Fresh off the release of their violin-driven pop punk single “Just Make Sure You’re Happy,” Texas-based quintet Postcards From The Moon are back with a new music video and single called “Wish You The Best.” Violinist Rolando Valentin Ramon sets down the high-pitched instrument and picks up a guitar for the finely tuned ballad.
“Wish You The Best” comes from the band’s new EP, Me Without You, out now on all online platforms. The song begins with quick and sweet piano riff before launching into a swaying groove and lyrics that could be the millennial anthem for a failed friendship.
“I wrote this song about an ex-friend of mine,” says vocalist Caleb Rangel. “It’s about me not holding grudges for the way things ended and simply wishing her the best. I only want her to be happy. The lyrics were influenced by a Snapchat story. Another friend of mine was going through something similar and was posting photos with captions that really got to me. I used a lot of her original words as lyrics in this song, after getting the ‘okay’ from her of course.”
Me Without You is the sophomore EP from the self-proclaimed “Sad Boys of San Antonio” and is mostly a reflection and acceptance of things we cannot change. It was produced by Kevin W. Gates (Never Shout Never, Stephen Jerzak, The Ready Set).
LINKS:
https://www.pftmband.com
https://www.facebook.com/pftmband
https://instagram.com/pftmband
https://twitter.com/pftmband
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EnnieLoud – The Best I Can
Sweet without being saccharine, sentimental without being mawkish, ‘The Best I Can’ is a poignant reflection on the twin poles of femininity and the quiddities of being human and vulnerable. Framed as a series of statements to one’s weaker self, ‘The Best I Can’ is a slow bounce hinged around a minimal and addicting bassline. Written by Cassandra, whose R&B tinged vocal recalls the halcyon days of Lauryn Hill, the song was produced by band member Fabio Rizzoli, aka BeeOff, and recorded and performed by the band at the SAE Institute of London. Beau Vallis (Kelly Rowland, Pharrell, Lil Wayne, Snoop Dogg) assists Fabio with the mixing and masters it himself.
On ‘The Best I Can’ EnnieLoud has found a style that mixes neo-soul melodics with the ambient soundscaping of artists like Portishead and Goldfrapp, adding technical flourishes used by live DJs – drum and bass filters, synth arpeggiators and samples. The video was directed by Juanmi Cuesta and choreographed and performed by Italian danseuse Colette Gasparini. It follows a young girl as she dances with tireless passion in the immensity of a disused warehouse. ‘The Best I Can’ is a sincere expression of inner-strength, a genre-defying testament to self-definition in the face of very human doubts.
ABOUT ENNIELOUD
EnnieLoud is a trio of musical innovators from diverse points on the map who coalesced to craft their unique sound in the cultural melting pot of north London’s Wood Green. The plurality of their adoptive neighborhood is channeled into their music, which crosses cultural and generic boundaries to arrive at a sound that can loosely be defined as ‘alt-soul’. Street-dancing singer/songwriter Cassandra fronts the dexterous trio, which also includes Berlin producer/DJ BeeOff and multi-instrumentalist Ross. Together they have received international acclaim, co-writing ‘My Faults’ with top Italian DJ Vincenzo Callea, before getting the remix treatment from Grammy-winning producer Yoad Nevo (Goldfrapp, Sia, Moby).
The single was released in Germany and Italy, where it hit national radio playlists and made waves across Europe in France, the UK, Greece, and Russia. The accompanying video won ‘Best Video Clip’ at the New York City International Films Infest Festival and became a finalist at the 2018 Los Angeles Cinefest. Their first official single ‘In My Room’ was released in July last year and hit the blogosphere to much acclaim, receiving coverage in the UK, Mexico, USA, Canada, France, Belgium, and Kenya. Receiving its premiere on Clash, ‘In My Room’ went on to be playlisted across Spotify, hitting ten thousand streams in three weeks. It’s early days, but EnnieLoud is quickly proving themselves a vital and beguiling new act on the international circuit.
LINKS:
https://www.facebook.com/EnnieLoud
https://www.instagram.com/ennieloud
https://twitter.com/ennie_loud
https://open.spotify.com/artist/3doeOLCLD9sPsmeQolWCZt
https://www.youtube.com/channel/UC8wNkY8qlySOaU2Xg0u0Mvw -
Red Hot Chili Peppers – Lollapalooza Brazil 2018
0:00 Intro Jam
3:18 Can’t Stop
8:31 Snow
14:51 Otherside
20:22 Dark Necessities
26:20 Josh solo: Menina Mulher da Pele Preta [Jorge Ben Jor cover]
28:17 Sick Love
32:03 Nevermind
34:58 Californication Intro Jam
38:13 Californication
44:49 Aeroplane
49:41 Blood Sugar Sex Magik
56:13 Hump de Bump [with Mauro Refosco]
1:09:04 Pea [tease]
1:09:53 Higher Ground
1:14:09 Under The Bridge
1:19:17 By The WayENCORE
1:25:51 Goodbye Angels
1:31:19 Give It Away -
Satellite Ravens – Changes
Hatched in Arizona and with wings affixed in California, Satellite Ravens is as close to a one-man band as you can get without the spectacle of someone with cymbals strapped to their knees and an array of whistles around their neck. The creator is a multi-instrumentalist, Carson Rohde; his vehicle, the many-headed psychedelic funk gull, Satellite Ravens; the album, a mind-expanding zoo of colorful characters from this world and beyond, from yesterday and tomorrow. The hippy vibes are back for a new generation and lift-off is available any time you’re ready.
With Rohdes’ behemoth-like bass guitar skills very much to the fore, “The Equinox” has the shuffling, staggering drums of the 90’s Madchester scene, but with the Day-Glo smarts of US bands like MGMT and early Flaming Lips. From the swooning joy of Suffocated, with its Ween-esque mischievousness to the pseudo-mystical Chili Peppers dream-funk of Encircled, each track builds into an ever-expanding universe, twisting back on itself and latching onto new rhythms, writhing gleefully as it morphs into an entirely new animal. If Space Rock to you is Hawkwind or Spacemen 3, think again – this is the real sound of the cosmos: playful; intriguing but also joyful.
Rather like the deliberately distressed Yes-like album cover, Satellite Ravens have their tongue somewhat in their cheek, but this belies their huge musical talent and often intriguing lyrical content. With elements of jazz, classical, funk, 80s rock and 90s underground psych, this is an album which grows in magnificence with each subsequent listen. Prepare to follow Satellite Ravens in orbit.
LINKS:
https://soundcloud.com/satellite_ravens
https://open.spotify.com/artist/4DWM8jTdcf2wyyWt3a7SzV
https://www.youtube.com/channel/UCuJAay056LCLnCks9ua9Duw?view_as=subscriber
https://www.facebook.com/satellite.ravens
https://twitter.com/satelliteravens
https://www.instagram.com/satellite.ravens
https://satelliteravens.com