That perfect blend of dark, dirty, dance, and dirt is what you get with She Made Me Do It and their new single titled ‘Fun and Games’. The track grits your teeth as it grabs your gravy and forces you on the floor with moves that may embarrass you but enrapture your entourage. Beauty is a bitch and she made me do it.
‘Fun and Games’ was produced by Will Crewdson and mixed to perfection by the legendary John Fryer (Depeche Mode, This Mortal Coil, Fad Gadget, Love and Rockets).
The single will be released on all major streaming and download platforms on 6th September 2019.
About She Made Me Do It
Stylish and powerfully intense London outfit She Made Me Do It present their new single ‘Fun and Games’. A slamming, instant Electro Rock classic with heavy pop sensibilities.
The sultry vocals of Shaheena Dax (Rachel Stamp) underpin the whole 3-minute rush while Will Crewdson (Rachel Stamp/Adam Ant band) thrashes away on guitar as a man possessed.
Shaheena and Will met when they both played in the Rock band Rachel Stamp. Bouncing song ideas off each other in that band it seemed natural to carry on as Shaheena moved from the keyboards to lead vocals and bass. Two albums, various EP’s and singles later they have sharpened their sound into a killer aural punch which is embellished by the addition of Joe Holweger – also from Adam Ant’s band – on drums.
LINKS:
https://shemmdi.com
https://www.facebook.com/shemademedoitpage
https://instagram.com/shemmdi
https://twitter.com/shemmdi
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Flesh Eating Foundation – Futurelast (featuring Adam Probert)
Flesh Eating Foundation is comprised of John E. Smoke (songs, noises, and shouting, deafness and blindness), The Juddaman (writing, voices, and noises) and Jules (axes and shouts), with Mash and Big Un joining on guitars when the mood is right. Co-founder John E Smoke is known as one of the few deaf/blind musicians working on the scene and can often be seen with his lovable noise-loving guide dog JJ.
The new video for ‘Futurelast’ features imagery from the band members’ hometown of Stafford, England, focusing on sites and buildings that, of course, aren’t lasting. They are falling into disrepair, neglect, and dereliction, including a former job center, a former Carnegie library, a former cinema and many former shops. “The video also ties in with some work I do with charities and groups trying to save old buildings and improve the culture in my hometown,” explains John E Smoke.
Flesh Eating Foundation has been described as electro punk, experimental electronic punk, alternative electronic. A key element of their sound is their use of homemade and circuit bend instruments. The electro crowd isn’t sure how to dance to their music and the headbangers don’t think they are metal enough. The punks quite like them though. It has been said that they make too many weird noises and they look a bit strange.
Their music has been influenced by Killing Joke, Alien Sex Fiend, Sigue Sigue Sputnik, Pigface, The Fall, Swans, Godflesh, Throbbing Gristle, Prodigy, Public Image Limited, Babyland, Skinny Puppy, Butthole Surfers, Ministry, Depeche Mode, and Atari Teenage Riot.
On the side they have remixed and collaborated with many like-minded artists who share their passion for experimental noise and horror. They have recently provided the score for the killer clown film ‘Crispy’s Curse’ while John E Smoke is a filmmaker in his own right. They’ve created official remixes for Curve, Angelspit, Junksista, Global Citizen, Tunnelmental, Jordan Reyne, Tony Byker, Afterchain, Kenji Siratori, Kunt and the Gang, Emen, Zeitgeist Zero, Alien:Nation, and Mr. Strange. You’ll also them on various compilations and Tribute albums for Coil and Ministry, amongst others.
‘We Are Fucked’ represents exactly where the band are at the moment. Two decades into a career and we see no reason to be any less angry, any less outraged at what is happening in the world,” says John E. Smoke. “We happen to have built lots of new synths and noise devices to help us express our feelings.”
