Jammerzine has an exclusive interview with rap pioneer Sa-Roc. This, to me, is one of those interviews that is a privilege to be a part of for the simple fact that talking with Sa-Roc becomes one of those situations where you walk away all the better because you learn something. For one, you learn that becoming famous, much less good doing what you want to do is more than just realizing the dream, its hard work and commitment.
Sa-Roc is the epitome of that and more. She took a vision and learned all of the logistics necessary to achieve and sustain that vision and she did that while finding her own voice. We learn that and more in this interview.
We also learn about her new upcoming album titled ‘The Sharecropper’s Daughter’, which releases on October 2nd. The album is 15 tracks of insight documenting renaissance, revolution, and revelation. We are living in the perfect age for this album.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.
LINKS:
https://sa-roc.com
https://www.facebook.com/sarocthemc
https://twitter.com/sarocthemc
https://www.instagram.com/sarocthemc
https://www.youtube.com/playlist?list=PL_AA8JeDxiPa5cojhQHOPOnmZC_YRn70s
https://open.spotify.com/artist/2tjZzUU3KKhsxlmNjV3VZg?si=AbZr8vJ0RPyvKhbXZG9Pgw
https://soundcloud.com/sa-rocofficial
https://music.apple.com/us/artist/sa-roc/461801551
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The G-O-D – Mad Bad And Dangerous To Know
With a raucous beat and hook-driven chord progression, The G-O-D solidify their place in the new #indie scene with their latest track “Mad Bad And Dangerous To Know”. You would think with a title like that, that very title would be impossible to fit into a song, but you have to listen to the genius way that very title fits seamlessly into the chorus in a way that will have you singing it to yourself hours after hearing it for the first time.
The video itself is a documentation of the time you will have at a G-O-D show, with fun, funk, and rhythm to be had by all. The G-O-D is, as much as they are relevant; fun. This is a cool band to follow, with the mersey-cool-funk-beat of Si Wolstencroft and the guitar-powered-sarcastically-fun-vocals of Chris Bridgett. It’s time to meet your new music maker in The G-O-D.
Check out their music HERE.
LINKS:
https://www.facebook.com/pg/TheG.O.Dmcr
https://twitter.com/TheGODmcr
https://theg-o-dmcr.bandcamp.com -
An Interview with The Rah’s (The Week in #Indie Segment)
It’s always an interesting twist to catch a band in a musical transition. And to get an interview with them during said transition is an absolute lesson in evolution. That band, in this case, is The Rah’s, originally from Prestonpans, Scotland and now in the world.
This interview is also a splendid treat because I get to talk to the whole band. So I get some very distinct answers from a group of individuals that make up a very creative unit.
Stay tuned for some great things from The Rah’s in the near future!
Check out our review of one of their earlier tracks called ‘Sweet Talker‘ and their last video (as of this writing) titled ‘Take It All In’ below.
About The Rah’s
With two previously released EP’s under their belt (Give Me Life 2012) & Living The Dream 2013 and support slots with The Fratelli’s, The View, Chris Helme (Seahorses) & Steve Diggle (The Buzzcocks) the band have been working closely with Roni Szpakowski to produce the perfectly crafted ‘Sweet Talker’ which was released on October 24, 2017 and have additional material ready to be unleashed later this year.The band was selected by FACEBOOK to do a FACEBOOK LIVE show on February 24th, comprising of an interview and acoustic set that included performing the new single ‘SWEET TALKER’, thus far the session has received over 70k views.
LINKS:
https://therahs.bigcartel.com
https://www.facebook.com/therahsmusic
https://twitter.com/therahsmusic
https://www.youtube.com/channel/UCks2udwJN0vKiFpCrezcoaQ
https://therahs.bandcamp.com -
Wolfhounds Premieres ‘Can’t See The Light’ Video (The Week in #Indie Segment)
Wolfhounds drop their new video for the track titled ‘Can’t See The Light’. Trippy and psychedelic in all the right places, ‘Can’t See The Light’ gives the guitars a chance to fight each other over a steady/strong bassline and thumpy percussion, while the vocals act as the ringleader in this psycho-circus of music. Let the video act as a Rorschach test for your musical preferences.
