Deleo drops their new single titled ‘Mythomania’ on June 19, 2020. By the first listen it is apparent that Deleo has that certain something where they can show that they’ve not only found their sound; they’ve crafted it. And crafted it in such a way that they are recognizable within those first few precious notes; within the timespan, it takes to grab the attention of even the most casual of listeners.
‘Mythomania’ has that beautiful hook that forces one to hit the quick rewind a few times just to recapture that initial ‘aha’ moment. There is nothing more perfect than to be introduced to a band or artist with such a track.
Check out our other features of Deleo HERE.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.
ABOUT DELEO & ‘MYTHOMANIA’
After the tantalizing foretaste of the toxic ballad ‘Unfair’, Deleo continues to distill the fruits of its 4-track EP with a new teaser in anticipation of the EP’s release. This time, with ‘Mythomania’, the Montpellier-based group reveals a more prickly and Rock side to its sweet poison.
The track begins innocently enough: a simple Folk guitar rends the air – I wouldn’t say ‘vulnerable’ since it’s a bit fast, a bit tense, but subtly – and then a few seconds later, a futurist city suddenly appears and you’re like rats. Watch out if you’re in the front row seats! Rats, but as lovely as the sounds of the dolphins in The Big Blue soundtrack by Eric Serra. Dolphins, but like androids that dream of electric sheep. Industrial dreams, tubular bells, and layering inspired by Archive’s Londinium, the dystopia of Blade Runner and The Fifth Element are all there. When it reaches the bridge, it all suddenly stops in the space of an instant: hypnotic, something expands naggingly and creepily like Radiohead’s ‘Dollars and Cents’. An impression of overlooking the underworld of Gotham or Dark City. With Emy Eris, the fire dragon and Daenerys, who spreads her wings with the passion of youth.
Yes, this new song by Deleo is a veritable short film. A tricky single – but what an experience and what a cliffhanger at the end! Once again, the maestro of British producers James Sanger (Suede, Dido, Keane, The Cure, Manic Street Preachers, etc.) had a lot to do with it.
With this second single, Deleo shows its Rock influences. It makes defining their music elusive while it is still firmly Pop. The reason for this? The band doesn’t know either! Far from being binary, they have multiple facets that sparkle like a gem. Corporeal yet radiant.
LINKS:
https://www.facebook.com/deleoofficiel
https://www.instagram.com/deleo_officiel
https://twitter.com/Deleo_Officiel
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Magnus Premieres ‘Detachment’ Album (The Week in #Indie Segment)
Magnus has released their sophomore effort titled ‘Detachment’. ‘Detachment’ is an album that, if listened to in order, gives a brilliant perspective of the artists involved. Partly because of the songwriting but there is more than that. There is this fire of creativity within the guitars, vocals, and rhythm that bubble up and sometimes feel as if they need restrained. The hooks are encapsulated within a barrage of soundscapes both dirty and clean that give a wonderfully decadent vibe throughout no matter what the overall vibe of the track is. This is one of those albums you just hit play and drive down that highway, letting ‘Detachment’ attach itself to your future memories.
ABOUT MAGNUS
Sydney band Magnus formed in 2012 to bring their urgency, fearlessness in experimentation, and healthy disregard for genres to Australian music. Their name, derived from “Magn-hus” and translating as “powerhouse” in Old Norse, is a testament to their live performances. A casual open mic at Melbourne’s world-famous Cherry Bar landed them a residency there and eventually nomination for the Best live band of the year award by invite of owner James Young Himself.
Their debut album, “I”, received critical acclaim by both online and print media with The Sydney Morning Herald states: “The band clearly likes to tease and with terrific self-confidence, in their undoubted abilities the approach does create a lively anxiousness within their music.”.
In 2017 work on Detachment started with a DIY approach which resulted in recorded demos in their rehearsal space mixed at their home studio. Convinced this album needed to have an “all-or-nothing” approach, these demos were sent out around the world and sparked interest from big names such as Steve Albini, Alan Moulder & Bob Clearmountain.
In 2018 recording of the album took place under the supervision of five-time Aria award-winning producers Paul McKercher. With COG’s Lucius Borichon drums it promises an even more raw and visceral approach, yet maintaining the unexpected twists and turns Magnus has become known for.
