Jammerzine has an exclusive interview with Brake Loose. This is a band that I highly recommend for more reasons than just the obvious. Take a listen to the playlist below. Brake Loose is yet another reason that COVID needs to f*ck off immediately. This is a band we need to hear and see live. With sheer rebellion in the music and the anarchy in the anecdotes, Brake Loose are a band that needs to cut loose and the place for that is on the stage.
Having said that, we get the gift of gab featuring the entire band! These are the interviews that really shine, imho. In this interview we get a glimpse of the mayhem behind the music from a band that has already found their sound and capturing them at that moment in their career between lockdown and blowup.
About Brake Loose
Based in Dublin, Ireland Brake Loose is a five-piece Hard Rock band with a fresh hard-hitting sound and a penchant for including provocative Spoken Word Poetry within songs.
Led and formed in 2019 by reckless Venezuelan frontman and poet Alex Murillo with his rough melodic tunes and theatrical vocal style. They’ve gigged extensively throughout Dublin, establishing themselves as a notable force on the Irish music scene. With Tico Pellegrino (guitar), David O’Grady (guitar), Eoin Madden (bass), and Johnny Krasuski (drums) they lay down madness dripping with head-banging grooves and electrifying solos. They released their debut single “Dublin Daze” as a music video in 2020, which was well-received online, driving the band forward.
Selling Out their first headline show November 2021 at The Workman’s Club Cellar – Dublin, with this hype, they are currently crafting their debut album.
LINKS:
https://www.instagram.com/brakelooseofficial
https://www.youtube.com/channel/UCOQEZwprEC8II4l9tJvnSPg
https://www.facebook.com/brakeloose
https://twitter.com/brakelooseband
https://open.spotify.com/artist/0sklfNVhTLHQtAbLU1cqVA?si=Ub-9rbkyTRuO_JrC-6TXhg
https://soundcloud.com/brakeloose
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An Interview with Sweet Justice
Jammerzine has an exclusive interview with a pair of sheer talents in the form of Frank Meyer and Bruce Duff, a.k.a. two-thirds of Sweet Justice. Add drummer Mike Sessa to the mix and you have the absolute definition of a power trio. And that is what you hear in their new EP titled ‘Redline’. You get the sheer face of true rock n’ roll. That sucker punch of rebel rock with the stank of slide and the power of mojo. Fleeting moments of heart for the soft-spoken surrounded by the grit and grime of a constant rock anthem.
And today we get to talk with Frank and Bruce about the power of music, the power of THEIR music, and how that music is going to help ease us out of the pandemic and put the unity of music back in music.
About Sweet Justice
Featuring the founding members Frank Meyer (vocals, guitar) and Bruce Duff (vocals, bass, guitar) of indie punk vets The Streetwalkin’ Cheetahs with drummer Mike Sessa of Rosie Flores, Cracker, The Joneses, and Cheetahs fame joining in for the fun, Sweet Justice delivers consistently strong and pure modern blues rock that follows the stylistic paths of Gary Clarke Jr, Rival Sons, and the Black Crowes.
Produced and written by Duff and Meyer The Redline EP tackles a White Stripes-style stomp-clap (“Tell the Preacher”), swampy pop (“Sunny Daze”), Texas blues (“Medicine Show”), glam-boogie (“I Get More”), and the Robert Johnson-by-way-of-AC/DC strut (“Redline”). “Aww Shucks,” “Feeling Fine,” and “Gotta Get That” round out this hot ‘n’ juicy classic rock swagger platter.
“These songs are a little harder-edged than the first album and a lot catchier,” explains Meyer. “We got inspired by all the great blues-rock acts happening these days and wondered if our first album wasn’t a bit ahead of its time. It seemed like the time was right to revisit the Sweet Justice sound, but we gave it a modern twist on this one. This new album is less traditional than our earlier work and fits much comfortably in the modern rock landscape.”
“I think both Frank and I have evolved a great deal as producers since the first Sweet Justice record which was one of the very first LPs we produced as a team,” notes Duff. “Applying all of that combined experience to these songs was a blast; that, and plugging in all the crazy fuzztones we’ve acquired in the past 15 years!”
