Essex’s self-styled ‘smallest band in the world’ Ghost Station have released their new single ‘Cast Away’ on all download/streaming platforms. An infectious 3 minutes of beachy guitar pop, the new track showcases a knack for marrying sun-kissed harmonies to crunchy guitar sounds.
“The title was taken from the Tom Hanks film which had been on TV the night before I wrote the song, so desert island living was kind of resonating at the time,” explains Ghost Station main man and songwriter Matt Phillips. “It’s a reaction to the things that make up our daily routines – stuck on commuting trains, remembering passwords and boring bosses. I should point out that I’d be a useless companion on a desert island, as I don’t even like getting sand in my shoes on holiday!”.
Led by Phillips sublime songwriting skills (honed over almost two decades in music), Ghost Station could easily be described as a British Weezer or a 21st-century update of The La’s sunny indie-pop. Cast Away follows press acclaim for their previous singles Head For The Sun and Tear It Up, with The Sun hailing their “catchy melodies and jangly guitars” and interview coverage from Gig Slutz and Music Muso.
SOURCE: Official Bio
LINKS:
https://www.facebook.com/officialGHSTN
https://twitter.com/GHSTN
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South Central Positronic – Temponauta
From the creator of Kish Kollectiv comes “Temponauta” from South Central Positronics! “Temponauta” from South Central Positronics is a varied collection of (mostly) instrumental pieces very loosely inspired by the Italian New Age community, the Damanhur Federation, which is located in the Alpine foothills near Turin.
In the late 1990s, they revealed to the world that they had mastered the theory and practice of time travel (among other esoteric pursuits, some of which are connected to the lost civilization Atlantis), which was covered in a 1998 issue of the “Fortean Times”, a UK publication that concerns itself with paranormal phenomena. “Temponauta” is an Italian word that roughly translates as “female time traveler” and each composition very obliquely suggests another phase, experience, or aspect of her journey, but the listener is of course free to interpret the pieces in any way they wish.
From the creator of South Central Positronics “, They did later row back on a lot of these assertions and repositioned themselves as a more conventional spiritual commune and eco-village from the mid-2000s, but I never lost my fascination with their earlier claims of “esoteric physics” and “selfic science”.
Born of Italo-Celtic stock into a slowly rusting northern England in the throes of Thatcher-era de-industrialization, the young Michele Sarto (“Mike” to those closest to him; other people just can’t pronounce the name properly) was bitten by the horror bug early. After having been “encouraged” to sit through an uncut version of Lucio Fulci’s surreal schlock masterpiece “City of the Living Dead” at the age of 6 by mischievous elder cousins, a lifelong fascination with the darker side of fiction was born. Equally haunted and excited by aftermath images of reanimated corpses, horrific “skull-crush” kills and a young woman literally vomiting out her innards, another element of that particular production was to make an indelible impression on the young Sarto; the maestro Fabio Frizzi’s masterful synthesizer-driven score.
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First Look: Harper and the Moths – Your Love (360° Music Video)
What began as a remote recording project between friends in early 2013 has morphed into the Phoenix-based dance rock band Harper and the Moths. On July 5th, the quartet will release their debut album Dark Enough To Dance, 12 tracks that deliver glittery, all-night anthems with infusions of new-wave and post-punk.
Vocalist Harper Lines and his “Moths” (who just so happen to have an affinity for staying up late), began work on the album after Lines went through the downward spiral of a serious relationship ending. When things got ugly, the fallout became his inspiration, and his outlet was music. The first single “Your Love” was written to provide closure to anyone who is at the end of a relationship, struggling to see their inner light.
“I wanted to create a pop song that addresses the audience when they’re feeling like they aren’t enough or don’t have the strength to make a difficult but necessary decision,” says Lines.
“Your Love” was released on June 4th with an impressive 360° music video. Taken in two separate takes, Harper and the Moths and several friends & dancers, transport the viewer through a fully-immersive, changing party scene. The viewer can follow whichever character they like through the whole thing and watch again for special Easter eggs.
Harper and the Moths have released three EP’s and a number of singles. Songs like “Walking Through Fire,” “Lose My Touch,” and a cover of Rockwell’s “Somebody’s Watching Me,” continue to be Arizona radio, Spotify playlist, and Soundcloud favorites.
On Dark Enough To Dance, the band recruited the talents of recording engineer, Jeremy Parker (Evanescence, Godsmack), and producer duo ESCQ (Cutcraft Music Group). What came together in various sessions over another 6 months has resulted in a great soundtrack to dance away any future heartaches.