‘Can’t See The Light’ is available everywhere, including Apple Music, Spotify, and Bandcamp.
Check out the full episode of The Week in #Indie HERE.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.ABOUT WOLFHOUNDS
London-based C86 legends Wolfhounds have announced their new album ‘Electric Music’, set for release on July 3 via A Turntable Friend Records. Ahead of this, they present a lead single ‘Can’t See the Light’, a powerful track that opens fire on side one of the forthcoming record with captivating video by David Janes.
“Musically, ‘Can’t See The Light’ has a discordant guitar line – perhaps carrying echoes of John Barry’s The Persuaders theme – until it reaches a desperate crescendo; this feeling is captured brilliantly by David Janes’ claustrophobic and darkly psychedelic video,” says Wolfhounds’ frontman David Callahan.
A spitball of melancholy fury, this is an explosive tune about how anger turns inward after the low expectations of a country’s myriad self-defined gatekeepers have crippled the ambitions of those who want change for the better. With a bass-heavy rush, ‘Can’t See The Light’ builds desperately to a semi-tonal release of noise, sounding simultaneously claustrophobic and liberating.
“All tunnels eventually emerge into the sun (as David Janes’ accompanying paranoid and sick-a-delic video shows) but while you’re underground it can seem like darkness is perpetual and inevitable,” says Callahan.
Always ahead of the times, The Wolfhounds have never nailed the spirit of now more succinctly and devastatingly than on this new single and other songs on the new album.
Originally formed as teenagers in 1984, The Wolfhounds released four critically acclaimed LPs before initially disbanding in 1990. By that time, they released music on the legendary and influential C86 cassette via NME, recorded three John Peel sessions for BBC Radio One, and toured the UK and Europe extensively as headliners and as support for My Bloody Valentine, The House of Love and The Wedding Present. The band’s acknowledged and audible influence stretches from Nirvana to the Manic Street Preachers, and all the way to Fontaines DC – but musically they remain ahead of all.
The band reformed in 2006 at the request of St Etienne’s Bob Stanley to celebrate 20 years since the release of C86, and inflicted a severe guitar noisefest on an unsuspecting indiepop crowd at London’s ICA. Since 2012, they have been recording and releasing new material, including ‘Middle Aged Freaks’ (2015) and ‘Untied Kingdom or (How to Come to Terms With Your Culture)’ (2017), repeatedly showing that they can still blow any act half their age offstage. In 2018, Wolfhounds released ‘Hands in the Till – The complete John Peel sessions’, a 12-track album released via A Turntable Friend Records.
The Wolfhounds are back and better than ever with their new ‘Electric Music’ LP – probably their greatest album yet. The band has become truly (hyper-)active again, performing at several pop fests (including Berlin and New York) and stand-up comedian Stewart Lee’s All Tomorrow’s Parties, as well as regular club dates in the UK and Europe. Stewart Lee also wrote the extensive sleevenotes for the record.
The band continues to be more relevant and adventurous than ever and, despite their indie roots, have more in common with the likes of Richard Dawson and Sleaford Mods than their old jangly peers. Electric Music grabs their home country’s woes by the horns and gives them the kicking they deserve!
CREDITS
Recorded, engineered and mixed at Cosmic Audio, Epping, by Ant Chapman
Additional home and phone recordings by Andy Golding and David Callahan
Mastered by Rory Attwell
Formulated and promulgated in Essex and London
Produced by the MeerkatsDavid Callahan – vocals, guitar, samples
Andy Golding – vocals, guitar, banjolele, bulbul tarang, keyboards
Richard Golding – bass guitar
Pete Wilkins – drums
Rhodri Marsden of Scritti Politti plays the bassoon
Extra vocals from Katherine Mountain Whitaker.
Sleeve by Andy Royston
Sleeve notes by Stewart Lee
Videos by David Janes www.brtlby.comLINKS:
https://thewolfhounds.bandcamp.com
https://www.facebook.com/TheWolfhounds
https://twitter.com/TheWolfhounds
https://open.spotify.com/artist/0Fxh7lSWIVOt1oX0A10ifB
https://music.apple.com/us/artist/wolfhounds/202918429