Originally the solo project of Peter Field, formerly of punk bands Senseless and Ambassadors of Shalom, Peter118 stormed onto the scene with the release ‘Make It Or Break It’ EP in 2014, when Field was joined by his wife Janine on bass and backing vocals, and friend Sam on drums to form fully fledged three-piece punk outfit.
2016’s ‘Need You More’ EP marked a pivotal point in Peter118’s career when they won the support of legendary KROQ DJ Rodney Bingenheimer in LA who championed the lead single. Rodney still champions the band today on his SiriusXM show.
With their recent releases, the band has gained airplay on Kerrang! Radio, Total Rock, ARFM, FCUM, Primordial Radio, Touch FM, Radio KC, The Mike James Rock Show and a plethora of other stations all over the world.
They’ve been featured on With Guitars, Pure Grain Audio, Spin Sunday Reviews, and The Ringmaster Review and they’re looking forward to seeing what 2019 will bring.
Money and Lies are featured on a “split e.p.” with American band The Bricks on Raven Faith Records and is available now.
LINKS:
http://peter118.com
https://facebook.com/peter118uk
https://twitter.com/peter118uk
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Amusement Parks On Fire – All The New Ends
Amusement Parks On Fire came to prominence in 2004 with the release of the eponymous debut album, conceived and consummated by the then-adolescent founder Michael Feerick and phonically actualized on a shoestring with Nottingham cohabitant Daniel Knowles. Issued on Geoff Barrow (of Portishead)’s Invada label, it was described by the New Musical Express as ‘hedonistic teenage genius’.
A live line-up was essentially performed and extensively performed with the likes of Dinosaur Jr, M83, and dEUS among innumerable other acts of the era. The unit then retreated to Sigur Rós’ private swimming-pool sanctuary Sundlaugin in Álafoss, Iceland to complete the venturesome sophomore release ‘Out Of The Angeles’, during which time they experimented with sleep, food and sunlight deprivation at the insistence of V2 Records. After several years of international incidence, the band crash-landed in Los Angeles in 2009 to make ‘Road Eyes’ with producers Michael Patterson (Beck, NIN) and Nicolas Jodoin (Arcade Fire, BRMC). Again inspired by the locale, the collection was intended as ‘a skewed Californian contemporary-classical’, with Alternative Press defining it as ‘sun-drenched, challenging and gratifying… a near-perfect album’.
Last year, Amusement Parks On Fire returned with their first release in ‘8.8 years’. The single ‘Our Goal To Realise’ saw the British art-rockers reappear with signature songwriting sophistication and sonic scope. All The New Ends seeks to further cement their insignia whilst eschewing genre-tropes and preconceptions of form. Like the expansive concept singles surrounding their second album ‘Out Of The Angeles’, the medium-length format once-again provides the perfect platform to push perceptions and extend expectations.
LINKS:
http://apof.co.uk
https://www.facebook.com/amusementparksonfire
https://twitter.com/APOF -
Evi Vine – Sabbath
Ethereal alt-rock outfit Evi Vine presents ‘Sabbath’, a sweet and heavy preview of their long-awaited long-play ‘Black Light White Dark’, due out in early 2019 on vinyl and CD, as well as digitally. This powerhouse track features Evi Vine’s gossamer vocals and precise orchestration, cleverly woven together with bass guitar by Simon Gallup of The Cure and guitar by Peter Yates of Fields of the Nephilim.
Produced by Dave Izumi (Nordic Giants, Ed Harcourt, Magic Numbers) and mixed by Phill Brown (Talk Talk, Jimmy Hendrix, Led Zeppelin, John Martyn, Robert Palmer), this album also features contributions from several other celebrated artists. Apart from Simon Gallup (The Cure), this album also involves Martyn Barker (Shriekback, Billy Bragg, Marianne Faithfull, Goldfrapp), Peter Yates (Fields of the Nephilim), and Geraldine Swayne (Faust).
As a group, Evi Vine is joined by Steven Hill, Matt Tye, and David ‘GB’ Smith. Their music explores the dark elemental nature of the human heart, as well as environmental and post-apocalyptic themes. Evi Vine’s sound is both sublime and haunting. Creating a unique and uncompromising atmosphere, the effect is reverential, physical music, evoking a rare experience that is beautiful, sparse and deeply intimate.
“I know a lot of people are being shaped by experiences in our lives, ghosts of childhood, self-destructive pain and sorrow, all our personal struggles, doubt, and change. I can feel the earth dying and it makes me so sad. We write reflective songs about the circular patterns of man, and reflecting beauty and violence in the world,” says Evi Vine.
“We recorded live for the first time, which meant we were perhaps able to express the energy in the room together, vibing off one another and experimenting with new sounds, in a new space. Writing in the room was a new experience for us. Its the first time we’ve gone in with no finished songs. We had a few ideas and riffs but took the time to let them breathe and worked on them until we felt we had captured a special moment. After producing two albums essentially at home, this feels like a re-birth for the band.”
