This is what Surf Rock would sound like if it was made in the dark near the frozen shores of the Baltic sea. Because it was. Benadetta, Victoria, and Maria Rosa (these are definitely not their real names) are a trio of Lithuanian mermaids who create ‘zero-waste trash music’ under the name ‘Shishi’. They sing about how it feels to be living in times when nothing makes sense anymore. Their music is perfect for people who care about what’s going on but don’t really know what’s happening.
Genre-wise Shishi takes sugar, spice, and everything nice from Surf Rock and blends it with a chemical formula that has been distilled from the raw sounds of the best Riot-Girl and Punk bands. The result is a beautifully awkward eco-friendly vibe reminiscent of Indie Surf frontrunners like La Luz or Tennis smashing into the powerful femininity of bands like Hole, Kleenex, and Delta 5.
Shishi was initially formed by three vocalists trying to play instruments they couldn’t play. Their 2018 debut album ‘NAx80’ was released after some intense and rapid learning sessions (it was around this time that they became mermaids, just in case you were wondering). Nominations, festivals, and tours followed. As the instrumental skills improved in 2020 Shishi was signed by ‘The state51 Conspiracy’ to release their follow up album ‘Mafitishei’ in which the band searches for new seas in which to splash around.
If this biography left you feeling more confused than informed and you suddenly want to dance upside-down, you are now in the perfect mood for some Shishi.
LINKS:
https://instagram.com/shishiband
https://facebook.com/shishiband
https://youtu.be/H9scVFqJhSA
https://soundcloud.com/user-617918304
https://open.spotify.com/artist/7nmCtibxtJAWRoecSc5EPS
https://apple.co/2y0USTp
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John Adams – Flames
John Adams is a Singer/Songwriter/Busker hailing from Aberdare in the South Wales Valleys. With a reach in his tone to match Sam Smith and James Blunt he draws influences from the likes of honest songwriters such as James Morrison, Damien Rice, and David Gray. John’s acoustic approach and atmospheric piano accompaniment compliment his unique and impressive vocal ability as he earns the undivided attention of the listener by addressing them directly with emotive and heartfelt narratives.
This faithfulness to a personal story is mirrored in how John came into the musical world and continues to progress as a musician. A truly homegrown talent, he began his career busking on the streets, using the money to pay for his first release, fittingly entitled “The Pavement is My Stage”. After the album reached No.7 in the iTunes Singer/Songwriter charts in 2016 he took a leap of faith and left his job as a Mathematics Teacher. That gamble paid off and John has gone on to support household names such as Take That, Lemar, T’Pau and Katherine Jenkins. His hard work and impressive live performance have built a strong following of 50,000 online followers, over 6 million views on YouTube and a steady 300,000 monthly listeners on Spotify.
Eager to show his progression John released his album “You Never Know Who’s Listening” in 2018 which combined his live organic sound with a minimal electronic production to make a sound that is satisfyingly different from the usual guitar wielding Singer/Songwriter. The album was very well received by fans and the music industry alike and has already accrued over 6 million plays on Spotify. All 4 singles were playlist by the BBC and Spotify editorials with “See You Again” and “Dandelion Wishes” becoming Radio 2 favorites. He spent the year up and down the country performing at the UK’s largest festivals such as The Isle of Wight Festival, Great Escape, and Victorious Festival, and his headline tour sold out in just two days from release. To end the year on a high his festive hit “Lost In Christmas” became the soundtrack for “La Feltrinelli” Christmas campaign all across Europe.
Not showing any signs of writer’s block, John is excited to reveal ‘Flames’, the first single off his new EP “No White Lies”, was released on February 8th. Directed by John himself and Rhys Davies of Furball films, the stirring music video was imagined after a house fire occurred outside the studio. He explains: “All the usual questions flooded my mind as I strummed my guitar. How did they feel? What did they grab? Who was to blame? I eventually came to the conclusion that they’d be so concerned with survival that these questions were never answered. As dramatic as it seems I felt exactly the same about a relationship at the time and after writing the song I decided to take the same approach to the situation and leave. I centered the song around the lyric “It’s too late to argue who’s to blame, this house will burn down anyway” and pulled on a few semantics to compare the feelings of a house fire to the trapping of a relationship. I tried to mirror this concept in the video with the use of wool. In the beginning, a couple proudly exchanges thread to connect each other and enjoy the unity it brings, but over time the tangled web becomes frustrating and controlling just like a bad partnership.”
LINKS:
https://www.johnadamsmusic.co.uk
https://www.facebook.com/JohnAdamsMusic1
http://www.twitter.com/johnadamsmusic1
https://www.instagram.com/johnadamsmusic
http://www.youtube.com/johnanthonyadams1 -
The Membranes – A Strange Perfume
With sixteen epic, powerful and darkly romantic songs on offer, this is The Membranes’ eighth studio album overall and the second since they reformed in 2010 when former support band My Bloody Valentine convinced them to return to the stage for the ATP festival. This album is a game changer in the tradition of Manchester bands like Joy Division.
This album features appearances from vocalist Kirk Brandon (Theatre of Hate, Spear of Destiny) and 84-year-old folk singer Shirley Collins, one of England’s premier folk singers of the ’60s revival. Renowned nature TV presenter Chris Packham also contributes, as does the legendary Jordan, who practically invented the punk look in 1975. Half the tracks also feature the 20-piece BIMM Choir, offsetting a sound laden with dark drones and an atmosphere of melancholic epic power.
