Rockabilly metal band Calling Kings has released a new music video for their single “Demon Suit,” a galloping tune that questions the darker side of the entertainment industry. The Los Angeles trio keeps the track thumping with an upright bass and a wall of razor-like guitar licks.
“This song is about how the entertainment industry will often advantage of artists, vocalist/guitarist CJ Hockenbury. “When I was starting to get a handle on my musical career, I worked with a few ‘sinister’ people and I feel like the ‘Demon Suit’ is just the embodiment of everything I’ve seen and heard.”
Featured image by Leire Baztarrica.
LINKS:
http://callingkings.com
http://instagram.com/callingkings
https://www.facebook.com/callingkingsrock
https://twitter.com/Calling_Kings
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A Flock Of Seagulls – Space Age Love Song (With the Prague Philharmonic Orchestra)
A Flock of Seagulls are back in their original form for the first time since 1984. Mike Score, Ali Score, Frank Maudsley and Paul Reynolds release “Space Age Love Song”.
LINKS:
https://soundcloud.com/aflockofseagulls
https://www.youtube.com/channel/UCcluFtLtRzipm7CdtERnceA
https://facebook.com/seagullsrunning
https://twitter.com/seagullsrunning
https://instragram.com/seagullsrunning
http://www.aflockofseagulls.org -
The Dayoffs – Next To Nothing
NYC-based Japanese-Russian duo The Dayoffs have announced ‘Next To Nothing’ as the second single from their forthcoming self-titled debut album. The Dayoffs are Vladimir Komarov and Atsuo Matsumoto – both are producers, having met in the studio while working on other artists’ output. Always busy working on other people’s music, Vladimir and Atsuo recorded some instrumental improvisations during studio downtime, gathering enough material for a debut LP. Hence, their name The Dayoffs – from constant lack of studio time for their own music.
The Dayoffs is a rock duo with an elastic, transparent and multilayered sound and catchy riffs and hooks due to some solid pop sensibilities. ‘Love Love Love’ is a prime example of this, oscillating between winning elements of Teenage Fanclub, Ash, The Boo Radleys, Ultra Vivid Scene and Pet Shop Boys. Slated for release on November 10 via German boutique label Emerald & Doreen Recordings, their debut offering is comprised of 11 refreshing tracks.
Coming to their praise immediately was James Atkin of EMF fame. “I’ve been so looking forward to this musical offering from The Dayoffs, having followed their progress from the fruition of this new project. The track ‘Next To Nothing’ ticks so many boxes for me from the off. Opening with a low-tech acid synthesizer that tells you something serious is going down and to hold on tight for the ride. The distorted bass makes you actually feel dirty with the drums pounding like a sweaty amphetamine episode.”
“I’ve always been a fan of Vladimir’s vocal delivery, weaving non-committal but with acute emotional conviction. I love the way the guitars crash into the chorus, creating beautiful textures and dynamic highs. These guys have seriously got their songwriting and production skills nailed, Vladimir and Atsuo have created a truly stunning album that will no doubtable be on everyone’s turntables by the end of the year.”
The new video for ‘Next to Nothing’ presents clips of skiers from yesteryear, a DIY style that pays homage to American punk, skate, and snowboard videos of the 90s. In contrast, the videos for earlier tracks ‘Love Love Love’ and ‘State of Madness’ focus on the duo, their life, and environment in New York City, the latter even filmed by prominent Russian movie director Fedor Lyass.
Atsuo is Japanese and Vladimir is Russian. Despite living in different parts of Manhattan and supporting opposing soccer teams, these two have much in common. Not only are they born on the same day, but they are both musicians and recording professionals. The two met in 2012 at the legendary Stratosphere Sound Studios, when Vladimir was tracking for a project and Atsuo was engineering the sessions. During the first recording hour, both realized that their recording methods and musical tastes are similar. Soon they teamed up to produce a bunch of records, including the debut album ‘Country Mile’ by James Atkin (EMF) and ‘Voshod’ by Russian post-punk heroes Manicure.
Vladimir Komarov is a musician, sound producer, DJ, and journalist and otherwise known as a pioneer of Russian shoegaze and indietronica. While his Russian music projects Hot Zex and Punk TV became staples of the nascent Russian indie rock scene, they also were well-received abroad. Atsuo Matsumoto is a Japanese musician and sound engineer and, apart from The Dayoffs, he is a member of Andy Chase’s Camera2 band.
The Dayoffs sound seems to gravitate towards Teenage Fanclub, which is interesting considering that it was at the band’s Manhattan’s gig in the summer of 2014 that Vladimir and Atsuo decided to jointly explore this sound further.
“This is a rock album. Speedy, noisy but lyrical – as guitar as could be. We did this on purpose. It was like playing with old toys – sweet, nostalgic and big fun. Maybe too sweet sometimes – but I don’t mind. These songs came out of nowhere, uncalculated and with a lot of improvisation,” explains Vladimir Komarov. “It took us more than two years to complete this 30-minute record as we are perfectionists. Every time I listen to it, I have nothing I’d like to add. This means that it is off the table and I’m very excited to know that our next record will follow different direction”.
The Dayoffs debut LP will be made available across all the regular digital sales and streaming platforms.
LINKS:
http://www.facebook.com/The-Dayoffs-707158302724188
http://www.youtube.com/channel/UC7t1WCdY8RgIHGf0iIgtRgQ
http://soundcloud.com/thedayoffs
http://www.instagram.com/thedayoffs
http://twitter.com/thedayoffs -
Otis Mensah – Sanctified
Otis Mensah is “a young story-teller-rapper-poet with a talent for drawing the poetic from the everyday happenings in his life.” The alternative hip-hop artist has risen from a new wave; age and era, embodying a contemporary, poetic take on hip-hop music. The music he creates sheds light on existential commonalities discovered through introspection with often off-kilter lyrics, accompanied by a sentimental vibe.
As an emerging artist, Otis has been independently releasing music, booking shows and has played around the UK & Europe including his debut performance at Glastonbury Music Festival on the BBC Introducing stage. Otis has also played as support for the likes of Killah Priest, Open Mike Eagle, Brother Ali, Lowkey, Milo, Arrested Development, The Sugarhill Gang, P.O.S, Abstract Orchestra, The Mouse Outfit, iTCH (The King Blues), and The Skints.
‘Sanctified is the stirring new release from experimental hip-hop prodigy Otis Mensah. It speaks of his restless striving to convey his truth through artistic self-expression, tempered by the burden of self-doubt and depression. Drawing deeply on the spiritual imagery of his youth, Mensah describes his obsessive yearning to realize his own potential, and face down his demons ‘in the lunar light dancing by the river.’ Produced by Elijah Bane, with music visuals from GRIT multimedia, Sanctified sees Mensah shift up another gear on his continual quest to connect with his audience through his vulnerable and honest form of experimental hip-hop’ Pink Wafer.
As an artist he perseveres in, connecting to an audience that relates to his writing and shares a mutual interest for thought-provoking lyricism and expressionism.
LINKS:
https://otismensah.bandcamp.com
https://twitter.com/otismensah
https://www.instagram.com/otismensah
https://soundcloud.com/otismensah/oh-jane-prod-the-intern
https://www.facebook.com/itsOtisMensah