Jammerzine has a double dose of #indie in the form of an exclusive interview and premiere from who I consider one of the unsung heroes of the unsigned scene. I am speaking of Chicago’s Microcosms.
And now, with the addition of Ronn Richardson on guitar, the sound is filled and full. And we get that in a glorious fashion in the new single ‘Better Together’ (player above). The sound is found, as is said in the interview. ‘Better Together’ will be, in my opinion, the song that could, or should, break the barriers to the masses for Microcosms.
We get an in-depth look at this new addition with an interview with both Ronn and front-man Andrew Tschiltsch about this evolution of revolution that Microcosms is in the midst of taking as well as the new music and what the future holds for the band as a whole in this world of quarantine.
Read the full article and hear the new track HERE.
‘For me its been cool because I haven’t really played with that many musicians in my life. I started Microcosms and that’s really been the only band I’ve ever been in. So, for me, it was great to get these ideas because Ronn can play bass, play keys, and more so we don’t have this issue on who should play what.’
– Andrew Tschiltsch
‘There is no ego for me in this band or any project I’ve done with Andrew. In my opinion, it’s more about friendship and fun.’
– Ronn Richardson
Check out our other features with Microcosms HERE.
Check out the new single on Spotify HERE.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.
LINKS:
https://www.wearemicrocosms.com
https://twitter.com/atschiltsch
https://www.facebook.com/WeAreMicrocosms
https://microcosms.bandcamp.com
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Jammerzine’s The Week in #Indie for 4/15/2019
Premieres from LUCKYANDLOVE, Aliens, Beauty in Chaos, Ernest Moon, Skyfever, Slowness, The Nile Deltas, Us3r, and Vandebilt.
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Lazaris Pit Premieres ‘You Don’t Tag Me in Memes Anymore’ & ‘Cloudsculpting’ Singles (The Week in #Indie Segment)
Lazaris Pit drops their new single titled ‘You Don’t Tag Me in Memes Anymore’ plus the B-Side ‘Cloudsculpting’. This is the perfect ‘capture the band in the moment’ moment. We get that garage-perfect sound with that quirky attitude and tight-yet-loose feeling in the vein of Dinasaur Jr. and the like but all Lazaris Pit in execution and scope.
With ‘Cloudsculpting’ we get the same side of a different coin with an adventurous song climbing to the top with varied guitar chord progressions and a hypnotic varied beat with that lovely feeling of falling apart at the seams while sticking together tightly in that true alt-rock sound at its purest.
‘You Don’t Tag Me In Memes Anymore’ is available everywhere digitally, including Spotify and Apple Music. The full ‘Coniphers’ album will be released on May 22.
Watch the full episode of The Week in #Indie HERE.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.ABOUT LAZARIS PIT
Raleigh-based rock outfit Lazaris Pit have announced they will release their new ‘Coniphers’ album. Ahead of that, they present the lead single ‘You Don’t Tag Me In Memes Anymore’, a modern-day break-up song, often detached from the moments that make life worth living and musing on the deeper workings of it all with the grim reality that someone important has moved on. They also present a video rendition of this single, live in Athens, Georgia.
The B-side ‘Cloudsculpting’ showcases another facet of this album, evoking the image of spending a dreamy tranquil day, gazing up at the clouds and imagining what it might be like to live peacefully high up in the fluff and blue sky.
Formed in June 2017, this self-named “pack of cosmic dogs” consists of Ely “Salted Sweet Cream” Yarbrough (guitar and lead vocals), Cameron “Sugarfoot” Preston (bass) and Jon “Dok Tok” Castro (drums and backing vocals).
‘Our album ‘Coniphers’ is named after a brother of ours lost along the way. Included are 8 tracks of the good stuff, heady grooves and sweet pop tunes, funk breakdowns to zero gravity ambiance…. 42 minutes of rock n roll,” says Cameron Preston.
“Lead track ‘You Don’t Tag Me In Memes Anymore’ is a microcosm of the album as a whole, embodying our familiar Lazaris Pit sound. Is ‘Memes’ a pop song with a punk twist or is it a shoegaze song with some pep in its step? We aren’t quite sure what to call it, but we know it has been lighting up faces whenever mentioned and burning down dance floors when played live,” says Ely Yarbrough.
‘Coniphers’ was recorded live in-studio from November 2019 to January 2020, showcasing a band playing like a pack of hungry dogs, sinking their teeth into a meaty T-bone for the first time in ages. Recorded and mixed by Artem Smirnov at Common Thread Studios in Raleigh with additional engineering and creative input from Michael Graziano and Matt Graham, this album was mastered by Alexander Kretov at Ummagma Studio.
Lazaris Pit freely improvises a dreamy blend of punk, funk, soul, psychedelia, reggae, jazz, noise, and ambiance into a one-of-a-kind dance party. The result: a mind-meld of musical tapestries that take the listener on an emotional journey through time and space, and ourselves in the process.
They’ve brought their unique brand of rock-n-roll far and wide, having played shows up and down the east coast and southeast from Philly to Atlanta and New York to New Orleans, their sound filling large festival fields, historic college campuses, and the most intimate of dive bars and clubs.
Noting music aesthetic and sound inspirations in the sense of a launchpad rather than as blueprints, Lazaris Pit’ counts Fugazi and Grateful Dead among their inspirations, as well as classic R&B, Phish, Curtis Mayfield, Cream, Pink Floyd, Ween, George Clinton and Parliament-Funkadelic, Primus, Flaming Lips, Talking Heads, Sonic Youth, and Yo La Tengo.
