“Ruby Waves” from Phish’s 7/14/2019 show at Alpine Valley Music Theatre in East Troy, WI.
Download the entire show now or stream via LivePhish+ at livephi.sh/ph190714.
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connect_icut – Simonson
In his music, connect_icut (real name Samuel Macklin) aims to remove the distinctions between instinct and intellect, chaos and order, organic and synthetic, analog and digital. This work may be deemed ‘glitch’ or ‘post-digital’, but one thing is for sure – this is a mixture of melodic elements and rarefied abstraction with intense modulations that flare up between the cracks of mysterious geometrical passages.
Releasing music since 2005, some of it has met with significant success. The Wire Magazine commented that it was “always involving – and easily rewarding enough to make getting up and turning the record over an anticipatory pleasure”. Thurston Moore and Byron Coley (via Arthur Magazine) also noted this music “takes a lot of standard ‘pretty’ electronic practices and flops them over on their sides… There’s pop crafting here, but it’s subtle and allowed to evolve in its own darkly idiosyncratic way”.
connect_icut released ‘Crow & Kittiwakes Wheel and Come Again’ (2013) and ‘Small Town by the Sea’ (2014), both via Aagoo Records, to wide acclaim, followed by ‘Rage Coma’ (2017). While those albums were mostly created using computer software, this new EP is essentially a test recording for a new all-hardware set-up.
Whereas other electronic music producers making the software/hardware switch have simultaneously adopted an analog-only approach, connect_icut remains firmly rooted in the digital realm. The six extended tracks collected here delve into the granular synthesis techniques developed by computer music pioneers like Curtis Roads, Barry Truax, and Guy Reibel – only without using a computer, as such.
This music also differs from that of the aforementioned pioneers in its rawness and spontaneity. The source sounds were created with whatever was at hand, which usually turned out to be a Casio SK-1 toy sampler. The finished tracks are both proof-of-concept test runs and seat-of-the-pants improvisations. Somewhere along the line, this resulted in surprisingly beautiful music.
It anchors all manner of chaotic abstraction in a solid foundation that is fundamentally grounded in hands-on performance and spontaneous composition. Live connect_icut appearances have included support slots for a number of notable electronic artists including Oneohtrix Point Never and Loscil.
In support of this new release, connect_icut also presents the video for ‘Simonson’, emphasizing radiant pixels and glowing digital abstraction.
‘Music for Granular Synthesizer’ will be released via Aagoo Records on November 24 on triple cassette and can be ordered on Aagoo’s website and also digitally via Bandcamp.
LINKS:
http://connect-icut.com
http://twitter.com/vinylscrobbler
http://soundcloud.com/connect_icut
http://www.youtube.com/user/CSAFrecords
http://connect-icut.tumblr.com
http://csaf-records.bandcamp.com
http://open.spotify.com/artist/1GWsn2g4Fy23GGTDtj882N -
First Aid Kit – Live from The Palace Theater 1/30/2018
With head-banging, strobe lights, and electric guitar solos, First Aid Kit brought a new energy to the Palace Theatre in January.
Sisters Johanna and Klara Söderberg just released their fourth album, ‘Ruins.’ The album features songs that fit the texture we’ve come to expect from First Aid Kit — folksy sounds with beautiful harmonies — as well as expanding the group’s palette to include a harder-rocking sound.
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Charlie Melrose – The Original Ghost
Touching upon the hook-laden electro grooves of Lady Gaga and Christine & The Queens, UK’s fast-rising art-pop/neo soul creator ‘Charlie Melrose’ delivers news of her single and video release.
‘The Original Ghost’ tackles her dad ‘ghosting’ her. Charlie was born into a musical family – her Auntie is 80’s music royalty, Hazel O’Connor (D-Days, Will You, Breaking Glass) and her father is Neil O’Connor. Throughout her childhood, her father would be away a great deal due to the requirements his career in music, especially while working with The Human League but as a child this was something Charlie says she found hard to deal with and didn’t really understand. In Charlie’s words ‘Instead of hating him, I just used to see him as this amazing person who kept leaving because I was probably rubbish… you know how children’s brains work?’
In the end, her father’s work took over and Charlie felt like she was totally dropped – which undeniably many daughters and sons would have an affinity with. Despite Charlie’s attempts to try and have a relationship with her father, he ended up cutting off contact and ‘Ghosting’ her. That is the backdrop to Charlie’s new single.
The story of their relationship both as a child and as an aspiring musician is a fascinating and heart-rending story. ‘The Original Ghost’ is Charlie’s attempt to come to terms with some of the confusion that affected her childhood and still burdens her today as an adult, her story as she explains resonates with many thousands of children who are now adults; the song’s lyrics combine both sadness and empowerment.
LINKS:
https://www.facebook.com/charliemelrosemusic
https://twitter.com/Charlie_Melrose
https://www.instagram.com/charliemelrose
https://itunes.apple.com/gb/album/the-original-ghost-single/1441276392
https://open.spotify.com/artist/0xPg9VQMYIHLCVxB0zHjNS?si=DunLQNBlTVywa-X43RX5qg