Drawing on influences from Americana, Country, and Alt Indie, Scott Swain is a UK based singer-songwriter (with no fixed abode as he travels around in his camper-van with his dog at the moment).
Although he has been likened to Nick Cave, and even The National, his main source of influence is cinema.
Each of his songs is written about particular films which have left their mark on him. In June 2017 he began writing and recording his debut EP, which was finally completed in January 2018 thanks to a successful Kickstarter campaign.
On It’s Too Late, Scott says:
“It’s too late is mainly inspired by the French film Irreversible – a hard to watch film about taking the wrong actions following a deeply traumatic event. The overall vibe of the music is inspired by one of my favorite bands, The Smashing Pumpkins”.
When listening to his music, a glass of good bourbon is optional.
Scott’s Social Media links are here and you can stream and download the single now.
LINKS:
http://www.scottswainmusic.com
https://www.facebook.com/scottswainmusic
https://www.soundcloud.com/scottswainmusic
https://www.twitter.com/scottswainmusic
https://www.youtube.com/channel/UCtkZpI4DKatrseCxHFizj9g
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Beauty In Chaos Ft. Al Jourgensen – 20th Century Boy
While Ministry is mid-way through their current North American tour, frontman Al Jourgensen, together with LA-based Beauty in Chaos, have unveiled their new video for ’20th Century Boy’. This is one of 14 brilliant tracks found on the debut album ‘Finding Beauty in Chaos’.
This album, which was released via the LA-based label 33.3 Music Collective on vinyl and CD on November 30, features nearly 80 minutes of music, curated by guitarist Michael Ciravolo on deluxe CD and limited-edition heavyweight, colored vinyl.
“The Beauty in Chaos project is a tribute to both community and family and what I think is lacking in the music industry these days. It’s an honor to be a part of this great line up! At 60, I never thought I’d be singing “I’m your Boy, I’m your fucking Toy”, but maybe all the AARP discounts are helping me stay young,” says Al Jourgensen.
Born of frustration and creativity, this project an audio assemblage curated by LA-based guitarist Michael Ciravolo and produced by Ministry’s Grammy-nominated producer Michael Rozon at Ciravolo’s own SAINTinLA Studio.
Originally from New Orleans and now based in LA, Michael Ciravolo has played guitar in Human Drama for the past 30 years, most recently on ‘Broken Songs for Broken People’ (2017). Perhaps best known as President of Schecter Guitar Research, he has also played live and recorded with Michael Aston’s Gene Loves Jezebel since 1998.
The debut album ‘Finding Beauty in Chaos’ also numerous other music luminaries, including Wayne Hussey (The Mission), Simon Gallup (The Cure), Robin Zander (Cheap Trick), Pete Parada (The Offspring), dUg Pinnick (Kings X), ICE-T (Body Count), Michael Aston (Gene Loves Jezebel), Michael Anthony (Van Halen), Dirk Doucette (Gene Loves Jezebel), Ashton Nyte (The Awakening), Pando (A Flock of Seagulls), Evi Vine, Betsy Martin (Caterwaul / Purr Machine), Marc Danzeisen (The Riverdogs), Kevin Kipnis (Purr Machine / Kommunity FK), Rudy Matchinga (Red Scare), Johnny Indovina (Human Drama), and Tish Ciravolo (StunGun/ Daisy Rock Guitars).
“I initially met Al while we were recording his vocals for this song, and our shared interest in Jaguar cars and old country music (and wine) sparked a wonderful friendship. He offered me the opportunity to engineer and mix the last Ministry record ‘Amerikkkant’. Quite an honor for me as I view Al as a true architect of sound. We are on track to record the new Ministry record in February 2019,” says Michael Rozon.
Earlier the band previewed the singles ‘Man of Faith’ feat. Wayne Hussey of The Mission and Simon Gallup of The Cure, as well as ‘Storm’ feat. Ashton Nyte (The Awakening, MGT) and ‘Look Up’ feat. Tish Ciravolo.
The video for ‘20th Century Boy’ was produced by Industrialism Films and directed by Vicente Cordero, who says, “Working again with Beauty In Chaos and Michael is always a pleasant adventure. Out of the 3 videos we have done, each has been a completely different visual approach specifically designed for each song. When we made the video we wanted to go with a raw feel so we decided to film in a seedy bar and have a high energy performance, and Al Jourgensen and BIC did deliver”.
“This was a song I always wanted to cover and finding out Al was also a T. Rex fan turned on the light for me to do this,” explains Michael Ciravolo. “Ironically, my now wife Tish and I’s first real date was seeing MINISTRY at Lollapalooza in ’92. They were simply brutal and what a sonic assault! We both became big fans. Fast-forward 25 years and Al is sitting in my studio singing and blowing harp on this song! Tish and I share the stage with him in this video were pretty special and it shows that you never know where life will take you”.
‘Finding Beauty in Chaos’ is available on CD and digitally, including on iTunes, Spotify, and Bandcamp. CDs and vinyl can be ordered from the Beauty in Chaos website at https://www.beautyinchaosmusic.com/music-store.