“Harper and the Moths bring dance club energy into their vibrant synth pop and the vocal harmonies on this new single will have you ready to join the singalong whether in your car, at a bar, or just jamming out in the privacy of your own home.”
– YabYum Music“Beautifully captivating and playful in the melody, seasoned with nice brass.”
– PopMuzick“Harper and the Moths have got a plan and it has nothing to do with being confounding or bland”
– Glide Magazine“the full-throated falsetto of Harper Lines that makes everything seem like an all-night party machine”
– AZ CentralLINKS:
https://instagram.com/harperandthemoths
https://facebook.com/harperandthemoths -
MIS+RESS – The History Of Fishes
MIS+RESS, the solo ambient project of Brian Wenckebach, best known as a member of Brooklyn shoegaze darlings Elika and experimental electronica outfit Thee Koukouvaya, is releasing his debut album via Somewherecold Records. This album has also become a 2017 favorite of electronic mastermind and radio host Ulrich Schnauss.
This self-titled 10-track offering is quite remarkable, oscillating between the atmospheric opaque reverie of such bands as Land Observations, the mysterious edge of Michael Brook and Daniel Lanois, and fantastic imagined music boxes for grown-ups.
MIS+RESS is the solo project of musician, artist, mixing and mastering engineer, father, and educator Brian Wenckebach. He has worked with a number of established artists and labels including Showtime Television Networks, Polyvinyl Records, Ulrich Schnauss, Asobi Seksu, Noveller, Thisquietarmy, Dead Leaf Echo and Nadja, and also re-mastered Blind Mr. Jones’ classic album ‘Tatooine’.
Wenckebach first began recording music to analog tape in 1995 and, by the end of the decade, had started to move towards computer sequencing. The Durutti Column, Land Observations, Daniel Lanois and Harold Budd number among his musical influences, along with Loscil, Nils Frahm, William Basinski, Noveller, Rafael Anton Irisarri, Susumu Yokota, and Tim Hecker.
A long-term professional used to the comforts of his work with Electric Blue Studios in Brooklyn, this album marks a departure from the studio setting. It was recorded in Toms River, New Jersey with an electric guitar and four effects pedals in a make-shift studio he set up in his sister-in-law’s abandoned childhood bedroom.
Rather than relying solely on atmosphere and texture, MIS+RESS creates songs with genuine emotional content. They are clever and intricate, dreamy yet broken. They paint a sonic canvas full of gorgeous landscapes, littered with machines languishing in obsolescence. This debut album evokes memories of a past/future you didn’t/won’t have. This is post ambient, instrumental guitar. No frills and no hiding.
“This is much simpler and more direct in the sense that I utilized a very limited palette (simply guitar with a few effects). My other projects have emphasized vocals and electronics and had hundreds of layers,” explains Brian Wenckebach. “Electronics used to feel rebellious to superimpose on shoegaze/dreampop. Now, it is commonplace. The danger is gone. I figured I would go in the opposite direction.”
MIS+RESS’ album is the latest release on Somewherecold Records, whose blossoming collection of dreampop, nugaze and ambient offerings includes albums from Ummagma (Canada-Ukraine) with Robin Guthrie of Cocteau Twins and Dean Garcia of Curve, The Corrupting Sea (Fort Worth, Texas), The Beremy Jets (Malmo, Sweden), and Yellow6 (Leicester, UK.
This MIS+RESS album is a limited edition with only 100 copies available on CD and 50 on cassette, available exclusively through Somewherecold. They are available for pre-order now via the label’s Bandcamp.
“It’s like opening the gates of heaven, and getting lost in its circular ‘trippyness’ – its optimism, haziness and watery imagery”
– Last Day Deaf“Looking for that late summer ambient guitar album – delivering not only a generous range of delicate tones and scapes, but also a rich palette of actually hummable melodies and sequences? Brian Wenckebach’s new solo record provides exactly that and may establish him as a Chicagoan Vini Reilly- highly recommended!”
– Ulrich Schnauss“Like distant clarion calls hailing through the twilight fog”
– The Sunday Experience“Waves of joy and bubbles of bliss, winds of hope and breaths of truth. MIS+RESS is our new best find. Calming, chakra aligning enlightenment as far as music goes and the fact that it is just a few minutes shows that Wenckebach doesn’t require much time to show that he’s capable of delivering a masterpiece”
– The Record StacheLINKS:
http://www.facebook.com/mis.plus.ress
http://soundcloud.com/misplusress
http://twitter.com/MisPlusRess
http://misplusressswc.bandcamp.com
http://vimeo.com/misplusress