The Week In #Indie

Jammer Direct Premieres ‘Behind the Beauty: Remixing the Chaos’ (The Week in #Indie Segment)

Jammer Direct is proud to announce our first feature film in the form of ‘Behind the Beauty: Remixing the Chaos’. This is a collaboration with Michael Ciravolo, the man behind the music project known as Beauty in Chaos. The film follows Michael, Producer Michael Rozon, and Tish Ciravolo through the process of making the album ‘Beauty Re-Envisioned‘ and comparisons to the original album ‘Finding Beauty in Chaos‘. This is a project we are all very proud of and is hopefully the first of many.

The film was released on Jammer Direct last night and can be viewed HERE. It is scheduled to be available on Beauty in Chaos’ YouTube channel tonight (July 24th, 2019). That channel is available HERE.

About Behind the Beauty: Remixing the Chaos
Go behind the scenes of the making of the new remix album by Michael Ciravolo’s Beauty in Chaos project titled ‘Beauty Re-Envisioned’. Including interviews with the creators as well as commentary by the likes of Ashton Nyte, Rolan Bolan, Zakk Wylde, dUG Pinnick, Wayne Hussey, Evi Vine and more as we peek behind the curtains of SAINTinLA Studios in Los Angeles to get the story of the evolution from record to remix track by track to better see the beauty behind the chaos.

Starring:
Michael Ciravolo
Michael Rozon
Tish Ciravolo

Directed by:
Ryan Martin & Sophia Ciravolo

Featuring musical contributions from:
Wayne Hussey
Al Jourgensen
Michael Rozon
Zakk Wylde
Ashton Nyte
Michael Aston
Robin Zander
Rolan Bolan
Pete Parada
Tim Palmer
John Fryer
Ummagma
Kitty Lectro
dUg Pinnick
ICE-T
Michael Anthony
Mark Thwaite
Evi Vine
Simon Gallup
Kevin Haskins
Sine Division
Betsy Martin
Paul Wiley
Kevin Kipnis
Tish Ciravolo
Statik
Johnny Indovina
Dirk Doucette
Roman Marisak
Alex Kretov
Sounds Of Sputnik
Tim Perry
Ulrich Krieger
Lola Bates
Danny Lohner
Marc Danzeisen

LINKS:
https://www.beautyinchaosmusic.com
https://www.beautyinchaosmusic.com/the-album
https://www.beautyinchaosmusic.com/beautyreenvisioned
https://instagram.com/beauty.inchaos
https://www.facebook.com/beautyinchaosmusic
https://twitter.com/MichaelCiravolo
https://www.imdb.com/title/tt10660966

Nature of Wires Drop First Light (Mesh Remix) + ‘First Light’ Video Premiere (The Week in #Indie Segment)

This is one of those rare moments in which we get to show you two versions of the same song, one included in a video premiere. This is Nature of Light’s Mesh Remix version of their track ‘First Light’, as well as their new video for the original version of the track.

While the original track may seem at the start to be a more danceable track, that is not so. The Mesh Remix starts off a little more ethereal in the beginning but the fact that it kicks in with a different danceable ambiance than the original makes it more of a reinterpretation than a remix, in my opinion. Both tracks have their individual strengths, with the original maintaining a more consistent beat while the Mesh Remix gives a more emotional take on this brilliant track.

‘Modus’, the new album from Nature of Wires, is set to drop on August 16th via Analogue Trash and can be pre-ordered via the band’s official Bandcamp.

About Nature of Wires
British synthpop stalwarts Nature of Wires have announced their new double album ‘Modus’, to be released on August 16 via Manchester’s Analogue Trash label. Comprising 18 tracks, this is 80s-influenced synthpop with a dark edge. The album had its genesis in the late 80s and early 90s when the band was in the middle of a creative hot streak.

Ahead of the album’s release, Nature of Wires are whetting our appetites with the 2-track single ‘Madame Serena’, featuring a remix by electronic body music and electro-industrial artist Leaether Strip, and two additional tracks: ‘Every Single Sun’ and the remix of ‘First Light’ by European electronic giants Mesh.