All three Sweet Justice members arose as underground emissaries from the real rock world, as well as also playing in The Streetwalkin’ Cheetahs, though each member has their own impressive pedigree. Meyer is also the frontman for Iggy & The Stooges guitarist James Williamson, a member of Long Beach supergroup Blind House, and bandmate of Eddie Spaghetti (Supersuckers) in their side project Spaghetti & Frank. Duff is an established music producer and manager who cut his teeth in 45 Grave, ADZ, Jeff Dahl, and plays in Jesters of Destiny, The Magnificent, and Scared Cowboys. Meanwhile, Sessa has toured with everyone from Cracker, Rosie Flores, The Joneses, and Wayne Kramer.
Featured image by Jason Valdez
LINKS:
https://www.instagram.com/sweetjustice_music
https://www.facebook.com/sweetjusticetheband
https://lnk.to/SweetJusticeRedlineEP -
Black Needle Noise Releases ‘Seed of Evil’ Video ft. PIG a.k.a. Raymond Watts of KMFDM fame (The Week in #Indie Segment)
John Fryer, the globally recognized producer and curator of the project known as Black Needle Noise, has dropped his new video titled ‘Seed of Evil’ featuring <PIG> a.k.a. Raymond Watts of KMFDM fame. A contoured divide between the industrial overtone and gothic underpinnings, ‘Seed of Evil’ crosses that great divide into a darkly original mindset with grinding rhythm and a purely black chord progression.
The video adds to the musical mindfuck just short of epileptic orgasm designed to muse as much as it is to shock. Decadance now has a soundtrack.
‘Seed of Evil’ is out now, available digitally across online stores, such as Apple Music, and streaming platforms such as Spotify. It is also available directly from the artist via Bandcamp.
Check out our other articles about Black Needle Noise HERE.
Watch the full episode of The Week in #Indie HERE.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.ABOUT JOHN FRYER & ‘SEED OF EVIL’
John Fryer, the legendary producer, and artist in his own right unveils the latest offering from his Black Needle Noise project – the new video for ‘Seed of Evil’ with PIG, an unholy collaboration from two of the most celebrated and talented forces in industrial music.
Vocalist Raymond Watts‘ plows forth with a sinister growl over Fryer’s menacing atmospherics. The track’s foreboding lyrics speak of allowing evil to overcome one’s self.
Formed in the late 1980s, PIG has blazed quite a trail – not surprising with Raymond Watts has been a visible part of the industrial music scene as a founding member and lead singer with KMFDM through their most prolific and successful period (1984-2003), as well as Nine Inch Nails, Schaft, Schwein and Einstürzende Neubauten, among others.
Conceived and edited by Fryer and Joseph Seuferling of Psionic Broadcast, this dark and twisted visual escapade (a Psionic Broadcast and Black Needle Noise Production featuring actress Anjela Piccard) was filmed by John Fryer and Piccard (L.A.) and by PIG (London).
“Joseph Seuferling first came to my attention when I saw he had a film called ‘I Am God’ and BNN had not long just release a song with the same name. So I contacted Joseph and asked if he would like to meet next time he was in LA. Anjela & I went to meet with Joseph Seuferling at the Roosevelt Hotel and whilst we were talking, I asked him he would like to make a video for “Seed Of Evil”. He liked the song so he agreed to make a video. So Raymond shot his footage in London and Joseph got to work,” says John Fryer.
The 1st part of the video Joseph made and turned it into a trailer for the song and The World Tour Of Hollywood that Black Needle Noise was about to embark on. Joseph ran out of time to finish the video so I took over the editing to finish it. Anjela and I shot our footage here in LA and then I got to editing, making sure to keep the same style Joseph had set. Once I had finished it, I sent it to Joseph and he added some final touches. The result of all our hard work is quite amazing, even if I do say so myself.”
As one of the most innovative sonic architects of our age, “John Fryer has practically soundtracked your entire life” (Impose Magazine). His musical imprint is massive, having shaped the sound of bands from Nine Inch Nails and Cocteau Twins to HIM and Depeche Mode. He is also one of just two masterminds behind This Mortal Coil (along with Ivo Watts-Russell – not only producing but also keyboards, strings, and synthesizer sequencing).
