Caesaria draws its origins from the new English-rock wave. Armed with their punchy electro-pop music, the band had already raised interest in 2015 with its first EP Sparks of visions.
Caesaria’s music is a playground for dancing and dynamic experimentations, they mix the vocal harmonies of a devilishly efficient pop-music with more recent electronic sounds brilliantly.
Powerful guitar riffs add the cherry on top to this savant mixture: the crowd wants more.
Fiery and simply mind-blowing, the four French « kids », led by the label from Strasbourg Try & Dye Records, continue to play in festivals, for musical springboards and as prime parts, attracting after each gig new enthusiasts that are caught by an unstoppable need to dance their hips off.
Caesaria’s burning and contagious energy on stage is illustrated by their victories in many musical springboards (RTL2 in 2015, Music on Stage and Printemps des grandes écoles in 2016).
It has led the inexhaustible band to play on several big stages such as doing Naive New Beaters’ first part (La Laiterie – Strasbourg), Printemps de Bourges’s festival or les Eurockeennes de Belfort, pursuing the universal and timeless goal : to make bodies shake.
On Wavin’ Goodbye, the band said:
“This song is a story about a dying person who stands back on his life. He puts in perspective what he did, look at the others in the way they act and realize that they do not enjoy life as they should. It’s a pretty sad song but the message is to celebrate life as long as you can. The music video spreads this message by focusing on a transsexual. We wanted to give another perspective to this message and show that some people start a new life in their lifetime, such as transsexuals”.
LINKS:
https://www.facebook.com/wearecaesaria
https://twitter.com/WEARECAESARIA
https://www.instagram.com/wearecaesaria
https://soundcloud.com/caesaria
http://www.tryanddyerecords.com/caesaria
http://www.caesaria.fr
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ReMission International Releases TOS2020 (Trentemøller Remix) (The Week in #Indie Segment)
ReMission International has just shed light on Trentemøller’s take on the multinational COVID-19 relief track titled ‘TOS2020’. Trentemøller gives an obvious departure from both the original track from The Mission as well as the first collaboration released last month. More subdued and introverted while containing the obvious Trentemøller style, this remix is an introversion-conversion meant for personal reflection and as a valve for the emotions in this isolation that we all face and desperately feel.
The ‘Tower of Strength’ begins with the power of music.
Check out our other features with TOS2020 HERE.
Check out our other features with Trentemøller HERE.
Check out our other features with Wayne Hussey HERE.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.ABOUT TOS2020 & TRENTEMØLLER REMIX
TOS2020 – the remake of The Mission’s anthemic hit ‘Tower Of Strength’ released to raise money for COVID-related charities worldwide – is out now, along with two new videos – for the Trentemøller remix and a new lyric video featuring many of the artists involved. All proceeds to charities personally chosen by each contributor.
From #TOS2020 creator Wayne Hussey: “This new video for the beautiful Trentemøller remix of ‘Tower Of Strength 2020’ was directed by James Sharples. The live footage is taken from a Mission video and shows us setting up before a gig, and it deliberately ends on a hopeful note to remind us that in the not too distant future we can all get together to make and enjoy loud music in a room again.”
“At the moment the money raised by TOS2020 is close to £100k, which is fantastic. It won’t stop once it’s out and will continue to raise money as long as orders are placed and streaming and publishing revenues come in. The funds will continue to accumulate, which is exactly what we wanted…. I want to keep thanking everyone for their support – it’s a hard time financially for people and there’s a long road ahead. The digital bundle contains 5 awesome tracks for just £2.99, it all helps those that need it most and the proceeds will be divided and distributed equally among all the beneficiaries. Thank you.”
The full version video, directed and edited by Savannah Perry, offers insight into the TOS2020 ‘Beholden To The Front-Line Workers Of The World mix’, revealing who sings which lines, who plays which guitar solo, drums, etc. throughout the song. Earlier, Vincente Cordero / Industrialism Films presented another video for the TOS2020 single.
Collaborators include: Andy Rourke, Billy Duffy, Budgie, Evi Vine, Gary Numan, James Alexander Graham, Jay Aston, Julianne Regan, Kevin Haskins, Kirk Brandon, Lol Tolhurst, Martin Gore, Michael Aston, Michael Ciravolo, Midge Ure, Miles Hunt, Rachel Goswell, Richard Fortus, Robin Finck, Steve Clarke, Tim Palmer, Trentemøller
BACKGROUND FROM WAYNE HUSSEY:
“When Covid-19 hit I started receiving messages asking ‘why don’t you re-issue Tower Of Strength for the front line workers?’ The song had apparently been adopted as an anthem by some NHS workers, and it got me thinking that I would like to contribute something to the greater cause at this unprecedented time and the only thing I could really contribute is music. So in conjunction with my good friend Michael Ciravolo, I came up with the idea of recording a new version of Tower Of Strength for charity by enlisting the help of musician friends and acquaintances.”