Nature of Wires was formed in 1986 in Herefordshire. The original line-up was Gary Watts (synths & programming) and Andrew Stirling-Brown (vocals). The band went on hiatus in 1994 until reforming in 2015. In 2016, they released ‘Cyber Rendezvous’ with California’s CountessM on lead vocals, their first album since 1993’s ‘Modus Operandi’. The band’s live shows were enhanced by the addition of Tim Powell-Tuck on electronic drums, with a UK tour and BBC appearances.

“Modus has been 33 years in the making and includes songs written between 1986 and 1993, recreated using 21st-century technology. We want to look back on this album in 20 years’ time and be satisfied that it is as good as possible,” says Gary Watts.

“So we’ve involved some top producers – namely Steve Whitfield (The Cure, The Mission, Shed Seven, Terrorvision, Jah Wobble) and Mike Marsh (Calvin Harris, OMD, Human League, Chemical Brothers, Moby, Shamen, Massive Attack, Erasure, 808 State, The Prodigy, Depeche Mode). The artwork is by the super-talented Vlad McNeally. This is our final farewell to our younger years, representatives of the sound we created back then”.

CD1 features 8 original tracks, forged during a time of personal and musical change, and with striking clarity in this music and lyrics. But now, with access to top of the line music technology, Nature of Wires have refined and reinterpreted the inner soul and meaning of each song to create something that reflects an exciting time in the history of electronica and dance music, while also holding its own in the modern synthpop scene.

On CD2, Nature of Wires curated re-imaginings of tracks on CD1, offered by alternative electronic heavyweights Leaether Strip and Mesh, UK post-punk buzz band Klammer, and label-mates Room 1985, The Cowls and AtomZero. Applying their own vision whilst being faithful to the spirit of the originals, they’ve each re-interpreted the tracks in their own impeccable styles, adding to the sense of history that underpins ‘Modus’.

There’s a sense of finality to ‘Modus’, as well as a statement of intent for the rebirth of Nature of Wires, coming to terms with the past in a glorious and positive fashion, and preparing for an exciting future.

“CD1 presents the retro-electro, ‘lighter’ side of our writing, influenced by the synth-pop of the 80’s & 90s scenes. A ‘definitive’ version of the material we had back then, but with a modern edge. It brings together the core of our older fan-favorites and the very first song we wrote and one left unfinished in 1993, finally completed over 20 years later! We envisioned CD2 not just as a collection of remixes, but a deliberate companion or twin to ‘Modus’. This is not a double album; it’s a dual album,” says Andrew Stirling-Brown.

Nature of Wires has appeared with many great electronic artists, including Empathy Test, Leaether Strip, Aesthetic Perfection, Lord of the Lost, The Frixion, Rodney Cromwell and Vieon. They also created remixes for the likes of Massive Ego, Leaether Strip, Sigue Sigue Sputnik Electronic, !distain, Precog, Advance, Freakangel, Machine Rox and Vogon Poetry.

SOURCE: Official Bio

LINKS:
http://www.natureofwires.com
https://www.facebook.com/natureofwires
https://natureofwires.bandcamp.com
https://twitter.com/natureofwires
https://www.youtube.com/user/natureofwires
https://www.instagram.com/natureofwires
https://open.spotify.com/artist/3UbV4twUaN8yLN3MYKgmMi
https://www.songkick.com/artists/8722719-nature-of-wires

An Interview with Wayne Hussey (The Week in #Indie Segment)

Our new Jammerzine Exclusive interview with Wayne Hussey was a real treat for me. Not only do I get to talk with, who I consider, an absolute pioneer in the music industry, but this interview becomes more a conversation than an interview, meaning Wayne is just a cool guy.

And today comes that conversation with the cool guy about his upcoming tour, with some dates including Evi Vine plus a surprise announcement about another tour guest, just added! We also discuss his new autobiography titled ‘Salad Daze’ as well as his time with The Mission and a number of other things. Get to know Wayne in this inciteful interview. Enjoy!

About Wayne Hussey & Tour Information
Wayne Hussey, best known as the frontman for UK alternative rock legends The Mission, has announced UK dates with London-based dark ethereal artist Evi Vine, as part of his European tour this coming autumn. Hussey will be touring in support of his long-awaited autobiography ‘Salad Daze’. Evi Vine is supporting her new album ‘Black Light White Dark’.

Evi Vine contributed backing vocals on The Mission’s 2016 album ‘Another Fall From Grace’, which hit the UK top-40 album chart. In 2016-17, she toured with Wayne Hussey and The Mission as the featured vocalist for their 30th Anniversary Tour.

