Musical duos come in all shapes and genres. Some work. Some don’t. Musically. Today we talk to a musical duo that not only works; it thrives. The music coming from this duo is simply exciting. In every sense of the word. That duo is LUCKYandLOVE. And to hear their story will give meaning to the music.
In the interview, I speak with April Love, one half of LUCKYandLOVE. Her sensual voice and atmospheric guitar work are a part of what makes this band work. But there is so much more. Check out the interview and previews to hear for yourself.
LINKS:
http://luckyandlove.com
http://www.facebook.com/luckyandloveband
http://shop.luckyandlove.com
http://soundcloud.com/luckyandlove
http://twitter.com/luckyxloveband
http://luckyandlove.bandcamp.com/album/lucky-love
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Charlie Nieland Premieres ‘Divisions’ Album (The Week in #Indie Segment)
Charlie Nieland has released his new album titled ‘Divisions’. Charlie is an artist with a long history in the music business, and ‘Divisions’ reflects that. The songwriting is as solid as it is diverse. And, what I mean by that, is that this is not a ‘filler’ album. This is an album with 13 tracks of differential personality. Something will be relatable to the listener regardless of what kind of listener that is.
There is also enough diversity to show that these tracks could be in any order you want them to be in. That is a good thing in the age of playlists. You can construct this album to your liking. And that is what is at the heart of Charlie Nieland’s mindset as an artist. That accessibility that those talented in music can possess. If beauty is in the eye of the beholder let the music be the soundtrack to the soul.
The ‘Divisions’ LP is out tomorrow (March 5) and will be available digitally everywhere, including Spotify and Apple Music. It can also be ordered directly from the artist via Bandcamp.
Check out our other features with Charlie Nieland HERE.
LINKS:
https://charlienieland.com
https://www.facebook.com/CharlieNieland
https://charlienieland.bandcamp.com
https://www.instagram.com/charlienieland
https://twitter.com/CharlieNieland
https://soundcloud.com/charlienielandmusic
https://www.youtube.com/channel/UCi_wz-YdpGS8roW0tPfHQNQ
https://open.spotify.com/artist/70I9duCgmppXweNM7yjPxs?si=pGfn12ppRkueL-7ePMCt0g
https://music.apple.com/us/artist/charlie-nieland/1136844408Watch the full episode HERE.
Click HERE to watch Season 7 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’. -
An Interview with XTC Author Mark Fisher (The Week in #Indie Segment)
When a band, or any kind of artist for that matter, has such a positively fervent following, as XTCdoes, the music and stories surrounding that band or artist can elevate to a kind of mythical status. There is certainly mythology surrounding XTC that has fermented for decades with followers and fans of all ages, ethnicities, and beliefs all captivated with the music in their own special ways.
And now we have author Mark Fisher chronicling some of those stories from those who knew the band personally as well as those who know the music. This is an inciteful book about an inciteful band. And now we get a perspective of XTC from a well-versed author who is also a fan (having run the original XTC newsletter, Limelight).
‘What Do You Call That Noise?’ will be released on March 4 (links below).
About Mark Fisher & ‘What Do You Call That Noise?”
From Mark Fisher, the editor of ‘The XTC Bumper Book of Fun for Boys and Girls’, comes a new musical exploration of one of the most essential pop groups of the 20th century. ‘What Do You Call That Noise? An XTC Discovery Book’ is a compelling 228-page book that involves some of the world’s leading musicians and keenest fans of XTC. Here, they come together to discuss what makes this Swindon band so very special and the extent of the impact of their music worldwide.Every member of XTC also makes an appearance. Andy Partridge speaks about mixing, Dave Gregory on arranging and Barry Andrews on the piano. The book also features interviews with XTC drummers Pete Phipps, Pat Mastelotto, Ian Gregory, Prairie Prince, Dave Mattacks and Chuck Sabo.
“Every XTC album that got ignored gave the band a real power jolt. It was like being the Duracell bunny and getting a fresh set of batteries in your back. It made us want to strive harder,” says XTC frontman Andy Partridge.
“Weirdly, it does feel like the band is being appreciated now. We’ve become a historical artifact that’s more important than when it was a pot in Cro-Magnon times. As a museum exhibit it’s become priceless, but as a Neanderthal pot, nobody wanted to bother pissing in it. It makes me feel valued – as long as I don’t go into national treasure territory!”
Fisher also offers an in-depth review of Colin Moulding and Terry Chambers playing live for the first time in 36 years as TC&I. during their recent Swindon Arts Centre residency, a performance named on BBC Radio 6 Music’s Marc Riley show as one of the gigs of 2018.
