Spearfish, SD based electronic alternative rock act Blacklite District (BLD) has released two videos for their single, “Goodbye,” off of their third LP, Instant Gratification, one an official video and the second a Minecraft video.
Blacklite District follows no rules. With sounds of everything from electronic, EDM and hip-hop, to hard rock and alternative, the band truly stands out from the pack of what has become today’s generic sounding “Active Rock”. Formed in 2012 by Kyle Pfeiffer and Roman James, ages 12 and 11 respectively, the band grew organically in their local music scene through the years to come. In 2011, BLD was discovered by Grammy Award-winning producer, Stephen Short (Paul McCartney, Queen), which resulted in a 10 day recording session at the world’s largest residential recording studio, Sonic Ranch, just outside of Mexico in Tonillo, TX. The group re-located to Los Angeles and played some of the most famous venues in the world for the remainder of 2011.
In 2013, the group released “With Me Now” as the lead from it’s debut album Worldwide Controversy. “With Me Now” immediately went to #1 on SiriusXM channels Octane and Faction, hit the Top 40 on Billboard’s Mainstream Rock Chart (#32), and sold 100,000 copies. BLD went on a very successful US tour with Saving Abel in Jan-Apr 2014, with 26 of those shows SOLD OUT. After a legal battle with their management and record label, Blacklite District went on hiatus in late 2014.
On August 23, “The Struggle” was release to radio and To Whom It May Concern went for pre-order at digital retailers. Revolver Magazine premiered the music video for “The Struggle” on August 25. The band also announced a 41 date tour called “The Struggle Is Real Tour”. Blacklite District released a Nightcore remix of “The Struggle” to YouTube on September 6, which got over 2,000,000 plays and resulted in the single breaking the Top 40 on Billboard’s Mainstream Rock Indicator chart at #36.
One month later, on October 6, the group released a Nightcore remix of “We Are The Danger” which got over 400,000 plays on YouTube. A couple of weeks later, the band released “Broken Souls” to radio, as well as a Nightcore remix which resulted in 500,000 plays and hitting #30 on the Billboard Mainstream Rock Indicator. This was the second song in the month of October to break the Top 40 (along with “The Struggle.”)
“The Ghost of You and Me” was released as a music video and a Nightcore remix on December 28, 2016. The song was yet again a success for Blacklite District resulting in 400,000.
On January 20, 2017, BLD released “Living In A Nightmare” as the first single from upcoming album Instant Gratification. With a coinciding Nightcore release, “Living In A Nightmare” broke the Top 25 on the BDS Indicator chart, marking the bands highest spot in chart history. The song has been streamed over 250,000 times.
On February 24, famed radio DJ Lou Brutus posted the bands video for “Cold As Ice”, which was released the same day. The song scored a whopping 350,000 streams in its first week alone, and as of May 2017, has over 3.5 million combined views on YouTube. “Cold As Ice” serves as the second single from Instant Gratification. In the summer of 2017, “Cold As Ice” was added to Spotify’s “Rock Hard” playlist, and was put into rotation on SiriusXM’s alternative channel Faction. In October, “Cold As Ice” was added to rotation on SiriusXM Octane, and it’s Minecraft music video has over 10 million views on YouTube. There are about 4 videos about a Herobrine invasion with zombies and “nether watchers” and how the main character, a player in a blue suit, survives. There are 4 songs in total in the order of The Struggle, Cold as Ice, We are the Danger (possibly not from Blacklite District), and Just so you Know.
Blacklite District released their third album Instant Gratification on September 22, going Top 10 on Amazon’s Top Electronic Albums chart.
LINKS:
http://www.blacklitedistrict.net
https://www.facebook.com/pg/BlackliteDistrict
http://www.twitter.com/officialbld
https://www.instagram.com/blacklitedistrict
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WANK – Shut You Down
Featuring founding members Bobby Amodeo, Spider, Danny Walker, and the new addition of Higgins X-13 (formerly of The Offspring). WANK plans to release their new album ‘White Knuckle Ride’ later this year.
Guitarist Danny Walker tells Punknews, “We got back together a couple of years ago to jam, started recording some stuff, liked the way it was sounding, started playing some shows, and decided to make a full record. We didn’t plan it to be 20 years (since the release of their Maverick Records debut), but here we are. We’re proud of the new record. We’ve got a lot of punk and rock influence, but this album pops on top of all of that.”