Wayne Hussey’s book ‘Salad Daze’ was published on May 23 by Omnibus Press, chronicling Wayne’s life from childhood to his days with The Mission. A confessional, engaging and explicit account of life in the eye of rock’s storm conveyed with warmth, humor and laugh-out-loud moments, each chapter is accompanied by a specially curated playlist (via YouTube and Spotify) featuring artists as diverse as Elvis, Radiohead, Suicide, Frank Sinatra, Led Zeppelin, The Beatles, David Bowie, Television, T-Rex, Cigarettes After Sex, Iggy Pop, and Telly Savalas.

“My autobiography was recently published and, to celebrate, I’m going out on a mammoth tour of Europe. Having been in solitary confinement and chained to a desk for the last year or so I thought it was time to go and make some music and be a little sociable with the world. Hence, I’m playing 50 plus shows in just over two months visiting the UK, Germany, Poland, Czech Republic, Holland, Belgium, France, Spain, Portugal, Italy, Austria, Hungary, Slovenia, Greece, & Sweden,” says Wayne Hussey.

“It’ll either kill me or make a man out of me at last. For the UK shows, I am delighted to have Evi Vine as my very special guest. Evi, who recently released a third solo album ‘Black White Light Dark’, sang onstage with The Mission in 2016-17 on our ‘Another Fall From Grace’ tour. I am also hoping to persuade Evi to maybe join me on stage each night to sing a few songs together. It was always one of the highlights of the Mission show for me when Evi and I got to perform one acoustic song, I always looked forward to that moment.”

Born in Bristol and raised as a Mormon, Wayne had his epiphany as a young boy while watching Marc Bolan and T-Rex on Top Of The Pops. Seeing his destiny in a blinding flash of glitter, mascara and dark curls, he decided he was going to be a rock star. After moving to Liverpool, Wayne eventually gained recognition and notoriety as the lead singer and principal songwriter in The Mission after putting in time as a guitarist with Sisters Of Mercy, Dead Or Alive, and Pauline Murray’s Invisible Girls.

Featured image by James Bacon.

Wayne Hussey / The Mission LINKS:
http://themissionuk.com
https://www.facebook.com/themissionuk
https://twitter.com/WayneHussey4
https://www.instagram.com/themissionuk
https://itunes.apple.com/ca/artist/wayne-hussey/152340739
https://open.spotify.com/artist/0RllFQZGANG86xbYXHfiWh
https://themission.bigcartel.com/product/salad-daze-deluxe-edition-webstore-exclusive

An Interview with Drew Davies (The Week in #Indie Segment)

This interview was a real treat for me. To become a fan of someone’s music that you get to review and to actually get to write about how that music stands out as it’s own is a true privilege. That artist is Drew Davies. I’ve gotten to review two of his tracks so far: ‘Man on the Run‘ and ‘Living the Dream‘. Both tracks stand out in their own individual ways, and each is a musical monster in their own creative right.

And now I get to talk with the mind behind the music and how those tracks came to be and much, much more. There are a few true surprises in this interview (I would have never guessed his origins in music). We also get a detailed glimpse of his views on the current music scene and what he has coming up next. I guarantee, Drew will be one of your next favorite artists.

About Drew Davies
Persistence is a word that’s rather easily thrown around in this era of the five-minute social media fad. But in this golden age of the hashtag Drew’s goals have always been keenly focussed on producing music close to his heart.

Through friendships and loved ones come and gone, successes, setbacks and everything in between, Drew has poured himself into his musical labors, and now he’s produced his most personal work to date.

Whilst Drew hails from the North of England he is an adopted Londoner; he’s trod the boards of venues and festivals across the UK and Europe with various bands, worked in musical collaborations, written for other artists and sang in session gigs to get by. From cutting his teeth and paying his dues in some of the seediest venues you’ve ever likely to see to recording in some of the top studios on the planet; these experiences all played their part in his arrival at this vantage point, from which he brings forth his debut solo album.

Musically Drew pulls from a vast array of influences that stretch from 50s rock n’ roll to modern electronica. From the hook-filled, to-the-point numbers of Roy Orbison or Tom Petty, to the cinematic synth sounds of John Carpenter, Vangelis, and Kavinsky, the music is imbued with a heavy tenderness; wrapped up in the genre-bending timelessness of artists like Bowie, Queen or Eurythmics.

