What happens when you mix over-the-top theatrics with hardcore? Certainly not something well-received in the militant Syracuse scene from whence horror-influenced screamo band One Last Shot hail. However, the perception of others is no longer a concern for this band who, after their singer Jeremy Romance’s brush with death in 2016, understand there is no time to waste trying to satisfy anyone’s vision for them but their own.
What exactly that vision entails comes from a lineage of hope inspired by artists like The Used and MCR, who are not only influential to OLS for their musical fearlessness and theatrics, but the hope and positivity they gave Romance as a young music fan.
“I want to do the same thing those bands did for me growing up,” he explains. “I want to be that escape and let kids know that dreams can come true.”
These days, One Last Shot have transcended the world where they never fit in, spitting in the faces of those who impede them and carving a path where they’re well on their way to carrying those heroes’ torches. They’ve even had the chance to complete the musical circle with some of them—Jeremy, having sung with the Used, and the band having been opened on Aiden’s 2015 farewell tour. They have also played alongside Creeper, Neck Deep, State Champs, and Beartooth among others, as well as made appearances on Warped Tour annually since 2014.
One Last Shot is:
Jeremy Romance – Vocals
Zak Phillips – Guitar
Angelo Zinkovitch – Guitar
Adam Vlassis – Bass
Ryan Sheldon – Drums
SOURCE: Official Bio
Featured image by Ron Bonk.
LINKS:
https://www.facebook.com/onelastshot
https://twitter.com/onelastshot315
https://www.instagram.com/onelastshot315
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The Membranes – A Strange Perfume
With sixteen epic, powerful and darkly romantic songs on offer, this is The Membranes’ eighth studio album overall and the second since they reformed in 2010 when former support band My Bloody Valentine convinced them to return to the stage for the ATP festival. This album is a game changer in the tradition of Manchester bands like Joy Division.
This album features appearances from vocalist Kirk Brandon (Theatre of Hate, Spear of Destiny) and 84-year-old folk singer Shirley Collins, one of England’s premier folk singers of the ’60s revival. Renowned nature TV presenter Chris Packham also contributes, as does the legendary Jordan, who practically invented the punk look in 1975. Half the tracks also feature the 20-piece BIMM Choir, offsetting a sound laden with dark drones and an atmosphere of melancholic epic power.
The album was recorded at 6DB Studio in Manchester with Ding Archer, a former band member with PJ Harvey, The Pixies and producer of the last nine albums by The Fall. John Robb wrote all the parts for the choir. This release follows up their acclaimed album ‘Dark Matter/Dark Energy’, the band’s best selling release, which received rave reviews and ample radio play on BBC 6 Music and internationally.
‘What Nature Gives… Nature Takes Away’ is about the beauty and violence of nature. This is a very diverse work with dark, brooding cinematic choir-driven songs. Imagine the sound of Hieronymus Bosch paintings to discordant wild songs about crows, demon flowers, strange perfumes, voluptuous petals, voluminous oceans, treacherous seasons and the poetry of life and death set to spooked pulsing musical pieces, ranging from epic choir-driven postpunk songs to dark dub workouts, from throbbing dirty disco dark wave pulses to grinding heavy bass-driven pieces, from apocalyptic visions to choir-driven epic swirls.
“This is the pinnacle of our long and strange journey. This album is steeped in the powerful forces of nature and an underlying emotional undertow that is dark and brooding bass driven postpunk with the epic swirl of the choir and diversity of sounds that takes you on a trip. I put my life into this album musically, lyrically and emotionally,” says John Robb.
“The Membranes was born of postpunk in the late 1970s – a time when a generation inspired by punk rock created music on their own terms. We were immersed in that scene and that world and when we reformed we picked up on those themes and ideas and the diverse fellow travelers that we were contemporaries of like Joy Division, Bauhaus, Einsturzende Neubauten, Nick Cave, PiL, Big Black, and newer bands like Godspeed You Black Emperor, Mogwai, Ulver, and Wardruna – bands who fuck with the template to create an atmosphere and mood.”
Formed in 1978 in Blackpool, The Membranes played classic bass-driven northern post-punk and were part of the same world as bands like The Fall, Sisters Of Mercy, Echo and The Bunnymen and Cabaret Voltaire, all inspired by 1977 to launch their own idiosyncratic journeys. The band released a remarkable series of records that combined their small town frustration with a love of heavy bass and distortion. This ultimately became a prime influence and the precursors to such American noiseniks as Steve Albini, Swans and Sonic Youth.
John Peel and music press favourites, a continual frenzy of releases, public acclaim and touring worldwide with national TV appearances, the band went on hiatus in 1990 until finally reforming in 2010.
The Membranes are Peter Byrchmore (guitar), Nick Brown guitar), Rob Haynes (drums), and John Robb (vocals and bass), a renowned TV and radio pundit, editor of Louder Than War, a key UK music site and national magazine, and curator of the Louder Than Words festival. In autumn, John Robb will also release ‘The Art Of Darkness’, a book on the darker side of post-punk, adding to his collection of best-selling books on punk rock.
As of June 7, ‘What Nature Gives … Nature Takes Away’ will be available on vinyl and CD, and digitally from stores such as iTunes and streaming platforms like Spotify. There is also a deluxe double vinyl ultra limited edition of 150 copies. This summer, cosmetics company Lush will release a Membranes perfume called ‘A Strange Perfume’ after the album’s opening track. In the meantime, the band will tour the UK in support of their new LP.
