a house fire to the trapping of a relationship. I tried to mirror this concept in the video with the use of wool. In the beginning, a couple proudly exchanges thread to connect each other and enjoy the unity it brings, but over time the tangled web becomes frustrating and controlling just like a bad partnership.”
LINKS:
https://www.johnadamsmusic.co.uk
https://www.facebook.com/JohnAdamsMusic1
http://www.twitter.com/johnadamsmusic1
https://www.instagram.com/johnadamsmusic
http://www.youtube.com/johnanthonyadams1 -
Phil Rudd – Head Job
Phil Rudd solidifies his rock roots and firmly asserts his reason in rock history with his new video for the title track off of his album “Head Job”. The album has recently been re-released as to get all of the legal BS that can sometimes happen out of the way and now it is time to get down to business. And this song, along with the album “Head Job” is all about getting busy with it’s classic yet timeless sound that Phil helped to create.
About Phil Rudd
Described by Malcolm Young, co-founder of AC/DC, as “the real deal”, Phil Rudd, the band’s long-term drummer, played in several Melbourne bands such as Buster Brown and The Coloured Balls before joining up with the rock giants in 1975.Rudd powered the band to super-stardom with his dogged consistency and unshakable back-beat on classics like ‘It’s A Long Way To The Top (If You Want To Rock ’N’ Roll)’ ‘TNT” and ‘Dirty Deeds Done Dirt Cheap’, becoming an indelible part of AC/DC history.
To the untrained ear, Phil Rudd’s drumming may seem rudimentary, but his style and groove have earned him the adoration of generations of his peers. Rammstein’s Christoph Schneider said in the October 2010’s Modern Drummer, “AC/DC were my absolute heroes because they are simple and easy to copy, though soon you find they are not so easy to copy.” The magazine’s May 2010 issue also honored the rocker with the feature ’50 Reasons To Love Phil Rudd’.
Rudd has appeared on all but three of AC/DC’s 18 studio albums, which have sold more than 200 million copies worldwide. When the blockbusting album ‘Highway to Hell’ went multi-platinum worldwide, Rudd said he ‘‘went straight down the road to buy my first Ferrari’’ sparking a lifelong love of luxury cars. Rudd showcased eleven of his luxury cars in Christchurch, New Zealand as part of an earthquake appeal fundraiser, his current collection includes a rare 1991 Ferrari F40, a brand new Ferrari 599, two Lamborghinis, a 2010 Rolls Royce Ghost, 2011 Bentley Mulsanne, and Bentley super sport, Audi R8 V10, a 2011 Aston Martin DBS, and 2010 Mercedes SLS AMG. The cars have a combined worth of approximately $3m. Rudd’s airport hangar is also home to his MD 520N helicopter.
With the lavish rock star lifestyle firmly in place, Phil Rudd recorded and released his first debut album ‘Head Job’ with Kiwi musicians Allan Badger and Geoffrey Martin in 2014. The album was released via Universal Music Group in Australia & New Zealand but further promotional plans were scuppered by well-publicized legal problems in New Zealand.