Kate is joined in the studio by Grammy Award-winning producer Stewart Lerman (Boardwalk Empire, Vinyl, Patti Smith, Elvis Costello), Steve Holley (Wings, Paul McCartney, Elton John, Kiki Dee, Joe Cocker, Ian Hunter) on drums, Steuart Smith (The Eagles, Rodney Crowell, Michelle Branch, Don Henley) on piano, guitar and various instruments, David Mansfield (Bob Dylan, Bruce Hornsby and the Range) and Paul Socolow (Herbie Mann), among other musicians. “I listened to Patsy Cline, Dolly Parton, Linda Ronstadt and Emmylou Harris on the record player while imagining how I wanted to do this song,” Kate said. “These women and their sounds and styles are timeless, and I wanted to create a classic and lasting rendition of my one of my favorite Christmas songs.”
LINKS:
http://www.kategrom.com
http://www.facebook.com/kategrommusic
https://twitter.com/kategrommusic
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Felixity – Twisted Love
Amy Winehouse-inspired pop/neo-soul artist Felixity releases her debut album ‘Love Sick’ on May 1 via Komplex Recordings. The latest single ‘Twisted Love’ also gets a swank powerhouse video featuring (and jointly choreographed by) Felixity herself with dancer Joshua Jung, who has performed with Mabel at The Brit Awards and appeared on ITV’s The Greatest Dancer.
Felixity recently released the Oberkon Remix of her debut single ‘You&Me’, created by a trio of heavy hitters: Andy Spaceland (a.k.a. Andy Jenks), part of Alpha and 5 Billion in Diamonds, together with Butch Vig; Jay Reynolds, notable mixer for the likes of Dua Lipa, Liam Gallagher, MIST, Fred Again, Gabrielle, Paloma Faith, and Pixie Lott; and producer David Francolini.
This collection of 10 deeply personal songs is part confessional, part exorcism, and all infused with her extraordinary voice and street smart lyrics. These songs, which were written at the very end of last year, taking the listener on a poetic journey to the heart of the singer. Felixity’s music is also influenced by The Weeknd (Trilogy), Etta Bond, J Cole, Anderson Paak, KAYTRANADA, and Jhene Aiko.
“On the whole, ‘Love Sick’ is a full stop on a part of my life. Written about personal experiences and laid over heavy drums and lots of strings, I wanted people to know that we all feel the same things and the hardest stuff never lasts. I wrote this about my past and the things that have happened. Sex, drugs love and addiction, it’s all in there,” says Felixity.
This album was recorded in London, Bristol, Brighton, Berlin and Geneva. Mixed by Cenzo Townsend (U2, Ash, The Strangers, The Wedding Present) at Decoy Sound and mastered by Brian Lucey (Katy Perry, Shania Twain, Liam Gallagher, Hatchie, Green Day) at Magic Garden Mastering, this album was produced and engineered at Komplex Studio by David Francolini, drummer for Levitation, Dark Star and Dragons. Francolini has been operating Komplex studios out of Bristol, UK but has now moved operations to the French Alps.
“Given the confessional nature of Felixity’s lyrics, it was important to create a dramatic soundscape; a cinematic and lush harmonic bed on top of which her wonderful voice could sit and her stories’ meanings are amplified. I have shapeshifted the feel of the songs throughout the record so it feels like the emotional journey that the lyrics portray. All quite conceptual really, but always keeping it uncluttered, funky, simple, and the groove deep,” says producer David Francolini.
“Fusing old school soul music with more contemporary textures, color, rhythms, and tone, I brought in some of the best musicians I have had the pleasure to have met for the album recording: Dekel Shula Adin (bass), Dean Frechtman (guitar), Ziv Sobelman-Yamin (Rhodes piano) and Adam Coombes (piano). We also have guest guitar from Angelo Bruschini (Massive Attack) and Alex Lee (Goldfrapp). The strings were worked on together with the soulmaster Martin Eden. I played all the drums and percussion myself and also myriad other synths etc. Was a fukkin labour of love!”
