UK artist Bentley Jones has experienced success that most independent artists can only dream of; +25 million YouTube views, +6.2 million artist sales, and remix credits for the likes of Britney Spears, will.i.am., Madonna, Calvin Harris, Taylor Swift – even Lady Gaga follows him on Twitter.
Debuting in Japan in 2009 his first single broke the Japanese Top 5 and his album was the first major Japanese album to be released by a British artist. Since then he has been independently successful around the world topping various charts, touring as well as composing scores for video-game franchises such as The X-Files, Tekken, Sonic the Hedgehog, Gradius and QQ Dance.
LINKS:
http://www.bentleyjones.com
http://www.facebook.com/BentleyJonesMusic
http://twitter.com/Bentley_Jones
http://www.youtube.com/BentleyJonesMusic
http://www.soundcloud.com/BentleyJones
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Cellista – Look Homeward, Angel
Cellista has announced her new album ‘Transfigurations’ album, which is set to release on May 31, 2019. Ahead of this, she is previewing the song ‘Look Homeward, Angel’ featuring the lyrics and rhymes of hip hop artist DEM ONE (a.k.a. Demone Carter) and beautiful soprano vocals by Melissa Wimbish. As a stage poem, ‘Transfigurations’ is a multi-media work that includes dance, poetry, original classical compositions, noise and sound textures.
“In 2017, Transfigurations began growing out of an avant-garde performance art piece I wrote, composed, and directed called ‘Wants’. It was meant to be a response to Trump and the rapid gentrification of the Bay, and address the tragedy of the Ghost Ship fire. Wants became a 20-minute film that my regular filmmaker Jennifer Gigantino shot and edited. The ruptures feature sounds from the Internet Archive and there are lots of historical recordings and found sounds, most originating from the Bay area,” explains Cellista.
‘Transfigurations’ is a response to the world we inhabit. It is meant to allow us all, singularly and as a community, to see the ruptures that punctuate our place in the present – The ache of the Ghostship that points to greater ruptures interwoven like veins; the call to resist the deadening of our world by institutions and false power, and the violence of gentrification and displacement. Above all, for Cellista, it is a way of seeing and sharing awareness of her own impact within this shared place.
Engineered by longtime collaborator Maryam Qudus and Grammy-winner Nahuel Bronzini, ‘Transfigurations’ features original compositions and arrangements by Cellista and also involves Bay area composers Peter Colclasure, Nick Vasallo and Be’eri Moalem with his piano quintet Tzeva Adom. The album also features the original poetry of Aubrey Ferreira, narrated by DEM ONE. The movements are composed and curated in a suite-like manner with genres ranging from thrash metal, noise, hip-hop, and classical music.
Cellista is an American experimental cellist and multidisciplinary artist. Her penchant for performing music in unconventional spaces and her devotion to collaborating with artists across media and genres disrupts the world of the classical performing arts. Cellista traverses the walls between disciplines and the borders between spectator and audience. She etches out her own niche through her performances of captivating theatrical recitals by interweaving film, text, and dance. Her work is deeply rooted in her musicological studies of Olivier Messiaen and the French Surrealists.
Cellista’s sound brims with a dissidence informed by her classical foundation and her want to tear that very foundation apart. It explores the sounds of her immediate community through sound collages and music curated to augment that community. Similarly, it explores the meeting point of musical borders and gives testimony to the fragile ecosystem of the San Francisco Bay Area that sits alongside the rest of the world in an increasingly vulgar epoch.
As an experimental cellist, performance artist and artistic director of the interdisciplinary performing arts group Juxtapositions, Cellista is known for her collaborations with artists across various media, as well as her self-produced stage poems (live performances staged in unconventional spaces that incorporate elements of music, theater, improvisation and visual art across a range of genres including pop, hip-hop, classical and more).
Her interdisciplinary exhibit ‘The End of Time’ premiered alongside internationally renowned visual artist Barron Storey’s solo exhibit ‘Quartet’ at the Anno Domini art gallery in San Jose, California. The dual exhibition, created in tribute to French composer Olivier Messiaen’s seminal chamber work ‘The Quartet for the End of Time’, was met with critical acclaim.
Cellista has worked with Grammy-nominated artist Tanya Donelly, producer John Vanderslice, Troyboi, Don McLean, Casey Crescenzo, Van Dyke Parks, and Pam the Funkstress. She recently joined soprano Carla Canales for Hear Her Song, a project that promotes women’s voices through original compositions by female composers. Under the musical direction of Kurt Crowley (Broadway’s Hamilton), her playing was praised.
Cellista’s debut 2016 full-length album ‘Finding San Jose’ was engineered by Maryam Qudus (Doe Eye). The album and its subsequent release as the soundtrack for an interdisciplinary ballet directed and produced by Cellista received favorable reviews.
