Filmed on an island, in Messe Nord Train station and at an escalator entrance. There is a magical story of an orange born in Berlin and ripped to pieces by a beautiful woman in an untraceable place. This video Visually encompasses our mixture of sounds and backgrounds that have brought our band together, the tropical vibes, the deep city, Berlin, a return to nature.
Bakery – Go In (from debut album “Lucy” – https://idol.lnk.to/Bakery_Lucy)
Music : Bakery bakeallday.net
Cast : Austin Paul, Temple Hayes, Priscilla Huggins, Raffael Bode
Production : Johannes Orthmayr, Simon Becke starkad.de
DOP : Alexander Schneider schneideralexander.com
Post: Stephan Mühlau stephanmuehlau.wordpress.com
Make-Up/ Costume : Carmel Snow carmelsnow.com
About Bakery
Bakery is a genre bending, tripped out, Lo-fi experience. Psychedelic landscapes evolve with golden waves of electronica, trip-hop and brain melting. An elongated, circulating current of energy flow marks each stanza expanding in layers and layers of formulaic chaos…
Immerse yourself in the cool blues, the dynamic purples, the voltaic vocals, the power-driven guitar licks. Each track is a different microcosm to let your mind explore. Sun shining, rain pouring, wind twirling, they’ve baked up something atmospheric just for you.
Bakery is an experiment. genre-bending, hip/trip-hop, psychedelic, avant-garde, Lo-fi. soul. Combining Art, Music, and Mixed Media.
We feel and hear in colors
We are vibes, delegating with different tribes.
SOURCE: Official Bio
LINKS:
http://bakeallday.net
https://www.facebook.com/bakeallday
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The Swagger – Chin Up Boy
The Swagger returns with a vengeance in the form of their new video titled ‘Chin Up Boy’. The new single drops on October 18th. In the meantime, we get this slick and wonderful video that tells the story of a young boy taking that journey into manhood and dealing with the trials of life. The video is produced with the looks of a million dollars and perfectly encapsulates the meaning of the lyrics while keeping to the beat.
The song is one of those late summer slow anthems with a powerful hook and chord progression that defines the swagger of The Swagger and shows the world that they are here to stay. Brilliant music for the masses.
ABOUT THE SWAGGER
We are The Swagger – an original 4 piece British rock band from Hornsey, North London UK formed in March 2011. The band consists of two brothers Lee Stevens (Lead Vocals, Rhythm Guitar), Paul Stevens (Lead Guitar, Backing Vocals), originally playing small London pubs and clubs as The Mad Hatters UK, The Swagger was born in 2011.
With influences including The Beatles, The Kinks, The Who, Oasis, Ocean Colour Scene, and Stereophonics, The Swagger’s music is modern acoustic pop-rock with a catchy yet gritty aesthetic, combining melodic 60’s style harmonies and classic 90’s Britpop indie-alternative.
The band recently took a year out to re-group and are now back with a bang with their brand new single ‘Chin Up Boy’ released on the 18th October 2019 recorded at Ghost Town studios in North London with Producer Oliver McKiernan of (Echobelly) also The Swagger filming a very eye-catching video about bullying for the single Directed by Mat Green of MHG Music Videos which has got people talking.
The Swagger also recently toured with Cromm Fallon & The P200 around the West Coast of America playing shows in Las Vegas, Los Angeles, Long Beach California, San Diego & Oceanside California which was a real success who gained a following in the States and received positive acclaim.
Previous single ‘Heart ‘N’ Soul’ which was released as a FREE Digital Download via Bandcamp in 2016 received rave reviews/press from around the globe – Ahead of this the band previewed their new video which features a surprising storyline and unexpected ending, cloaked in dark humor – a clever road trip with a twist, showing they have a true sense of irony. The Swagger recently played a SOLD OUT show in London @ The 02 Academy Islington for their single launch and have also given away a FREE download of brand new demo penned “Want It All” which has already got people talking.
Both singles recorded at Far Heath Studios in Northamptonshire UK, produced by The Swagger & Mike Bennett (Ian Brown, Neville Staple, Doctor & The Medics) and engineered, mixed & mastered by Angus Wallace (Wishbone Ash, Spiritualized, The Fall).
The Swagger debut EP was made up of four original tracks penned ‘She Gonna Blow My Mind’, ‘Stoned’, ‘Keep On Fighting’ & ‘Ride’ which caused quite a stir during their live performances and have captured peoples attention. Their eponymous debut EP self-released via Bandcamp limited edition of 100 CD each hand-numbered on July 22nd (2016), , recorded at the famous Konk studios owned by Ray & Dave Davies of The Kinks in North London and was produced by Graham Bonnar (Swervedriver / The Brian Jonestown Massacre), engineered by Josh Green (Madness, Robbie Williams, Franz Ferdinand) and was mixed & mastered by Pat Collier (The Vibrators) at Perry Vale Studios, South London.
The band originally recorded their first demos at Tigersonic Studios (Holloway, North London) in late 2015 with co-producer Felix Macintosh, and pretty soon found their way to Konk Studios in Hornsey, North London with Producer Graham Bonnar and guitar tech Brendan Quinn (Divisionists) who also helped shape their sound.
