New York-based Nu Metal band JYNX have released a video for their previous single ‘FADE’ which boasts heavy riffs, huge choruses, soaring vocals and a beat you can really get behind… all the things we love about Nu Metal!
JYNX consists of Tommy Roulette (Vocals), Jerry De Lorenzo (Guitar / Vocals), Felix Cruz (Bass), Justin Whang (Guitar), Ray Francisco (Drums), Xermane (Ones and Twos)
“Fade was built around the manipulation and lack of compassion I was going through at the time. It really sucks giving your heart to someone and being completely vulnerable, just to know that they never cared about you in the first place. Writing this helped me be content with being alone.”
– Tommy Roulette
LINKS:
http://twitter.com/WeAreJynx
http://facebook.com/WeAreJynx
http://instagram.com/WeAreJynx
https://www.youtube.com/channel/UC265HAncdyipkQ2-yV8C_Cg
You Might also like
-
Rodney Cromwell – Comrades
British indietronica synthpop artist Rodney Cromwell has announced his forthcoming new ‘Rodney’s English Disco’ EP, his first collection of all new material in three years. Previewed by the song ‘Comrades’, which also features a 12″ extended dance mix by electronica act Vieon, the new EP will be available on 7″ vinyl, CD and digitally via London-based Happy Robots Records.
Where the debut album ‘Age of Anxiety’ by Rodney Cromwell (real name Adam Cresswell) drew on personal demons, on this new EP, social and political tribulations in the UK inspired these wry songs of woe. ‘Comrades’ is a robotic turbocharged rebel song for the twitter generation. ‘Barbed Wire’ is a song from across the barricades of the supermarket checkout. ‘Technocrats’ is a song for our illusory robot masters. ‘Dreamland’ is a breakup song for someone who just wants to go back to bed and pretend none of this ever happened. Sonically, this music sits between Kraftwerk, Pye Corner Audio and the Best of Divine.
Rodney Cromwell’s evocative synthpop looks to the proto-electronica of the 70’s and 80’s to construct a twisted soundtrack for the post-truth world. The instrumentation of the new EP has been kept intentionally minimal with its drum sounds taken entirely from a vintage Boss DR-55 drum machine and with a self-imposed limit on the amount of hissy analog gear used in its making. Melody and dark humor combine with simple motorik rhythms, soaring bass lines and the bleeps of retro synths, all within a lo-fi pop aesthetic.
Cromwell’s sound has been compared to the analog electronica of Kraftwerk, Section 25 and the ‘retro-futurists’ of Ghostbox Records. His miserablism and dark humor have been compared to that of The Cure and John Grant.
Rodney Cromwell’s debut album and subsequent EPs found crossover appeal, gaining Cromwell coverage from the likes of NME, Electronic Sound Mag, Huffington Post and Steve Lamacq and Gideon Coe on BBC 6 Music and on Spain’s national RNE3. At the end of 2015, Rodney Cromwell featured in 25 ‘Best of’ lists and was named ‘Most Promising New Act’ by The Electricity Club. ‘Barry Was an Arms Dealer’ featured in the 2015 Official Festive 50.
The video for ‘Comrades’ was produced by Dariy Karyakin, who has produced for David Lynch pet fave Nocturne Blue, has been praised by 6-time Emmy Winner Dutch Rall, and has earned various awards and honors. The sleeve artwork is by Latvian photographer Jelena Osmolovska, whose distinctive gritty post-Soviet fantasy aesthetic compliments the sound of this record.
Along with four original tracks by Rodney Cromwell, the EP features remixes by Rémi Parson, Vieon, Pattern Language and the debut release by Alice Hubble (Arthur & Martha, Mass Datura).
‘Rodney’s English Disco’ EP will be released on May 25 and available on red 7” vinyl, CD and digitally. Distributed by Cargo, this album is already available for pre-order via the Happy Robots Records store or Bandcamp. Catch Rodney Cromwell on tour in May.
LINKS:
http://www.facebook.com/happyrobotsrecords
http://twitter.com/robot_rocker
http://www.youtube.com/channel/UC_ZvCbaApGUVuQA7m7jaJtg/videos
http://soundcloud.com/happy-robots
http://rodneycromwell.bandcamp.com -
The Stirrings – Start A Riot
The Stirring has premiered their new video for the track titled ‘Start A Riot’. With the flare of artists and the grit of starving artists, The Stirring gives a subtly emotional guitar driven stomp to kick off the new year with guided angst and creative direction.
ABOUT THE STIRRINGS
An experimental rock band with pop structures and a sound reminiscent of shoegaze, with an emphasis on noise, drones, and distorted soundscapes.
The band was formed in early 2018, and is composed of producer Raúl Galán Berlanga -synths- (Nibble), Juan Pérez Marina -guitar- (Leone, Sangre Fácil, L’Exotighost, Corcobado) and New York musician, Ryan Louis Bradley -bass and voice- (Fearless Sons).
LINKS:
https://www.youtube.com/watch?v=cgSxCUkXYEY
https://thestirrings.bandcamp.com
https://www.instagram.com/thestirrings.band -
Lucas – Anne Marie
Manchester, UK’s Lucas have released a new music video for their single “Anne Marie.” Produced and co-written by Cage The Elephant’s Lincoln Parish, the swaggering indie rock track will appear on the band’s upcoming EP High Wire.
“Anne Marie was a turning point for us in the studio where Parish and I suddenly hit upon that brit-pop psychedelia which definitely sums up a lot of the band’s influences,” says frontman Johnny Lucas. “It was such a fun song to write and record but playing it live is the best and I love watching people get into it!”
After touring around the UK and Europe as a one-man show replete with beatbox and looping magic, Johnny decided to make the move to Nashville and form a full band. It was there that they honed their distinct blend of British and American flavors at Parish’s Talkboxrodeo studio. Johnny’s solo run received heavy rotation on BBC, major appearances at Glastonbury and Isle of Wight Festivals, and even a nod from the almighty Jimmy Page who told Johnny “I loved what you did with the loop pedal. There was so much going on it was like a 5-D experience.”
Fraught with complications and lengthy delays, his journey to the US would become fodder for much of the EP’s inspiration. Lucas explains: “After being delayed for 5 months and nearly flat broke, it took a lot to hang in there and trust that things would work out.”
The struggle proved worth it, armed with raucous guitars and anthemic choruses, High Wire is a rousing rock and roll record that weaves together sticky melodies and sly lyrics. With its strong Brit Pop influence and undertones of 60’s idols like McCartney and Jeff Lynne, High Wire is sure to resonate with fans of across the globe.
SOURCE: Official Bio
“hook-laden, soaring melodies and pop-accessible instrumentation, blurs the line between pop and alternative, feeling both timeless and fresh, and primed to get stuck in your head all day.”
– No Country for New Nashville“A rock and roll anthem that allows you to feel deeply.”
– Imperfect FifthLINKS:
http://www.facebook.com/thatLucasband
http://www.instagram.com/thatLucasband
http://www.twitter.com/thatLucasband