Hard Rock Graphic Novel Art Project September Mourning has released the official music video for their newest single, “Glass Animals.”
Shortly after Glass Animals drops, Image Comics is releasing September Mourning The Complete Collection co-created by Lazar and Marc Silvestri, co-written by Mariah McCourt and David Hine, illustrated by Sumeyye Kesgin and Tina Valentino and published by Top Cow. “In a world where Reapers prey on the souls of the living, imprisoning them in the shadow-land of Mortem, there is one last hope for humanity…. September Mourning” describes Lazar. The graphic novel will be sold in comic stores, books stores (Barnes & Noble) nationwide and on Amazon.
‘Glass Animals’ is about the fragmented soul. It’s about the realization that we are all broken. Something or someone has broken us and within that broken state we ultimately find the strength to survive. Musically, it’s a little bit of a tribute to one of our favorite bands: The Deftones. The song ties into the comic book as well…. Hannah is a broken soul who, through the help of September and Claire, finds the strength to face her personal demons and live again.
– Emily Lazar (Founder)
To support the release of the graphic novel and new music, September Mourning will be hitting the road, supporting Smile Empty Soul. Before and after the dates, the band will also be doing a handful of headline shows that will be announced soon. Doing this tour the band will also be stopping by local comic retailers for a special meet and greets and acoustic performances.
“September Mourning’s debut album (Volume II) and comic books (A Murder of Reapers/ The Hand of Fate) tells an epic tale of “heartbreak, loss, pain, joy, love, redemption, but most of all, courage…” while the comic books chronicle the first chapter of her story.” Produced by Sahaj Ticotin and Howard Benson, September Mourning revives the concept of rock star meets superhero. If Marilyn Manson and X-Men’s Storm had a kid, it would be September Mourning, who also cites influences as varied as Motionless In White, Disturbed, and Muse.
“For me, the project is a story, a theatrical art piece,” September explains. “Music is the backbone, but for this to work, it has to include the imagery and the narrative all symbiotically linked into the whole. Music taps into your innermost being. There’s something very intimate and personal about it.”
The character of September Mourning is a human-reaper hybrid, who feels the need to give some human souls a second chance and thus toys with Fate. To expound on this narrative, September is working with iconic comic book artist Marc Silvestri, who started out on the original X-Men comics and went on to form Top Cow Productions (Witchblade, The Darkness). Together, they are putting together the story of September Mourning in graphic form, to accompany, and enhance the musical message.
Having performed at large festivals like Rock on the Range and Download Festival and shared the stage with acts like Marilyn Manson and Avatar, September Mourning has already built up an impressive fan base, which she calls her “Children of Fate,” constantly encouraging them to have “the courage to embrace their passion… to allow yourself to follow your heart and not be a slave to your fears. To know that the only boundaries that exist in our lives are the ones we allow.”
LINKS:
http://www.septembermourning.com
https://www.facebook.com/septembermourning
https://twitter.com/SeptmbrMourning
http://instagram.com/septembermourning
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Fear Is Dead – Dirtnap
New York-based Heavy Rock / Metal band Fear Is Dead has released the Official Music Video for their single ‘Dirtnap’ off of their August released EP, ‘What Remains’. ‘Dirtnap’ was directed and edited by Skila of Fear Is Dead.
In today’s overcrowded Metal scene it’s virtually impossible for a band to rise up and stand out, against the odds, that’s what Fear Is Dead is doing.
Since 2011 they’ve been racking up large numbers of awe-inspiring live performances, Fear is Dead has garnered the acclaim of many of New York’s underground, bringing fans from the Metal scene, and Hardcore / Punk scene together. Melting faces from BK’s Knitting Factory to LES Mercury Lounge, most recently packing out Brooklyn’s new Metal haven Lucky 13 Saloon. Their unique sound and intense energy some would say is reminiscent of early Machine Head and Korn.