Frontman Bobby Amodeo (who interestingly enough is a cannabis chemist by day) says, “WANK is stoked to be back making music. We’ve spent the last year producing our new album, ‘White Knuckle Ride.’ You’ll hear PRD, reggae skank, melodic hooks, and pop harmonies. WANK is rock-ready, and we look forward to destroying a stage near you very soon. Check us out!”
WANK formed in 1995 in Huntington Beach, CA. Mixing pop sensibility, rock chops, and punk energy, WANK (influenced by the Beatles and the Clash, among others) quickly gained momentum and garnered a reputation for themselves with melodic songs and highly entertaining live shows. In 1996, WANK self-released their debut, Get a Grip on Yourself. Their continuing success as a live act brought them to the attention of producer Mike Ness of Social Distortion, who oversaw the recording of “Larry Brown” for a split 7″ on Time Bomb Records (1997.) Ness also produced WANK on their version of “Auld Lang Syne,” their contribution to the comp, Christmas Gone Wrong (1997.)
In late 1997, “Forgiven” was added to rotation at the World Famous KROQ 106.7 in Los Angeles, and WANK was still unsigned. An industry bidding war ensued, and WANK signed a historic record deal with Maverick Records. In 1998, following an expedited major label re-release of Get a Grip on Yourself, WANK took their show on the road, touring with The Specials, Goldfinger, Social Distortion, and Warped Tour ’98. The band parted ways with Maverick Records in 1999 and focused on other projects.
In 2000, Amodeo was diagnosed with cancer, and after years of treatment, he’s back and rocks ready. Walker formed and fronted Handsome Devil and was signed to RCA in 2001. Handsome Devil released three albums – Love and Kisses (2001), Knock Yourself Out (2004), and Fully Automatic (2007), and toured with The Used, Lit, Zebrahead, and Warped. In 2007, Walker and friends (from Lit, Adolescents, and Cadillac Tramps) formed Rockers in the Round – an acoustic showcase series. Walker released two singer-songwriter albums – Mumble & Strum (2011) and Salvation (2012). Spider focused on session work and artist management, and he’s still the hardest hitting drummer around.
WANK reunited in 2016, self-releasing their 5 song EP – On with the Show and, in 2017, added guitarist Higgins X-13, formerly of the Offspring. In 2018, WANK is in the studio finishing a new full-length album for release. Enjoy – WANK is back.
LINKS:
http://www.wankusa.com
https://www.facebook.com/wankusa
https://www.instagram.com/wank_usa
https://twitter.com/wank_usa
https://www.reverbnation.com/wankusa
https://www.youtube.com/c/WANKUSA -
Atmosphere – Graffiti
The last time we checked in with Slug and Ant was on 2016’s Fishing Blues, the latest chapter in a string of albums showcasing the pair’s evolution from tortured hedonists into settled-down dads making kicked-back rap records. It would have been nice to carry on thinking they were finally at well-earned peace after two decades of extensively documented trials and tribulations. But just because your corner of the globe is peaceful, that doesn’t mean that the rest of the world stops turning.
It’s a different place than it was two years ago, and the seventh Atmosphere album, Mi Vida Local, reflects the ways in which the world and Atmosphere’s place in it–have changed. The idyllic domesticity of the past few records has morphed into anxiety over keeping loved ones safe during turbulent times. Instead of bragging about backstage misadventures it’s about grappling with mortality. The easygoing collaboration between Ant and Slug has started to feel more like the life-or-death intimacy of two men trapped together on a lifeboat.
At times it’s a heavy album (“I might be the last generation of grandparents,” goes a key line from “Virgo”), but it’s far from grim. There are jokes being cracked, joints getting smoked, a little trash talking and beefing here and there–after all, it’s still a rap record.
And Atmosphere’s never sounded better.
As the name implies, Mi Vida Local is intensely focused on the place it was created–the southside of Minne apo lis–where Slug and Ant work tirelessly in their “beautiful basements”, refining their sound without interruption. (Although a handful of friends from the Minneapolis hip-hop community showed up to contribute.) A year of one-on-one collaboration resulting in an album that matches complex subject matter with equally deep beats–ones that show a clear lineage back to the psychedelic funk landmarks from an earlier era where America was going through a post-utopian hangover, and prove that there won’t ever be a time where boom-bap beats don’t sound perfectly of the moment.
Mi Vida Local might be the best album Atmosphere’s ever made. It’s definitely the one they needed to make right now, and one listener’s needs to hear just as urgently. If it’s sometimes an album about how the fight to find happiness never really ends–even after you get the house and the kids and the artistic freedom to make dad-rap records–it’s also about discovering that there’s happiness to be found just in fighting.
Photo by Dan Monick.