This collection of songs of love and loss is just the tip of the iceberg of what is to come for Felixity, who has several albums planned for 2020. The ambitious songwriter is already in the studio completing the second one. As for many artists, live shows planned in support of this album have been postponed. Nonetheless, Felixity is hoping to perform again later in the summer, current environmental permitting.
Featured image by Steve Gullick.
CREDITS
Written and performed by Felixity and David Francolini
Produced and engineered by David Francolini
Recorded at Komplex Studio in November/December 2019
Mixed by Cenzo Townsend at Decoy Sound
Mastered by Brian Lucey at Magic Garden Mastering.
All songs were written by F. Abbott and D. Francolini, except ‘You&Me’, written by F. Abbott, D. Francolini and S. Clines
‘Twisted Love’ video directed, produced and edited by Alex Rozerot KirkwoodLINKS:
https://www.facebook.com/Felixityx
https://twitter.com/felixity_x
https://www.instagram.com/felixity_x
https://www.youtube.com/channel/UCtqvgVRDF_xKKzWNNYnRVmA
https://music.apple.com/gb/artist/felixity/1497518825
https://open.spotify.com/artist/0rrpwcxiKQNAtpsU3e4q7V -
Katalina Kicks – We Don’t Care
Katalina Kicks is a quintessentially West London band, first fashioned in the clatter and fume of Shepherds Bush. Even if they’ve changed postcodes since, their sound – urgent, questioning, loud and fierce – has never lost the urban beat of W12. Singer and guitarist Ian George is the last man standing from Katalina Kicks Mk I, once a punkish quartet who released an album named after their cat, stray moggy “Montague Rotter”, and found themselves accidentally sound-tracking a straight-to-DVD horror Z-Movie directed by the son of James Bond. “I’ve never watched it!” grimaces Ian of Jason Connery’s 51. “When we started we had an American publishing deal and that was one of the weird things that came of it. We got all of £3.50 for having a song in a crap film. So it’s taken a long time, and a lot of changing line-ups to get to where Katalina Kicks are today. I’ve always believed in the band. It’s just been a waiting game to find the right people.”
One such right person finally surfaced in the beard and flexing tattoos of Jase Wilkinson. Not so much born as smelted in Manchester, as a kid he’d wait for his stepdad to leave the house so he could sneak a listen to his Led Zeppelin vinyl. “And getting a whopping for it when he came home and found out.” Between John Bonham and hip hop, he fell in love with the drums, later moving to London, instinctively settling westwards off Ladbroke Grove, first blurring his limbs behind the kit of a ska band until a chance audition with Katalina Kicks. Which he failed. “Because he wore these dodgy heavy metal black leather fingerless gloves,” laughs Ian. “My first thought was, no way am I having THOSE in the band. But then a few weeks later I called him back. Before Jase our drummers had mostly been arseholes, mentally ill, drug addicts and glory-grabbers. He was none of those. He had the passion and the power I’d always needed… so long as he kept those bloody gloves off!”
In the meantime, bassists continued to fall by the wayside until a long-time friend of the band Conor Cotterill came on board after jamming with Jase and Ian through some new material. ‘It just clicked straight away’, says Jase. ‘Con was the missing link and brought a massive low-end rumble, swagger, bounce and musicality to the table, a bass that is both forceful and fluid, twisting in the lull between my rhythmic thunder!’
Katalina Kicks have been a formidable core trio ever since. Together they play simple and direct heavy garage rock’n’roll: power chords and pummelling rhythms, fuzzy guitar and throbbing bass, big riffs and shouted choruses, pin-balling between grunge, punk, and heavy blues. In Ian, they’ve also a songwriter who can’t help but use his band as a platform to air his anxieties about the world around him. “I would never pigeonhole us as a ‘political band’,” he explains. “I just write about things I see and hear that upset me. We’re not preaching at anyone or trying to change the world. We’re just saying these are the things that affect and worry us. They’re too important not to talk about, whether in conversation or in rock’n’roll. That’s all we try to do.”