“I saw The Swagger in a local bar near Turnpike Lane. They came on and blew my head off. Live they have the same energy as the early punk bands,” explains Graham Bonnar. “Lee has written over a hundred songs and they all could be singles, so I offered to produce their debut EP. We got Pat Collier from The Vibrator’s fame to mix. Pat did a stellar job. We go way back as he also did Swervedriver’s first single “Son of Mustang Ford. I also brought in Brendan Quinn of Divisionist, who I played some shows with last year in Europe with Rosco and Pete Bassman from Spacemen 3”.
The band has supported Creation Records’ Hurricane #1, arranged through supporter Alan McGee, as well as Slydigs and Trampolene in addition to headlining The Cavern Club in Liverpool for the IPO Festival 2017, also headlining Bannerman’s Bar in Edinburgh and receiving positive acclaim by John Power (Cast/The La’s) at Brixton Jamm, London in 2014.
LINKS:
https://theswagger.bandcamp.com
https://facebook.com/theswaggerofficial
https://facebook.com/groups/theswaggermusic
https://twitter.com/theswaggermusic
https://instagram.com/theswaggermusic
https://musicglue.com/theswaggermusic -
Vile Assembly – Gone
Vile Assembly is Mark Wainwright, Mark Webb and Paul Mason, a tight-knit trio of songwriters, musicians, and producers. Spiralling from the success of their debut single earlier this year, the Liverpool based Punk trio spark anarchy and debate with the release of their follow-up single and the debut album out this Autumn.
The trio garnered global media acclaim as far reaching as Japan with the release of their debut single ‘Suicide Feast’ earlier this year. Now they’re back with a bold serving of anarchic Punk with the release of their follow-up single, ‘Gone’, on 6th October, taken from their debut album ‘Fattened By The Horrors Of War’ which is out on October 20th.
The band were created solely to be the whistleblowers on unjust society; their purpose to say what needs to be said through the universally understood medium of music. With their bold, beat-driven, brazen melodic style, they defy you not to take notice.
Fusing the classic 70s Punk vibe of The Clash and the Sex Pistols with a more considered Bowie-esque lyrical content, ‘Gone’ points the judgemental finger at the mighty conglomerates. This single puts the spotlight on the harshness of our system, blatantly exposing the fact that if organisations want you to disappear (whether it’s from work or expelled from the country), then they will act that, without any remorse or hesitation. Do not mess with the powers that be is the message here. Smartly creating a catchy melodic hook and an addictive ‘gone, gone, gone’ chant, all woven around stoic Punk lyrics, ‘Gone’ was created so that it could be easily digested by the masses.
Vile Assembly wants us all to wake up and realise that, whilst we’re a medicated nation, the corporates will always have the ultimate power and control. If anyone speaks out against the corporates they won’t wait, they won’t hesitate, when they want you gone, you’re gone. Free from fear, the trio is using their musical muscle to speak out and they won’t stop screaming until they’re heard.
Listen, absorb and make a change!
LINKS:
http://www.thevileassembly.co.uk
http://twitter.com/vileassembly
http://soundcloud.com/user-27892933/suicide-feast -
We Are Parasols – Dim
A throbbing beat. Machines on a march. Guitars can be a drill or sing like an angel. A voice like a computer caught in a human throat. A whisper. A howl. Synthesizers are sometimes smooth and glassy, sometimes jagged and bloody. A walk on the shore can easily turn into an apocalyptic landscape, depending on your perception.
Influenced by Curve, Wire, Cocteau Twins, Depeche Mode, Gazelle Twin, Skinny Puppy, Nine Inch Nails and Bloody Knives, their new offerings on ‘Inertia’ features tracks ranging from the analogue postpunk near-industrial enigma of projects like Clan of Xymox and The Tear Garden to electronic dark reverie similar to Delerium and Gazelle Twin classics to the stripped back melancholy served up by This Mortal Coil.
Dubbing their own music as ‘industrialgaze’ and ‘darkwave’, We Are Parasols is comprised of D (vocals and bass), Jerman (guitars, piano, synthesizers, programming, and samples), and Alec Eye (drums, programming, and synthesizers).
“I have a stronger desire — or, really, a need — to continue to make and perform music. So that deep need often overrides the fears I have about creating and sharing our art, and performing live,” says D.
We Are Parasols began as a shoegaze-electronic hybrid band. Their debut full-length ‘Infrastructure’ was followed by their ‘bite_your_tongue’ EP, a more minimal ambient release. The song ‘No Movement’ off the band’s debut album, which was about an android sex worker, ultimately spawned the musical world of their new album ‘Inertia’.
‘Inertia’ combines industrial, shoegaze, dream pop and darkwave with sci-fi in order to tell a dystopian, possibly humanist, probably anti-human, story about violence, technology, politics, control, and an android feminist anti-hero known only as a synthetic sexual tasked android body.
There are 13 tracks on the cassette version of the EP, which comes with a full-color 4-panel J-Card featuring all the lyrics, as well as a digital download (a poster is also available). While these same 13 tracks are available through online stores and streaming platforms everywhere, the Bandcamp edition includes a special bonus track – ‘hush (Piano Version)’ – especially for lovers of early 4AD output.
LINKS:
http://nomovementrecords.com/weareparasols
http://www.facebook.com/weareparasols
http://twitter.com/WeAreParasols
http://soundcloud.com/weareparasols
http://www.youtube.com/user/PredatorFriendly/videos
http://www.instagram.com/weareparasols
http://weareparasols.bandcamp.com
http://open.spotify.com/artist/7dmvcoPsZ4Vy4Fy4WALQMP
http://itunes.apple.com/us/artist/we-are-parasols/id1044013285