Evi Vine’s debut self-released debut album ‘…And So The Morning Comes’ was heralded as “the underground gem of 2011” by Drowned in Sound and championed by Simon Raymonde (Bella Union, Cocteau Twins) as his album of the year. Directed by Oscar-winning Nick Brooks (Fight Club, The Matrix, The Girl with the Dragon Tattoo), Evi joined with internationally acclaimed photographer Patrick Fraser to make the stunning video ‘For the Dreamers’.
Their second album ‘Give Your Heart to The Hawks’ (2015) was co-produced by Richard Formby (Mogwai, Spacemen 3, Wild Beasts) and mixed by the legendary Phill Brown (Beth Gibbons, John Martyn, Talk Talk, Led Zeppelin, Robert Palmer). The album also featured Martyn Barker, Peter Yates, Tatia Starkey (My Vitriol/Lola Colt), and Billy Cote (Madder Rose).
Evi’s career has been filled with color. She formed this band while living in LA, quickly getting a support show opening for Slash at the Whiskey-agogo. She has collaborated with Graham Revell (SPK, The Crow Soundtrack), The Eden House, Tony Pettit (Fields of the Nephilim), and Peter Yates (Fields of the Nephilim). In 2016, Evi sang on Phillip Clemo’s ‘DreamMaps’ album, together with Talk Talk’s Simon Edwards and Martin Ditcham, subsequently making appearances on BBC6, BBC3 Late Junction and Jazz FM.
Most recently, Evi Vine contributed backing vocals on The Mission’s 2016 album ‘Another Fall From Grace’, which hit the UK top-40 album chart, and collaborated with Michael Ciravolo on the debut album from LA-based Beauty in Chaos, involving members of The Cure, Ministry, The Mission, Cheap Trick, The Offspring, King’s X and Ice T, among others.
In recent years, Evi Vine has toured with The Mission, Chameleons Vox, Wayne Hussey, And Also The Trees, Phillip Boa and The Voodoo Club, and Her Name is Calla. After hearing Evi Vine’s debut album and including it among his top five albums, Wayne Hussey invited them to tour with him in 2016 and subsequently with The Mission in 2017. Invited on stage to sing three songs by The Mission, the seed was sown and Vine joined The Mission as the featured vocalist for their 30th Anniversary Tour.
“The new album is intense – dark, layered, wonderfully atmospheric, fragile, and at times stripped bare – an album to get lost in….and then surface with Evi’s haunting and delicate vocals and the endless space,” explains Phill Brown.
The Cure’s Simon Gallup elaborated on his involvement in this project: “Hammersmith …me drunk …meet Evi for the first time I mumble that I’d love to play on a couple of tracks …don’t hear anything for ages than an email out of the blue …Three songs …feel nervous but really enjoy the songs …a day trip to the coast and a lovely welcome with dogs ..have beer and made to feel even more welcome ..worry that what I’m playing isn’t right or not going to fit in but enjoy myself and the warmth of everything ..have to dash as there is a prom on …a very bad hill start and a dash back down the motorway ..a quick day that had started 20 months before.”
LINKS:
http://www.evivine.com
https://www.facebook.com/evi.vine.music
https://twitter.com/evivine
https://evivine.bandcamp.com
https://www.instagram.com/evivine
https://www.youtube.com/channel/UCcPbQaScYhloAHQFURajuZg?view_as=subscriber
https://itunes.apple.com/mn/artist/evi-vine/433578453
https://open.spotify.com/artist/4pZRfgJDhjBjNuYQV09lLt -
Ben Walsh – She Gives Me Love
Ben Walsh is a rare kind of musician these days. Born and raised in the Australian beach-town-slash-hippie-enclave of Byron Bay, his long blond hair and flat-brimmed hat make him easy to identify as a music-maker. But perhaps nothing tells you as much about Walsh as his smile: a big, broad, toothy grin that seems to make his whole face open up. He smiles often and he smiles easy and talking to him, you get the sense that his facial muscles may actually be more comfortable smiling than they are at rest. He’s the kind of person where you feel like he could connect with anyone and form a true friendship within the first 5 minutes of talking to them – and as life so often imitates art, that’s exactly what he seeks to do with his music.
SOURCE: Official Bio
Photo by C.D. Hale.
LINKS:
http://benwalshofficial.com
https://www.instagram.com/benwalshmusic
https://twitter.com/benwalshmusic
https://facebook.com/iambenwalsh
https://youtube.com/benwalshmusic
https://music.apple.com/au/album/she-gives-me-love-single/1490064441
https://play.google.com/store/music/album/Ben_Walsh_She_Gives_Me_Love?id=Bdhad4rprh5uwdrn562gsumujue