Willed into existence in the year 2017, Paris Street Rebels take the best parts of the transatlantic Punk explosion of the 1970s and combine it with towering melodies and 21st-century working class outrage.
The 4 piece hail from the tough mining town of Ballingry, Fife, Scotland. The mines have long shut down and ‘Thatcher’ is still a dirty word, the band looks to music as an escape, an antidote and a means to elevate themselves and others like them from the indignity of a story left untold, a destiny unfulfilled.
Informed and inspired by their own lives and the records that shaped them a pact was formed in between the chord changes and a promise was made.
Beyond the confines of their beginnings, Paris Street Rebels’ ultimate goal is to unite the forgotten people, the misfits, the lost, the persecuted, the afraid and everyone in between.
To give something back to an age where musicians and artists only exist to take. To give the world what it’s been missing ever since Rock ‘n’ Roll lost its teeth.
‘I Don’t Wanna Die Young’ is a meditation on suicide and it’s uncomfortable place within celebrated Rock ’n’ Roll myth, in an age where mental illness is finally losing its stigma and hope is still out of fashion. This is the band’s attempt to put that last part right.
‘Freakshow’ is a schizophrenic anthem penned in desperation. The need to escape to an almost mythical promised land where authenticity trumps artifice and drives the narrative whilst simultaneously realizing that this can only be achieved by changing the place and time you’re in.
Built from old smashed up Punk LPs and broken bottles it’s designed to excite and leave a nasty scar.
Paris Street Rebels are:
Grant ‘G’ Malcolm – Vocals/guitar
Kevin Murphy Jnr – Vocals/guitar
Jordan ‘Jazz’ McLean – Bass/vocals
Cameron ‘Cammy’ Gaudin – Drums
LINKS:
https://www.facebook.com/ParisStreetRebelsUK
https://www.instagram.com/parisstreetrebels
https://soundcloud.com/paris-street-rebels/freakshow
https://open.spotify.com/artist/3DZsxCsiAA7eRRsRLKzx4f
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Jammerzine’s The Week in #Indie for 11/25/2019
This episode of Jammerzine’s ‘The Week in #Indie’ features exclusive interviews with Prima Donna and UK artist Faultress as premieres from ASM, BLɅCKƎLVIS, Dar.Ra, Drew Davies, Elizabeth The Second, Fea, and Fo Fera.
About Prima Donna
Prima Donna is a band that has strong ties around and within the music scene. They are, to me, the underground underdogs. What I mean by that is that they keep their street-creds while raising the flag for the indie scene showing just how awesome it is.
And, in this interview, we get to talk with one-fourth of this awesomeness in the form of David S. Field, drummer for Prima Donna. We cover a lot of ground here too. We get a glimpse of the beginnings of Prima Donna as well as collaborations including there inclusion into legendary musician Steven Van Zandt’s illustrious Wicked Cool Records stable of artists as well as the side project David and Prima Donna frontman Kevin Preston have with Green Day frontman Billie Joe Armstrong called The Longshot.
Prima Donna clearly has a full plate throughout 2020, as you will hear in the interview, including a new video for ‘Sing to Death’ (read our single review HERE) as well as a new album and more.
LINKS:
http://primadonnarocks.com
https://www.youtube.com/user/PrimaDonnaVision
https://twitter.com/primadonnaband
https://www.instagram.com/primadonnaband
https://www.facebook.com/PrimaDonnaOfficialAbout Faultress
Faultress is an extinct word for a female criminal, and this musical project is about wearing your unpolished faults and imperfections on your very female sleeve. As an artist, Faultress embodies the challenge to heterodoxy implied in her name, which she wields as a firebrand to write incisive and psychological songs that offer us a look into the complex fragmentation of feminine power, desire and mental health in a rapidly changing musical and cultural world.
Faultress’s prime influence is Kate Bush, a soul she shares a love of theatricality with – Faultress has a playwriting MA from RADA – alongside a diverse set of influences that includes the likes of James Blake, Aldous Harding, FKA Twigs and Joni Mitchell. Her full banshee show is a six-part girl choir replete with synths and drums. In her solo shows, Faultress plays piano and loop stations. With the release of her 5 Myths EP, she reveals herself something of a polymath: lyricist, musician, singer, and storyteller employing the full spectrum of her skillset to make unforgettably charged music.
LINKS:
https://www.faultress.com
https://www.facebook.com/faultress
https://soundcloud.com/faultress
https://twitter.com/thisisfaultress
https://www.instagram.com/thisisfaultressAbout ASM
ASM drop their new collab with Chinese Man with their new video titled ‘Honey’. Like a sucker punch to the gut, the track hits you hard with the beat and lyrical assault to the senses like depleted uranium to the skull. The video perfectly compliments the song with cut and paste-like creativity and dropped mic-bombs with each scene cut that keeps to the rhythm of the track. A perfect marriage of audio and video.
