Aisles have been regarded as Neo-Prog, but their approach to music goes far beyond. Their soulfully crafted combination of rock, progressive rock, art rock, fusion, world music and other styles illustrates the band’s unique liberal and eclectic music vision, reaching their own sound by forming an identity which makes it unmistakably unique to anyone’s ear, and a spirit in which prevails above all, the desire to create.
SOURCE: Official Bio
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Fintan McKahey – Platinum
Fintan McKahey’s latest offering Platinum is a missive to magic. In light of the Covid-19 crisis, Fintan’s themes of resilience are uncannily prescient. As the world around us slows down and many people delve deeper into the old ways. This new single from the young Irish songwriter/producer is an eclectic, downtempo, bedroom-pop production, influenced by the likes of Chet Faker & Bonobo. The song is envisioned from the perspective of one of “The skies own relatives”, the mysterious traveler, who can open the portal to other realms.
For decades artists and healers have been attracted to the beaches and byways of West Cork. Rural Ireland echoes with tales of magic and myth, so it is no surprise that these themes emerge in Fintan’s songs. He writes, records and produces all of his music from the haven of his home studio, where he is continuing the family legacy, as the son of Stump drummer, Rob McKahey, and the nephew of CousteauX singer, Liam McKahey; who spent their own childhoods in the rebel county. The video for Platinum was recorded at his home studio and filmed by Fintan’s partner Kate Bean. Fintan later edited it, whilst self-isolating and awaiting the results of his own test.
“This past winter, I poured my energies into creating a space that I could work in with my band in 2020. The results are beyond inspiring and it almost feels as if the songs write themselves here in my new studio. I was fortunate to complete this self-build just as the Coronavirus began impacting us all but I guess I shall be going it alone here for a while yet.”
LINKS:
https://www.facebook.com/McKahey
https://twitter.com/FintanMcKahey
https://www.instagram.com/fintanmckahey
http://fintanmckahey.com
https://open.spotify.com/artist/3qgXyv2eyJHzhSqzIXQYjE?si=AcNFal-oQce8HPsdu8vCmQ -
Acadian Driftwood – Catch The Sun
Formed in Liverpool in 2016, Acadian Driftwood makes roots music for the digital age. The band draws on both Americana and their own British musical heritage to produce a diverse alchemy of rock, blues, country, and surrealism.
The band have already earned airplay and support from BBC Radio Merseyside’s Dave Monks and are winning an army of fans thanks to their presence on Liverpool’s vibrant music scene.
“The UK’s freshest purveyors of British Roots n roll, a uniquely British take on roots rocks it would be wrong to pigeon-hole Acadian Driftwood.”
Paul Osborne, Shindig Magazine“As soon as I heard them I had to play the tracks.”
Dave Monks, BBC“Influences shape music and they rarely come with more credibility…showing true potential, the songwriting is strong and the playing organic.”
Denis Parkinson, Liverpool Etc“Spirited melody and tranquil harmonies, although an expected contrast, combine with the lyrical darkness to create an amazing sound.”
Aimee Steven, The Back Door“This is not generic music that has been thrown off an assembly line; this is handcrafted music that has been handled with patience and care.”
Richard Bradshaw, The Culture Journal“Boasting a sea of talent among the three of them Acadian Driftwood delve deep into the roots of musical history, harnessing the best of country and blues and fusing it into modern day jams.”
Matthew Wood, Get Into ThisLINKS:
https://www.facebook.com/acadiandriftwoodmusic
https://www.instagram.com/acadian_driftwood_
http://www.acadiandriftwood.co.uk
https://twitter.com/acadiandriftwud -
Cathal Coughlan – Owl In The Parlour
Cathal Coughlan has released the video for his new track titled ‘Owl in the Parlour’. Given a dark tone only highlighted by the video, the track has an almost dark alt jazz feeling to it. Almost a cross between Leonard Cohen and Joe Jackson. The chord progressions are brilliant and the originality factor is above ten.
As of February 5, ‘Owl In The Parlour’ is available digitally across online platforms, such as Apple Music and Spotify. Lead track ‘Song of Co-Aklan’ can already be found on these same platforms. The full album, set for release on March 26, can be pre-ordered HERE.
ABOUT CATHAL COUGHLAN
Irish indie music legend Cathal Coughlan presents ‘Owl In The Parlour’, the second single from his forthcoming album ‘Song of Co-Aklan’, his first new music in ten years, to be released via London label Dimple Discs. The accompanying video was created by Andy Golding (The Wolfhounds, Dragon Welding), presenting Co-Aklan in an infomercial of the most hallucinatory and lurid kind, which is nonetheless friendly and persuasive in tone.
“This song is, in part, a survey of the options in personal couture, animal husbandry, and ‘inexpensive’ domestic staffing which are now available to the spry middle-aged man in this era of global communication. In this gilded age, we are simultaneously interlinked and mutually repelled as never before, whether we live in remote settlements in war-torn parts of the world, or in the mosaic of postage-stamp-sized semi-detached fortresses and gargantuan fulfillment hubs that is the English Hinterland in 2021,” says Cathal Coughlan.
Earlier, Coughlan released the title track ‘Song of Co-Aklan’, along with a video that is a hermetic visual feast, created by Emmy Award-winning filmmaker George Seminara.
Best known as co-founder and vocalist for seminal 80s/90s bands Microdisney and The Fatima Mansions, who toured internationally with U2, the Cork native has been described as “the most underrated lyricist in pop today” by The Guardian newspaper. DJ John Peel was also such a fan that he stated he could “listen to Cathal Coughlan sing the phone book”.
Recorded in London, this song features Coughlan’s long-time collaborators from the Grand Necropolitan Quartet. Namely Nick Allum (The Fatima Mansions, The Apartments) is on drums, James Woodrow is on guitar, with cello by Audrey Riley (notable collaborator of Lush, The Sundays, The Smiths, Nick Cave, The Cure, The Go-Betweens, Smashing Pumpkins, Catherine Wheel, Moloko and Coldplay). Anchoring the song is Rhodri Marsden (Scritti Politti) on bass.
This album also features contributions from Luke Haines (The Auteurs, Black Box Recorder) on bass and baritone guitar. The eye-catching cover art for the ‘Song of Co-Aklan’ LP is by outsider artist Cristabel Christo and originated by Bruce Brand, award winning designer for The Darkness and Whites Stripes.
Cathal Coughlan is widely considered to be one of Ireland’s most revered singer-songwriters, beloved by fans of caustic literate lyricism and erudite songcraft. Since Fatima Mansions’ demise in the mid-90s, he has released five acclaimed solo albums, taken part in an array of collaborations, and made numerous guest appearances. Along with Microdisney bandmates, he was the first recipient in 2019 of Ireland’s National Concert Hall Trailblazer Award, which celebrates culturally important albums by iconic Irish musicians, songwriters, and composers (for 1985’s ‘The Clock Comes Down The Stairs’).
Feautred image by by Gregory Dunn.
LINKS:
http://www.cathalcoughlan.com
https://www.facebook.com/cathalcoughlan
https://twitter.com/realcathalc
https://www.instagram.com/cathalcoughlan
https://www.youtube.com/channel/UCazYm7FpGdnSORnFUGqHHtQ/featured