Neethusha’s path was already mapped out, as she confessed her Indian upbringing and pressures from society could’ve hindered her journey, but it was her inner drive and determination to avoid letting the opportunity slip that has formed this free-spirited singer-songwriter.
After listening to the ‘voice in my head’, telling her not to back down, she began honing her sound and the Indian born vocalist is now here with her romantic ballad ‘Why Did I Lose You’.
However this isn’t Neethusha’s first jaunt into the music industry, she was lead singer with band StereoGrind, appearing on Kappa TV in her Kerala hometown. In the past she has performed at shows such as Facebook India Party and Femina Style Diva, South India in 2015 and since the band split has played solo gigs around the country including Elle Carnival in 2016.
You wouldn’t think life as a pop singer would begin as a computer science graduate, but as Neethusha embarked on life as an engineer in the Bangalore offices of Deloitte, it was music that provided the outlet to express herself.
She draws inspiration from a myriad of prolific artist’s which has inspired her open minded music. These include Savage Garden and Coldplay to powerful vocal performers like Shania Twain and Celine Dion, which would explain her aim to create music from a variety of genres such as funk, rock, and acoustic-led pop.
LINKS:
https://soundcloud.com/neethushavc
https://www.youtube.com/user/neethushavc
https://www.facebook.com/neethusha
https://twitter.com/neethushavc
https://www.instagram.com/vcneethusha
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Rude Audio – To The Sun
Rude Audio is proud to announce their new ‘Rude Redux’ EP, slated for release on October 8, 2018, through Zirkus Records. Featuring five tracks, this new release sees the band refine their trademark sound, and fusing their love of woozy dub with throbbing electronics. Here, house music, flecked with Arab and Indian vibes, also shamelessly cavorts with dub.
Ahead of this release, Rude Audio present the lead track ‘To The Sun’, complete with a new virtual reality-inspired video, directed by Ali Ingle. This week, Andrew Weatherall also just premiered two tracks from the new EP on his radio show.
Rude Audio is a South London-based collective with a history of putting on fantastic underground parties, releasing the occasional dubby Balearic opus, engineering for the disparate likes of Paul Weller, Lemon Jelly, and Royal Blood and generally mooching about anywhere that doesn’t have bouncers or operate a dress code.
The core of the collective are Mark Ratcliff (whose releases have been played by the likes of Andrew Weatherall, Laurent Garnier, Kris Needs, Don Letts, Graeme Park and Rob de Bank, as well as BBC Radio 6’s Nemone and Gideon Coe), Owain Lloyd (mixing engineer for everyone from Oakenfold and Weller to Niall Horan) and Dave [The Rave] Brennan (ex-The End recordings and key player at tech house dons’ label, Bombis).
The EP represents a progression from Rude Audio’s latest ‘Rudest’ EP. More hooks, more chug, and more Middle Eastern and Indian influences, while retaining an underlying commitment to the dubby end of the spectrum. Inspired by the more open-minded dancefloors proliferating in the south and east London, where world music might brush up against techno, dub and indie dance, the ‘Rude Redux’ EP operates between 108 and 120 BPM – fast enough to dance to, slow enough to let the music breathe.
Inspired by the new, eclectic, lower BPM spirit found on more discerning south and east London dancefloors in recent years, the ‘Rude Redux’ EP has allowed Rude Audio to bury into its abiding love of dub, leftfield house, and middle eastern sounds and weld everything to a chunky four-to-the-floor anchor.
The Rude Audio sound takes dub and house as its starting point and heads out into analog electronic waters, where the chuggy, Balearic spirit of the early 90s progressive house meets its more modern, low slung counterpart – think A Love From Outer Space, indie dance and nu disco.
“Whenever we are producing and getting excited by our output, we always insist that things sound as good as early Future Sound Of London singles and remixes. More broadly, we continue to be inspired by the more open and eclectic dancefloors of the early 90s and their spiritual counterparts today. Long may the Balearic spirit continue to resonate,” says Mark Ratcliff.
This EP includes a remix by Rich Lane, one of the best underground remixers and producers in the UK electronic music. His tunes are spun by all the key players in the new Balaeric scene – Andrew Weatherall, Sean Johnson, Daniel Avery and Logan Fisher. His sound has spread across dancefloors such as A Love From Outer Space with some of his recent remixes already considered classics.
“Rich Lane’s remix of ‘Steady State’ is our favorite remix of the last 5 years, and his remix of our own ‘To The Half Moon’ is right up there alongside it, in our humble opinion,” says Ratcliff.
Rude Audio continues their residency at Flaxonptootch in Kentish Town, London, the first Thursday of every month, where art shows mutate into parties later in the evening. He is joined by an extra special guest this September.
Rude Audio will host a launch party for the EP in mid-October supported by some special guests, more detail to follow.
