Brooklyn Alternative Psychedelic Rock Trio Karabas Barabas has revealed 3 tracks–“That 70s Song,” “Fuckarana,” and “50/50”, along with the unexpectedly timely homage to the late John F. Dunsworth, “Lahey,” off of their upcoming, 2nd full-length album, Sex with the Devil.
Out 12/22, Sex with the Devil is available on digital and vinyl pre-order with an immediate download of the first three tracks on Bandcamp now.
LINKS:
https://www.facebook.com/KarabasBarabasBK
https://www.youtube.com/channel/UCFkw_gPt5wzFKhxFi9m-uUg
https://www.instagram.com/karabasbarabas_nov
https://karabasbarabas.bandcamp.com
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Good Will Remedy – Johnny
Americana is where the song is king – a broad genre that encompasses country, alt-country, and rock –and it is here that Good Will Remedy find themselves at home.
With a long history in the local and national music scene and a C.V that includes Brisbane legends Pharaoh’s Playground and BUZZkillers – Good Will Remedy are a band awash with strong songwriting and performance craft with an honest southern fried feel tinged with alt Countryesque Americana styling.
Following on from their well-received debut album, GWR have released their second album Silver Lined – launching the album to a packed house at iconic Brisbane venue Lefty’s Old Time Music Hall in May.
Lead Singer Will Lebihan suggests that “the strength of the songs allows quite a bit of flexibility performance wise -we work hard to ensure that the song remains king – the other flashy stuff can come later – if at all!”
That flexibility in performance has seen GWR perform on larger stages in full band mode as well as smaller more intimate venues in a more stripped back format – no matter which way it comes, the crowds continue to grow and word continues to spread – but the song remains king – and so it should!
SOURCE: Official Bio
LINKS:
http://www.goodwillremedy.com
https://www.facebook.com/Good-Will-Remedy-1562219384082100/
https://www.instagram.com/will_remedy
https://goodwillremedy.bandcamp.com
https://soundcloud.com/pharaohleb -
SNKT – Lost in Love
SNKT has just released his new single and video titled ‘Lost in Love’. Take this for what you will, but, this is a fun song. It’s not so much in your face but it is wildly infectious. SNKT’s vocals are stellar in an original popstar fashion and perfectly compliment the music. And that music, while steady, is signature. Coming from a new artist, having found his sound really shows where SNKT is headed. And it’s atmospheric.
ABOUT SNKT
SNKT is the stage name of Stockholm-based artist Jack O’Connor, but while his alias comes from a Swedish word for ‘saint’, O’Connor is far from anointed as he unpacks sins across his upcoming debut No Saints.
Born and raised in Ireland, O’Connor began writing and producing music in university, pulling from his country’s gift for storytelling with a coming-of-age soundtrack by Robyn, Kate Bush, and The Knife. Taking from his experiences discovering his queer identity along with the rush of an Irish college experience, SNKT inherently began as a project born out of club pop adoration met with searingly candid confessionals.
“I realized that when you’re the one with the pen, you can easily portray yourself in the best light possible,” O’Connor adds. “I found myself being more honest in terms of writing where I saw faults in both parties. This is where I thought of the ‘saint’ idea, in that there were no saints in these relationships.”
Considering the personal nature of his latest batch of songs, O’Connor decided to approach No Saints as its sole writer and producer after working with Grammy Award-winning producer Philip Larsen among others. The end result is one of the most fully formed, ebullient pop debuts in recent memory anchored by O’Connor’s deft vision of heartfelt dance music.
Lead single “Lost in Love” is peak club hours excellence in an alternate universe where dancefloors are unencumbered by lockdowns. Written during an isolating period this past summer, “Love” finds O’Connor grappling with the pandemic alongside the end of a fleeting romance doomed from the get-go. Love and lust factor heavily across No Saints, but at its core, SNKT’s debut is a document of unvarnished personal growth and acceptance in real-time.
“I feel like this record is very me,” O’Connor concludes. “Growing up gay in Ireland had its challenges, though I learned so much of myself through music, and I feel this record is, in part, a tribute to all the great music I was raised on that gave me strength when I was weak. Through this record, I was able to truly be my unashamed gay self and I hope to be able to spread the same joy that I was able to hear and feel in my teenage years to anyone who’s going through a rough time.”
LINKS:
https://www.facebook.com/snktstockholm
https://snkt.streamlink.to/LostinLove -
Atmosphere – Graffiti
The last time we checked in with Slug and Ant was on 2016’s Fishing Blues, the latest chapter in a string of albums showcasing the pair’s evolution from tortured hedonists into settled-down dads making kicked-back rap records. It would have been nice to carry on thinking they were finally at well-earned peace after two decades of extensively documented trials and tribulations. But just because your corner of the globe is peaceful, that doesn’t mean that the rest of the world stops turning.
It’s a different place than it was two years ago, and the seventh Atmosphere album, Mi Vida Local, reflects the ways in which the world and Atmosphere’s place in it–have changed. The idyllic domesticity of the past few records has morphed into anxiety over keeping loved ones safe during turbulent times. Instead of bragging about backstage misadventures it’s about grappling with mortality. The easygoing collaboration between Ant and Slug has started to feel more like the life-or-death intimacy of two men trapped together on a lifeboat.
At times it’s a heavy album (“I might be the last generation of grandparents,” goes a key line from “Virgo”), but it’s far from grim. There are jokes being cracked, joints getting smoked, a little trash talking and beefing here and there–after all, it’s still a rap record.
And Atmosphere’s never sounded better.
As the name implies, Mi Vida Local is intensely focused on the place it was created–the southside of Minne apo lis–where Slug and Ant work tirelessly in their “beautiful basements”, refining their sound without interruption. (Although a handful of friends from the Minneapolis hip-hop community showed up to contribute.) A year of one-on-one collaboration resulting in an album that matches complex subject matter with equally deep beats–ones that show a clear lineage back to the psychedelic funk landmarks from an earlier era where America was going through a post-utopian hangover, and prove that there won’t ever be a time where boom-bap beats don’t sound perfectly of the moment.
Mi Vida Local might be the best album Atmosphere’s ever made. It’s definitely the one they needed to make right now, and one listener’s needs to hear just as urgently. If it’s sometimes an album about how the fight to find happiness never really ends–even after you get the house and the kids and the artistic freedom to make dad-rap records–it’s also about discovering that there’s happiness to be found just in fighting.
Photo by Dan Monick.
LINKS:
https://rse.lnk.to/MiVidaLocal
https://rhymesayers.com/artists/atmosphere
https://www.facebook.com/Atmosphere
https://twitter.com/atmosphere
https://www.instagram.com/atmosphere