When creativity meets originality you have some damn good music. But that is a rare occurrence. So it is particularly pleasing to see it incarnate. And that is in the form of U.K. duo San Eco. Formed by the merging of Morris Cowan and Tom Edney, San Eco is the end result of two unique minds verging on musical brilliance.
And today we talk to one-half of that melting pot with Tom. And we get the origin story and creative process explained as well as a glimpse into the future of all that is San Eco.
LINKS:
https://www.facebook.com/sanecosounds
https://beatphreak.co.uk/artists/san-eco
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Jammerzine’s The Week in #Indie for 11/4/2019
Jammerzine’s The Week in #Indie for the week of November 4th, 2019 includes exclusive interviews with dUg Pinnick, Fly My Pretties’ Barnaby Weir, and Danny Chavis from The Veldt. Also featured are premieres from Lunar Twin, North America, Owen Denvir, RISE, The Summercamp, and Too Many T’s.
About dUg Pinnick
Rare is it when I get to talk with someone of such knowledge and depth. Rarer still is when that learned musical scholar is also one cool and down-to-earth guy. That guy is dUg Pinnick. dUg is a virtual one-man walking history of music. Having honed his style and tone in the ’70s and solidified his place in music in the ’80s with King’s X, dUg played it all, done it all, heard it all, and been it all. And now we get the honor of hearing some of those stories and much more from the badass of bass in this exclusive interview.
In this interview, we get the latest news on King’s X’s new album and tour (dates below), the dirt on his other bands including KXM with George Lynch and Ray Luzier as well as his reflections on his just-completed Jimi Hendrix tribute tour with Joe Satriani and even a much-needed health update on King’s X bandmate Jerry Gaskill and so much more! Consider this interview a lesson in musicianship and a guide to living free.
LINKS:
http://www.dugnation.net
https://www.facebook.com/dugpinnickfanpage
https://www.instagram.com/dugpinnick
https://twitter.com/dUgpinnick_
https://itunes.apple.com/us/artist/dug-pinnick/id73055633?uo=8&at=1001ldnQ
https://www.youtube.com/user/douglaspinnick
https://www.kingsxrocks.com
https://www.facebook.com/KingsXofficial
https://www.youtube.com/user/alienbeans
https://twitter.com/kingsx
https://www.instagram.com/kingsxofficialAbout Fly My Pretties
When I first found out about New Zealand’s Fly My Pretties, I was astonished at how much of a collaborative effort it is while being as smooth running as it is. Their new album, and first studio album titled ‘The Studio Recordings Part One’ is an audio dynamite stick filled with the diversity that only a well crafted and tightly knit family of artists who know how to work together and work off the feeling of each other. And it shows (embed playlist below).
And in this interview, we get to talk with the brainchild of this effort, Barnaby Weir. In the interview, we get to know the roots of this family tree as well as the creative process that comes with each effort that Fly My Pretties undertakes plus much, much more.
LINKS:
http://www.flymypretties.com
https://www.facebook.com/pages/Fly-My-Pretties/70526150479
http://www.youtube.com/playlist?list=PL1D2FFBD9ABFB296E
https://twitter.com/FlyMyPrettiesNZ
https://flymypretties.bandcamp.comAbout Lunar Twin
Lunar Twin returns with a sonically dreamy and melodic turn for the evolution of their careers with their new single and video titled ‘Leaves’. The track is one of those that creeps up to you in a good way and lends that tender surrender of the ears and mind and gives that beautiful turn for the serene with soulful vocals and a quietly ascending cinematic progression with a steady yet poignant backbeat. Think U2 as a more electronic band with an original twist and emotional delivery that only Lunar Twin can deliver.
LINKS:
http://www.lunartwin.com
https://www.facebook.com/Lunartwin
https://lunartwin.bandcamp.com
https://twitter.com/lunartwinmusic
https://www.youtube.com/channel/UCuvRCdg_rfg6YBMd324hNXg/videos
https://soundcloud.com/lunar-twin
https://instagram.com/chriscontrollerAbout North America
East London quintet North America releases new single ‘Leave Us To Fate’. A rolling ballad encompassed in ethereal guitar work, the song is a bittersweet reflection on love’s subjugation to fate.
Frontman P.F. Phillip says, “Leave Us To Fate is a bittersweet goodbye to love now lost, a reminiscence of a romance that inevitably could not be.” Torn apart by separation, the protagonist encourages himself and his former lover to live and carry on, while admitting to a hopeless desire that they meet again in an unknown future.
Written, recorded, produced and released by the band themselves, ‘Leave Us To Fate’ is a cathartic release of emotion that encapsulates the band’s lyrical poeticism and sense of indie grandeur.
North America is a London based 5-piece creating viscerally energetic and introspective indie-rock that embodies the anthemic quality of their songwriting. Hailing from São Paulo and California, frontman P.F. Phillip met guitarists Gabe Coulter, Jack Rennie, bassist Sandro Giacometti, and drummer Sam Roberts at the world-famous Metropolis Studios before forming North America in 2017 over a refined appreciation of trashy American comedies and questionable pizza joints.