LINKS:
http://www.themembranes.co.uk
https://www.facebook.com/themembranes
https://www.twitter.com/membranes1
https://www.instagram/themembranes
https://membranes.bandcamp.com -
Vast Asteroid – Spacegaze
Racked during a magical week at the legendary Rancho de la Luna studios in Joshua Tree, CA by producer/engineer Andy Freeman, and highlighted by the likes of Dave Catching (Eagles Of Death Metal) as a special guest, debut of the newborn outfit Vast Asteroid is able to instantly bring together the lovers of shoegaze, cosmic rock, britpop and heavier stuff like stoner and desert rock.
Hailing from Los Angeles, Vast Asteroid is a supergroup of sorts, composed of The Warlocks bassist Mimi Star, seminal UK punk-rock
band Slaughter And The Dogs drummer Mark Reback and singer and guitarist James Poulos.After previously playing together in various configurations, the members coalesced around a shared love of the immersive, propulsive and passionate music of shoegaze, space rock, desert
rock, art grunge, and britpop. They also gave a name to this unique blend they together give shape to: spacegaze.And they got it right, judging by the cosmic afflatus that permeates their rock-hard wall of fuzz. This record is a glance at the night sky from the desert, and its otherworldly yet hauntingly familiar epic instantly blows your mind and soothes your soul. The songs foundations lay on a tremendously mighty rhythm section, that shakes your speakers as if an asteroid had felt into your back yard; while brilliant guitar riffs and vocals capture the listener and won’t ever free him. The extra guitar madness by Dave Catching on “Spacegaze” is the icing on the cake.
Songcraft is particularly treated, and the band shows the ability to take away everything that is not needed, leading us straight to the very essence of things.
Born from a brief writing and rehearsal period in and around the Highland Park neighborhood of L.A., the band’s debut full-length album, is out now.
LINKS:
https://www.facebook.com/vastasteroid
https://twitter.com/vastasteroid
https://vastasteroid.bandcamp.com -
Pls Pls Me – Water Torture
Pls Pls Me has today premiered their new video for the single titled ‘Water Torture’. When I first heard Pls Pls Me last year I fell in love with their style and originality. And, when I interviewed them, I fell in love with their personalities and drive. Jimi Fish and Jessie Torrisi are two artists who could easily have brilliant solo careers but, when brought together, become this original thing that demands a listen and commands an audience.
With ‘Water Torture’, this is proven a solid fact. This video has that slow burn feel that captivates you with that first look and keeps you for a second. The song gives a sonic resilience to the recently disenfranchised and isolated with the assurance that we are not alone yet we can survive isolated. ‘Water Torture’ is a song of strength. And, almost like an anthem, it drives that point to the end and makes that end of the song a new beginning. Take a listen. Take a look. Take the message.
Check out our other features with Pls Pls Me HERE.
Featured image by Jason Leavy.
About ‘Water Torture’
‘Water Torture’ is Pls Pls Me’s send-off to Donald Trump. It is a description of how the duo felt the last 4 years, just hearing his voice. “For anyone who cares about racial justice, or the rising number of COVID deaths, or who wants this country to stand for more than celebrity or ego – it felt like he was taunting us,” Jessie says. Trump’s tweets, history of sexual harassment, his claim of being a super successful businessman while declaring bankruptcy 6 times, all find their way into this song.
Though they’ve been known to inject their politics into their music before, Pls Pls Me didn’t set out to write a song about Trump. One day, Jimi heard a sound clip by Brooklyn producer Noams on instagram. Instantly lyrics popped into his hand, so he reached out to Noams, who had never intended to make a song from the instrumental, and they struck a deal. Soon after, musicians from NYC to Austin TX lent their voices for the chorus; it turns out quite a few people felt bruised ‘n battered by 4 years of a Trump presidency.
The vision further came together when their New York photographer friend Jason Leavy flew out to California and they did a shoot at Hayes Mansion, San Jose, taking pictures masked up by the eery yet entrancing light of the swimming pool at night.
“For me, this song is a purge,” Jimi says. “I love our campiness and our ability to bring queerness to such a serious topic. Right now, America feels split in so many ways. While unity would be great, there will be none until we get the negativity out.”
Music, after all, is catharsis. And we could all use some of that after 2020.
About Pls Pls Me
Pls Pls Me is a Brooklyn-based queer electro pop duo who came together on a grey New Year’s Day in 2016. While launching QUEER MF, a local showcase and party for queer music, singer/multi-instrumentalists Jimi Fish and Jessie Torrisi bonded over writing songs about sex, longing, and surviving the age of Trump.
Their love of eclectic, hip hop-inflected production and otherworldly harmonies crystalized with last year’s long-awaited debut EP, Too Late. Jammerzine called them “a slow melodic burn… that hits in all the right places.” Analogue Trash calls their modern dream-pop “very doomy, but a lot of fun.” And OVRLD says Pls Pls Me are a cross of “early XX and Everything But the Girl.” Their latest track Water Torture, which is a send-off for Trump, is a departure from their summer love anthems.
But this band has a sonic range. More than anything, Pls Pls Me is the story of a deep friendship formed over late nights at the piano while pondering the power dynamics of love and the art of being queer. Their follow-up EP, produced by indie songstress Sarah Jaffe, is due out in Summer 2021.
LINKS:
https://plsplsme.nyc
https://www.facebook.com/PlsPlsMeNYC
https://open.spotify.com/artist/2GFPThWEgRKDMICtF5Nb85?si=JMN8DTqgQOKENVw2O1tY1g
https://www.instagram.com/plspls.me
https://www.twitter.com/PlsPlsMeNYC
https://www.soundcloud.com/plsplsme
https://www.youtube.com/user/YouPleasePleaseMe