Born in Latvia, living in Israel, Also known as the lead singer of Rock/Metal band MAGEN and the Middle Eastern rave act ORGONITE, acts that perform festivals in Israel and around the world, surrounded by loving and loyal fans. Ethel recently decided to take herself, her name, art, and all her inner world into the front of stage and creation and just now released her first ever debut single: “Super Star Baby”.
LINKS:
https://www.instagram.com/ethel_superstarbaby
https://www.facebook.com/musicethel
https://www.youtube.com/channel/UCnIm2liD05Zf9w27RzkRjWA
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The Mutineers – Drug For That
Based in Portland, Oregon, The Mutineers are a rock n roll husband-wife duo with country leanings and punk rock tendencies. With Brian Mathusek on guitar and Merry Young on drums, the couple shares vocal duties. Sounding like a cross between Johnny and June with John Doe and Exene, and a bit of Nick Cave and PJ Harvey, their sound esthetic is influenced by such artists as Bruce Springsteen, X, Nick Cave, Loretta Lynn, and Elvis Presley.
“This was written specifically for Merry’s voice. I wrote the first draft of lyrics and she sculpted it to fit her style. Her world-weary delivery is the perfect backdrop to the story. The song contemplates the dual feelings of helplessness and power inside a co-dependent relationship,” says Brian Mathusek.
“The singer is struggling with self-confidence and self-consciousness. She cannot decide if she has been too open or not open enough. I think everyone has someone in their life that they can’t stand, but also can’t live without, whether it’s a lover or a family member or a friend. Knowing when to cut someone off is very difficult. By the end of our song, the narrator has given up and given in to this cycle of love and hate, another lost soul.”
Co-produced alongside Raymond Richards (The Parson Red Heads) at B-Side Recording Studio in Portland, this is the band’s third EP and fifth significant release. Originally founded by Brian Mathusek and Michael Astudillo in 2007 and joined by Merry Young soon afterward, The Mutineers debuted with their ‘Tidal Wave’ EP in 2008, followed by the ‘Nihilisteria’ EP (2009) and ‘From the Dirge to the Dance’ LP (2011). The new fully-arranged recordings diverge from the duo’s previous release ‘Live at B-Side’ (2016), which was recorded without any overdubs.
With this latest effort, The Mutineers have begun a new chapter, collaborating more closely in their songwriting process. Their latest songs feature characters who are flawed, stubborn and struggling with their demons. They wander confused, obsessed, addicted and envious, through the microcosms of Threshold in search of happiness, understanding, and love.
The Mutineers will be touring nationally through the fall. In the past two years, they have given over 120 performances in 30 states. They have shared the stage with such notable artists as The Tallest Man on Earth, Langhorne Slim, Reverend Peyton’s Big Damn Band, Larry, and His Flask, The Devil Makes Three, The White Buffalo, and Murder by Death. When not touring, the couple runs a graphic design and screen printing business, Mutiny Studios.
In collaboration with Clovis IV, a visual storyteller, The Mutineers have continued exploring the visuals associated with their song themes, helping express their music, in still images and now on a music video. Clovis started working in the visual arts in the early 90’s. Connected to the worlds of music and media, he has continued to express the stories of artists & individuals in still and moving images. Be it as a photographer or designer, Clovis has worked with many artists, including New Model Army, Thievery Corporation, Faith and the Muse, Concrete Blonde and Flesh For Lulu.
LINKS:
http://www.themutineersmusic.com
https://www.facebook.com/mutineersmusic
https://twitter.com/TheMutineers
http://mutineersmusic.bandcamp.com
https://www.instagram.com/themutineers -
Atmosphere – Stopwatch
Atmosphere has just released another new music video for “Stopwatch”, directed by Ryen McPherson and produced by activist art collective, INDECLINE, best known for their poignantly satirical murals and installations.
It’s a different place than it was two years ago when Atmosphere released their last record, Fishing Blues. Their seventh album, Mi Vida Local, reflects the ways in which the world–and their place in it–has changed. The idyllic domesticity of the past few records has morphed into anxiety over keeping loved ones safe during turbulent times. The easygoing collaboration between Ant and Slug has started to feel more like the life-or-death intimacy of two men trapped together on a lifeboat. At times, Mi Vida Local is a heavy album, (“I might be the last generation of grandparents,” goes a key line from “Virgo”), but it’s far from grim.
