Neethusha’s path was already mapped out, as she confessed her Indian upbringing and pressures from society could’ve hindered her journey, but it was her inner drive and determination to avoid letting the opportunity slip that has formed this free-spirited singer-songwriter.
After listening to the ‘voice in my head’, telling her not to back down, she began honing her sound and the Indian born vocalist is now here with her romantic ballad ‘Why Did I Lose You’.
However this isn’t Neethusha’s first jaunt into the music industry, she was lead singer with band StereoGrind, appearing on Kappa TV in her Kerala hometown. In the past she has performed at shows such as Facebook India Party and Femina Style Diva, South India in 2015 and since the band split has played solo gigs around the country including Elle Carnival in 2016.
You wouldn’t think life as a pop singer would begin as a computer science graduate, but as Neethusha embarked on life as an engineer in the Bangalore offices of Deloitte, it was music that provided the outlet to express herself.
She draws inspiration from a myriad of prolific artist’s which has inspired her open minded music. These include Savage Garden and Coldplay to powerful vocal performers like Shania Twain and Celine Dion, which would explain her aim to create music from a variety of genres such as funk, rock, and acoustic-led pop.
LINKS:
https://soundcloud.com/neethushavc
https://www.youtube.com/user/neethushavc
https://www.facebook.com/neethusha
https://twitter.com/neethushavc
https://www.instagram.com/vcneethusha
-
Claudio Conti – Old Clouds Fell
Claudio Conti is an Italian songwriter whose style is rooted in the same romantic pensiveness that marks the music of Tim Buckley, Nick Drake, Gene Clark. and Tim Hardin. Largely drawn to psychedelic music, folk rock, and 80’s indie rock, he considers Gram Parsons, The Doors, The Smiths and early R.E.M. as his main influences.
His new 14-track album ‘Garnet Dusk’ is a very ambitious and personal album with moods alternating between the chaotic experiences of a man in his early to mid-thirties, the solidification of his beliefs and worldview, including its flaws and qualities.
‘Garnet Dusk’ addresses such issues as migration and maturity – the product of deep thinking about the impervious, inevitable situations that life dishes up, usually not on a silver platter. This album was equally inspired by the sound of the ocean as by a woman’s departure. This is Conti’s attempt to explain unusual encounters like ships passing slowly in the night.
“This album is about the mysticism of love and rediscovered affection. The truth in children’s eyes and parents’ lack of consideration. And the frustrations, the illusions of flippancy that take us far from certain situations and on a detour towards the firmness of our insight, the channel of real life, where we find the life source that we really need,” says Claudio Conti.
Back in 2003-04, Conti self-released a sequence of home recordings called ‘Botticelli’, followed by the ‘Handmaids Skim The Marble’ EP in 2008 and the ‘Northern’ EP the following year. Having spent a significant amount of time in the UK and the United States, his various life experiences there allowed him to further shape his expressive-musical style and influences, resulting in the album ‘Every Forest Has Its Shadow’ (2012), which he fully wrote and then recorded with psychedelic folk rock band Magic Salad.
After a two-year hiatus, Conti split his time between Chicago, Los Angeles, and London last year, and decided to officially release his first solo album ‘Saltworks’ (recorded in 2013-14) with Seahorse Recordings and was very well received by Italian magazines and webzines.
This latest album ‘Garnet Dusk’ is like fire in the sky, lasting just a short while but holding your core intuitions – carpe diem. Then comes the night with its glorious shadows and blinding lights… a reel for the poets… a tryst for the unsatisfied.
“A sumptuous violin courtesy of Alessio De Vita immediately demands the full attention of the listener as Conti’s light, calming tones perfectly accompany. It magically refrains from upping the tempo and serves as an almost angelic call to the heavens”
– Louder Than War“Claudio Conti uses a folk scenario in which he weaves songs that you never get tired of – this is a pleasant and fluid earful… an inward-looking journey the artist leads us on discreetly”
– Rockit“Here unfolds a cherished and evocative dimension with swaying images of pure and luminous harmony”
– Music Map“Claudio interprets this genre uniquely, sneaking in races of British folk-rock under the influence of Jeff Buckley’s intimate vocal dynamics and the liquid atmosphere of a superb electric guitar”
– TempiDuri“You could easily become enveloped by the notes in Conti’s music or the genuineness of his vocals”
– Sound36 MagazineLINKS:
http://www.facebook.com/Claudio-Conti-1479110699037058
http://twitter.com/claudioconti70
http://soundcloud.com/claudio-conti-1981
http://www.youtube.com/channel/UCkwofKkFAABqlS_hjhcTpmA/videos
http://open.spotify.com/album/3qE7dqbAJTLmCSI7TgYbUs
http://itunes.apple.com/it/album/saltworks/id949723409
http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Daps&field-keywords=claudio+conti+saltworks
http://www.cdbaby.com/cd/claudioconti -
Vullnet Neziri Ft. Curtisay – Someday I’ll Be Somebody
It’s still rare these days to hear a song with a positive message, much less a good song with a positive message. So a big thanks goes to Vullnet Neziri and Curtisay for making positive messages cool again. This song delivers via lyrics and hooks how you can make your dreams come true if you stay true to them, and it does it in a way that it sticks in your head after you’ve heard the song. That’s what it takes, nowadays, to get a message, any message, across. If only more people used that power for good. Bravo!