All songs were written, recorded, produced and mastered by Flesh Eating Foundation in their own studio. Adam Probert supplies additional vocals on ‘Futurelast’. The digital release includes additional remixes by Inertia, Mr. Strange, Paresis, Alien:Nation and XSRY.
These fleshy tunes can be found digitally across online stores and streaming platforms, and the band also has shiny discs and black grooved wax available. ‘We Are Fucked’ is available on limited heavyweight vinyl – all formats can be ordered via Bandcamp. There, the band is also offering their recently released 3-track EP ‘Fallen (A Tribute to Mark E Smith and The Fall)’ on a name your price basis.
LINKS:
http://www.flesheatingfoundation.co.uk
http://www.facebook.com/flesheatingfoundation
http://flesheatingfoundation.bandcamp.com
http://www.twitter.com/flesheatingfdtn
http://www.youtube.com/user/flesheatingfoundatio
http://soundcloud.com/flesheatingfoundation
http://itunes.apple.com/us/artist/flesh-eating-foundation/265929169
http://open.spotify.com/artist/6WNBA1ZqJ2LsLOm3c82L3Z?si=p4FIkttrRHizuNFJiuJefQ -
Katalina Kicks – We Don’t Care
Katalina Kicks is a quintessentially West London band, first fashioned in the clatter and fume of Shepherds Bush. Even if they’ve changed postcodes since, their sound – urgent, questioning, loud and fierce – has never lost the urban beat of W12. Singer and guitarist Ian George is the last man standing from Katalina Kicks Mk I, once a punkish quartet who released an album named after their cat, stray moggy “Montague Rotter”, and found themselves accidentally sound-tracking a straight-to-DVD horror Z-Movie directed by the son of James Bond. “I’ve never watched it!” grimaces Ian of Jason Connery’s 51. “When we started we had an American publishing deal and that was one of the weird things that came of it. We got all of £3.50 for having a song in a crap film. So it’s taken a long time, and a lot of changing line-ups to get to where Katalina Kicks are today. I’ve always believed in the band. It’s just been a waiting game to find the right people.”
One such right person finally surfaced in the beard and flexing tattoos of Jase Wilkinson. Not so much born as smelted in Manchester, as a kid he’d wait for his stepdad to leave the house so he could sneak a listen to his Led Zeppelin vinyl. “And getting a whopping for it when he came home and found out.” Between John Bonham and hip hop, he fell in love with the drums, later moving to London, instinctively settling westwards off Ladbroke Grove, first blurring his limbs behind the kit of a ska band until a chance audition with Katalina Kicks. Which he failed. “Because he wore these dodgy heavy metal black leather fingerless gloves,” laughs Ian. “My first thought was, no way am I having THOSE in the band. But then a few weeks later I called him back. Before Jase our drummers had mostly been arseholes, mentally ill, drug addicts and glory-grabbers. He was none of those. He had the passion and the power I’d always needed… so long as he kept those bloody gloves off!”
In the meantime, bassists continued to fall by the wayside until a long-time friend of the band Conor Cotterill came on board after jamming with Jase and Ian through some new material. ‘It just clicked straight away’, says Jase. ‘Con was the missing link and brought a massive low-end rumble, swagger, bounce and musicality to the table, a bass that is both forceful and fluid, twisting in the lull between my rhythmic thunder!’
Katalina Kicks have been a formidable core trio ever since. Together they play simple and direct heavy garage rock’n’roll: power chords and pummelling rhythms, fuzzy guitar and throbbing bass, big riffs and shouted choruses, pin-balling between grunge, punk, and heavy blues. In Ian, they’ve also a songwriter who can’t help but use his band as a platform to air his anxieties about the world around him. “I would never pigeonhole us as a ‘political band’,” he explains. “I just write about things I see and hear that upset me. We’re not preaching at anyone or trying to change the world. We’re just saying these are the things that affect and worry us. They’re too important not to talk about, whether in conversation or in rock’n’roll. That’s all we try to do.”