Produced by Wayne Hussey and co-produced and mixed by Tim Palmer. Except * remix by Trentemøller and ** remix by Albie Mischenzingerzen.COLLABORATORS INCLUDE:
Andy Rourke, Billy Duffy, Budgie, Evi Vine, Gary Numan, James Alexander Graham, Jay Aston, Julianne Regan, Kevin Haskins, Kirk Brandon, Lol Tolhurst, Martin Gore, Michael Aston, Michael Ciravolo, Midge Ure, Miles Hunt, Rachel Goswell, Richard Fortus, Robin Finck, Steve Clarke, Tim Palmer, Trentemøller.
From TOS2020 collaborators:
“Being given the chance to do some good to raise money for people and animals struggling in these frightening times by singing one of the best songs ever written was such an easy thing to say yes to. An absolute honour to be involved.”
– Gary Numan“Today as we face an unprecedented crisis with COVID 19, we have to be united in purpose to help humanity and especially the disenfranchised and impoverished among us, survive. Music can be a powerful way to join us all together and help those that need it most now.”
– Lol Tolhurst“I’ve seen and heard Tower of Strength played often and I’ve experienced its effect and the impact it has on others. It’s an anthemic song of hope, comfort and joy, with a message that now seems more relevant than ever. I hope this project, in which I am privileged to be involved, brings a little light into the shade and allows us all to, albeit momentarily, focus on an ‘afterwards’.”
– Julianne Regan“You get a message from Wayne Hussey asking if you can put a vocal (alongside a great list of singers, musicians and friends) on a reworking of a massive track in the repertoire of The Mission to aid COVID-19 charities around the globe – you say yes and get it done as well as you can.”
– Kirk Brandon“I did it coz Wayne asked me to and I love Wayne.”
– Billy Duffy“Being asked to contribute to making a piece of music isn’t overly taxing for a musician. I’m just pleased Wayne didn’t ask me to perform brain surgery or fly a jumbo jet, something which takes some form of skill.”
– Midge Ure“My positive of the pandemic has been connecting to kindred spirits. Honoured to lend a hand.”
– Budgie“I would like it known that, if asked, I would do absolutely anything for Wayne Hussey. Tower Of Strength is utter perfection: it is daring in its intent and supremely executed in both its original recording and every single time I have seen it performed live. To be asked to contribute to this new version was a very emotional experience for me. So many intense memories came flooding back as I sang, there were tears, I can assure you of that.”
– Miles Hunt“Direct Relief is an organisation that helps people in times of emergency like natural disasters or in times of poverty by getting medical equipment and supplies to where they are needed most. At the moment they are obviously heavily focused on Covid-19.”
– Martin Gore (on Direct Relief, his nominated charity)“Love and gratitude.”
– Robin Finck“I jumped at the opportunity to be a part of this project – I always loved this song and asked Wayne if I could take a crack at John Paul Jones’ string arrangement, which I have always admired. Hopefully, my take on it does it justice.”
– Richard Fortus“The power we have collectively is transformative … I love and admire Wayne and the band and the warmth and intention behind this release. I know the power of this song and I feel so honoured to have been invited to join so many celebrated artists, this is a beautiful star in the darkest of times and I know the difference it will make.”
– Evi Vine“To be amongst these amazing artists that I’m a huge fan of and have so much respect for is a true honour, especially for such an important cause. The sacrifice that all the amazing NHS staff and key workers have made is truly humbling and inspiring. To be part of an incredible group of people that want to give something back and show their gratitude is something I’m extremely proud of.”
– James Alexander Graham“When I was asked by Wayne to be part of this fantastic charity project, I immediately said yes! If I could contribute to supporting the hard work fighting COVID-19 by making a remix of Tower Of Strength, that was a way for me to make a small difference. I’m very honoured to be a part of this.”
– Trentemøller“I signed on for this project because I felt that it would be a great way to raise a lot of funds for those in need at this time. When I heard all the names of artists who were collaborating, I knew that it would turn out very special. I’m very grateful to be given the opportunity to contribute to this marvellous project.”
– Kevin Haskins“When Wayne emailed me with the idea of contributing vocals to this project I jumped at the chance. Tower of Strength is such an anthemic song it’s only fitting that this has been done to support the various charities. It’s an honour for me to be a small part of the process and what a stellar line up of people involved.”