About Vullnet Neziri
Finding the heart of a song and bringing it life for eager ears is not a skill all are able to master; those that can though make a vivaciously memorable proposition.Macedonia born singer Vullnet Neziri is one with that ability.
With an instinctive love for music since a child, his vocal craft and charm, as well as musical ability, has blossomed into an ear-grabbing proposition which saw Vullnet chosen and featured on THE VOICE OF ALBANIA in 2013.
There was a recognized maturity to his voice and style which took attention; an essence which has grown and been further honed in the subsequent busy time since that success as Vullnet built towards the release of his debut single in 2015.
Written by Academy Award and Grammy Award-nominated, Golden Globe-winning songwriter Diane Warren, ‘You Got Me’ shone with Vullnet’s harmonic prowess and emotive expression, eventually peaking at No.9 on the Official European Independent Music Chart.
Its warm fusion of country rock and pop was met with increasing success and support whilst also providing a potent teaser for his debut album which is currently in the works.
Featuring songs written by a variety of top songwriters and producers, the album will be a multi-flavored proposal revealing the depth of Vullnet’s musical tastes and styles.
Vullnet followed up that release with Rollercoaster in 2016 and as we roll into 2017, he releases his third single ‘Someday I’ll Be Somebody’.
The new release is a collaboration with a Jamaican rapper Curtisay written by Diane Warren. The video was shot on location in Jamaica and Italy. It was previously a hit for Justin Bieber.
LINKS:
https://facebook.com/Vullnetneziri1
https://twitter.com/VullnetN -
The Mutineers – Drug For That
Based in Portland, Oregon, The Mutineers are a rock n roll husband-wife duo with country leanings and punk rock tendencies. With Brian Mathusek on guitar and Merry Young on drums, the couple shares vocal duties. Sounding like a cross between Johnny and June with John Doe and Exene, and a bit of Nick Cave and PJ Harvey, their sound esthetic is influenced by such artists as Bruce Springsteen, X, Nick Cave, Loretta Lynn, and Elvis Presley.
“This was written specifically for Merry’s voice. I wrote the first draft of lyrics and she sculpted it to fit her style. Her world-weary delivery is the perfect backdrop to the story. The song contemplates the dual feelings of helplessness and power inside a co-dependent relationship,” says Brian Mathusek.
“The singer is struggling with self-confidence and self-consciousness. She cannot decide if she has been too open or not open enough. I think everyone has someone in their life that they can’t stand, but also can’t live without, whether it’s a lover or a family member or a friend. Knowing when to cut someone off is very difficult. By the end of our song, the narrator has given up and given in to this cycle of love and hate, another lost soul.”
Co-produced alongside Raymond Richards (The Parson Red Heads) at B-Side Recording Studio in Portland, this is the band’s third EP and fifth significant release. Originally founded by Brian Mathusek and Michael Astudillo in 2007 and joined by Merry Young soon afterward, The Mutineers debuted with their ‘Tidal Wave’ EP in 2008, followed by the ‘Nihilisteria’ EP (2009) and ‘From the Dirge to the Dance’ LP (2011). The new fully-arranged recordings diverge from the duo’s previous release ‘Live at B-Side’ (2016), which was recorded without any overdubs.
With this latest effort, The Mutineers have begun a new chapter, collaborating more closely in their songwriting process. Their latest songs feature characters who are flawed, stubborn and struggling with their demons. They wander confused, obsessed, addicted and envious, through the microcosms of Threshold in search of happiness, understanding, and love.
The Mutineers will be touring nationally through the fall. In the past two years, they have given over 120 performances in 30 states. They have shared the stage with such notable artists as The Tallest Man on Earth, Langhorne Slim, Reverend Peyton’s Big Damn Band, Larry, and His Flask, The Devil Makes Three, The White Buffalo, and Murder by Death. When not touring, the couple runs a graphic design and screen printing business, Mutiny Studios.
In collaboration with Clovis IV, a visual storyteller, The Mutineers have continued exploring the visuals associated with their song themes, helping express their music, in still images and now on a music video. Clovis started working in the visual arts in the early 90’s. Connected to the worlds of music and media, he has continued to express the stories of artists & individuals in still and moving images. Be it as a photographer or designer, Clovis has worked with many artists, including New Model Army, Thievery Corporation, Faith and the Muse, Concrete Blonde and Flesh For Lulu.
LINKS:
http://www.themutineersmusic.com
https://www.facebook.com/mutineersmusic
https://twitter.com/TheMutineers
http://mutineersmusic.bandcamp.com
https://www.instagram.com/themutineers