Gina Cutillo’s 2016 single “Keep On” debuted at #34 on Billboard Top 40 Mainstream chart and was the most added track to radio. The track reached #41 on Top 40 MediaBase Activator Charts, #12 on Top 40 NMW charts and was the #1 Indie record.
With song placements on Oprah, Nickelodeon, Mean Girls 2, Barbara Walters, MLB, Food Network, Degrassi, E! Network, VH1 and more, Gina Cutillo’s music is heard worldwide. Her recent single, “The Inside”, was co-written with Pete Nappi of Arthouse Entertainment (Meghan Trainor, Ke$ha, Shinedown, Kara DioGuardi ). “The Inside” become a viral hit with social media fans and major industry execs.
Gina has also toured with Katy Perry, Paramore, Gym Class Heroes and more on the Warped Tour. Her stage presence and catchy songs won over many crowds and other major artists on the tour. She’s performed on stage with Prince and has played SXSW a few times including her last performance as the opener for Neon Trees. Gina has also performed at CMJ, Launch, Dewey and other major festivals.
Between her critically-acclaimed third album “The Lover” and her singles “The Inside”, “Fly (Feel Love Tonight)”, “In Another” and “In Time” that will be featured on her upcoming album, Gina released two EPs “Monolovers” and “Love, Faith, Soul”. Both were put in the forefront of the APM library with a review stating: “New Yorker Gina Cutillo delivers Pop/Rock/Dance at its best with a fresh batch of incredibly catchy memorable songs.”
Gina Cutillo’s mission has always been a worldwide success by reaching fans through her music. She has been quoted:
“The best feeling in the world is when someone tells you they had a better day because of your song. It’s true what all the success comes down to … my fans.”
SOURCE: Official Bio
LINKS:
http://ginacutillo.org
https://www.facebook.com/ginacutillo
https://twitter.com/ginacutillo
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Luis Mojica – City Friends
Confessional singer-songwriter Luis Mojica has released his new single ‘City Friends’. Earlier, he announced his new album ‘How A Stranger Is Made’, to be released in early October, while teasing the first single ‘The Ranger’.
This album features production from Mercury Prize-winning producers David Baron (Bat For Lashes, Peter Murphy, Lenny Kravitz, The Lumineers) and Simone Felice (The Lumineers, Bat For Lashes, Dan Mangan) and mixing by three-time Grammy award-winning producer Justin Guip (Levon Helm).
Mojica’s new long-play is intimate and empathic – a beautiful tapestry of piano-driven songs that quite intimately express his healing journey through shamanism, sexuality, trauma and ecstatic joy.
“I wrote this song while walking in NYC’s East Village. The St. Mark’s bookstore had just closed, my favorite tree in Washington Square Park was severed in half, and all around me, my beloved neighborhood was changing so rapidly. I walked around feeling so much loss and, this song became a container for me to pour all kinds of loss I had experienced into it. The loss of friendships, lovers, cities, cultures, the identity of self. I finished the song years after leaving the city for Woodstock, NY. You can hear a duality in the track: a somber, lonely piano and vocals against an upbeat drum and then a full-on ecstatic sounding chorus. It was my way of celebrating the loss, gentrification, and the betrayal – in hindsight. It all brought me to a new life that was much better for me. So I became grateful for the forced growth and transformation,” says Luis Mojica.
“I asked 25 of my friends in Woodstock, NY to each lip-sync one line from the song to create a diverse cast of individuals threaded together with the same sentiment: “I lost something”. The song, originally about NYC, became an anthem for us in Woodstock as we’ve experienced so much change in class, culture, and business. Woodstock is quickly evolving and that old, messy, timeless wild that attracted us to the area is disappearing. I shot the video at the last dive bar, now closed and abandoned, that graced Woodstock’s main street. The video features all locals of Woodstock, most of them my dearest friends, as an almost anthropological project to preserve and document this fading era of people and place”.