“When I wrote ‘Living The Dream’ I had recently removed myself from a number of unhealthy relationships and thrown myself into my work. Whilst I had become somewhat of a hermit in those days I also met a wonderful woman and started a love affair.

The song is about going your own way; but it’s also a snapshot of that period in my life; the lyrics were quite a tongue in cheek; centering on the rejection of the ‘rock n roll’ lifestyle that had been thrust upon me, the new love in my life and the scene from where I was writing the song…”

In preparation for the release of Living the Dream, Drew has readied a full backing band complete with dueling guitars, bass, synthesizers, drums and two backing singers; bringing the full sound of the songs to the stage as they can be heard on the record. Having debuted earlier this year at London’s iconic Troubadour club the band have gone on to play notable London venues and are preparing to tour the UK and beyond.

Self-produced by Drew, the album was recorded at Tileyard Studios in London, before arriving at the hands of mixing engineer Steve Honest (Oasis, Michael Jackson, Fleetwood Mac), with mastering by John Webber (George Michael, David Bowie, Super Furry Animals) at the legendary AIR Studios.

LINKS:
https://www.drewdaviesmusic.com
https://www.facebook.com/drewdaviesmusic
https://www.twitter.com/drewdaviesmusic
https://www.instagram.com/drewdaviesmusic
https://drewdaviesmusic.bandcamp.com

Jammerzine’s The Week in #Indie for 8/12/2019

Exclusive interviews with Wayne Hussey from The Mission as well as UK Singer/Songwriter Drew Davies as well as the exclusive premiere of ‘Behind the Beauty: Remixing the Chaos’. Also, premieres from Anton Barbeau, Dizraeli, Mike Milan Dedic, Nature of Wires, Tarah Who?, and The Awakening.

Para Lia Releases ‘Hawk Hill’ EP on Jammerzine (The Week in #Indie Segment)

Para Lia has released their new EP titled ‘Hawk Hill’ on June 14th. Each track, simply put, is a well thought out yet spontaneous mix of grit and pop in all the right places with a beautiful combination of guitars and harmonies by thinking musicians for thoughtful listeners. This is alt-rock for the alt-mind.

About Para Lia
Melodic alternative/indie rock duo Para Lia have announced their new single ‘Hawk Hill’, which will release on June 14. A special Bandcamp edition also features two additional tracks: ‘Over It (single version)’ and ‘On My Way Home’.

“Hawk Hill is about my love/hate relationship with the small insignificant town of Falkenberg, where I spent my childhood. In German, ‘Falke’ means hawk and ‘Berg’ means mountain. But in fact Falkenberg has no hawks or mountains. The words ‘Hawk Hill Lane’ popped into my head one day while working on a guitar riff – it was a ‘Penny Lane’ moment, reminding me of the street I walked down every day to go to school. The vocals reflect today’s view on a town with the same fate as many small towns in rural East Germany,“ says René Methner.

“After big political changes in early 90’s Germany, many jobs were lost, youth moved out, schools and cultural centers closed, the cash flow stopped and small towns like Falkenberg fell dormant – kind of like a dead end street. You still can smell the fragrance of the past. Both Cindy and I grew up in Falkenberg and even lived on the same street, but we never met back then. We met years later and understood that we’ve walked the same streets and shared the same roots – a great good omen for walking hand in hand into the future.”

This new single release follows hot on the trail of their debut album ‘Soap Bubble Dreams’, a collection of 10 tracks that released in March 2019.

Para Lia is an indie/ alternative rock duo based in Cottbus (near Berlin), influenced by the rhythms and tones of ‘90s alt-rock and the synth density of ‘80s darkwave.. Their own sound blends melodic guitars, along with distinctive lead guitar and resonant synths.

Comprised of René Methner (all instruments and vocals) and Cindy Methner (backing vocals), their band name was born of their love for Greece, with para lia, (παραλία) meaning “coast” or “beach” in Greek – a name full of mystery but optimism, which both has history and evokes a balance of the masculine and feminine.

René Methner was raised in the eastern part of a divided Germany. Learning acoustic guitar from a young age, he finally hooked up with like-minded musicians upon moving to Cottbus for university, forming his first band and moving on to various other bands in the 90’ and 00’s – as guitarist, songwriter, and frontman.

