Ethereal alt-rock outfit Evi Vine presents ‘Sabbath’, a sweet and heavy preview of their long-awaited long-play ‘Black Light White Dark’, due out in early 2019 on vinyl and CD, as well as digitally. This powerhouse track features Evi Vine’s gossamer vocals and precise orchestration, cleverly woven together with bass guitar by Simon Gallup of The Cure and guitar by Peter Yates of Fields of the Nephilim.
Produced by Dave Izumi (Nordic Giants, Ed Harcourt, Magic Numbers) and mixed by Phill Brown (Talk Talk, Jimmy Hendrix, Led Zeppelin, John Martyn, Robert Palmer), this album also features contributions from several other celebrated artists. Apart from Simon Gallup (The Cure), this album also involves Martyn Barker (Shriekback, Billy Bragg, Marianne Faithfull, Goldfrapp), Peter Yates (Fields of the Nephilim), and Geraldine Swayne (Faust).
As a group, Evi Vine is joined by Steven Hill, Matt Tye, and David ‘GB’ Smith. Their music explores the dark elemental nature of the human heart, as well as environmental and post-apocalyptic themes. Evi Vine’s sound is both sublime and haunting. Creating a unique and uncompromising atmosphere, the effect is reverential, physical music, evoking a rare experience that is beautiful, sparse and deeply intimate.
“I know a lot of people are being shaped by experiences in our lives, ghosts of childhood, self-destructive pain and sorrow, all our personal struggles, doubt, and change. I can feel the earth dying and it makes me so sad. We write reflective songs about the circular patterns of man, and reflecting beauty and violence in the world,” says Evi Vine.
“We recorded live for the first time, which meant we were perhaps able to express the energy in the room together, vibing off one another and experimenting with new sounds, in a new space. Writing in the room was a new experience for us. Its the first time we’ve gone in with no finished songs. We had a few ideas and riffs but took the time to let them breathe and worked on them until we felt we had captured a special moment. After producing two albums essentially at home, this feels like a re-birth for the band.”
Evi Vine’s debut self-released debut album ‘…And So The Morning Comes’ was heralded as “the underground gem of 2011” by Drowned in Sound and championed by Simon Raymonde (Bella Union, Cocteau Twins) as his album of the year. Directed by Oscar-winning Nick Brooks (Fight Club, The Matrix, The Girl with the Dragon Tattoo), Evi joined with internationally acclaimed photographer Patrick Fraser to make the stunning video ‘For the Dreamers’.
Their second album ‘Give Your Heart to The Hawks’ (2015) was co-produced by Richard Formby (Mogwai, Spacemen 3, Wild Beasts) and mixed by the legendary Phill Brown (Beth Gibbons, John Martyn, Talk Talk, Led Zeppelin, Robert Palmer). The album also featured Martyn Barker, Peter Yates, Tatia Starkey (My Vitriol/Lola Colt), and Billy Cote (Madder Rose).
Evi’s career has been filled with color. She formed this band while living in LA, quickly getting a support show opening for Slash at the Whiskey-agogo. She has collaborated with Graham Revell (SPK, The Crow Soundtrack), The Eden House, Tony Pettit (Fields of the Nephilim), and Peter Yates (Fields of the Nephilim). In 2016, Evi sang on Phillip Clemo’s ‘DreamMaps’ album, together with Talk Talk’s Simon Edwards and Martin Ditcham, subsequently making appearances on BBC6, BBC3 Late Junction and Jazz FM.
Most recently, Evi Vine contributed backing vocals on The Mission’s 2016 album ‘Another Fall From Grace’, which hit the UK top-40 album chart, and collaborated with Michael Ciravolo on the debut album from LA-based Beauty in Chaos, involving members of The Cure, Ministry, The Mission, Cheap Trick, The Offspring, King’s X and Ice T, among others.
In recent years, Evi Vine has toured with The Mission, Chameleons Vox, Wayne Hussey, And Also The Trees, Phillip Boa and The Voodoo Club, and Her Name is Calla. After hearing Evi Vine’s debut album and including it among his top five albums, Wayne Hussey invited them to tour with him in 2016 and subsequently with The Mission in 2017. Invited on stage to sing three songs by The Mission, the seed was sown and Vine joined The Mission as the featured vocalist for their 30th Anniversary Tour.
“The new album is intense – dark, layered, wonderfully atmospheric, fragile, and at times stripped bare – an album to get lost in….and then surface with Evi’s haunting and delicate vocals and the endless space,” explains Phill Brown.
The Cure’s Simon Gallup elaborated on his involvement in this project: “Hammersmith …me drunk …meet Evi for the first time I mumble that I’d love to play on a couple of tracks …don’t hear anything for ages than an email out of the blue …Three songs …feel nervous but really enjoy the songs …a day trip to the coast and a lovely welcome with dogs ..have beer and made to feel even more welcome ..worry that what I’m playing isn’t right or not going to fit in but enjoy myself and the warmth of everything ..have to dash as there is a prom on …a very bad hill start and a dash back down the motorway ..a quick day that had started 20 months before.”
LINKS:
http://www.evivine.com
https://www.facebook.com/evi.vine.music
https://twitter.com/evivine
https://evivine.bandcamp.com
https://www.instagram.com/evivine
https://www.youtube.com/channel/UCcPbQaScYhloAHQFURajuZg?view_as=subscriber
https://itunes.apple.com/mn/artist/evi-vine/433578453
https://open.spotify.com/artist/4pZRfgJDhjBjNuYQV09lLt
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Fire Fight – The Ghost Inside
Minneapolis, MN hard rock band Fire Fight has released the official music video for their single, “The Ghost Inside.” “The Ghost Inside” is off of their 2017 released EP Transitions.