The album was recorded at 6DB Studio in Manchester with Ding Archer, a former band member with PJ Harvey, The Pixies and producer of the last nine albums by The Fall. John Robb wrote all the parts for the choir. This release follows up their acclaimed album ‘Dark Matter/Dark Energy’, the band’s best selling release, which received rave reviews and ample radio play on BBC 6 Music and internationally.
‘What Nature Gives… Nature Takes Away’ is about the beauty and violence of nature. This is a very diverse work with dark, brooding cinematic choir-driven songs. Imagine the sound of Hieronymus Bosch paintings to discordant wild songs about crows, demon flowers, strange perfumes, voluptuous petals, voluminous oceans, treacherous seasons and the poetry of life and death set to spooked pulsing musical pieces, ranging from epic choir-driven postpunk songs to dark dub workouts, from throbbing dirty disco dark wave pulses to grinding heavy bass-driven pieces, from apocalyptic visions to choir-driven epic swirls.
“This is the pinnacle of our long and strange journey. This album is steeped in the powerful forces of nature and an underlying emotional undertow that is dark and brooding bass driven postpunk with the epic swirl of the choir and diversity of sounds that takes you on a trip. I put my life into this album musically, lyrically and emotionally,” says John Robb.
“The Membranes was born of postpunk in the late 1970s – a time when a generation inspired by punk rock created music on their own terms. We were immersed in that scene and that world and when we reformed we picked up on those themes and ideas and the diverse fellow travelers that we were contemporaries of like Joy Division, Bauhaus, Einsturzende Neubauten, Nick Cave, PiL, Big Black, and newer bands like Godspeed You Black Emperor, Mogwai, Ulver, and Wardruna – bands who fuck with the template to create an atmosphere and mood.”
Formed in 1978 in Blackpool, The Membranes played classic bass-driven northern post-punk and were part of the same world as bands like The Fall, Sisters Of Mercy, Echo and The Bunnymen and Cabaret Voltaire, all inspired by 1977 to launch their own idiosyncratic journeys. The band released a remarkable series of records that combined their small town frustration with a love of heavy bass and distortion. This ultimately became a prime influence and the precursors to such American noiseniks as Steve Albini, Swans and Sonic Youth.
John Peel and music press favourites, a continual frenzy of releases, public acclaim and touring worldwide with national TV appearances, the band went on hiatus in 1990 until finally reforming in 2010.
The Membranes are Peter Byrchmore (guitar), Nick Brown guitar), Rob Haynes (drums), and John Robb (vocals and bass), a renowned TV and radio pundit, editor of Louder Than War, a key UK music site and national magazine, and curator of the Louder Than Words festival. In autumn, John Robb will also release ‘The Art Of Darkness’, a book on the darker side of post-punk, adding to his collection of best-selling books on punk rock.
As of June 7, ‘What Nature Gives … Nature Takes Away’ will be available on vinyl and CD, and digitally from stores such as iTunes and streaming platforms like Spotify. There is also a deluxe double vinyl ultra limited edition of 150 copies. This summer, cosmetics company Lush will release a Membranes perfume called ‘A Strange Perfume’ after the album’s opening track. In the meantime, the band will tour the UK in support of their new LP.
LINKS:
http://www.themembranes.co.uk
https://www.facebook.com/themembranes
https://www.twitter.com/membranes1
https://www.instagram/themembranes
https://membranes.bandcamp.com -
The Sewer Rats – Too Punk For You
Fusing pop punk, 1950’s aesthetic, and American coastal living, German band The Sewer Rats have released a music video for their new single “Too Punk For You.” “Too Punk For You” comes from the band’s stylish, 1950’s soaked new album Heartbreaks and Milkshakes and follows up the single/video “I Don’t Like You (When Your Girl’s Around).” The trio walks a line between Stray Cats-cool, early 90s Social D, and old-school pop-punk. They describe themselves as “Mike Ness and Brian Setzer hanging out with Hank Williams, listening to the Ramones while skateboarding and drinkin’ beers on a hot summer night,” a description that doesn’t disappoint. Delivering slicked-back juvenile sing-a-longs about lost love and moving back in with your parents (again), The Sewer Rats are ready to skate their way into your heart.
“This is our second time working with Michael, he also did our ‘I Don’t Like You (When Your Girl’s Around)’ video,” says vocalist/guitarist Chris Gin. “He is such a passionate and cool guy and working together just felt really good and natural because he totally knew what we wanted. He knows where we’re coming from and has the same type of 90’s skateboard/punk rock background so the result just completely blew our minds. We had so much fun doing this video since getting into a band fight in a pool has always been on our wishlist. Also, the guy in the video is his dad and his name is Horsti. They both went to Florida to shoot and Horsti even got his first ink in the video. Horsti is so rad. We’re stoked on Horsti!”
“Too Punk For You” and the new album Heartbreaks and Milkshakes are available now on Rookie Records via Spotify and iTunes.
“Not only visually, the disc is brimming with optimism and colorfulness”
-OX Fanzine“Take a big cup full of punk rock and add some rocking rockabilly to it, garnishing with lyrics about love, road trips, skateboarding and other American Dream themes.”
-Handwritten Mag