“Transfigurations’ will be released on May 31, 2019, both digitally and on CD. Digital releases will be available on Bandcamp, iTunes, Amazon and all major online stores. The CDs, which come with a full-length book and download code, will be available for purchase on Bandcamp and at shows.
In a region known for disrupting the status quo, Cellista is celebrating the legacy of the original disruptors
– Andrew Gilbert, San Jose Mercury NewsCellista is a classically-trained, punk rock spirited girl with the charm and elegance to defy the stereotype that classical music isn’t cool
– Belle FoundationBuilt on a classical foundation, her music is beautifully avant-garde yet accessible enough to touch one’s sensitivities and create intrigue surrounding her music, her world-view, her all-encompassing vision – elegantly combining sound, space, and dance in an impactful way and the meshed field of wonderment connecting them
– Big Takeover MagazineMore than just a cellist
– Nathan Zanon, Content MagazineShe gave me quotes to put around the emptiness. She gave me context. And subtext. And reflex-tions of what has now filled the void
– Gary Singh, journalist, poet, Steinbeck FellowAn overall brilliant gem. True to her “pastiche” curatorial style, this inclusion and collaboration with other creatives is what makes a captivating and mesmerizing listening experience
– Cherri Lakey, KQEDLINKS:
http://www.cellista.net
https://www.facebook.com/cellista.music
https://twitter.com/xcellistax
https://www.instagram.com/xcellistax
https://www.soundcloud.com/xcellistax
https://cellista.bandcamp.com
https://www.youtube.com/user/xcellistax/videos
https://open.spotify.com/artist/3sZ132TtThqqirlRB9BjFp -
San Eco – Perspectrum
San Eco combine the unique approach of two musicians, one with a footing in innovative electronica, the other in bombastic indie pop. Five years in the making, their debut album ‘San Eco’ finds them drawing influences from Fela Kuti to Slint, Nathan Fake to R.E.M, into a delicate and emotive electronic alt rock treat.
Morris Cowan (Adam Taylor) cut his teeth in the electronic music scene in the mid-noughties, and since then has released for Nottingham based Wigflex imprint and German label Zaubernuss. He has built up notable admirers, having had his tracks championed by Mary Ann Hobbs and Tom Ravenscroft on their BBC Radio 6 Music shows.
Tom Edney’s brand of alternative indie songwriting has also earned him a considerable following. Never shying away from ambition, his alternative rock music has him drawing inspiration from varied subjects like Victorian Gothic Monasteries on Manchester housing estates to his Lynchian inspired dreams. His efforts such as ‘Hands On’ and ‘The Manchester Underground EP’ have earnt him plays on many stations around the world, including BBC Radio 6 Music.
It was during the recording of Cowan’s ‘Six Degrees’ and Edney’s ‘The Manchester Underground EP’, that the two actually became aware of each other’s music – listening in through a wall between neighboring studios. Cowan tabled an offer of a session, and five years of creativity and hard work later, they are finally ready to release their debut album ‘San Eco’, on Manchester multimedia label ‘Beatphreak.’
LINKS:
https://www.facebook.com/sanecosounds
https://beatphreak.co.uk/artists/san-eco -
Rev Rev Rev – Adrift in the Chaosmos
Named as ‘One of Europe’s finest ’gazer bands of the last decade’ [Daily Bandcamp], Rev Rev Rev metabolize shoegaze and psychedelic rock elements in a loud, woozy, fuzz-driven way.
Since the debut, their signature wall-of-sound has inspired rave reviews, with single “Catching a buzz” spun on BBC6 (Steve Lamacq, Radcliffe, and Maconie) and sophomore album ‘Des fleurs magiques bourdonnaient’ praised by influential webzines like Drowned in Sound, Clash Music, Sounds better with reverb.
Their live set at Manchester’s Cosmosis Festival, headlined by The Jesus and Mary Chain, Brian Jonestown Massacre, The Raveonettes and WIRE, kick-started a 44-date tour touching UK, France, Belgium, Austria, Switzerland, and Italy, during which the quartet shared the stage with The Telescopes, Ringo Deathstarr, and Gonjasufi. In Italy, the band was ranked among the best live shows by 200 Italian promoters of the KeepOn Live indie network.
The new album, produced by James Aparicio (Spiritualized, Cult Of Dom Keller, Dead Vibrations), has been released in September 2019 on cult indie psych label Fuzz Club.
Their set at SXSW 2019 impressed, among others, Bob Boilen of All Songs Considered and earned them a feature on NPR’s festival wrap-up as well as airplay on the network’s radios. The band has been invited to play Eurosonic 2020.
Featured image by Salvatore Giorgio.
LINKS:
https://revrevrev.bandcamp.com
https://open.spotify.com/artist/0osv6JQzCfTjwPAOKZlSBP
https://www.facebook.com/revrevrev.band
https://www.instagram.com/rev.rev.rev
https://twitter.com/revrevrev_band
http://www.revrevrev.org