While Methner began composing earlier, Para Lia first presented their music publicly in April 2018. “In 2017 I felt something inside musically and the inner need to let it out. So I started to write songs again… She makes me feel complete, we are soul mates. So it also feels in our music,” explains Methner. Around that time, Cindy came into his life and the couple transformed into a marriage and the musical tandem we know today as Para Lia.

“Para Lia is the most intimate music project I ever made. It is just everything I was breathing in with regards to music influences in the past few decades and my personal musical development over the years… what I ultimately breathe out is Para Lia. For me, a song is beautiful if it radiates something special. I love good melodies and a loud and crunchy wall of sound, combined with gentle harmonies,“ says René Methner.

Para Lia’s musical influences include bands like Sebadoh, The Notwist, Dinosaur Jr., Motorpsycho, Pixies, Interpol, and Neil Young, not to mention the garage rock sound of the mid-1960s from bands like The Who, Creation, and The Eyes.

LINKS:
https://www.facebook.com/paraliamusic
https://paralia.bandcamp.com
https://twitter.com/para_lia_band
https://soundcloud.com/para-lia
https://www.youtube.com/channel/UCNABsfHKaCDk28fOj91Dc1g/videos
https://open.spotify.com/artist/1cLZhbb6pWX67RV0eaWyXY
https://itunes.apple.com/us/artist/para-lia/1434289348

Brocarde Releases ‘Last Supper’ Single (The Week in #Indie Segment)

London-based Brocarde has just released her new single Last Supper. Never one to focus on just one project, she also launches the Last Supper Clothing Collection (featuring lyrics from the single), Last Supper Photography Book and Last Supper photography ibook.

The track has been played on hundreds of radio stations all over the world including Kerrang! Radio and Planet Rock Radio – where it’s been played for over 5 weeks.

Brocarde always had a keen interest in performing and storytelling, but she didn’t launch her music career straight away. It was jewelry making that came first and it wasn’t long before word spread and her designs were spotted on Lady Gaga and Katy Perry.

Riding the crest of the wave, she spent every waking hour making jewelry in the hope that the company would give her a platform to launch her music. The bigger the company grew, the more its ethos escaped her. The brand did provide her with a platform to launch music, but not the kind that cuts into your soul, not the kind that made her feel alive. So before she drowned in a sickly, sticky vat of bubblegum, she decided to burst her own bubble.

She closed the jewelry company and never looked back. She went to LA to finish the album she had started and discarded every song that she had previously written. Brocarde made a promise to herself that she would never compromise her vision, and to never be filtered for commercial success. During her time in the studio, her love for making clothing continued.

At this point in her life she was unshackled, supercharged and sassy as hell, so she created a brand called Twisted Bitches. She created t-shirts with slogans like “Pussy Power” and “No F*cks Given”. Her designs were modeled by rainbow haired girls and embraced by the “alternative” community, after being stocked on Dolls Kill.

The first song Brocarde wrote in LA was “Last Supper”. The song and her vision for it existed long before she stepped foot inside a recording studio, and every tiny detail was alive inside her head, from the video concept to the clothing she would be wearing. The song tackles her personal experiences with celebrity culture. It begs the listener to question their relationship with social media and loved ones, and it asks the all-important question “What will you consume at your last supper?”.

The video, written and directed by Brocarde takes the viewer on an uncensored journey and tackles a host of controversial issues such as cannibalism, religion, and abuse of power, which leaves them open for interpretation and discussion. It’s a twisted fairytale with haunting darkness that’s usually only present in horror movies.

Brocarde approaches music in a different way. She is genre-less. She uses instrumentation to capture the emotion in her words. She straddles a multitude of worlds; her vulnerable, fragile side is captured by an orchestra of delicately plucked strings; her full throttle sass makes you stand up and take note, and her angst and frustration marry with the heavy metal undertones.

Brocarde is cinematic, captivating and an artistic storyteller.

Last Supper is out now and the second single and album will follow later in 2019.

LINKS:
http://brocarde.com
https://www.instagram.com/brocarde
https://twitter.com/brocardemusic
https://www.facebook.com/brocarde
https://youtube.com/brocarde
https://itunes.apple.com/gb/album/last-supper-single/1451735351

K Michelle DuBois Premieres ‘Waves Break’ on Jammerzine (The Week in #Indie Segment)

Starting with a sonic mixture reminiscent of both Duran Duran and vintage The Police with a blissfully decedent assault of guitars and bass, K Michelle DuBois delivers an energetic juggernaut in the form of her new single titled ‘Waves Break’. The hook sneaks in like an army invading an unsuspecting country and just never lets up after. This song is pure power in the form of a pop song filled with caffeine and spitting our fire throughout.