“When John Fryer called, it was like cream was fed to my poison crop. I was thrilled to lend Satan’s little helping hand to Black Needle Noise. The result from this marriage made in hell was appropriately called ‘Seed of Evil’ … it pours out of me into the night, where the devil tries it nice and tight,” says Raymond Watts.
John Fryer adds: “After many a moon passing, we finally got to work together again. I had to find the right song for Raymond but I think we have a great noise-pop hit on our hands. It’s been a real pleasure working with Raymond on this and I can’t wait to hear it in the clubs.”
John Fryer started his career in 1979 at London’s Blackwing Studios (London) and soon began working with seminal bands on the 4AD, Mute, Rough Trade and Beggars Banquet record labels, including Depeche Mode, The Wolfgang Press, and Cocteau Twins. His achievement in helping develop the latter’s pioneering ethereal and ambient sound ultimately led Watts-Russell to recruit Fryer as his partner for This Mortal Coil.
A sense of expectation about his music has never left him – expectations he often exceeds from release to release, having produced many groundbreaking artists along the way, including Love and Rockets, Swans, HIM, Cradle of Filth, Clan of Xymox, Nitzer Ebb, Dead Can Dance, Yaz (Yazoo), Xmal Deutschland, Fields of the Nephilim, De/Vision, Stabbing Westward and many others. Over the past two decades, John Fryer has also produced several film soundtracks, including Seven, Clerks, Johnny Mnemonic, Mortal Kombat, Faust and Resident Evil: Apocalypse.
Featured image by Anjela Piccard.
CREDITS
- Music and all noises by John Fryer
- Lyrics by Raymond Watts
- Vocals by PIG
- Video shot by Anjela Piccard and John Fryer (L.A.) and by PIG (London)
- Styled by PIG, Anjela Piccard, and John Fryer
- Actress Anjela Piccard
- Concept/Editing by Joseph Seuferling & John Fryer
- A (Psionic Broadcast) & Black Needle Noise Production
LINKS:
https://www.blackneedlenoise.com
https://blackneedlenoise.bandcamp.com
https://www.facebook.com/BlackNeedleNoise
https://www.facebook.com/John.Fryer.Official
https://www.instagram.com/black_needle_noise
https://www.youtube.com/channel/UCTC_bNQDfUviTBDiBHYAiSg/videos
https://open.spotify.com/artist/3KkYK2dnIfRb9EDrCRndB6 -
An Interview with Jonny Kosmo (The Week in #Indie Segment)
Jonny Kosmo has given an exclusive interview to Jammerzine. I announce that because, when you hear his music, you will see. This artist is a true original. From his music to his life and everywhere in between.
And, in this interview, we talk about his new album titled ‘Pastry’, to be released June 4th on Feeding Tube Records and Dinosaur City Records (AUS). We also talk about his innovative video from ‘Pastry’, for the song ‘Fool’, featuring animation with personality by Peter Nichols.
Whatever your musical tastes are, I think it is safe to say that you will find space on your plate for Jonny Kosmo. His music comes from that part in all of us that wants to know our individuality and inner child. Jonny has found both and made them partners.
“There are two sides to every coin. “Fool” is about how our character struggles can also be our greatest assets. In this case, it is love and connection with another that allows the defensiveness and protection of the fool archetype to shift to that of a fool for life. I aimed to capture the movement from the rigidity of taking ourselves too seriously to the humor of being human. This song is accompanied by a video made by Kevin Kearney, Peter Nichols (animation), and myself.”
Jonny Kosmo on ‘Fool’ videoWatch the entire episode HERE.
Click HERE to watch Season 7 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.LINKS:
https://www.jonnykosmo.com
https://www.facebook.com/jonnykosmo
https://twitter.com/JonnyKosmo
https://www.instagram.com/jonnykosmo
https://open.spotify.com/artist/6VyZH1zto2r7gkSYsUUBEx?si=Xm38MBHARQ-OW0AI3du-Cw
https://soundcloud.com/user-626752313