Indie rock legend Kristin Hersh has released a new video for ‘Wonderland’, animated by Wyatt True. This track is off her latest double album ‘Wyatt at the Coyote Palace’. Released on vinyl via HHBTM Records and as a double-CD/ book combo via Omnibus Press, these songs were recorded over a 4-year period on the island where Kristin grew up.
‘Wyatt At The Coyote Palace’ is the third release in the ground-breaking book-CD format that Hersh began with her previous solo album ‘Crooked’ and Throwing Muses’ 2013 release ‘Purgatory/Paradise’.
After founding her influential art-punk band Throwing Muses in Providence, RI at the age of 14, Kristin? has spent decades confounding expectations and breaking rules, both hers and others. From life as the reluctant frontperson for the Muses, to the solo career she swore would never happen, through the founding of the ambitious and altruistic nonprofit CASH Music, to her recent foray into a successful career as an author, Kristin, now a mother of four, didn’t see much of this coming.
Throwing Muses first gained recognition playing on bills with similarly singular artists like the Pixies and Dinosaur Jr. They signed with the highly regarded British indie label 4AD Records and then to Warner Bros in the USA.
Kristin’s solo career spun off in 1994 with the release of ‘Hips and Makers’. The CD was widely acclaimed and included ‘Your Ghost’, a duet with R.E.M.’s Michael Stipe. This was followed by eight more critically acclaimed and influential solo records, in addition to her releases with her power trio 50FOOTWAVE, who most recently released the ‘Bath White’ EP.
Kristin Hersh has also found a surprisingly successful career as an author. She has published the critically acclaimed ‘Paradoxical Undressing’ in the UK (released as ‘Rat Girl’ in the USA), a children’s book ‘Toby Snax’ and ‘Don’t Suck, Don’t Die’, a highly acclaimed personal account of her long friendship with the late Vic Chesnutt.
Rolling Stone named ‘Rat Girl’ one of the top ten best rock memoirs ever written. ‘Rat Girl’ was also adapted as an award-winning play and is now being made into a TV series. Her book ‘Don’t Suck, Don’t Die’ was a finalist for the American Booksellers Association book of the year and shortlisted for the Pat Conroy Southern book of the year. NPR said that this is “not only one of the best books of the year, but one of the most beautiful rock memoirs ever written.”
LINKS:
http://www.kristinhersh.com
http://www.facebook.com/strangeangels
http://50footwave.cashmusic.org
http://twitter.com/kristinhersh
http://www.youtube.com/channel/UCTdtvPp4IiPDDZqX-4No5Uw/playlists
http://soundcloud.com/kristinhersh-official
http://kristinhersh.bandcamp.com
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On The Wane – Sultry Song
Ukraine’s On The Wane has released their new album ‘Schism’, on the trail of their singles ‘Human Race’ and ‘Sultry Song’, the last of which presents an exotic dose of melodic alternative Iberian gaze.
On the video for ‘Sultry Song’, On the Wane guitarist Eli Laika says, “The idea was to create a non-complicated video showing the atmosphere of our workplace, where we write our songs, and also introduce us as artists. After Dari and Eugene’s trip to Lisbon last year, they came back with huge inspiration from Portugal and this inspiration spawned the ideas for creating this song, which we called ‘Sultry”. This video is directed by the band’s close friend Mykhailo Efimenko, who also did post-production.
Oscillating between dream gaze and power gaze fusion, On the Wane is Dari Maksimova (bass, vocals), Anna Lyashok (drums, vocals), Eugene Voitov (guitar, synth), and Eli Laika (guitar). Together, the Ukraine-based four-piece have become a smooth cohesive force in the shoegaze, neo-gothic and noise rock realm.
“This album is a synergy of four personalities reflecting the world outlook both on music and on life. The tone in which it is recorded is anxious although quite realistic. It’s about the questions affecting each of our existence, the questions to which everyone turns a blind eye on, and the questions that are usually left out of the picture. This album is not an answer – it is the result of our thoughts and forces to date,” says drummer Anna Lyashok.
In early 2017, the band recorded the 10 tracks that would become the full-length album ‘Schism’ under the direction of sound engineer Dima Afanasyev-Gladkykh (a.k.a. Sinoptik).
The band formed in early 2014, influenced by 1980s alternative rock icons such as Sonic Youth, The Cure, Joy Division, The Pixies, and Bauhaus, as well as shoegaze giants My Bloody Valentine, Slowdive, Cocteau Twins, and Ringo Deathstarr. They rented a garage, went into debt by buying guitar amplifiers, drums, and a line, and settled comfortably in the garage until autumn.
In October of that year, they had enough material for their first album ‘DRY’, which was naive, honest and raw. Recorded during a continuous 27-hour session by well-known Kiev drummer Artur Mikhailenko in his garage studio, it was then mixed and mastered by Sevastopol-based producer Alexander Chabanenko.
Released in December 2014, that album was immediately well received by Ukrainian media with moderate attention abroad in Britain, Ireland, Canada, South America, and the USAThis led to Brazil’s The Blog That Celebrates Itself Records featuring the band in an interview and releasing their track ‘Sweet Girl’ on the ‘Autumn Noises’ compilation.