LINKS:
https://www.chinesemanrecords.com/asm
https://www.facebook.com/ASMastateofmind
https://twitter.com/ASMastateofmind
https://www.instagram.com/asm_astateofmind
https://www.youtube.com/user/ASMastateofmindAbout BLɅCKƎLVIS
BLɅCKƎLVIS (BLACKELVIS), A South-Wales based band who have created a monstrous stir across the music scene within just 3 months of their first debut show at Tiny Rebel Cardiff in May 2019.
The band’s infancy has included headline bookings at six of the most renowned venues in and around Cardiff, which have consistently generated rapturous “always-wanting-more “crowds each time without fail – in addition to numerous support bookings across the region. “It is rare to see a band that can captivate a room full of people and takes them to a level of musical ecstasy. To do that on your debut performance is almost audacious and a wonderful spectacle to behold. BLɅCKƎLVIS is quite simply the best new band we have seen in a long, long time and could well become one of the biggest bands to emerge from Wales this year.
LINKS:
https://instagram.com/blackelvisband
https://twitter.com/blackelvisdiff
https://facebook.com/BlackelvisbandAbout Dar.Ra
Dar.Ra scores cinematic gold in this first-person hyperactive sonic blitz of a video for his new track titled ‘Rock Steady’. The track itself is something that must be listened to. Again and again. The adrenalin in the hook is like a drug that will keep you up for days. The video, however, adds layers to each beat in such a unique way as to make you wish this was a full movie. Think ‘Hardcore Henry‘ vs #indie gold. Pure genius!
LINKS:
https://facebook.com/Dar.Ra7
https://youtube.com/kushadeep7
https://twitter.com/kushadeepmusic
https://instagram.com/dar.ra.bradyAbout Drew Davies
Earlier we brought you the review for Drew Davies’ new single titled ‘Mrs Taylor’ and told you how special the meaning behind the music is. This time around we concentrate on the video, which just dropped.
The video perfectly encapsulates said meaning with a symbolic journey via car and foot through what I think is one of the more beautiful countrysides in this world. The scenes are cut to the beat which punctuates the track and enhances the driving tone of the song as a whole. Topped by interesting guitar and chord changes that give soul and take score, ‘Mrs Taylor’ is one of those beat-centric anthems for the #indie scene.
LINKS:
https://www.drewdaviesmusic.com
https://www.facebook.com/drewdaviesmusic
https://www.twitter.com/drewdaviesmusic
https://www.instagram.com/drewdaviesmusic
https://drewdaviesmusic.bandcamp.comAbout Elizabeth The Second
Elizabeth The Second has officially dropped their new EP titled ‘Two Margaritas at the Fifty Five’. This set of songs is a modern guitarist’s dream to listen to. The riffs are varied and ethereal, to say the least. Combine that with a solid rhythm section and fresh vocals and you have that modern magic that shows Elizabeth The Second is first in new music.
‘Two Margaritas at the Fifty Five’ was released on November 9.
LINKS:
https://elizabeththesecond.bandcamp.com
https://www.facebook.com/elizabeth.the.second.band
https://www.instagram.com/Elizabeth_the_second_band
https://soundcloud.com/elizabeth_the_second
https://twitter.com/Elizabethe2nd
https://open.spotify.com/album/6R8Q2w3CUbdX2wLNItafCoAbout Fea
Fea drops a monster of a single with visuals in the form of their new track titled ‘Itch’. A surf-Punk Riot Grrl with a tad bit of The Clash and fIREHOSE thrown in for good measure, Fea drops a soul bomb on the realities of touring and embrace the grit and grime of life on the road in the only way they know how: full throttle.
LINKS:
https://fea210.com
https://www.instagram.com/fea210
https://twitter.com/fea210
https://www.facebook.com/fea210
https://open.spotify.com/artist/3nKEqmxHdIu4WbtE2kKvya?si=ApteZrsqR_q6lnjCxVbFNAAbout Fo Fera
Fo Fera has just dropped her new video for the song titled ‘Honey, Are You Broken’ as an exclusive premiere right here on Jammerzine! This is her second single and very first video and we are proud to show it right here. To listen to this track is to know a piece of Fo Fera. A very powerful and sacred piece.
Healing is a tumultuous process. And we’ve all been there. But, for some people, the light at the end of the tunnel comes through creative expression. That can be both a documentation and a process in which the heart can harden as well as heal. And that is what I believe Fo Fera is doing with ‘Honey, Are You Broken’. In fact, this song brought a tear to my eye before I read her biography (below). Fo Fera may not know it but she wears her heart on her sleeve with this track and video. Like a beautiful rainbow at night, you may not be able to see it, but, that beauty is still there. Just because it’s in the dark doesn’t mean its any longer beautiful. ‘Honey, Are You Broken’ is the sunrise that sheds light on that beauty with a wonderful song that can warm the heart and a video that will please the senses.
LINKS:
https://www.foferarecords.com
https://www.facebook.com/foferaofficial
https://twitter.com/FoFeraOfficial
https://foferarecords.tumblr.com
https://www.youtube.com/channel/UCaWLOVgAjIs4pulCSIJc-cQ
https://www.patreon.com/FoFeraClick HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’. -
Wolfhounds Premieres ‘Can’t See The Light’ Video (The Week in #Indie Segment)
Wolfhounds drop their new video for the track titled ‘Can’t See The Light’. Trippy and psychedelic in all the right places, ‘Can’t See The Light’ gives the guitars a chance to fight each other over a steady/strong bassline and thumpy percussion, while the vocals act as the ringleader in this psycho-circus of music. Let the video act as a Rorschach test for your musical preferences.