Both Paul and the legendary Bob Clearmountain (multi-Grammy winner & nominee, USA – Rolling Stones, Springsteen, The Preatures) are credited in mixing and Big Bass Brian Gardner (multi-Grammy winner & nominee known for QOTSA Songs for the Deaf and his work with Dr. Dré), for mastering the album. Upcoming single “Detachment” came together in a completely haphazard way.
After stumbling over an essential bass groove, the band plugged it into their recording kit and made the rest of it up as they went along. Running themes for the song were inspired by a combination of the bleak aggression, stabbing guitars, and call to arms U2’s “Bullet in the Sky” boasts juxtaposed with the story of a man opting for a life of detachment. Detachment is set for release tomorrow (April 24, 2020).
LINKS:
https://www.entermagnus.com
https://open.spotify.com/artist/7nh8fJMJ1lLweOkBLJkUtS?si=6tJlDg9lRI-obMMJiwAocQ
https://entermagnus.bandcamp.com
https://itunes.apple.com/au/artist/magnus/1452892942
https://www.facebook.com/entermagnus
https://instagram.com/entermagnus
https://www.youtube.com/playlist?list=PLmRwaCZMSRE6smrseUT2ies5wBAeboVr5
https://soundcloud.com/entermagnus -
Bentley Jones Premieres ‘I Could Be Your Girl’ Video (The Week in #Indie Segment)
Bentley Jones has just dropped his new video titled ‘I Could Be Your Girl’. Bentley is one of those artists that, when he releases something, I quietly think to myself ‘About time…’. I say this because he is a constantly and truly evolving artist. Each release is somewhat of a reinvention of both the artist and the music. This is just as true with ‘I Could Be Your Girl’.
The video is at times hypnotic and captivating yet gives that sense of solace and yearning. A dark longing for love and romantic closeness in a time of social distancing lending to that certain something we all feel at times, especially these times, in that we all need someone. I hear the words ‘Beauty is in the eyes of the beholder’ when I first watched this video and now those words have a meaning to me. This is a message to the world that beauty is more than sexual and sultry; it’s something we all have, and by knowing that you can get the deeper meaning of the music.
to me, Bentley is an artist who deserves everything he’s worked for and worked very hard for. Now entering his tenth year as an artist, he is just as fresh and new as ever and it shows.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.ABOUT BENTLEY JONES
Bentley is continuing his reign as an independent pop pioneer by wrapping up his 10th anniversary before launching a brand new 2020 album. He has single-handedly amassed over 40 million sales and gathered remix credits for the likes of Madonna, Britney Spears, Kygo & Whitney Houston, Demi Lovato, Ariana Grande, Taylor Swift, Justin Bieber and Lady Gaga (who also follows him on Twitter).
If that wasn’t enough, he’s contributed scores to some of the world’s best-known franchises like “The X-Files”, “Tekken”, “Sonic the Hedgehog”, “Gradius”, “Titan Wars” and “QQ Dance”. With a taste of international success as a producer Ben looked further afield to make his debut as a recording artist before planting his roots – unintentionally – as far away from home as possible.
After taking a risk signing the first-ever British artist to release a Japanese album on a major label, EMI-Universal tested audiences with the debut single “Sunaoninaretara FINAL NIGHT”. Without any promotion or radio play, Bentley sold over 30,000 copies placing the song in the top 5 of Japan’s International Chart and cemented his stature as an international breakthrough artist.
Bentley continued his success in Japan with various projects including the 2012 album “UPGRADE 1.0” which saw him collaborate and perform with native artists for the first time including May J. She was enamored by Ben’s sound and called on him to write and produce for her next album. Ben’s work also caught the attention of May J.’s record label AVEX who signed him to their management arm as he became the first-ever foreign writer and first-ever foreign producer to join Japan’s biggest music company. Ironic that it was also the same management label of Ayumi Hamasaki who offered her personal approval of Bentley’s debut at the start of his Japanese career.
His first independent English EP “So Much More…” including the title track which was featured in the number 1 selling video-game “SEGA All-stars Racing”. It also featured 1 of 3 songs that received a staggering 1.1million streams in just 5 days after a promotion with the US social network Gaia Online. The sequel album “TRANS//LATION 2” made Bentley the 19th most viewed musician on YouTube the week of its release and his adaptation of the theme from “Devil May Cry 4” has accumulated 1.7 million streams.