Following a series of shows in Kyiv and other cities in Ukraine, they recorded their second release, now with hard-core vibes inspired by Mudhoney, Fugazi, and similar bands. They unleashed their anxious 6-track ‘Sick’ EP on the world, delivering an angst-filled unbalanced sound that led Britain’s The Sound of Confusion to claim that “this band blows any out of the water for 2015 releases in terms of mixing power-driven genres like grunge, shoegaze, and alternative rock”, citing Sonic Youth-esque vocals and the energetic fervor of Gang of Four and The Damned.
After Eli Demyanenko joined the band, they added synthesizers, a drum machine and drum pad and toured more, allowing them to hone their current sound. With a partially electronic and cold sound, the atmosphere became darker, their trademark wall of guitar sound became more meaningful, and distinct vocals became more self-confident.
“We are constantly in transition, indirectly undergoing a metamorphosis. When we play live, we see that people are really interested in this music,” says Eli Demyanenko.
“We suspect that we may end up categorically changing our sound yet again, so we wanted to record the music we are working with now and this moment in time to sonic memory, so to speak,” explains Daria Maksimova.
SOURCE: Official Bio
LINKS:
http://onthewane.com
http://www.facebook.com/weareonthewane
http://onthewane.bandcamp.com
http://www.youtube.com/channel/UCA5UiS2eN3XKqWuTShw2cwA
http://www.instagram.com/on_the_wane
http://soundcloud.com/onthewane -
Phil Rudd – Head Job
Phil Rudd solidifies his rock roots and firmly asserts his reason in rock history with his new video for the title track off of his album “Head Job”. The album has recently been re-released as to get all of the legal BS that can sometimes happen out of the way and now it is time to get down to business. And this song, along with the album “Head Job” is all about getting busy with it’s classic yet timeless sound that Phil helped to create.
About Phil Rudd
Described by Malcolm Young, co-founder of AC/DC, as “the real deal”, Phil Rudd, the band’s long-term drummer, played in several Melbourne bands such as Buster Brown and The Coloured Balls before joining up with the rock giants in 1975.Rudd powered the band to super-stardom with his dogged consistency and unshakable back-beat on classics like ‘It’s A Long Way To The Top (If You Want To Rock ’N’ Roll)’ ‘TNT” and ‘Dirty Deeds Done Dirt Cheap’, becoming an indelible part of AC/DC history.
To the untrained ear, Phil Rudd’s drumming may seem rudimentary, but his style and groove have earned him the adoration of generations of his peers. Rammstein’s Christoph Schneider said in the October 2010’s Modern Drummer, “AC/DC were my absolute heroes because they are simple and easy to copy, though soon you find they are not so easy to copy.” The magazine’s May 2010 issue also honored the rocker with the feature ’50 Reasons To Love Phil Rudd’.
Rudd has appeared on all but three of AC/DC’s 18 studio albums, which have sold more than 200 million copies worldwide. When the blockbusting album ‘Highway to Hell’ went multi-platinum worldwide, Rudd said he ‘‘went straight down the road to buy my first Ferrari’’ sparking a lifelong love of luxury cars. Rudd showcased eleven of his luxury cars in Christchurch, New Zealand as part of an earthquake appeal fundraiser, his current collection includes a rare 1991 Ferrari F40, a brand new Ferrari 599, two Lamborghinis, a 2010 Rolls Royce Ghost, 2011 Bentley Mulsanne, and Bentley super sport, Audi R8 V10, a 2011 Aston Martin DBS, and 2010 Mercedes SLS AMG. The cars have a combined worth of approximately $3m. Rudd’s airport hangar is also home to his MD 520N helicopter.
With the lavish rock star lifestyle firmly in place, Phil Rudd recorded and released his first debut album ‘Head Job’ with Kiwi musicians Allan Badger and Geoffrey Martin in 2014. The album was released via Universal Music Group in Australia & New Zealand but further promotional plans were scuppered by well-publicized legal problems in New Zealand.
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Evidence – Bad Publicity feat. Krondon
As both a solo artist and one-third of Dilated Peoples, Evidence has established himself as one of hip-hop’s most accomplished rappers and producers, working with Domo Genesis, Linkin Park, Beastie Boys, Defari, Madchild, and Krondon, amongst others.
His production work has already earned him a Grammy Award for co-production on Kanye West’s College Dropout, and two JUNO Awards for his work with Canadian hip-hop group Swollen Members.
As fans would expect, “Weather or Not” embodies the very heart of the hip-hop culture; clever wordplay laid over heavy boom-bap production, but Evidence also exhibits his gift for weaving moments of personal and introspective reflection into his writing, whilst remaining true to his hardcore hip-hop sonic and lyrical sensibility.
The album features an array of exciting collaborations including the likes of Slug (Atmosphere), Rakaa (Dilated Peoples) and Jonwayne, plus production from Evidence himself, Alchemist, Nottz, and DJ Premier.
After an array of spellbinding videos to compliment the album, his latest outing is for the track Bad Publicity featuring Krondon.
Directed by Todd Angkasuwan the video showcases many prominent locations of Los Angeles where it appears the whole city has been shut down with all the roadways clear of cars and people. The Nottz produced track features Strong Arm Stready rapper Krondon with his deep voice on the chorus, who has recently found new fame by playing the key villain Tobias Whale on DC series Black Lightning.
LINKS:
http://rhymesayers.com/evidence
http://facebook.com/misterevidence
http://twitter.com/evidence
http://instagram.com/evidence
http://youtube.com/rhymesayers