As the name implies, Mi Vida Local is intensely focused on the place it was created–the south side of Minneapolis–where Slug and Ant work tirelessly in their “beautiful basements”, refining their sound without interruption, save for a handful of Minneapolis friends that showed up to contribute. The album pairs complex subject matter with equally deep beats–ones that show a clear lineage back to the psychedelic funk landmarks from an earlier era where America was going through a post-utopian hangover, and prove that there won’t ever be a time where boom-bap beats don’t sound perfectly of the moment.
Mi Vida Local might be the best album Atmosphere’s ever made. It’s definitely the one they needed to make right now, and one listener’s need to hear just as urgently. If it’s sometimes an album about how the fight to find happiness never really ends–even after you get the house and the kids and the artistic freedom to make dad-rap records–it’s also about discovering that there’s happiness to be found just in fighting.
SOURCE: Official Bio
LINKS:
https://rse.lnk.to/MiVidaLocal
https://rhymesayers.com/artists/atmosphere
https://www.facebook.com/Atmosphere
https://twitter.com/atmosphere
https://www.instagram.com/atmosphere -
m1nk – The Far Side
m1nk (pronounced ’em one en kay’) is a duo based in the UK and Greece, comprised of Barry Snaith from Wakefield, UK, and Erika Bach – German-born, raised in Australia and currently living in Ithaca, Greece. Having met each other on Soundcloud, they collaborated on the track ‘Bleed Through’, hitting the alt-rock chart on that platform after the first day.
Erika Bach (a.k.a. Lola Demo) comes from a more garage rock background with some electronic influences. Her haunting voice and edgy trash ethic sometimes remind us of a less hopeful Patti Smith. Barry Snaith (a.k.a. The Inconsistent Jukebox) moves effortlessly between genres, his productions encompassing everything from acerbic alt-pop and industrial soundscapes to French cabaret and dubstep.
For these two, writing together was instantly a natural and organic process, each adding what they felt at the time of writing. Sometimes structured and sometimes completely abstract, vocally and sonically.
m1nk produce dark, gothic, electronic soundscapes for the passionately dispossessed and sexually charged absentees of the blank gender nation. Their songs are about lust, disappointment and dangerous encounters. They are very distinctive, yet hard to define.
Barry’s influences include Bernard Herrmann, David Lynch, Francis Bacon, Robert Fripp, Captain Beefheart and Dali. Erika is inspired by stormy days, a little pain and ugliness, human kindness and bewilderment.
For the Single ‘The Far Side’, Bach wrote the lyrics and melody first. “This is a song of yearning, waiting and disappointment,” says Erika Bach. With no particular sonic or musical structure, Snaith added the soundscape to fit the plaintive mood.
‘The Far Side’ released on August 1 across online music stores and streaming platforms, as well as Bandcamp. Find this and their previous single ‘Fuck You Up’ on Spotify and everywhere.
“Hauntingly ethereal… the imagery cloaked in a thickening black atmospheric is all at once petrified, desolate and withered yet strangely seductive in a darkening way”
– The Sunday Experience“A dark edgy sonic trip… like David Lynch armed with a fuzz box”
– The Spill Magazine“A stunning slab of gritty, grimy industrial electro reminiscent of the KLF at their idiosyncratic best. From the distorted, glitchy guitars to the impassive rapped vocals”
– Paul Kerr (The Devil Has The Best Tuna, BBC6 Music Selector)“A genre-defying collage of electro beats, distorted guitar… surreal lyrics and spooky chanted vocals”
– Essentially Pop“Apart from Lynch, this music brings to mind Portishead, The Bad Seeds, Nico, the softer underbelly of Lydia Lunch, and Siouxsie Sioux, and even the darkest side of Mylene Farmer. The lyrics take you to a noir place and, surprisingly enough, it’s not an uncomfortable one”
– Big Takeover MagazineLINKS:
http://www.m1nk.com
https://www.facebook.com/m1nk.official
https://twitter.com/m1nk_official
https://sejarecords.bandcamp.com
https://www.instagram.com/m1nk_band
https://m1nk.teemill.com