Established in 2011 by Skila and Jacqueline Burns, the early line up included Anthony Moreno Brown on drums. Jax’s guitar and bass stylings set the tone for the heavy sound that would evolve to what we hear today. They released two EPs Fear Is Dead in 2011, and Mourning Ritual in 2013, that were both well received. Songs like “I’m Slow,” “Lie to Me,” and “Boomerang” still requested by fans today.
The band went on hiatus in 2014, and in 2015 Skila returned with a new line up, composed of Matt Pompeii on Bass, Carlos Crowcell on Drums, and newcomer David English on Guitars. This new Fear Is Dead still had the trademark strong groove and poetic introspective lyrics but is musically much heavier, and darker than it’s earlier incarnation. In the beginning of 2016, the band released their 3rd EP, Eleutherophobia. An appropriately more aggressive project, reflecting the times, personally, socially, and politically. Songs like “Pretty Ugly” and “Miranda” quickly became underground favorites. Since the EPs release, FID has been performing monthly and putting out a video per song every 2-3 months, all produced and directed by Fear Is Dead.
In 2017 Fear Is Dead released their 4th EP, What Remains. While a bit more experimental than the last project, they still retain the heavy feel that they’re known and loved for.
Their music, videos, and artwork all embody what Fear Is Dead is about: evolving musically, artistically, exorcising demons and losing yourself to find yourself, even for a moment.
LINKS:
https://www.fearisdead.com
https://www.facebook.com/fearisdead
https://twitter.com/FearIsDead
https://www.instagram.com/fear_is_dead -
Methods – Fires
After the release of their debut single, Sanctuary, and a number of live shows throughout 2017, Methods return with their new single ‘Fires’.
Described by singer, Ash Bradley: “Fires is a song about the break up of a relationship. About two people who have been together for a long time, growing apart. Both using actions to show their feelings, instead of speaking to each other. Thoughts get locked away. The only way for them both to move forward is for it all to end.”
‘Fires’ is released worldwide via Hellhole Records on Friday 15th June. Methods first headline live show, presented by Baddies Boogie and taking place at The Sunflower Lounge, Birmingham, on Saturday 12th May, will kick-start the ‘Fires’ tour and is set to be one of those ‘Where were you?” moments.
Methods are a Wolverhampton/Salford based, five-piece who create a sound that can only be described as dark electro indie. Influences are drawn from the likes of Joy Division, Depeche Mode, Primal Scream, Editors, Interpol and any other music that catches the creative ear of Methods.
Formed in 2015 after a mutual need to create something special and meaningful.
Ash Bradley – Vocals
Jon Nash – Synths
Ryan Deakin – Guitar
Adam Hall – Bass
Pete Bates – DrumsNot ones to follow the crowd Methods produce a mixture of dark, gritty rhythms with a good helping of uplifting synths and guitars, topped off with some of the best lyrics around. 2017 saw the band solidify their sound playing a number of gigs testing it out and unleashing Methods to the world, the response has been good and momentum is gaining.
The band released their first single ‘Sanctuary’ in August 2017, recorded with the legendary producer Gavin Monaghan at Magic Garden Studios.
During December they supported The Twang on their 10th Anniversary Love It When I Feel Like This Tour.
Most recently their music has been used by Wolverhampton Wanders FC on the goal of the month and heard by thousands of people.
2018 is set for much bigger and better things. The band are constantly writing and recording new material and are currently working towards their next single release.
Methods are the hardest working band around and 2018 is their year.
“Fires is a song about the break up of a relationship. About two people who have been together for a long time, growing apart. One side is a dominant person and controlling. The other side wants to be loved. Both using actions to show their feelings, instead of speaking to each other. Thoughts get locked away. The only way for them both to move forward is for it all to end.”