– Rachel Goswell“Not every day do you get the chance to play on one of your favourite songs with some of your favourite artists, and to have it be for all the right reasons and for an amazing cause.”
– Michael Ciravolo“So honoured to be part of this wonderful project. It’s also interesting that three of the original performers on our – Gene Loves Jezebel – very first recording, ‘Shaving My Neck’ are reunited by chance some 37 years later: Julianne Regan, J.P, and myself. Hats off to Wayne and the Mission for giving this rendition for charity during this pandemic.”
– Michael Aston“Absolutely buzzed and honestly flattered to be asked to not only add my voice to this wonderful recording but also give something back to our much loved and beleaguered NHS. The perfect song for these difficult and challenging days.”
– Jay AstonTOS2020 nominated charities currently include:
NHS UK
St. Jude’s Children’s Hospital, Memphis
Music Venue Trust UK
Covenant House, New Orleans
Disasters Emergency Committee
MusiCares
Plan International
Direct Relief
Alzheimer’s Scotland
Liberty Hill Foundation
The Shrewsbury Ark
Memorial Sloan Kettering Center, NYC
Prostate Cancer UK
The Teddy Bear Clinic
Red Rover
Help Musicians UK
Crew Nation
Venice Family Clinic
The Anthony Walker Foundation
Projeto Cáo Communitário
The City Of San Francisco Covid-19 FundLINKS:
http://www.themissionukband.com
https://www.facebook.com/themissionuk
https://twitter.com/the_mission_uk
https://www.instagram.com/p/CDjpRLuH8jv
https://www.beautyinchaosmusic.com/tos2020 -
Diamond Shake Releases ‘Shake’ Video (The Week in #Indie Segment)
Diamond Shake continues his momentum with the release of the fourth video in his series titled ‘Shake’. Continuing his video partnership with French animator Dominique Bloink, the visualization and integrity of style are maintained with brilliance and the marriage of panache and originality are excelled with the dark beauty of the video and the emotional grit of the song. Almost its own undefinable thing, ‘Shake’ becomes it’s own in such a way that you find out who did what, if you don’t know who this is, just to see who could come up with such a thing. Let this sink into your memory.
Check out our other articles featuring Diamond Shake HERE.
Watch the full episode of The Week in #Indie HERE.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.ABOUT DIAMOND SHAKE & ‘SHAKE’
As discussions on mental health, addiction, and immigration in America gain more prominent, nuanced coverage on cable news, Diamond Shake mastermind Matthew Hitchens has lived at the epicenter of all three hot button issues for the past fifteen years.
Growing up in London and playing in bands through his teens, Hitchens moved to Los Angeles seven years ago to pursue a solo music career. After a few failed projects, missed auditions, personal struggles, and a particularly bad visa experience, he decided to stop relying on other people and make the album that faced his demons head-on.
“It’s all about my mental health problems like depression, anxiety, anger, low self-esteem, and addiction,” Hitchens says of From Method To Madness, his debut as Diamond Shake. “Each song is about a different one of those issues while also telling the story of making and releasing the album, ultimately ending in failure.”
Dour as that might seem, From Method To Madness (which came out in November of 2019) arrived with bluesy aplomb and Hitchens’ most candid lyrics to date about mental health. Considering every song on the album aims for the rafters with cinematic ambition, Madness practically lent itself to a visual accompaniment for all ten songs, which Hitchens has been working on with French animator Dominique Bloink.
“Shake” marks the fourth video in the visual series, which will continue throughout 2020.
LINKS:
http://www.diamondshake.com
https://www.instagram.com/thediamondshake
https://www.youtube.com/channel/UCUT0cqzCanrCsAlqgaZRqhQ
http://www.soundcloud.com/diamond-shake -
Jammerzine Exclusive: An Interview with Hybrid
Jammerzine has an exclusive interview with a duo of masterclass composers and musicians that go under the moniker of Hybrid. With their new album titled ‘Black Halo’ releasing tomorrow via Distinctive Records, Hybrid are poised at just the right time to release a new album on the scale of originality and creativity as I have seen in this past year, to say the least.
Hybrid is not only a unique music project, but a pair of composers who have been in the game since the 90’s and have written music for over 30 feature films, computer games and trailers including Fifty Shades Freed, X-Men: Wolverine, Billionaire Ransom, the Fast and Furious franchise.
That culminates into the music of ‘Black Halo’ A concept album in flow and style and a soundtrack to that future set of memories you will get. You will hear me in the interview praise this album for a few reasons. Almost in a gushing manor. There is reason for this. Maybe I heard ‘Black Halo’ at just the right time. Maybe I heard it in just the right setting. To be honest, part of the reason I say this is the best album I have heard in a while was how it changed my mood and my outlook for the day with the first track and sustained that feeling, modifying it with each song, through the end. Prompting a second listen. That is what music should do. introspect, interpret, influence, and enhance. And I can say, with all honesty, that this has the potential to do the same for you. There are many layers in each song on ‘Black Halo’. Musical, emotional, and spiritual.