Contributing musicians include:
- Rick Buckler: The Jam
- Chris Difford: Squeeze
- Debbi Peterson: The Bangles
- Dennis Locorriere: Dr. Hook
- Steve Conte: New York Dolls
- Steven Page: Barenaked Ladies
- Chris Butler: The Waitresses
- Tracey Bryn: Voice of the Beehive
- Jason Falkner: Jellyfish
- Andrew Falkous: Future of the Left
- Peter Gabriel
- Mike Keneally: Frank Zappa
Plus Anton Barbeau, Todd Bernhardt, Chris Braide, Mikey Erg, Anne McCue, Jim Moray, Erich Sellheim, Rosie Vela, Mark Vidler, and David Yazbek, as well as members of Fassine, Big Big Train, bis, Cosmic Rough Riders, Odds, Tin Spirits, Palm Ghosts and many more…
2018 marked the 40-year anniversary of XTC’s first studio album ‘White Music’. While XTC was founded in 1972, it wasn’t until 1979 that XTC had their first UK chart single. Colin Moulding and Andy Partridge continued their partnership until the group’s dissolution in 2006.
Lately there has been renewed interest in XTC, in part due to the release of eye-opening XTC documentary ‘This Is Pop’ about the band’s history and legacy, which looks at XTC and their journey from mercurial pop outsiders to full-blown national treasures and one of Britain’s most influential yet unsung bands.
“The song is a little machine. If you take apart the machine, it’s not a clock anymore and you can’t tell the time by it.”
– Andy Partridge“Music… I couldn’t imagine life without it. It’s always there.”
– Dave Gregory“I was always quite envious of XTC because they weren’t put in the same pigeonhole as punk bands. They were regarded as a bit more arty than that. We always had to fight off this flag, being under the banner of punk… XTC never seemed to fall into that trap. They had that freedom.”
– Rick Buckler ( The Jam)“Seeing them on TV was like being in a tribe. Together I thought we might rule the world… Yes, I stole from them. I’m sure I was not the only one. The wit did woo mee. I fell head over heels for the clever wordplay, the charge of the story and the sentimental Britishness of it all.”
– Chris Difford (Squeeze)“XTC’s music has always been there in my consciousness. I think about it a lot when I’m making records… They come across as an everyday group of people and that’s very much what Barenaked Ladies were about too – living as ordinary a life as you can in a bizarre lifestyle like rock’n’roll.”
– Steven Page (Barenaked Ladies)“I remember when I first heard Making Plans for Nigel on the radio… I absolutely loved the song, especially the drum part… Terry’s drumming was so rhythmic. I was very much influenced by him. In fact, I would drum along to XTC songs to warm up. It was very inspiring to me!”
– Debbi Peterson (The Bangles)LINKS:
http://www.xtclimelight.com
https://twitter.com/LimelightXTC
https://www.facebook.com/XTCLimelight
https://www.facebook.com/groups/425591964471058
http://www.xtclimelight.com/buy.html -
Soundbytes: Andy Cooper Exclusive Interview
‘The Layered Effect’ by US rapper/producer Andy Cooper offers a punchy reminder of the creative fun to be had in digging for breaks, stringing up loops and layering up strata of sound. Brimming full of delightful inflections from the world of Jazz, Easy Listening, Film Soundtracks and Hollywood voices, it’s a perfectly stitched sound patchwork that pays loving homage to the classic, funky days of early rap. A touching testimony to the joys of Hip Hop then and now.
More than just the skinny white dude who’s into old school beats, Andy Cooper has won his stripes after a twenty year stint with Hip Hop trio Ugly Duckling, then a couple more hanging out with The Allergies, not to mention the recent release of eight 7” singles, an EP and now his second solo LP. What is utterly charming is how enamored and respectful he is how it was at the beginning AND of how it still should be. Far from being the “old timer/delusional revivalist” he describes in ‘Last of the Dying Breed’, Cooper cares not about color or age, but that rap stays fresh, exciting, competitive, similar to a precious martial art.
For Andy, rap is a noble form. He’s a wordsmith extraordinaire, snappy and audacious, tipping his hat “to all the microphoners who still bring that dedication and expertise to their craft” and choosing to work with equally rapid sparring partners like Blabbermouf and MC Abdominal. Ownership of the genre is a constant theme throughout the LP. Like a contact sport, you punch and fight your way to the mic and once there “no one can take it from me”. Reverance is constantly being paid to the dons that went before, overtly Rick Rubin & the Def Jam crew, but covertly the Reggae sound systems and jazzers of old.
Not a sloppy note or shabby rhyme here. It’s an album that pops and fizzes with quirky beats and funky rhythms from start to finish. With production lines neater and sharper than a pair of sta press trousers, it’s impossible not to be seduced by the sheer buoyancy of the lyrics, beats, and intention. A refreshingly entire body of work with no low points, only head-nodding highs. It’s good to stumble across a Hip Hop album that has you giggling, thinking, singing and wearing out the soles of your shoes all at once.
LINKS:
http://www.youtube.com/user/uglyducklingvideos
http://www.instagram.com/andycooper75
http://www.facebook.com/acooper75
http://soundcloud.com/rocafortrecords/sets/andy-cooper-the-layered-effect/s-qKLg0
http://rocafortrecords.com