‘How A Stranger Is Made’ follows up Mojica’s first studio album ‘Wholesome’, released on August 2016 after two years of touring with the avant-garde cello band Rasputina. He toured this album, which features his unique style of live looped beatboxing and rich vocal harmonies, both as support for Rasputina and as a headliner. The album’s limited pressing sold out quite quickly and now is only available digitally.
A pianist and vocalist now based in Woodstock, New York, Mojica began developing his unique musical style in the crowded apartments and crumbling theaters of NYC’s East Village. In 2012, he moved upstate to the mountains of the Hudson Valley, where he’s become renowned for both his holistic healing work, as well as his musical compositions.
Piano-based, his songs blend his 3+ octave vocal range to create choir-like textures, as well as utilizing unusual character voices and harmonies that explore androgyny, spirituality, and unorthodox male identity. Mojica’s music and sound esthetic is inspired by Leonard Cohen, Tori Amos, Patti Smith, Joanna Newsom, and Kate Bush.
The scenario, filming, and direction for this video were all handled by Mojica himself. Video editing was performed by Joel Patterson at Mountaintop Studios in Petersburgh, NY. The accompanying video was written, filmed and directed by Kelly Merchant with editing and compositing by Fredo Viola. Merchant also took the photo for the cover artwork, while Viola designed it.
SOURCE: Official Bio
“Perfect for those who enjoy the visceral sound of Bjork, the hypnotic vocals of Thom Yorke and looking for something new in the scene”
– Music Existence“Mojica’s music requires refined aesthetics and discernment and is damn near a new wrinkle in the sonic territory”
– Mark S. Tucker“Convincing delivery, it seems he is speaking right to the listener in the same way Tori Amos, Devendra Banhart, Kate Bush and Ani DiFranco manage to. His muse has obviously led him into some deeply personal, vulnerable places. Through his music, Mojica radiates creative joy, making this a thoroughly enjoyable listen”
– Big Takeover Magazine“Luis Mojica’s vocals really are an instrument unto themselves and the pinnacle of what makes this album a jewel among the thistles”
– Band Blurb“The harmonies are exceptional. From the opera style to the beatboxing. I haven’t been this impressed this much with vocal harmonies since I heard Fleet Foxes”
– No More Division“Mojica’s voice is an instrument in itself; it soars as he sings and his beats are like bullets puncturing through the track”
– MookychicLINKS:
http://www.luismojica.com
https://www.facebook.com/luismojicamusic
https://luismojica.bandcamp.com
https://www.instagram.com/luis.mojica.music
https://www.youtube.com/channel/UCl-Z3peOvHwczSYyv4J-IVA/videos
https://itunes.apple.com/us/artist/luis-mojica/763703531
https://open.spotify.com/artist/0kqaE6tmzfgC4hk6CKXlr7 -
Campbell L Sangster – Odds are Stacked
Campbell L Sangster is the solo project of singer/ songwriter aka Lin Sangster from Liverpool. Previous bands include Bad Anorak 404, Kit and Send no Flowers. Sangster’s recent work on soundtracks for film and video projects fed into the songwriting process for ‘Odds Are Stacked’, influencing the approach to the song and lending a visual quality both lyrically and musically.
Campbell L. Sangster’s forthcoming debut album is scheduled for release later this year, and in the meantime more music can be accessed through Soundcloud.
About the Film:
This film is an exploration of female masculinity, past, present and future. Tinged with 50s America and moments of the contemporary, Campbell performs alongside The Drakes – a posing gallant band of butches, bois, studs, transmen & genderqueers.Edie Sedgwick lives on in the body and soul of a sun worshipping, silver-clad mother, desperate for sun rays.
Meanwhile, her budding gymnast daughter becomes mesmerised by the arrival of Buffy – a woman in her 70s – physically strong and utterly focussed in her bespoke one piece swimming suit. With the spirit of Esther Williams and verve of an assassin, we watch as she dives agelessly, effortlessly.
Back and forth, stronger, stronger, air bubbles reaching the surface as each stretch reaches forward, more powerful than the last. The look of the young girl as she watches, watches as this swimmer hypnotizes her.