SOURCE: Official Bio
Katalina Kicks are:
Ian George (vocals/guitar)
Conor Cotterill (bass/backing vox)
Jase Wilkinson (drums/backing vox)LINKS:
http://katalinakicks.com
http://facebook.com/katalinakicks
http://instagram.com/katalinakicks
http://twitter.com/katalinakicks
http://soundcloud.com/katalinakicks
http://youtube.com/katalinakicks -
Small Town Titans – You’re a Mean One Mr. Grinch
York, PA heavy rock band Small Town Titans have released their cover of the Classic Christmas song “You’re a Mean One Mr. Grinch,” giving the already darkly playful track an even more sinister edge. “You’re a Mean One Mr. Grinch” was filmed live in the studio by Springwood Productions. The band has also released the song on Patreon, a direct to fan social media platform, for their biggest supporters. Subscribing to the group for just a dollar a song on Patreon grants fans new songs first and puts their names in the credits of future YouTube videos.
The Small Town Titans are a power trio from York, PA who love to constantly create, as well as play live. Gone is the notion that a rock band should only release 10 songs at a time every 2 years. In a world where music fans crave new content constantly, the Small Town Titans aim to deliver their brand of art all of the time, drawing inspiration from a new wave of rock bands such as Highly Suspect and Royal Blood, and rock legends such as the Foo Fighters, Audioslave, and Deep Purple. Thanks to their efforts at assembling their own studio in a basement, STT can create and release songs, podcasts, live online concerts, and more with no rules. This artistic change in attitude stems from touring for the better part of 2 years, and realizing how difficult it really is.
After coming home from their last 30 day run, the band had made $4,000. After repairing their vehicle, restocking their merchandise and more, the band was left with $1,000. After putting most of that back into the band’s funds as usual, each member took home $150. This startling reality made STT take a step back and evaluate themselves as a band, a brand, and a business. After firing their manager, the boys soldiered on with the help of their team at Round 2 Records. They began to truly treat Small Town Titans as a legitimate small business more than ever before. Unnecessary expenses were cut, and more creative and innovative sources of new revenue were explored, such as utilizing the direct to fan creation platform Patreon, where the band is currently making $200 every time they release a new song on YouTube.
Instead of trying to make a million fans, STT is focusing on the fans they already have. With a love for playing live, a Small Town Titans show has evolved into more than a concert. It’s an event, with a set list that’s decided right before the show, and plenty of stage banter in between songs. The band simply hits the stage to deliver an energy driven show using guitars, drums, and their voices. Nothing more, nothing less. This approach to their live performances has led to them sharing the stage with acts such as Highly Suspect, Papa Roach, Black Stone Cherry, Pop Evil, and more.
By focusing on their engagement with social media and managing themselves, Small Town Titans are growing like never before and having more success as a business and a brand. The band just wrapped up a weekend long recording session at Hybrid Studios with friend Kevin Soffera, drummer for Seether on the 5x platinum selling record Disclaimer II, and who STT also recorded their last album Reflection with. Six brand new songs were recorded live in the studio, as well as professionally filmed by Springwood Productions at the same time. These new songs and videos will be released throughout the rest of 2017 and 2018. Songs range from the hard hitting “Me, Myself, and Monster” and “Wreck” to the ballad “Dragonfly”, an emotional song written in memory of Phil’s mother, who passed away earlier this year due to cancer, performed live with just one voice and an acoustic guitar.
Small Town Titans are actively forming a team of like minded individuals in the new music business who are just as driven and passionate as they are, rather than waiting to be discovered. As the band continues to grow their fan base online this year, they will also hit the road, this time with a smarter game plan, a stronger fan base, and a passionate team behind them.
LINKS:
http://smalltowntitans.com
https://www.facebook.com/smalltowntitans
https://twitter.com/smalltowntitans
https://www.instagram.com/smalltowntitans
https://www.youtube.com/smalltowntitans
https://www.patreon.com/smalltowntitans