As of June 28, 2019, ‘Waves Break’ is available at online stores, such as iTunes, and streaming platforms such as Spotify. Her 2018 ‘Harness’ album can also be obtained directly from the artist via Bandcamp, and her ‘Untold’ collaboration can be found via Lights That Change’s Bandcamp.

About K Michelle DuBois & ‘Waves Break’
Atlanta-based indie pop artist K Michelle DuBois presents an upbeat and fun summer single ‘Waves Break’. This is the first taste of her forthcoming album, which will be released later this year.

“We fully went for a surfy new-wave vibe with layers of percussion. Waves Break began with a fascination with fearlessness in people (especially females) who love surfing, skateboarding or any sport where they get beat up and dive right back in,” says K Michelle Dubois.

“The lyrics evolved to be metaphorical as well as staying on topic while blending in double-meaning wordplay – ‘I keep you close to my chest’ and ‘you know where the shark’s prey’. The instrumentation of Waves Break has an early Duran Duran, Bowie, Gang of Four vibes.”

This new single follows up her third solo release ‘Harness’, as well as the singles ‘Wild Weed’, ‘Orchid’ and ‘Love and Only Love’. DuBois also recently collaborated with Wales-based post-punk dreampop artist Lights That Change on the single ‘Untold’.

While most of DuBois’ solo output intertwines classic power-pop with 90s college rock, ‘Harness’ boasts a heftier sonic tone than her previous album ‘Astral Heart’ (2016) with its bouncy rhythms, jangly guitars and sing-song charm.

Based in Atlanta, GA, Dubois’ counts Blondie’s ‘Autoamerican’ and Divinyls among her influences, along with Stevie Nicks, Roxy Music, Flaming Lips, Grandaddy, and Fever Ray. DuBois’s live band includes Chandler Rentz (drums), Jim Prible (bass), André Griffin (keys) and Dan Dixon (guitar), who also recorded, produced and mastered this album at RCDC studio in Atlanta.

K Michelle DuBois got into music very young, building harmonies to pass the time during the family’s frequent road trips. DuBois began writing her own material as a teenager in Nashville after receiving a bass guitar for Christmas. She crafted her early songs on bass, a Yamaha synthesizer and a drum machine in her parents’ four-track studio, but a flood of creative possibilities came upon discovering open-tuning on acoustic guitar, thereafter solidifying her commitment to songwriting.

After forming her first band Ultrababyfat and releasing ‘Silver Tones Smile’ (1998), the group’s infectious pop-punk sound garnered national attention, leading to opening slots for numerous noteworthy acts Pavement and PJ Harvey, and a 2001 stint on The Warped Tour as one of the few female-led bands showcased in the festival’s lineup.

After the band disbanded in 2005, DuBois formed Luigi to explore her more progressive, art-rock leanings. After seven years together and ample critical acclaim, she re-emerged as a solo artist under the tempered guidance of producer Ben Price at Studilaroche, releasing her debut album ‘Lux Capone’ in 2012. DuBois also contributes vocals for Atlanta-based dream-gaze collective Parsons Rocket Project.

LINKS:
http://www.kmichelledubois.com
https://www.facebook.com/KMichelleDuBoisMusic
https://www.twitter.com/kmichelledubois
https://www.youtube.com/channel/UCoQgGNlVSlwQhtWDpAAu44w
https://www.instagram.com/kshelldubois
https://squareup.com/store/kmd-projects
https://open.spotify.com/artist/2M8M9NxuEmOAaqlbEHN5LW?si=T_ffSKKLTJugWZUaS4bMLA
https://itunes.apple.com/us/artist/k-michelle-dubois/536605594

Klammer Releases ‘Being Boiled’ Single (The Week in #Indie Segment)

Klammer is a band with, not only a rich history in music but an even richer knowledge of music. They not only know what works, they are what works. And this is none more present than in their new single titled ‘Being Boiled’. With a thick beat, wonderfully decadent guitars, and the rich deep and pound vocals of Paul (Poss) Strickland leading the way, ‘Being Boiled’ is that special drive and sonic assault that give a rush of adrenaline to the brain while staying steady enough to remain in your mind long after that initial listen. We have a brilliant anthem for the summer.

