Fjords, Wales’ finest purveyors of indie electronica return with their new single, “Sulwyn” on 14th July, 2014. “Sulwyn” pronounced, sill-win is a traditional Welsh christian name that means,’bright as the sun’. The track is released via the band’s own Crookedman Records.
Drawing on influences that range from Japan, Gary Numan, Joy Division and Simple Minds “Sulwyn” marks a shift towards a more thoughtful late seventies, early eighties sound. Singer Sonny Dagur
penned the lyrics whilst in Brooklyn and describes the song as ‘a bit of a letter to myself’. “Sulwyn” was recorded at Monnow Valley and is FJORD’s fourth independent release. The band choose the striking artwork to accompany the release by emerging digital artist Rognvald Leslie of The Faroe Islands.
Formed in 2010 Fjords came together following a Steve Lamacq interview on BBC 6 Music. At the time Sonny’s old band, Don’t Tread On Spiders were breaking up, Sonny seized the moment and used the Lamacq radio interview to advertise for band members. Happily for all concerned Fjords were the result.
Fjords play The London Welsh Sessions on Friday 6th June at The London Welsh Centre, Gray’s Inn Road WC1 plus a special show on 11th July from Acapela Studios, (site of the recent Gruff Rhys American Interiors album launch) where their set will be streamed worldwide from this converted chapel outside Cardiff. Fjords plan to further experiment with new technologies hosting a series of live Google Hangout chats plus using QR Code and NFC tags on posters allowing fans to download “Sulwyn” for free.
Fjords are Sonny Dagur – Vocals & guitar, Alex Mann – Bass & vocals, Scott Bradburn – Guitar, Gareth Bodman – Synths, Hannah Mathias – drums & drum pads.
Airplay support for Fjords includes Amazing Radio, BBC Radio Wales & Nation Radio.
Links:
http://www.myspace.com/wearefjords
http://www.twitter.com/wearefjords
http://www.wearefjords.com
http://www.wearefjords.co.uk
http://www.soundcloud.com/wearefjords
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Acadian Driftwood – Catch The Sun
Formed in Liverpool in 2016, Acadian Driftwood makes roots music for the digital age. The band draws on both Americana and their own British musical heritage to produce a diverse alchemy of rock, blues, country, and surrealism.
The band have already earned airplay and support from BBC Radio Merseyside’s Dave Monks and are winning an army of fans thanks to their presence on Liverpool’s vibrant music scene.
“The UK’s freshest purveyors of British Roots n roll, a uniquely British take on roots rocks it would be wrong to pigeon-hole Acadian Driftwood.”
Paul Osborne, Shindig Magazine“As soon as I heard them I had to play the tracks.”
Dave Monks, BBC“Influences shape music and they rarely come with more credibility…showing true potential, the songwriting is strong and the playing organic.”
Denis Parkinson, Liverpool Etc“Spirited melody and tranquil harmonies, although an expected contrast, combine with the lyrical darkness to create an amazing sound.”
Aimee Steven, The Back Door“This is not generic music that has been thrown off an assembly line; this is handcrafted music that has been handled with patience and care.”
Richard Bradshaw, The Culture Journal“Boasting a sea of talent among the three of them Acadian Driftwood delve deep into the roots of musical history, harnessing the best of country and blues and fusing it into modern day jams.”
Matthew Wood, Get Into ThisLINKS:
https://www.facebook.com/acadiandriftwoodmusic
https://www.instagram.com/acadian_driftwood_
http://www.acadiandriftwood.co.uk
https://twitter.com/acadiandriftwud -
Campbell L Sangster – Odds are Stacked
Campbell L Sangster is the solo project of singer/ songwriter aka Lin Sangster from Liverpool. Previous bands include Bad Anorak 404, Kit and Send no Flowers. Sangster’s recent work on soundtracks for film and video projects fed into the songwriting process for ‘Odds Are Stacked’, influencing the approach to the song and lending a visual quality both lyrically and musically.
Campbell L. Sangster’s forthcoming debut album is scheduled for release later this year, and in the meantime more music can be accessed through Soundcloud.
About the Film:
This film is an exploration of female masculinity, past, present and future. Tinged with 50s America and moments of the contemporary, Campbell performs alongside The Drakes – a posing gallant band of butches, bois, studs, transmen & genderqueers.Edie Sedgwick lives on in the body and soul of a sun worshipping, silver-clad mother, desperate for sun rays.
Meanwhile, her budding gymnast daughter becomes mesmerised by the arrival of Buffy – a woman in her 70s – physically strong and utterly focussed in her bespoke one piece swimming suit. With the spirit of Esther Williams and verve of an assassin, we watch as she dives agelessly, effortlessly.
Back and forth, stronger, stronger, air bubbles reaching the surface as each stretch reaches forward, more powerful than the last. The look of the young girl as she watches, watches as this swimmer hypnotizes her.
As the song reaches its climax, the swimmer exits the water; she leaves as she had arrived – controlled but assuaged. The young girl is left to wonder, a stronger spirit, the imprint of the mysterious woman remaining with her forever.
About the Director:
Mike Matthews is a passionate and accomplished director. He has most recently directed successful commercial campaigns for Mullenlowe, VCCP, Leo Burnett and M&C Saatchi. He is exclusively represented by Fat Lemon.Credits:
Director: Mike Matthews @ Fat Lemon
Producer: Kelley Ralph
Production Company: Fat Lemon
Executive producer: Cabell Hopkins
Cinematography: Dave Miller
1st AD: Jerome Franc
Focus Puller: Chris Stephens
Drone: Sam Moore
Gaffer: Darren Jackson
Production Designer: Mark Harriott
Costume Designer: Mark Harriott
Wardrobe Supervisor: Bex Harvey
Make-up: Tricia Woolston
Editor: Kev Palmer @ Ten Three Editing
Colorist: Matt Turner @ Absolute Post
Post Production: Absolute Post -
T.E. Yates – Burning Bungalow
Most musicians boast of exploding onto their local scene in a glittering blaze of media hype and spontaneous applause. The unassuming, unusual and enigmatic T.E. Yates, however, snuck in through an open window.
His name was not on the top line of event posters but rather a discreet artist signature in the bottom corner; his first gig flyers and album covers were ones he designed for other bands, not himself. He’s performed in front of huge crowds but always as a hired hand or supporting player, a multi-instrumentalist in the shadows – mandolin, banjo, harmonica, even musical saw – you may have heard him on the tracks of other artists without even knowing it. But now T.E. Yates has stepped out of the shadows, taking center-stage with a formidable backing band (both onstage and on record) comprising members of Victorian Dad, The Bedlam Six, Ottersgear, Gorilla Riot, and Honeyfeet.
Even when performing solo the man doesn’t travel light, his weird and wonderful drawings regularly making an appearance between songs, baffling and delighting audiences in equal measures.
His debut album “Silver Coins And White Feathers” is by turns moving, catchy and ambitious, brimming with influences from all across the genre spectrum, the subject matter ranging from astronomy to the Suffrage movement – a real treat for music lovers of all persuasions.“Nick Drake’s ‘Hazy Jane’ with a touch of Roy Orbison”
– BBC Radio ManchesterLINKS:
https://www.facebook.com/T.E.Yates.Official
https://twitter.com/teyates
https://soundcloud.com/t-e-yates
https://open.spotify.com/artist/6vfksH96y3ZbDe6SLRX6mT
https://teyates.bandcamp.com
https://vimeo.com/user24745797
https://debtrecords.net
https://www.youtube.com/watch?v=Rrn1R2iL89k&index=1&list=PL–NzcS5ylP3JYe2k6gDEcqZQVsszD-Lp