LINKS:
https://rse.lnk.to/MiVidaLocal
https://rhymesayers.com/artists/atmosphere
https://www.facebook.com/Atmosphere
https://twitter.com/atmosphere
https://www.instagram.com/atmosphere -
Clark Twain – Fly High (Like Richard Branson)
Sanguine indie pop artist Clark Twain has announced his debut single ‘Fly High (Like Richard Branson)’, a fun and upbeat track that is infectious with high positivity. Hailing from Austin, Texas, this song is the first single off his coming debut album ‘Life is Wonderful’.
The fun, high-flying accompanying video was directed by Vanessa Pla, who also co-produced it with Clark Nowlin. His music is influenced by Death Cab for Cutie, the Flaming Lips, Ben Kweller, and John Mayer. Thematically, for this single and the accompanying video, he also took inspiration from an unlikely, but intrepid source – Richard Branson.
‘Fly High’, which features a soundbite of Richard Branson speaking excitedly about flight at high speeds, is dedicated to the Virgin mogul and is timed to release on July 18, Branson’s birthday. With an ardent sense of optimism, he looks forward to a “world with color; a journey with many turns”, asserting “where we’re going, it’s going to be one hell of a ride”.
“I want to live a life like my biggest hero Sir Richard Branson, so I figured the best way to start was to do things that terrified me. I got my hands on a houseboat (Branson lived on one until he was 30) and then a private jet, and the vision for reenacting his life story in a music video was born. Making this music video terrified me. With it behind me, I learned that fear is always smaller when it’s behind you! Thanks for the inspiration Richard to challenge me and push my own boundaries,” says Clark Twain.
“Fun, adventure, and business as a force for good – these are the ingredients of Branson’s life and my own. We both love rock n’ roll and shaking things up for good. That’s what this video is all about it. It honors Sir Branson and I hope it inspires others to take this on!”
Clark Twain is the solo moniker of Clark Nowlin, who began playing guitar at 10, cutting his teeth on Metallica and Nirvana covers with friends in the attic and starting his first band a few years later. He eventually quit his day job to fully immerse himself in the world of music “because the gig money put enough gas in my tank”. After touring and recording with Tim Halperin and Marshall Young for a few years and supporting various artists, he amassed recording gear, learned the ropes, and began producing various musical projects.
“I knew that if I didn’t make a solo album and put out my own music, it would haunt me. That’s what I’m doing now. In an honest state of writing about what’s real for me – a song that embodies my own aspirations – that’s how this single was born,” says Clark Twain.
“Last November, I went to Cozumel for 11 days. The only book I brought with me was Richard Branson’s autobiography ‘Losing My Virginity’, which inspired me to write this song and make a music video re-enacting the big pieces of his story: adventure, business as a force for good, and of course fun. I decided to throw myself into all of these situations… a lifelike Sir Richard’s is one of great fun and chaos!”
Clark dedicated a solid 6-month block of time to working on his new material, beginning in January of this year, and splitting time between Elmwood Studios in Dallas, Clark’s home studio in Austin, and in Denton, Texas with Brack Cantrell, one of Clark’s all-time favorite producers, who also mixed his new material. Mastering was performed by Jon Törnblom.
“If music is to serve any purpose, it’s to remind us that we’re alive and that we’re not alone. For me, making it is a sign that I’m alive. Connecting with it is a sign that this big mysterious journey called life isn’t new territory and that whatever situation we’re in – someone’s already been there and has made it through,” says Clark Twain.
“I’m an eternal optimist and truly believe the best is yet to come in our experiences here on Earth. If there’s a shred of this hope embodied in this music, I’ve achieved my goal. I hope that these sounds put a little wind-in-your-sails when needed on a still day.”
The song eventually meshes into Mike Oldfield’s ‘Tubular Bells’ – the first album released on Virgin Records. In fact, this label was created for the purpose of putting out this record. It quickly became an international sensation, selling tens of millions of records and becoming the theme for “The Exorcist”. This success allowed Virgin Records to sign the Sex Pistols, XTC, and many groundbreaking artists and eventually artists such as The Rolling Stones and Janet Jackson. ‘Tubular Bells’ was the initial snowball that got enough momentum to create the avalanche we know as the Virgin empire today.
LINKS:
http://clarktwain.com
https://www.facebook.com/Clark-Twain-1563597527101436
http://www.instagram.com/clarkin
https://www.youtube.com/channel/UCvpeieaYohK7OkHgeyk82KQ/videos
https://soundcloud.com/clarktwain
https://clarktwain.bandcamp.com