In today’s interview, we talk about the songwriting and creative process that defines Hybrid as well as the album itself. This is as much a good conversation as it is an informative interview. Enjoy!
About Hybrid
The sweetest musical spots are always found deep between the contrasts. Dark and light, orchestral and digital, dramatic and delicate, raw and polished, sadness and bliss. Searched for by many, discovered by few, conquered by Hybrid; it’s a creative place where any story can be told. From studio to stadiums, dancefloor bangers to symphonic film scores, the clue’s been in their name since day one.
Hybrid’s electric spark for splicing musical DNA has been evident since their first ever single in 1996; Symphony, a cult club anthem where orchestral dynamics met jungle-inspired breakbeats. 25 years, six studio albums, myriad tours and a few line-up splices later, their ever-evolving, often bass-laced,
sound remains a constant in an accelerate scene. And that same thirst for fusion they began with is now nuclear. Attuned and amplified over years of writing and performing with their full band; it’s a fine-tuned alchemy that runs deep in everything Mike and Charlotte Truman do. Be it conjuring powerful dynamic electronic productions that can tear down underground music havens like Fabric London, working on scores for Hollywood hits from Hobbs & Shaw to Hercules to Interlude In Prague or living, writing and recording in a family home with over 60 animals.
Their CV is a dizzying litany of pinch-yourself moments and accomplishments, including collaborations and credits with luminaries as far-ranging as Cypress Hill, Perry Farrell and Hooky from New Order. With band mates Stu Morgan (guitars and bass) and Simon Hanson (drums) they continue to take their art to incredible places through speakers, stage and screen. And at the heart of it all is simply this: powerful storytelling.
A deep emotional narrative runs through all Hybrid music. You can sense it in Charlotte’s stirring songwriting and vocals, you can hear it in Mike’s formidable sound design and production, you can tangibly feel it in the drama, tension and release of the arrangements. Their latest album – Black Halo – is the best example of this so far. Largely written during the turbulence of 2020, the album celebrates the perseverance and triumph of the human spirit. No matter what life throws at us, we thrive and survive. To enhance this narrative even more, and join further dots between their love of music and the big screen, they’ve created three conceptual videos with writer/novelist James Scudamore and actor Edmund Kingsley. Weaving sci-fi themes with the stark, hard-hitting reality of the 21st century, Hybrid’s visual fusion is just palpable as the music itself.
Following on from their critically acclaimed 2018 release Light Of The Fearless – an album eight years in the making which saw them execute a precision come-back with a sold out tour – Black Halo reaches for those sweet spots between the contrasts once again. Somewhere deep between organic and electronic, faith and escapism, strings and synths, drums and bass, fear and hope, it’s a place where Hybrid can tell their boldest stories so far.
A band whose electrorock influence echoed throughout the ‘90s straight up to today, Hybrid have always been on the forefront of the electronic music scene. Merging Jimi Hendrix-styled guitar riffs via guitarist/vocalist Stu Morgan into Mike’s sonic soundscapes and punctuated by drummer Simon Hanson’s meticulous rhythms, Hybrid’s music allows Charlotte’s clear and pristine vocals to float and weave effortlessly.
Originally formed in 1995 at the height of the UK-led Breakbeat Era, Hybrid became leaders of an electronic movement that encompassed a dizzying litany of pinch-yourself moments and accomplishments, including collaborations and credits with luminaries as far-ranging as Cypress Hill, Perry Farrell and Peter Hook from New Order. In their own right, Hybrid continue to take their art to incredible places through speakers, stage and screen. And at the heart of it all is simply this: powerful storytelling.
Hybrid is:
- Charlotte Truman (vocals, piano, synths, guitar)
- Mike Truman (sound design, producer)
- Stu Morgan (vocals, guitars, bass)
- Simon Hanson (drums, percussion, backing vocals).
Featured image by Steve Gullick.
LINKS:
https://www.hybridband.com
https://ffm.to/hybridblackhalo
https://hybridbanduk.bandcamp.com/album/black-halo
https://twitter.com/hybridbanduk
https://instagram.com/hybridbanduk
https://facebook.com/hybridbanduk
https://open.spotify.com/user/killcitymusic
https://www.youtube.com/hybridbanduk
https://geo.itunes.apple.com/gb/artist/hybrid/4054018?mt=1&app=music
http://soundcloud.com/hybridbanduk