‘Can’t See The Light’ is available everywhere, including Apple Music, Spotify, and Bandcamp.
Check out the full episode of The Week in #Indie HERE.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.ABOUT WOLFHOUNDS
London-based C86 legends Wolfhounds have announced their new album ‘Electric Music’, set for release on July 3 via A Turntable Friend Records. Ahead of this, they present a lead single ‘Can’t See the Light’, a powerful track that opens fire on side one of the forthcoming record with captivating video by David Janes.
“Musically, ‘Can’t See The Light’ has a discordant guitar line – perhaps carrying echoes of John Barry’s The Persuaders theme – until it reaches a desperate crescendo; this feeling is captured brilliantly by David Janes’ claustrophobic and darkly psychedelic video,” says Wolfhounds’ frontman David Callahan.
A spitball of melancholy fury, this is an explosive tune about how anger turns inward after the low expectations of a country’s myriad self-defined gatekeepers have crippled the ambitions of those who want change for the better. With a bass-heavy rush, ‘Can’t See The Light’ builds desperately to a semi-tonal release of noise, sounding simultaneously claustrophobic and liberating.
“All tunnels eventually emerge into the sun (as David Janes’ accompanying paranoid and sick-a-delic video shows) but while you’re underground it can seem like darkness is perpetual and inevitable,” says Callahan.
Always ahead of the times, The Wolfhounds have never nailed the spirit of now more succinctly and devastatingly than on this new single and other songs on the new album.
Originally formed as teenagers in 1984, The Wolfhounds released four critically acclaimed LPs before initially disbanding in 1990. By that time, they released music on the legendary and influential C86 cassette via NME, recorded three John Peel sessions for BBC Radio One, and toured the UK and Europe extensively as headliners and as support for My Bloody Valentine, The House of Love and The Wedding Present. The band’s acknowledged and audible influence stretches from Nirvana to the Manic Street Preachers, and all the way to Fontaines DC – but musically they remain ahead of all.
The band reformed in 2006 at the request of St Etienne’s Bob Stanley to celebrate 20 years since the release of C86, and inflicted a severe guitar noisefest on an unsuspecting indiepop crowd at London’s ICA. Since 2012, they have been recording and releasing new material, including ‘Middle Aged Freaks’ (2015) and ‘Untied Kingdom or (How to Come to Terms With Your Culture)’ (2017), repeatedly showing that they can still blow any act half their age offstage. In 2018, Wolfhounds released ‘Hands in the Till – The complete John Peel sessions’, a 12-track album released via A Turntable Friend Records.
The Wolfhounds are back and better than ever with their new ‘Electric Music’ LP – probably their greatest album yet. The band has become truly (hyper-)active again, performing at several pop fests (including Berlin and New York) and stand-up comedian Stewart Lee’s All Tomorrow’s Parties, as well as regular club dates in the UK and Europe. Stewart Lee also wrote the extensive sleevenotes for the record.
The band continues to be more relevant and adventurous than ever and, despite their indie roots, have more in common with the likes of Richard Dawson and Sleaford Mods than their old jangly peers. Electric Music grabs their home country’s woes by the horns and gives them the kicking they deserve!
CREDITS
Recorded, engineered and mixed at Cosmic Audio, Epping, by Ant Chapman
Additional home and phone recordings by Andy Golding and David Callahan
Mastered by Rory Attwell
Formulated and promulgated in Essex and London
Produced by the MeerkatsDavid Callahan – vocals, guitar, samples
Andy Golding – vocals, guitar, banjolele, bulbul tarang, keyboards
Richard Golding – bass guitar
Pete Wilkins – drums
Rhodri Marsden of Scritti Politti plays the bassoon
Extra vocals from Katherine Mountain Whitaker.
Sleeve by Andy Royston
Sleeve notes by Stewart Lee
Videos by David Janes www.brtlby.comLINKS:
https://thewolfhounds.bandcamp.com
https://www.facebook.com/TheWolfhounds
https://twitter.com/TheWolfhounds
https://open.spotify.com/artist/0Fxh7lSWIVOt1oX0A10ifB
https://music.apple.com/us/artist/wolfhounds/202918429 -
The Goood Things – Yer Eyes
Keeping up with their ongoing fun and carefree pop rock roots, Japan’s own The Goood Things, triumph yet again with another alt-indie future classic. How these guys (and girl) can continually come up with goood (see what I did there?) songs is a magic I wish I had a bottle of. This song is 2:36 of pure catchy fun!
Amped up to 10 with that goood (oops I did it again!) time summer fun, “Yer Eyes” delivers that beach romp nostalgia filled with cool daily waves and hot summer nights. Cue Avalon and Funicello!
LINKS:
http://www.facebook.com/theGooodThingsJP
http://twitter.com/GooodThings
http://thegooodthings.bandcamp.com