Jamo Gang (Ras Kass, El Gant, and J57), have teamed up with Slug of Atmosphere and DJ Premier for the new posse cut ‘The 1st Time’. The undeniable production of DJ Premier shines through on this track with verses from all three members of Jamo Gang, and the ever smooth/reflective flow of Slug (Atmosphere.) With the visual also being a directorial debut by J57, Jamo Gang are here to stay!
So sit back to a timeless beat, some incredible verses from some of the best rappers in the game, and just enjoy it!
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The Membranes – A Strange Perfume
With sixteen epic, powerful and darkly romantic songs on offer, this is The Membranes’ eighth studio album overall and the second since they reformed in 2010 when former support band My Bloody Valentine convinced them to return to the stage for the ATP festival. This album is a game changer in the tradition of Manchester bands like Joy Division.
This album features appearances from vocalist Kirk Brandon (Theatre of Hate, Spear of Destiny) and 84-year-old folk singer Shirley Collins, one of England’s premier folk singers of the ’60s revival. Renowned nature TV presenter Chris Packham also contributes, as does the legendary Jordan, who practically invented the punk look in 1975. Half the tracks also feature the 20-piece BIMM Choir, offsetting a sound laden with dark drones and an atmosphere of melancholic epic power.
The album was recorded at 6DB Studio in Manchester with Ding Archer, a former band member with PJ Harvey, The Pixies and producer of the last nine albums by The Fall. John Robb wrote all the parts for the choir. This release follows up their acclaimed album ‘Dark Matter/Dark Energy’, the band’s best selling release, which received rave reviews and ample radio play on BBC 6 Music and internationally.
‘What Nature Gives… Nature Takes Away’ is about the beauty and violence of nature. This is a very diverse work with dark, brooding cinematic choir-driven songs. Imagine the sound of Hieronymus Bosch paintings to discordant wild songs about crows, demon flowers, strange perfumes, voluptuous petals, voluminous oceans, treacherous seasons and the poetry of life and death set to spooked pulsing musical pieces, ranging from epic choir-driven postpunk songs to dark dub workouts, from throbbing dirty disco dark wave pulses to grinding heavy bass-driven pieces, from apocalyptic visions to choir-driven epic swirls.
“This is the pinnacle of our long and strange journey. This album is steeped in the powerful forces of nature and an underlying emotional undertow that is dark and brooding bass driven postpunk with the epic swirl of the choir and diversity of sounds that takes you on a trip. I put my life into this album musically, lyrically and emotionally,” says John Robb.
“The Membranes was born of postpunk in the late 1970s – a time when a generation inspired by punk rock created music on their own terms. We were immersed in that scene and that world and when we reformed we picked up on those themes and ideas and the diverse fellow travelers that we were contemporaries of like Joy Division, Bauhaus, Einsturzende Neubauten, Nick Cave, PiL, Big Black, and newer bands like Godspeed You Black Emperor, Mogwai, Ulver, and Wardruna – bands who fuck with the template to create an atmosphere and mood.”
Formed in 1978 in Blackpool, The Membranes played classic bass-driven northern post-punk and were part of the same world as bands like The Fall, Sisters Of Mercy, Echo and The Bunnymen and Cabaret Voltaire, all inspired by 1977 to launch their own idiosyncratic journeys. The band released a remarkable series of records that combined their small town frustration with a love of heavy bass and distortion. This ultimately became a prime influence and the precursors to such American noiseniks as Steve Albini, Swans and Sonic Youth.
John Peel and music press favourites, a continual frenzy of releases, public acclaim and touring worldwide with national TV appearances, the band went on hiatus in 1990 until finally reforming in 2010.
The Membranes are Peter Byrchmore (guitar), Nick Brown guitar), Rob Haynes (drums), and John Robb (vocals and bass), a renowned TV and radio pundit, editor of Louder Than War, a key UK music site and national magazine, and curator of the Louder Than Words festival. In autumn, John Robb will also release ‘The Art Of Darkness’, a book on the darker side of post-punk, adding to his collection of best-selling books on punk rock.
As of June 7, ‘What Nature Gives … Nature Takes Away’ will be available on vinyl and CD, and digitally from stores such as iTunes and streaming platforms like Spotify. There is also a deluxe double vinyl ultra limited edition of 150 copies. This summer, cosmetics company Lush will release a Membranes perfume called ‘A Strange Perfume’ after the album’s opening track. In the meantime, the band will tour the UK in support of their new LP.