SOURCE: Official Bio
Katalina Kicks are:
Ian George (vocals/guitar)
Conor Cotterill (bass/backing vox)
Jase Wilkinson (drums/backing vox)LINKS:
http://katalinakicks.com
http://facebook.com/katalinakicks
http://instagram.com/katalinakicks
http://twitter.com/katalinakicks
http://soundcloud.com/katalinakicks
http://youtube.com/katalinakicks -
Shriekback – And The Rain
Seminal British alternative rock outfit Shriekback has announced they will release their new album ‘Why Anything? Why This?’ on May 25. As a teaser, they are previewing the first single ‘And The Rain’, along with a darkly intriguing video filmed by Howard Davidson (a.k.a. Hodah).
Shriekback was formed in 1980 by ex-XTC keyboardist Barry Andrews and bassist Dave Allen on his departure from Gang Of Four, in collaboration with guitarist Carl Marsh from Out On Blue Six. Under the auspices of the visionary Y Records label (home to The Slits, The Pop Group and Pigbag), the group found their voice experimenting in EMI Music’s KPM demo studio in London, refining a uniquely recognizable sound in 1982 on their first full-length album ‘Care’ and eventually achieving wider recognition with the singles ‘Lined Up’ and ‘My Spine (Is The Bassline)’. In 1983, they were joined by drummer Martyn Barker (King Swamp, Billy Bragg).
A move to a major label, Arista, allowed the band to fully realize their sound on ‘Oil & Gold’(1985), a milestone album that remains the band’s best-known (helped by the success of the single ‘Nemesis’) and the foundation of their popularity on the US college circuit and elsewhere.
‘And The Rain’ is dark and infectious, conjuring up steamy, swampy, Southern Gothic blues.This 14th studio album, which boasts a wide, organic and detailed sound, is already being described by early listeners as their best since the landmark album ‘Oil & Gold’. The sound is dense, woody and fibrous. Here we find evolved Bo Diddley beats and African blues”. However you describe it, this is Shriekback refocused, reinvented and reinvigorated.
Band members have also pushed themselves musically and sonically – Barry contributes a lot of guitars, Carl has essayed some slide guitar and keyboards and Martyn has brought in a whole arsenal of world percussion alongside his drumkit. Regular Shriekback listeners will hear more guitars and live drums and fewer loops and electronics. The sonic palette is very broad.
Written, performed and produced almost exclusively by the core trio, this is very much a ‘band’ album, crafted over time with the three core members working in their own studios, as well as in group sessions at Yellow Fish and Echo Zoo studios to capture live drums. But the writing and production on this release have been much more collaborative, with Martyn, in particular, having more input than previously.
New collaborator Scott Firth (of P.i.L) adds irrefutable bass to selected tracks, while Shriekback regulars Wendy and Sarah Partridge contribute their ever-invaluable backing vocals. Live drums were recorded by Ian Caple (who’s been with Shriekback since the beginning) at Yellow Fish in Lewes and Christoph Skirl at Echo Zoo in Eastbourne. The album was mixed and mastered by Stuart Rowe in The Lighterthief Bunker, Swindon – his fifth Shriekback album in this role, an indication of the value placed on his objective ear and technical skill.
‘Why Anything? Why This?’ will be released on May 25, 2018. While fans should keep an eye out for the album via digital stores and streaming platforms, the album is already available for pre-order from the band directly at https://shriekback.com/store.
LINKS:
http://www.shriekback.com
http://www.facebook.com/shriekback
http://twitter.com/shriekbackmusic
http://www.youtube.com/channel/UCJMkzOIkm9sqOjch00BhHBg/videos
http://soundcloud.com/shriekbackband
http://open.spotify.com/artist/5zdhsKuFI263xttcgdoW3c?si=ygb7IlYKSASw5xefkBQfDA
http://itunes.apple.com/us/artist/shriekback/85136
http://shriekbackmusic.tumblr.com