“’The Ghost Inside’ is our favorite song to play live. It’s got it all, and in a very short amount of time, from heavy riffage down to soft vocals building into an epic chorus and back to the heavy riffing, and that reflects the story behind it: light vs. darkness, good vs evil, and the continuing battle between. For the video, we went for simplicity; there’s a ghost inside all of us. As people we can go through different stages of emotions and sometimes those emotions make us see in black and white, and while the song may be complicated, we wanted to accent that simplicity throughout in the imagery as well.”
Remember when music made you feel things you’d never felt before? When it seemed like every time you turned on the radio, you discovered a whole new world? What happened to that sense of wonder and refreshment?
Minneapolis, Minnesota’s Fire Fight seeks to breathe new life into a world muddied by generalities and jaded artistry.
Our goal is to spark that same sense of wonder and inspiration that was once the norm. Music isn’t what we do for a living, it’s what we do to live and we want to share that with every audience we encounter. Every show belongs to you just as much as it does to us, and we want to change the way you hear rock music and the way you experience it.
With driving percussion, intricate riffs, infectious hooks, and mesmerizing melodies, each song tells a story: our story, our journey. Egos and politics have their place, but everyone needs something that speaks to their heart and soul. Without heart, all art is fruitless. So bang your heads, throw up the horns, jump, dance, sing and be present. The music industry and bureaucracy have taken so much from music and from you, the fans. We’re here to give it back.
We are FIRE FIGHT!
LINKS:
https://firefight.online
https://www.facebook.com/FireFightOnline
https://twitter.com/Fire_Fight_
https://soundcloud.com/FireFightOnline -
Swindy – Reflection
Tucson, AZ-based Electronic Pop Rock band Swindy has released the Official Music Video for the single “Reflection,” off of their debut, self-titled EP. “Reflection” was directed by Isabel Uzcategui at Originate Design Productions.
Swindy began life as the solo project of Randall Swindell (frontman for Ensphere) when presented with a sudden opportunity to play a show. He teamed up with drummer Mike Jenney (Alter der Ruine and Assemblage 23) and guitarist Jeff Sargent (vocalist for Industrial Band 51 PEG) for their debut in July 2016 in Tucson, AZ; Steven Escalante has since joined the band as the newest permanent and live drummer while Mike has moved over to synthesizer position. Classical vocalist Alyson Precie joined in September 2016. Conceived at the start as a fast-paced project designed for a flexible, modular live performance, a Swindy show can be executed with as few as one or as many as nine musicians.
Their sound has been described as “Electronic Pop Rock – with a twist of Industrial”, but the diverse musical backgrounds of the members combine to create a sound that’s not quite definable. Swindy has quickly gained momentum, releasing their first single “Reflection” (ft. John Russell) on November 17th, 2016, followed by their next single “Ignite My Love” on January 12th, 2017. The full 5 track self-titled EP, produced by Matt Good (From First to Last), was released on February 23rd. Not content with just the studio, Swindy has shared the bill with Orgy, Powerman 5000, Trapt, Otep, Dope, Combichrist, William Control, and many others. Swindy recently welcomed the addition of Jonathan Russell on guitar, replacing Jeff Sargent for the upcoming live performances. Swindy continues to book out 2017, and a full-length record is in motion for early 2018.
“During my time in 2012, I began to discover the strength found in pop music. I fell in love with the influences of Katy Perry, Lady Gaga, Kesha and more. It was from there that my solo project, Swindy (a nickname given to me), began to take off. It has developed itself quickly into a style that brings a variety of music styles together and is supported by a complete band lineup.”
– Randall SwindellLINKS:
https://www.facebook.com/Swindymusic
https://twitter.com/Swindy_Official
https://www.youtube.com/channel/UCAQE5ZESBxfVEyGvLBLmptA
https://www.instagram.com/swindy_official -
Deleo – Going Home
Deleo has released their new video for the track titled ‘Going Home’. Deleo continues their ‘evolution of revolution’ with this continuing escalation of quality of sound. Having kept them on my radar for almost a year now, this is clearly evident to me.
‘Going Home’ is the latest culmination of what Deleo is achieving career-wise with a beautiful hook and lush combination of instruments underlying a truly angelic voice.
Check out our other features with Deleo HERE.
ABOUT DELEO & ‘GOING HOME’
After having successfully launched 2 singles during COVID, Deleo continues to distill the fruits of their upcoming album. And this time, with ‘Going Home’, the Montpellier combo plunges us into a multidimensional universe half-angel, half-demon …
‘Going Home’ is a pure ballad. Correction: ‘Going Home’ seems like a pure ballad. But in fact, the song reveals layers like infinitely opening drawers. Over the vibrant chords of an acoustic guitar, a voice begins to sing a melancholy melody at a cosmic distance that recalls The xx or London Grammar. This track evokes the mellow sadness of Autumn. As you listen and relisten, you spin endlessly against the backdrop of a sharp, haunting arpeggiator that drives this song towards the softly shining stars … far away from yourself.
LINKS:
https://www.facebook.com/deleoofficiel
https://www.instagram.com/deleo_officiel
https://twitter.com/Deleo_Officiel