Featured image by Travis Merchant.
LINKS:
https://www.lazarispit.com
https://lazarispit.bandcamp.com
https://www.facebook.com/lazarispit
https://twitter.com/themLPboys
https://www.instagram.com/lazarispit
https://www.youtube.com/channel/UC_mbHlwbaZgIBhb56ybbiAg -
The Academy of Sun Release ‘The Parts That Need Replacing’ Video (The Week in #Indie Segment)
The Academy of Sun has just dropped their new video for the track titled ‘The Parts That Need Replacing’. As we said in our original review of the single, ‘…delivers sustenance within that creative void’. The video adds to that in the fact that the visuals are timed and beautifully representative of the music that is the single. Almost an art-house accompaniment, the video adds that visual something that lends more of a creative touch as a separate stand-alone and not so much of a bonus to the song. Music for the senses.
‘The Parts That Need Replacing’ is out now, available across online stores and streaming platforms such as Spotify. The full album ‘The Quiet Earth’ will be released in the summer of 2020 on CD, as well as digitally.
Check out our exclusive interview with The Academy of Sun’s Nick Hudson HERE.
Watch the full episode of The Week in #Indie HERE.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.ABOUT THE ACADEMY OF SUN
Formed in Brighton nine years ago, The Academy of Sun is a four-piece comprised of Nick Hudson (piano, synths, Hammond organ, harmonium, vocals, percussion, synths), Kianna Blue (bass, synths), Guy Brice (guitars) and Ash Babb (drums).
Together, they present dystopian fantastic creations that combine the deeply personal and the poetically arcane. Dark yet buoyant, this is a controlled explosion of psychedelic and dark power pop with atmospheres couched in vast and expansive landscapes and cinematic arrangements.
The video for this single was directed and edited by Nick Hudson with cinematography by Samuel Horn. It features Wolfgang Storm with dinner guests Mark Walter, Gillian Rodgers and TAOS frontman Nick Hudson in what seems to be a red-brushed-culinary spread of grisly delight held in a gothic lair.
“The Parts That Need Replacing’ was written to sate my desire to ‘reconsecrate’ 16th Century Hungarian countess and noblewoman Elisabeth Bathory, whose reputed cannibalism and serial murders were most likely reputation-staining fantasies dreamed up by the church out of institutional jealousy. How could a woman possess such vast wealth and estates AND resist conformity with the church’s ways of being. Same tarring-brush as used on Jeanne D’Arc and Gilles de Rais. Usually, Bathory is immortalized in doom and black metal, so I wanted this reconsecration to take place by feeding these myths, scenarios, and allegations of bloodbaths, black magic, and eternal life into the medium of a hyper-catchy, high-energy pop song,” says Nick Hudson.
“The video, just as the song, alludes to various parts of the Elisabeth Bathory mythos – the alleged bathing in blood to replenish her youth, the cannibalism, the occult, and gnostic preoccupations, the aristocratic sensibilities, etc., whilst also ‘queering’ Bathory by having her played by the 23-year-old musician and artist Wolfgang Storm. The local butchers are getting fairly accustomed to my infrequent but memorable extra-curricular requests for off-cuts. As the song states “the best special effects are those you cannot see”… we shot it in one, fevered, orgiastic and insanely fun day. The dinner sequence was as deranged to shoot as it looks to be in the resultant video.”
Following 2017’s ‘Codex Novena’ LP, a hypnotic, doomy opus that found its way onto both Dangerous Minds and Sweeping The Nation end-of-year lists, ‘The Quiet Earth’ offers a colossal meditation on dystopia, irradiated landscapes and extreme states of human emotion. This 15-track collection of post-punk, chamber ballads and darkly prog studio epos was recorded at Church Road Studios with Paul Pascoe, whose work includes the last 2 albums by Barry Adamson (Magazine / Nick Cave and the Bad Seeds).
Nick Hudson’s musical juggernaut has been active in various incarnations since 2012, always transcending expectations. The Academy Of Sun has collaborated with Massive Attack’s Shara Nelson, members of NYC’s Kayo Dot, David Tibet of Current 93, Asva and Matthew Seligman (Bowie, Tori Amos, Morrissey). Hudson has also collaborated with Wayne Hussey of The Mission, as well as Canadian queercore icon GB Jones.
Known for explosive and psychedelic live shows, The Academy Of Sun has performed in a medieval castle in Italy, a boat on the Thames, an abandoned railway carriage in Offenbach, colossal churches, The London College of Fashion, The Old Market theatre in Brighton, the MS Stubnitz in Hamburg, Brighton Dome, and a string of L.A. shows in 2019. Having toured 3 continents, highlights include appearances with Mogwai, Toby Driver and Keith Abrams from Kayo Dot, and Timba Harris (Mr. Bungle, Amanda Palmer).
LINKS:
https://www.facebook.com/TheAcademyOfSun
https://nickhudsonindustries.bandcamp.com
https://www.twitter.com/theacademyofsun
https://www.instagram.com/The_Academy_Of_Sun
https://www.youtube.com/user/NickHudsonMusic
https://open.spotify.com/artist/5CxsNgEPz9v8iBgO52VUUd