Realizing he could continue his success as a fully independent artist, Bentley unleashed 2015’s “The Rebellion” to critical acclaim; “Articulate, brilliant and haunting.” (BuzzJack) “The must-listen-to album of 2015.” (Muzikman) “Let this album be an inspiration to us all.” (J-Wave’s 25 Best Indie Albums of 2015). 2017’s “Unravelling” was also a smash with critics being described as “powerful and meaningful… Bentley has bounced back better than ever!” (Essentially Pop) and became his highest-earning independent album at the time with over 310,000 sales.
Bentley’s 10th anniversary has been the colossal celebration we’ve come to expect from such a reputable artist. Proceedings kicked off at the end of 2018 with a live performance on Japan’s prestigious music show “Nodojiman THE WORLD!” (12.1 million viewers) which coincided with the release of his Japanese single “Lay Down on My Heart”. The song was premiered in the UK by BBC Radio and was the first-ever J-pop song broadcast by BBC Introducing leading to Bentley being awarded the “Sound of 2019” (BBC).
His 10th-anniversary album “Translated” – a celebration of his Japan debut – gained 270,000 sales during its summer release resulting in his decision to reside in Japan where he headlined at the Tokyo Summer Bon Festival. He’s even found time to compose music for the upcoming “Titan Wars” video-game, the theme song for From Aqua Mineral Water commercial, the main theme of the AVEX Influencer Academy as well as continue working with Asian artists such as Carrie Lai and DJ KOO (TRF).
ABOUT ‘I COULD BE YOUR GIRL’
His bold new image – an enticing amalgamation of muscles, stilettos, lace, and skin that celebrates his fluidity, sexuality, and defiance – is a telling statement of the difficult journey he’s been on to get here. Following acclaim from Billboard Japan (“a must-listen-to artist”), BBC Radio (“incredible”, Sound of 2019) and Miami Beach Pride (“an LGBTQ+ icon”), independent pop juggernaut Bentley Jones is finally delighting fans with lead single “I Could Be Your Girl” (out now) – a delicious slice of sultry, sexy pop R&B that (according to Jones) “was composed almost entirely in a dream.”
Bentley has enjoyed a considerable amount of success in Japan, which is why last year he turned his entire life upside down and moved to Tokyo. At first, he flourished; performing on the prestigious TV show “Nodojiman THE WORLD!” to 12.1 million viewers and headlining the Tokyo Bon Summer Festival.
However, the company promising to sponsor his visa – as well as provide promotion and touring for a new album – suddenly about-turned and began pulling their support from a contract they had been negotiating for months. As Bentley explains in a video blog, the company said he was “too controversial” and became “worried about what people will think”.
Ben made the heart-breaking decision to walk away from the contract and return home to the UK.
“After working so hard and risking everything, it was soul-destroying,” Ben expresses. “But this album and these songs are fundamental to who I am and what I stand for. It feels amazing to finally start releasing them exactly the way I intended.”
Last month Ben helped raise over $14,000 for community aid performing at Pride Collective – a virtual festival formed by the several US Prides. Miami Beach Pride was so impressed they selected Bentley to represent them at Global Pride on June 27th where he will make the first-ever live performance of “Girl” alongside such legends as Adam Lambert, Kesha, Todrick Hall and more.
“I Could Be Your Girl” is out everywhere now, with the music video following on June 19th.
LINKS:
http://www.bentleyjones.com
http://www.facebook.com/BentleyJonesMusic
http://twitter.com/Bentley_Jones
http://www.youtube.com/BentleyJonesMusic
http://www.soundcloud.com/BentleyJones -
An Interview with Darrel William Herbert (The Week in #Indie Segment)
Having his global beginnings with the band The Toadies and continuing that career with Tomorrowpeople, Darrel has also emersed himself in many other aspects of the music world including editing, songwriting, and scoring. Chances are you have heard his work even if you’re not a music listener.
And now we have an in-depth interview with Darrel about his beginnings, his gear, his adjustment to the lockdown and, most importantly, his debut solo album titled ‘An Unwelcome Moment of Clarity’, out October 9th as well as his new video, out today, titled ‘If you Still Believe’.
Unsigned artists around the world; heads up. This is how you diversify in the music industry and gain street cred. Just take a look and listen to this taster of things to come with this new video and song. Darrel is a true songwriter with a penchant for tone and respect for music as an art.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.LINKS:
https://www.facebook.com/darrelwilliamherbert
https://twitter.com/darrelwherbert
https://darrelwilliamherbert.bandcamp.com