As the song reaches its climax, the swimmer exits the water; she leaves as she had arrived – controlled but assuaged. The young girl is left to wonder, a stronger spirit, the imprint of the mysterious woman remaining with her forever.
About the Director:
Mike Matthews is a passionate and accomplished director. He has most recently directed successful commercial campaigns for Mullenlowe, VCCP, Leo Burnett and M&C Saatchi. He is exclusively represented by Fat Lemon.Credits:
Director: Mike Matthews @ Fat Lemon
Producer: Kelley Ralph
Production Company: Fat Lemon
Executive producer: Cabell Hopkins
Cinematography: Dave Miller
1st AD: Jerome Franc
Focus Puller: Chris Stephens
Drone: Sam Moore
Gaffer: Darren Jackson
Production Designer: Mark Harriott
Costume Designer: Mark Harriott
Wardrobe Supervisor: Bex Harvey
Make-up: Tricia Woolston
Editor: Kev Palmer @ Ten Three Editing
Colorist: Matt Turner @ Absolute Post
Post Production: Absolute Post -
John Adams – Flames
John Adams is a Singer/Songwriter/Busker hailing from Aberdare in the South Wales Valleys. With a reach in his tone to match Sam Smith and James Blunt he draws influences from the likes of honest songwriters such as James Morrison, Damien Rice, and David Gray. John’s acoustic approach and atmospheric piano accompaniment compliment his unique and impressive vocal ability as he earns the undivided attention of the listener by addressing them directly with emotive and heartfelt narratives.
This faithfulness to a personal story is mirrored in how John came into the musical world and continues to progress as a musician. A truly homegrown talent, he began his career busking on the streets, using the money to pay for his first release, fittingly entitled “The Pavement is My Stage”. After the album reached No.7 in the iTunes Singer/Songwriter charts in 2016 he took a leap of faith and left his job as a Mathematics Teacher. That gamble paid off and John has gone on to support household names such as Take That, Lemar, T’Pau and Katherine Jenkins. His hard work and impressive live performance have built a strong following of 50,000 online followers, over 6 million views on YouTube and a steady 300,000 monthly listeners on Spotify.
Eager to show his progression John released his album “You Never Know Who’s Listening” in 2018 which combined his live organic sound with a minimal electronic production to make a sound that is satisfyingly different from the usual guitar wielding Singer/Songwriter. The album was very well received by fans and the music industry alike and has already accrued over 6 million plays on Spotify. All 4 singles were playlist by the BBC and Spotify editorials with “See You Again” and “Dandelion Wishes” becoming Radio 2 favorites. He spent the year up and down the country performing at the UK’s largest festivals such as The Isle of Wight Festival, Great Escape, and Victorious Festival, and his headline tour sold out in just two days from release. To end the year on a high his festive hit “Lost In Christmas” became the soundtrack for “La Feltrinelli” Christmas campaign all across Europe.
Not showing any signs of writer’s block, John is excited to reveal ‘Flames’, the first single off his new EP “No White Lies”, was released on February 8th. Directed by John himself and Rhys Davies of Furball films, the stirring music video was imagined after a house fire occurred outside the studio. He explains: “All the usual questions flooded my mind as I strummed my guitar. How did they feel? What did they grab? Who was to blame? I eventually came to the conclusion that they’d be so concerned with survival that these questions were never answered. As dramatic as it seems I felt exactly the same about a relationship at the time and after writing the song I decided to take the same approach to the situation and leave. I centered the song around the lyric “It’s too late to argue who’s to blame, this house will burn down anyway” and pulled on a few semantics to compare the feelings of a house fire to the trapping of a relationship. I tried to mirror this concept in the video with the use of wool. In the beginning, a couple proudly exchanges thread to connect each other and enjoy the unity it brings, but over time the tangled web becomes frustrating and controlling just like a bad partnership.”
LINKS:
https://www.johnadamsmusic.co.uk
https://www.facebook.com/JohnAdamsMusic1
http://www.twitter.com/johnadamsmusic1
https://www.instagram.com/johnadamsmusic
http://www.youtube.com/johnanthonyadams1