LINKS:
https://www.facebook.com/northamericaofficial
https://www.instagram.com/northamericaofficial
https://twitter.com/northamericabnd
https://soundcloud.com/northamericaofficial
https://www.youtube.com/channel/UCYLulTJDkFWPGiIEg55ArxQAbout Owen Denvir
Owen Denvir dropped his new EP titled ‘Sticks’ on November 1st, 2019. With the panache of a showman and the creativity of a troubadour, Owen gives a varied and stylistic set of tracks that truly lay credence to his body of work and showcase his talents as a singer. And Owen really has the voice for this body of work. His range is perfect for what he is utilizing it for but that weathered emotion within is what is the most captivating. Layer that amongst the solemnly orchestrated music and you have that true magic bottled by an artist.
LINKS:
http://www.owendenvir.com
https://www.facebook.com/OwenDenvir
https://twitter.com/owendenvir
https://www.instagram.com/owendenvirAbout RISE
RISE delivers a score for her beautiful voice in the form of her new single and video titled ‘Temples’. The meaning of this video is striking in its execution, having been filmed in and around select abandoned properties on the West of Ireland. Shot with grainy and subdued aesthetics that perfectly flow with the music in a very cinematic way, ‘Temples’ encapsulates that silent drama within us all that constantly blur the borders between complicity and compliance and that struggle that helps, or hurts us in finding that medium.
RISE is a musician that knows how to write and perform what she feels and isn’t afraid to face those demons that stifle us all when confrontation results. Simply beautiful.
LINKS:
https://www.riseofficial.net
https://www.facebook.com/talitharise
https://www.instagram.com/r_i_s_e_music
https://open.spotify.com/artist/7HpWYxWrJpeNlyhlDGD14M
https://www.youtube.com/channel/UCgctenga8Vhhxj65Ap2-LSg
https://twitter.com/RISE_MusicianAbout The Summercamp
The Summercamp drop their new video and track in the form of their new song titled ‘Pull’, and we have this premiere right here! These party-pirates from Pittsburgh have what a lot of artists in the mainstream lack these days; personality. Built on the base of a smooth groove and super-sounds-of-the-seventies style bass groove in what must be either a Precision or Jazz (musician-speak there), The Summercamp delivers said personality within the lines of the lyrics and throughout the video. This, to me, is the perfect example of a ‘jam band’. I say this because that groove is indicative of such. These guys bring the party and the video shows that with its creativity and originality.
And for those thinking that groove is consistent through the track, wait until the 3-minute mark when the song and video take a dramatically dark turn and get downright dirty. You will love it!
LINKS:
https://www.thesummercampmusic.com
https://www.facebook.com/thesummercampmusic
http://instagram.com/the_summercamp
https://thesummercamppgh.bandcamp.com
https://artist.landr.com/music/628810020652
https://open.spotify.com/artist/5JdLem1bxjdsTBPhTM1bsx?si=z6BPLcd_ThCr6addriVKQQ
https://twitter.com/the_summercampAbout The Veldt
The Veldt is a band that has earned more than their reputation as shoe-gaze and alt-rock legends and pioneers. And now that is more evident in their new tour with guests including Seefeel, Your 33 Black Angels-Micah Gaugh-Honeychild Coleman & Haunted Horses among others (dates below).
And, in this interview, I get to talk with Danny Chavis. Along with his twin brother Daniel (vocals, guitar), and Hayato Nakao (bass), Marvin Levi (drums) and Alex Cox (guitar), are continuing to expose the masses with some of their new music (check out ‘Thanks to the Moth and Areanna Rose’ HERE) with a special glimpse of what to expect via the Raliegh, NC based show ‘Oak City Session’ below.
LINKS:
http://www.theveldtmusic.com
https://www.facebook.com/VeldtThe
http://twitter.com/veldtthe
http://www.reverbnation.com/theveldt
http://theveldtmusic.bandcamp.com/releases
http://www.youtube.com/channel/UCExvaP_PYVCPOyuvoFaVXkw/videos?sort=dd&view=0&shelf_id=0About Too Many T’s
Too Many T’s does it again with a catch-all-be-all true-to-form-wonder-of-words with their new video and single titled ‘Everyday People’ featuring french mega-mind ProleteR. To me, Too Many T’s is a perfect example of those artists who keep hip-hop pure and relevant in today’s world of increasing white noise. They are musical purists in the truest sense of the term. And they find like minds to consistently work with. In the ever-shrinking bubble of originality look no further than this dynamic duo to deliver us from evil.
‘Everyday People’ combines old school beats with older school horns and lifts them out of history with relevance that only comes from those who understand the relevance. I have officially met the artists in who, the old ways have joined then new.
LINKS:
http://toomanyts.com
https://www.facebook.com/toomanyts
https://instagram.com/toomanyts
https://www.twitter.com/toomanytsClick HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’. -
An Interview with We Are Scientists
Jammerzine has an exclusive interview with the musically juxtaposed juggernauts known as We Are Scientists. We talk with Keith Murray, one of the two scientists. And everyone knows that one out of two scientists recommend good music and the other scientist would add that if you don’t listen to the first one it’s because you’re a d*ck.