“Absolutely loving this, thats brand new and extremely good for you”
– Don Letts, BBC 6“This is indeed amazing – this is Rude Audio”
– Andrew Weatherall“Insofar as modern players on the electronic music scene go, Rude Audio number among the most dynamic, stirring the pot to concoct blends that transcend sub-genre, weaving brilliant ethnic hues into their musical fabric”
– Big Takeover Magazine“Rude Audio might not be a household name in the electronic music world, but it may just become one if they continue making music of this caliber… a seamless hypnotic Balaeric spell”
– Overblown MagazineLINKS:
http://www.rudeaudio.net
http://www.facebook.com/rudeaudio
http://www.rudeaudio.net/blog
http://twitter.com/RudeAudio
http://soundcloud.com/rudeaudio
http://www.youtube.com/user/ThatDirtyEcho/videos -
Drew Davies – Man On The Run
Mixed with all the right pop sensibilities as well as memorable harmonies and just plain good songwriting, Drew Davies adds his beautiful crooning style of vocals to his new track titled ‘Man On The Run’. The track chugs along with a stylistic beat and gives me the initial impression that, while definitely a fit for radio, the song still has street cred for the ‘cool kids’ that usually mean a future classic in the eyes of those who listen to music and not merely hear it.
About Drew Davies
Yorkshire born and bred, now London-based Drew Davies has released his single Man On The Run and prepares to release his forthcoming long player in the Autumn of 2019.On Man On The Run, Drew says “The song is an ode to modern dating; it portrays a frustrated character pushed to the edge after a failed relationship with a particularly fickle young woman, whose actions and words rarely matched up. Lyrically I wanted to play with the protagonist’s desire to write a straightforward love song but how his feelings towards the situation prevented him. The chorus refers to being ‘inside’ in both a figurative and literal sense, as a reference to both the emotional prison some relationships can leave you in and also how these feelings can boil over and cause us to act irrationally.”
The video is also available and Drew has now readied a full backing band complete with guitars, bass, keys, drums, and backing singers, bringing the full sound of the song to the stage as it can be heard at London’s The Finsbury on May 24th.
Musically, the self-titled debut is infused with a vast array of influences that stretch from 50s rock n’ roll to modern electronica. From the hook-filled, to-the-point numbers of Roy Orbison or Tom Petty, to the cinematic synth sounds of John Carpenter, Vangelis and Kavinsky, the music is imbued with a heavy tenderness; wrapped up in the genre-bending timelessness of artists like Bowie, Queen or Eurythmics.
The album was produced by Drew himself and was recorded at Tileyard Studios in London, before arriving at the hands of mixing engineer Steve Honest (Oasis, Michael Jackson, Fleetwood Mac), with mastering by John Webber (George Michael, David Bowie, Super Furry Animals) at the legendary AIR Studios.
Drew is no newcomer to the music business though, having spent the better part of the last decade treading the boards of venues and festivals across the UK with various bands, working in musical collaborations, writing for other artists and singing in session gigs to get by, all while fighting his own personal battles.
With his older tracks getting plays on BBC 6 Music, Radio X and MTV Drew has seen some of the highs and lows of the music industry; from cutting his teeth and paying his dues on the so-called toilet touring circuit to recording in some of the top studios on the planet.
Through these highs and lows, friendships and loved ones come and gone, successes, setbacks and everything in between, Drew continues to have such a fierce passion for what he does; pouring his heart and soul into his musical labors to produce his most personal work to date.
The first single ‘Man on the Run’ is imbued with a baritone alt-rock vibe. With a pulsating beat that builds through its verses into an uplifting chorus, it carries the listener through a lyrical journey much darker in content than the music would have you believe at first.
LINKS:
https://www.drewdaviesmusic.com
https://www.facebook.com/drewdaviesmusic
https://www.twitter.com/drewdaviesmusic
https://www.instagram.com/drewdaviesmusic
https://drewdaviesmusic.bandcamp.com -
Kim Cameron – Tip Toe
A lyrical song of contradictions with a musical electronic style to match. Using a funk beat mixed with live Latin percussion, female vocals float on top with crazy high harmonies, a big pre-chorus, and hook. The love story speaks of removing all barriers to find each other in the highest, deepest love. Perfect rhythms for high energy dance floors. Live conga’s give this track a Latin dance feel. The video was shot in Las Vegas with aerial views of the Strip, High Roller, and street scenes of the city that never sleeps, playing off the song’s theme “climbing down into you.”
About Kim Camerons and Side FX band
Originally from the Los Angeles area, Kim Cameron moved to a number of states in the US with her family before settling in Nebraska where she earned her college degree in broadcast journalism. Growing up, she had played the clarinet in her school orchestra and marching band as a child and eventually landed musical theatre roles and sang in choirs in her young adult years. After college, she worked as a radio personality in Lincoln, NE, and later worked for information technology companies in their media departments. While continuing to work in the corporate world, she moved to Miami Beach where she began her musical path by joining a local cover band in the early 90s.
LINKS:
https://sidefxband.net/about.aspx
https://twitter.com/sidefxband
https://www.instagram.com/kimcameron_sidefx