Ash (singer)LINKS:
http://methodsmusic.co.uk
https://twitter.com/methodsmusik
https://facebook.com/methods2
https://instagram.com/methodsofficial -
The Academy of Sun – The Parts That Need Replacing
Formed in Brighton nine years ago, The Academy of Sun is a four-piece comprised of Nick Hudson (piano, synths, Hammond organ, harmonium, vocals, percussion, synths), Kianna Blue (bass, synths), Guy Brice (guitars) and Ash Babb (drums).
Together, they present dystopian fantastic creations that combine the deeply personal and the poetically arcane. Dark yet buoyant, this is a controlled explosion of psychedelic and dark power pop with atmospheres couched in vast and expansive landscapes and cinematic arrangements.
The video for this single was directed and edited by Nick Hudson with cinematography by Samuel Horn. It features Wolfgang Storm with dinner guests Mark Walter, Gillian Rodgers and TAOS frontman Nick Hudson in what seems to be a red-brushed-culinary spread of grisly delight held in a gothic lair.
“The Parts That Need Replacing’ was written to sate my desire to ‘reconsecrate’ 16th Century Hungarian countess and noblewoman Elisabeth Bathory, whose reputed cannibalism and serial murders were most likely reputation-staining fantasies dreamed up by the church out of institutional jealousy. How could a woman possess such vast wealth and estates AND resist conformity with the church’s ways of being. Same tarring-brush as used on Jeanne D’Arc and Gilles de Rais. Usually, Bathory is immortalized in doom and black metal, so I wanted this reconsecration to take place by feeding these myths, scenarios, and allegations of bloodbaths, black magic, and eternal life into the medium of a hyper-catchy, high-energy pop song,” says Nick Hudson.
“The video, just as the song, alludes to various parts of the Elisabeth Bathory mythos – the alleged bathing in blood to replenish her youth, the cannibalism, the occult, and gnostic preoccupations, the aristocratic sensibilities, etc., whilst also ‘queering’ Bathory by having her played by the 23-year-old musician and artist Wolfgang Storm. The local butchers are getting fairly accustomed to my infrequent but memorable extra-curricular requests for off-cuts. As the song states “the best special effects are those you cannot see”… we shot it in one, fevered, orgiastic and insanely fun day. The dinner sequence was as deranged to shoot as it looks to be in the resultant video.”
Following 2017’s ‘Codex Novena’ LP, a hypnotic, doomy opus that found its way onto both Dangerous Minds and Sweeping The Nation end-of-year lists, ‘The Quiet Earth’ offers a colossal meditation on dystopia, irradiated landscapes and extreme states of human emotion. This 15-track collection of post-punk, chamber ballads and darkly prog studio epos was recorded at Church Road Studios with Paul Pascoe, whose work includes the last 2 albums by Barry Adamson (Magazine / Nick Cave and the Bad Seeds).
Nick Hudson’s musical juggernaut has been active in various incarnations since 2012, always transcending expectations. The Academy Of Sun has collaborated with Massive Attack’s Shara Nelson, members of NYC’s Kayo Dot, David Tibet of Current 93, Asva and Matthew Seligman (Bowie, Tori Amos, Morrissey). Hudson has also collaborated with Wayne Hussey of The Mission, as well as Canadian queercore icon GB Jones.
Known for explosive and psychedelic live shows, The Academy Of Sun has performed in a medieval castle in Italy, a boat on the Thames, an abandoned railway carriage in Offenbach, colossal churches, The London College of Fashion, The Old Market theatre in Brighton, the MS Stubnitz in Hamburg, Brighton Dome, and a string of L.A. shows in 2019. Having toured 3 continents, highlights include appearances with Mogwai, Toby Driver and Keith Abrams from Kayo Dot, and Timba Harris (Mr. Bungle, Amanda Palmer).
LINKS:
https://www.facebook.com/TheAcademyOfSun
https://nickhudsonindustries.bandcamp.com
https://www.twitter.com/theacademyofsun
https://www.instagram.com/The_Academy_Of_Sun
https://www.youtube.com/user/NickHudsonMusic
https://open.spotify.com/artist/5CxsNgEPz9v8iBgO52VUUd