Having said that, we get a chance to get inside the mind of a musical mastermind and delve into the world of creative songwriting and the creative process therein, near future plans and possible touring (hmm?) as well as ‘Huffy‘, the new album by We Are Scientists.
Check out the full article on Jammerzine HERE.
About We Are Scientists
American rock band We Are Scientists debuted in the early aughts with the angular post-punk edge of With Love and Squalor, later evolving to incorporate polished synths and expanded atmospherics on efforts like Helter Seltzer and Megaplex. Although modestly popular in America, the band was a hit in the U.K., where its sound — part post-punk revival and part indie rock with a touch of ’80s synth pop — drew parallels to contemporaries like Editors, Franz Ferdinand, Interpol, and The Killers.
Formed on the West Coast by three California-based college students, We Are Scientists officially took flight after front-man Keith Murray, bass player Chris Cain, and drummer Michael Tapper (who replaced founding drummer/vocalist Scott Lamb) relocated to Brooklyn and began building a small but devoted following. After releasing three EPs and one independent album — Safety, Fun, and Learning (In That Order) — the group signed with Virgin Records and released its major-label debut, With Love and Squalor, in early 2006. The effort peaked at ten on the Billboard Heatseekers chart and eventually was certified gold in the U.K.
In 2008, We Are Scientists — reduced to a duo comprising Cain and Murray after Tapper parted ways with the group — put out its second full-length album, Brain Thrust Mastery. Produced by Ariel Rechtshaid, the set included the singles “After Hours” and “Chick Lit.” As before, the record found popularity in the U.K., where it debuted at number 11 on the albums chart. The band toured heavily in support, playing a number of European festivals and opening shows in America for Kings Of Leon. As We Are Scientists prepared to record a third album, former Razorlight drummer Andy Burrows joined the lineup, and the revised band unveiled itself with the release of 2010’s Barbara. That year, founding members Cain and Murray also appeared in their own series of comedy shorts, Steve Wants His Money, which aired on the Internet and ran in segments on MTV.
In late 2012, the band entered the studio in New York with producer Chris Coady (Beach House,Gang Gang Kids, Blonde Redhead) to record sessions for its fourth record. relocated to the city from England while he worked with Murray and Cain to write and record tracks for the album. Titled TV en Français, it arrived in early 2014 on 100%/Dine Alone Records and featured appearances by Rose Elinor Dougall (Mark Ronson) and Tim Wheeler (Ash).
In 2016, We Are Scientists returned with their fifth studio album, Helter Seltzer, produced by Max Hart (of Katy Perry’s band). The effort charted in the Top 50 of the U.K. and Scottish charts. They returned in 2018 with their sixth effort, the polished Megaplex, also produced by Hart. Megaplex featured the singles “Heart Is a Weapon,” “Not Another Word,” and “Your Light Has Changed.”
James Christopher Monger & Andrew Leahey.
LINKS:
http://wearescientists.com
https://100percent.it/GetHuffy
https://www.facebook.com/wearescientists
https://www.instagram.com/wearescientists
https://twitter.com/wearescientists
https://open.spotify.com/artist/35YNL4wwv11ZkmeWWL51y7
https://soundcloud.com/we-are-scientists
https://www.youtube.com/user/wearescientists -
An Exclusive Interview With Bettie Serveert
Bettie Serveert is a four-piece comprised of Carol van Dyk (vocals and guitar), Peter Visser (guitar), Herman Bunskoeke (bass guitar) and Joppe Molenaar (drums). The first three members are all from the original band lineup.
Since starting everything with their classic ‘Palomine’ LP, the band is celebrating their 25th Anniversary this year with the vinyl release of this album.
‘Damaged Good’ is one of ‘The Betties’ most diverse albums so far, including 11 tracks ranging from 60 seconds to an 8 min epos and everything in between. This album experience is intense, raw and tender, but it is also passionate and fierce.
It was recorded and mixed with Jesse Beuker, with whom Canadian-born vocalist Carol van Dyk and lead guitarist Peter Visser have worked before on their Australian project ‘Me & Stupid’, and mastered by Darius van Helfteren. This collection of 11 tracks also includes the rock duet ‘Love Sick’ with Peter te Bos, vocalist from the famous Dutch band Claw Boys Claw.
Apart from being Record Store Day, April 22 is also significant for two other reasons: this is the birthday of Betties’ vocalist Carol Van Dyk, and Bettie Serveert wrap up their touring season that evening with a final show at the Paradiso Club in Amsterdam. Schoolkids Records will also be presenting one other Record Store Day release this year – the ‘Symmetry/ Slow Drag’ 7″ from North Carolina-NYC shoegaze pioneers The Veldt.
LINKS:
http://www.bettieserveert.com
http://www.facebook.com/bettieserveert
http://twitter.com/bettieserveert
http://soundcloud.com/bettieserveertofficial
http://www.youtube.com/channel/UCKKZAS5UqbzwJ0rZxWqUCsw/playlists
http://www.instagram.com/bettieserveert.official
http://bettie-serveert.tumblr.com