SINGLE CREDITS
Al Jourgensen – vocals
Michael Ciravolo – guitars
Michael Rozon – live drums and bass guitar
Written by Michael Ciravolo and Tish Ciravolo
Recorded, mixed and produced by Michael Rozon
Album artwork by Sarah SheriffLINKS:
https://www.beautyinchaosmusic.com
https://www.beautyinchaosmusic.com/bic-blog
https://www.facebook.com/beautyinchaosmusic
https://www.instagram.com/beauty.inchaos
https://twitter.com/MichaelCiravolo
https://soundcloud.com/33-3-music-collective
https://beautyinchaos.bandcamp.com -
KnightressM1 – Lock and Key
KnightressM1 has just released her new video for the track titled ‘Lock and Key’. the addition as a violin as a frontal instrument is captivating enough. If gives the song a whole new set of tonality and range that would not be there if a guitar or keyboard handled those melodic duties. however, that adds much flavor to an already flavorful track that the video really does a symphonic justice to.
But what KnightressM1 delivers is a complete and full track with a visual aid that adds a new and original cinematic flare that otherwise would not be there had this been another artist.
As of August 17, ‘Lock & Key’ will be available across digital outlets such as Apple Music and streaming platforms such as Spotify. The full ‘Dreams and Devastation’ LP is slated for release on September 25.
ABOUT KNIGHTRESSM1
KnightressM1 is a rock / metal power trio based in Oakland and the brainchild of violinist, vocalist, pianist and composer Emily Palen. Formed in 2011 with support from drummer Rob Ahlers (50FOOTWAVE, KrIstin Hersh), KnightressM1 was joined by bassist Uriah Duffy (Whitesnake) for the studio album.
Recorded at Foo Fighters’ acclaimed Studio 606 near L.A., this album was co-produced by Palen and esteemed producer John “Lou” Lousteau (Foo Fighters, Iggy Pop, Joan Jett). This 12-song collection is an ambitious concept album that explores both the emotional depths of personal transformation and the journey of cosmic awakening.
‘Lock & Key’ is inspired by the current planetary battle for human souls to break free from oppression waged down upon us by the hidden power structures. Ironically, this song became a personal anthem as Palen struggled to break free from domestic violence during the time of the album’s recording, ultimately illuminating that art/music is an unbreakable exit plan from the lethality of relational abuse.
“Recording gave me the courage to end a toxic relationship. It was like living in the sun, then going into the pits of hell. I trusted myself that I would get out of it, I just had to gather my resolve and courage. I always saw the truth of the situation but it was the being fully immersed with the recording of this album at 606 that helped me experience who I was, rather than how brutalized I felt in the relationship. I stepped towards the truth ultimately and broke out of that situation.
Music, art, expression, living in the depth of purpose, is a way to connect with the most powerful part of you. You will bring forth aspects of yourself that are strong enough to deal with one of the most difficult situations one can go through,” says Emily Palen.
KnightressM1’s sound is the sonic manifestation of Palen’s heart – relentless, always reaching for beauty and absolutely driven by intensity. Their music is fascinating in the integration of specific musical frequencies into her compositions. The further her journey with this band, the heavier and heavier the sound gets. The crushing intricate rhythm section blends harmoniously with her driving, searing electricified violin tone as the lead.
Fueled by a deep-seated necessity to defy limitation, they harness an intense internal life to fuel the trajectory of the band over the edge of the impossible. Their heavy driving bass and rhythm are rounded out with lots of harmonic layering and beauty.
KnightressM1 is the embodiment of musical manifestations, based on the thematic concept of a female galactic warrior, who comes to Earth to bring justice, hunt corruption and restore truth. Within universal language, M1 is code for unity. This is her identifier. Her frequency. KnightressM1 (KM1) is the vessel through which Palen creates and shares her unique contributions to what is more commonly known here on earth as the music industry.
“KM1 is me imagining my whole consciousness in a superhero avatar, a limitless being. A universal example of who we can all be, The power of harmony can break your heart wide open while the powerful rhythm and bass give you the strength to move through that opening. It’s heavily grounded while reaching very high. As with love and life, you must embrace all aspects of the spectrum to fully embody it,” explains Palen.
“You can’t change anything until you tell the truth about it. Once you expose the pain, the lies and the liar, then you have power. You can become free. You must first have the courage to face it.”
A violinist from the age of four (her mother was a professional cellist and violin/cello teacher), the classically-trained virtuoso has spent her life mastering violin, piano, singing and composition via rigorous training and practice. As a young adult, she began exploring the concept of transmitting consciousness through improvisation. Emily explored this power through sacred solfeggio in the steadfast belief that these specific audio tones have transformative power.
Since releasing her first solo violin improv album ‘Glass ~ Live at Grace Cathedral’ in 2012 and ‘Creation’ a year later, she’s become a sponsored artist with Engl Amps, a crucial part of KM1’s tone, and has played or recorded with Foo Fighters, Eric McFadden and Gretchen Menn, among others, both as a live performer and a compositional recording artist, Earlier, she became a finalist in the ‘My Grammy Moment’ competition and played live with orchestra at the Grammys, conducted by John Paul Jones (Led Zeppelin).