‘Being Boiled’ dropped June 3rd, 2019, on all digital platforms, including Bandcamp and their official store (more links below).

About Klammer
Hailing from Leeds, Klammer draws on the members’ shared love for all things angular, dark, loud and melodic. Previously described as the love child of XTC and Gang Of Four, they offer an enticing contemporary twist on the post-punk attitude, blending elements of goth rock, punk rock, and darkwave, all with dark pop sensibilities. You’ll find plenty of hooks and dark and edgy broodiness coursing through their sound.

Formed by UK Producer Steve Whitfield (The Cure/The Mission/Jane Weaver) in 2014, they have already released 3 albums to great critical acclaim, with last years ‘You Have Been Processed’ receiving fantastic reviews across the board. The singles ‘Modern God’ and ‘Spiral Girl’ off the album, both received airplay on 6 Music.

Having consistently played up and down the country both as a headline act and in support of some big-name bands (including The Skids, The Undertones, Richie Ramone, Chameleons Vox, Penetration, and The Membranes), they have also played at Rebellion for the last two years and The Great British Alternative Festival. Klammer is intent on consolidating their position as one of the country’s finest live Post Punk acts.

LINKS:
https://www.klammer.co.uk
https://www.facebook.com/klammerband
https://twitter.com/klammerband
https://klammerband.bandcamp.com
https://soundcloud.com/klammer
https://www.instagram.com/klammerband
https://www.youtube.com/channel/UCsOn5ov6NDaBtgdf-iA3LqQ/videos
https://itunes.apple.com/us/artist/klammer/id579352463
https://open.spotify.com/artist/25buSKBb5QaT31p8vKpxTV?si=JCDN3D5nQniIo0y71ASqAA

An Interview with Gone Sugar Die (The Week in #Indie Segment)

Rarely does a band so young accomplish so much in as little a time span as the new Canadian/American super duo known as Gone Sugar Die. With their new upcoming EP titled ‘Blaack Heaart’ and their new lead single titled ‘Heartbreak Jewelry’, Gone Sugar Die have already cemented themselves as an act to follow.

Today I get to talk with both members of Gone Sugar Die Mike Hindert (The Bravery) and Patrick McWilliams (ex-The Cut Losses) about the odds of meeting and working together and their origins in earnest as well as their new music and where they are headed and much more. This interview captures this band at just the right moment because their future is secure. Enjoy!

About Gone Sugar Die
Gone Sugar Die is a smart but explosive dark romance between synth punk and indie pop. It’s the kind of collision that can inspire ethereal transcendence or ignite a disco. The guiding principle for Gone Sugar Die, aka Mike Hindert (The Bravery) and Patrick McWilliams (ex-The Cut Losses), is to make music the world can dance to.

These are pop songs built on a foundation of authenticity, energized garage rock style vitality, and genuine passion, all of it shot through with high-minded ambition. Imagine Crystal Castles and The Weeknd, in the pit together, watching The Sex Pistols. The duo’s debut recording includes the work of producer/guitarist Marshall Gallagher (Teenage Wrist, 3OH!3) and drummer Anthony Burulcich (Weezer, Morrissey, The Bravery). There’s enough imagination, adventurousness, and experience between the pair at Gone Sugar Die’s center to ensure enthralling offerings of dirt pop for many years to come.

Hindert is best known as the stylish and savvy bassist of indie darlings The Bravery, a band championed by The Village Voice, Rolling Stone, MTV, and the BBC. They were responsible for anthems like “An Honest Mistake” and “Believe,” songs that still resonate today.

As lead singer and keyboardist for The Cut Losses, McWilliams had an underground hit with “Spending Time On My Own,” which garnered 100,000 Spotify streams in 72 hours. The pair connected on their mutual love of darker new-wave icons like The Cure, The Smiths, and Orchestral Maneuvers in the Dark. With Gone Sugar Die, they’ve created something new with a proper nod to the past and fresh urgency.

LINKS:
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https://www.artisthq.com/gone-sugar-die
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https://www.youtube.com/channel/UCpYwyLqt97_QPsFC5rvzyCw?

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