LINKS:
http://www.themembranes.co.uk
https://www.facebook.com/themembranes
https://www.twitter.com/membranes1
https://www.instagram/themembranes
https://membranes.bandcamp.com -
Like A Storm – Love the Way You Hate Me
New Zealand hard rock band Like A Storm was formed by brothers Chris, Matt & Kent Brooks. Connect with Like A Storm below.
iTUNES: http://bit.ly/1hbl7qS
OFFICIAL STORE: http://bit.ly/1f8Fc1w
WEBSITE: http://bit.ly/1frOAto
TWITTER: http://bit.ly/1oEkbzU
FACEBOOK: http://on.fb.me/MqzNZ3“Love The Way Hate Me”, from “Chaos Theory: Part 1”
All rights reserved FATAL RECORDS 2013 -
State of Illusion – Blind
Life is often comprised of our reactions. Often, negatives can be turned into positives through the way we look at situations or how hard we are willing to work for what we love. At least, that’s the philosophy that Greenville, SC-based rock band State of Illusion has adopted.
Though the rock act has had many successes, including memorable performances with artists such as Staind (hand-selected by vocalist Aaron Lewis), Chevelle, Flaw, Smile Empty Soul, Austin John Winkler (ex-Hinder vocalist), Like a Storm, Failure Anthem, and Stitched Up Heart, along with functions for Disturbed, Killswitch Engage, Lacuna Coil, etc., State of Illusion has faced more than its fair share of adversity.
After releasing their most recent studio album, Aphelion (self-produced, self-engineered, and self-released), State of Illusion took another dose of their well-documented bad luck (see the documentary One More Song – A Decade of State of Illusion from their brand new DVD, State of Illusion – Live) through the loss of core-members. Though beautifully crafting Aphelion with only two members (Jacob Porter on vocals, guitar, piano, pedal steel, engineering, and editing and Josh Breland on bass, drums, guitar, and piano) and seeing a top 100 worldwide rock chart release, the immediate post-Aphelion lineup was not meant to be.
What began as a rag-tag group of hired-guns pulled from other local acts to fill in on an opening show for an early musical influence in the band Flaw, a mixture of hard work, dedication, positive outlooks, and a love for the music turned bad luck into the strongest line-up State of Illusion has ever had. Former guitarist Cameron Price, drummer Bryce Chism, and Solarist vocalist/guitarist Tom Carden on bass stepped up to help Porter when State of Illusion needed it most.
This line-up continued to assist State of Illusion throughout 2017 as, one by one, these temporary members dedicated themselves as permanent members of the band. While filling in admirably, Carden knew that he needed set his focus back on Solarist and allow room for a permanent bassist to cement themselves into the lineup. His parting gift was former Solarist bassist Brandon Rodgers.
Once the 4 piece was solidified, State of Illusion sought the creative minds of Silent Flight Productions’ director Erez Bader (The Contortionist, Veil of Maya, The Dear Hunter) and VFX supervisor and producer Casey Crescenzo (vocalist of The Dear Hunter) to bring a visual representation of their single “Blind” (remixed by Greg Macklin of Ordinance) to life. The moody result is a perfect fresh start for State of Illusion, who plan to use this opportunity to introduce Aphelion to a new set of listeners they couldn’t reach before.
Aphelion stands out amongst its contemporaries. The album is complete, in every sense of the word, with its many textures and range of sonic landscapes. With soaring anthems, such as the radio-ready singles, “Blind” and “Find Yourself,” to heavy-yet-melodic tracks, “Over” and “The Price You Pay,” to quiet moments, highlighted in the reflective “Reach the End,” Aphelion covers a full spectrum of emotion.
State of Illusion, seasoned with experience, a solid and energetic line-up, a reinvigorated approach, and having met success on the road for the past two years, have just released their first DVD, State of Illusion – Live, and are hard at work writing the highly-anticipated follow-up to Aphelion.
LINKS:
http://www.stateofillusionmusic.com
http://www.facebook.com/StateofIllusion
http://www.twitter.com/stateofillusio1
https://www.instagram.com/stateofillusionmusic