Americana is where the song is king – a broad genre that encompasses country, alt-country, and rock –and it is here that Good Will Remedy find themselves at home.
With a long history in the local and national music scene and a C.V that includes Brisbane legends Pharaoh’s Playground and BUZZkillers – Good Will Remedy are a band awash with strong songwriting and performance craft with an honest southern fried feel tinged with alt Countryesque Americana styling.
Following on from their well-received debut album, GWR have released their second album Silver Lined – launching the album to a packed house at iconic Brisbane venue Lefty’s Old Time Music Hall in May.
Lead Singer Will Lebihan suggests that “the strength of the songs allows quite a bit of flexibility performance wise -we work hard to ensure that the song remains king – the other flashy stuff can come later – if at all!”
That flexibility in performance has seen GWR perform on larger stages in full band mode as well as smaller more intimate venues in a more stripped back format – no matter which way it comes, the crowds continue to grow and word continues to spread – but the song remains king – and so it should!
SOURCE: Official Bio
LINKS:
http://www.goodwillremedy.com
https://www.facebook.com/Good-Will-Remedy-1562219384082100/
https://www.instagram.com/will_remedy
https://goodwillremedy.bandcamp.com
https://soundcloud.com/pharaohleb
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Amusement Parks On Fire – All The New Ends
Amusement Parks On Fire came to prominence in 2004 with the release of the eponymous debut album, conceived and consummated by the then-adolescent founder Michael Feerick and phonically actualized on a shoestring with Nottingham cohabitant Daniel Knowles. Issued on Geoff Barrow (of Portishead)’s Invada label, it was described by the New Musical Express as ‘hedonistic teenage genius’.
A live line-up was essentially performed and extensively performed with the likes of Dinosaur Jr, M83, and dEUS among innumerable other acts of the era. The unit then retreated to Sigur Rós’ private swimming-pool sanctuary Sundlaugin in Álafoss, Iceland to complete the venturesome sophomore release ‘Out Of The Angeles’, during which time they experimented with sleep, food and sunlight deprivation at the insistence of V2 Records. After several years of international incidence, the band crash-landed in Los Angeles in 2009 to make ‘Road Eyes’ with producers Michael Patterson (Beck, NIN) and Nicolas Jodoin (Arcade Fire, BRMC). Again inspired by the locale, the collection was intended as ‘a skewed Californian contemporary-classical’, with Alternative Press defining it as ‘sun-drenched, challenging and gratifying… a near-perfect album’.
Last year, Amusement Parks On Fire returned with their first release in ‘8.8 years’. The single ‘Our Goal To Realise’ saw the British art-rockers reappear with signature songwriting sophistication and sonic scope. All The New Ends seeks to further cement their insignia whilst eschewing genre-tropes and preconceptions of form. Like the expansive concept singles surrounding their second album ‘Out Of The Angeles’, the medium-length format once-again provides the perfect platform to push perceptions and extend expectations.
LINKS:
http://apof.co.uk
https://www.facebook.com/amusementparksonfire
https://twitter.com/APOF -
Acadian Driftwood – Catch The Sun
Formed in Liverpool in 2016, Acadian Driftwood makes roots music for the digital age. The band draws on both Americana and their own British musical heritage to produce a diverse alchemy of rock, blues, country, and surrealism.
The band have already earned airplay and support from BBC Radio Merseyside’s Dave Monks and are winning an army of fans thanks to their presence on Liverpool’s vibrant music scene.
“The UK’s freshest purveyors of British Roots n roll, a uniquely British take on roots rocks it would be wrong to pigeon-hole Acadian Driftwood.”
Paul Osborne, Shindig Magazine“As soon as I heard them I had to play the tracks.”
Dave Monks, BBC“Influences shape music and they rarely come with more credibility…showing true potential, the songwriting is strong and the playing organic.”
Denis Parkinson, Liverpool Etc“Spirited melody and tranquil harmonies, although an expected contrast, combine with the lyrical darkness to create an amazing sound.”
Aimee Steven, The Back Door“This is not generic music that has been thrown off an assembly line; this is handcrafted music that has been handled with patience and care.”
Richard Bradshaw, The Culture Journal“Boasting a sea of talent among the three of them Acadian Driftwood delve deep into the roots of musical history, harnessing the best of country and blues and fusing it into modern day jams.”
Matthew Wood, Get Into ThisLINKS:
https://www.facebook.com/acadiandriftwoodmusic
https://www.instagram.com/acadian_driftwood_
http://www.acadiandriftwood.co.uk
https://twitter.com/acadiandriftwud -
First Aid Kit – Live from The Palace Theater 1/30/2018
With head-banging, strobe lights, and electric guitar solos, First Aid Kit brought a new energy to the Palace Theatre in January.
Sisters Johanna and Klara Söderberg just released their fourth album, ‘Ruins.’ The album features songs that fit the texture we’ve come to expect from First Aid Kit — folksy sounds with beautiful harmonies — as well as expanding the group’s palette to include a harder-rocking sound.