“This album has saved my life in many ways. Everything that I have ever been through, every love gained and lost, every heartbreak that slipped away without justice now makes sense in the context of this album. It was all so I could write these songs and experience their alchemizing power. Music has always lifted me into an untouchable space, even when everything around me is breaking, even when I am breaking beyond what I can bear, beyond what I myself can repair, the music heals it.
When I’m completely honest with the music, it alchemizes the deepest pain and unforgivable betrayal into an unbreakable strength and love. We become greater because of the life we have lived, not in spite of it,” says Emily Palen.
LINKS:
https://www.knightressm1.com
https://www.facebook.com/knightressm1
https://www.instagram.com/knightressm1_band
https://youtube.com/emilypalen
https://open.spotify.com/artist/1rTKwDlXBNJnuOvmUhEQVy
https://music.apple.com/us/artist/knightressm1/id941125533 -
Felixity – Twisted Love
Amy Winehouse-inspired pop/neo-soul artist Felixity releases her debut album ‘Love Sick’ on May 1 via Komplex Recordings. The latest single ‘Twisted Love’ also gets a swank powerhouse video featuring (and jointly choreographed by) Felixity herself with dancer Joshua Jung, who has performed with Mabel at The Brit Awards and appeared on ITV’s The Greatest Dancer.
Felixity recently released the Oberkon Remix of her debut single ‘You&Me’, created by a trio of heavy hitters: Andy Spaceland (a.k.a. Andy Jenks), part of Alpha and 5 Billion in Diamonds, together with Butch Vig; Jay Reynolds, notable mixer for the likes of Dua Lipa, Liam Gallagher, MIST, Fred Again, Gabrielle, Paloma Faith, and Pixie Lott; and producer David Francolini.
This collection of 10 deeply personal songs is part confessional, part exorcism, and all infused with her extraordinary voice and street smart lyrics. These songs, which were written at the very end of last year, taking the listener on a poetic journey to the heart of the singer. Felixity’s music is also influenced by The Weeknd (Trilogy), Etta Bond, J Cole, Anderson Paak, KAYTRANADA, and Jhene Aiko.
“On the whole, ‘Love Sick’ is a full stop on a part of my life. Written about personal experiences and laid over heavy drums and lots of strings, I wanted people to know that we all feel the same things and the hardest stuff never lasts. I wrote this about my past and the things that have happened. Sex, drugs love and addiction, it’s all in there,” says Felixity.
This album was recorded in London, Bristol, Brighton, Berlin and Geneva. Mixed by Cenzo Townsend (U2, Ash, The Strangers, The Wedding Present) at Decoy Sound and mastered by Brian Lucey (Katy Perry, Shania Twain, Liam Gallagher, Hatchie, Green Day) at Magic Garden Mastering, this album was produced and engineered at Komplex Studio by David Francolini, drummer for Levitation, Dark Star and Dragons. Francolini has been operating Komplex studios out of Bristol, UK but has now moved operations to the French Alps.
“Given the confessional nature of Felixity’s lyrics, it was important to create a dramatic soundscape; a cinematic and lush harmonic bed on top of which her wonderful voice could sit and her stories’ meanings are amplified. I have shapeshifted the feel of the songs throughout the record so it feels like the emotional journey that the lyrics portray. All quite conceptual really, but always keeping it uncluttered, funky, simple, and the groove deep,” says producer David Francolini.
“Fusing old school soul music with more contemporary textures, color, rhythms, and tone, I brought in some of the best musicians I have had the pleasure to have met for the album recording: Dekel Shula Adin (bass), Dean Frechtman (guitar), Ziv Sobelman-Yamin (Rhodes piano) and Adam Coombes (piano). We also have guest guitar from Angelo Bruschini (Massive Attack) and Alex Lee (Goldfrapp). The strings were worked on together with the soulmaster Martin Eden. I played all the drums and percussion myself and also myriad other synths etc. Was a fukkin labour of love!”
This collection of songs of love and loss is just the tip of the iceberg of what is to come for Felixity, who has several albums planned for 2020. The ambitious songwriter is already in the studio completing the second one. As for many artists, live shows planned in support of this album have been postponed. Nonetheless, Felixity is hoping to perform again later in the summer, current environmental permitting.
Featured image by Steve Gullick.
CREDITS
Written and performed by Felixity and David Francolini
Produced and engineered by David Francolini
Recorded at Komplex Studio in November/December 2019
Mixed by Cenzo Townsend at Decoy Sound
Mastered by Brian Lucey at Magic Garden Mastering.
All songs were written by F. Abbott and D. Francolini, except ‘You&Me’, written by F. Abbott, D. Francolini and S. Clines
‘Twisted Love’ video directed, produced and edited by Alex Rozerot KirkwoodLINKS:
https://www.facebook.com/Felixityx
https://twitter.com/felixity_x
https://www.instagram.com/felixity_x
https://www.youtube.com/channel/UCtqvgVRDF_xKKzWNNYnRVmA
https://music.apple.com/gb/artist/felixity/1497518825
https://open.spotify.com/artist/0rrpwcxiKQNAtpsU3e4q7V