“The Other”, the first Solitude in Apathy single taken off their debut EP, was recorded at Vipchoyo Sound Factory studios with Giacomo Salzano of italogaze starwarts Stella Diana.
The song, composed spontaneously during a rehearsal, is built around a single sentence (“In the other, try to see”) and is about the will to understand the other or simply oneself, reaching its epilogue with the inability to truly do it; the same themes underpin the fascinating video directed by Gaetano Massa.
Solitude In Apathy are Santina Vasaturo (vocals, bass), Gennaro Cristiano (guitar) and Diego Niola (drums); the band was formed in Naples in 2016.
Their influences range from shoegaze to darkwave and alternative rock, with a hint of gothic. They have supported bands like Stella Diana and Rome in Monochrome; their debut EP is due out later this year.
LINKS:
https://www.facebook.com/SolitudeInApathy
https://www.instagram.com/solitudeinapathy
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Doberman & Bacchus vs The Electric Swing Circus – Minnie (ft. DJ Jabbathakut)
Doberman & Bacchus team up with The Electric Swing Circus & DJ Jabbathakut for the new video titled ‘Minnie’ from the upcoming ‘Swing Hop’ EP. Starting off like a rapid-fire machine gun of swing backed lyrics, ‘Minnie never lets up and never lets you down with that special something that lets you get it even at this lyrical speed.
The video is retro in scope and cinematic in retrospect with a ‘filmtastic’ feel with that hype that pumps the adrenaline and heightens the senses. I’ve had to watch this three times, to be honest. Once to sit there in awe and twice to appreciate it for what it is. Brilliant.
ABOUT ‘MINNIE’
Minnie is the lead single from The Swing Hop EP by Doberman & Bacchus. Featuring the turntablism of UK hip-hop vet JabbaThaKut, the track sees the northern duo rapping at a breakneck pace over a rampant instrumental by The Electric Swing Circus, which originally appeared on the band’s debut album as a revamp of Cab Calloway’s classic Minnie the Moocher.
Shot and edited by Dfacer, the visuals see our unlikely hip-hop heroes roaming through an eerily quiet, pandemic-ridden Leicester Square in search of a decent pint.
DOBERMAN & BACCHUS – ‘SWING HOP’ EP
Northern emcees Doberman and Bacchus was independently released The Swing Hop EP on Friday 31st July. The experimental project sees the duo’s characteristically rugged bars and breakneck flows colliding with live instrumentation supplied by Birmingham-based fusion pioneers The Electric Swing Circus.
With additional guest vocals by London-based jazz vocalist Iris Athanasiadi and scratches by JabbaThaKut, the sounds on the EP range from the band’s usual cocktail of swing, electro, and hot club jazz elements to hip-hop and dub territory.
The rappers first met the band at a chance meeting in Birmingham’s Pirate Studios, having booked overlapping rehearsal slots in the same room. After discussing their mutual love of old school boom bap, band frontman Tom Hyland suggested sending across some instrumentals, and the project was born.
Recorded by ExP (Flame Griller/Tough Crowd) and mastered at Phantom Power Studios, The Swing Hop EP will be available on all major streaming platforms, and available for free download on Bandcamp.
VIDEO CREDITS
- All instrumentals are original compositions written and performed by The Electric Swing Circus
- Mixed by ExP at DubWhy Studios
- Mastered at Phantom Power Studios
- Artwork by Callum Carr
- Guest vocals on Empires by Iris Ath
- Scratches on Minnie by DJ Jabbathakut
LINKS:
Doberman
https://instagram.com/dobermanWY
https://facebook.com/DobermanWY
https://twitter.com/dobermanwy
https://soundcloud.com/dobermanwyBacchus
https://facebook.com/bacchusUTC
https://twitter.com/bacchusutc
https://instagram.com/bacchus_utc -
The Cure perform ‘Disintegration’ at the Sydney Opera House on May 30, 2019
The Cure’s fifth and final performance of Disintegration at Sydney Opera House on 30 May 2019.
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Grieves – A-Okay
‘Running Wild’ has a modernized sound that is lush and intoxicating, pairing punchy drums with thick layers of synths and warm bass lines. Whether dark and moody or upbeat and jazzy, Grieves navigates the soundscape, penning verses that range from vulnerable and confessional to carefree.
Recorded in Stockholm alongside Swedish producer Chords (aka rapper Jens Eric Resch Thomason), the fifteen tracks on ‘Running Wild’does exactly what the album title would imply.
Tracks like ‘Gutz’ and ‘No Sleep’ are classic Grieves ruminations on anxiety and romantic bust-ups, then others such as ‘Faded’ and ‘RX’ experiment with fluttering trap beats, whilst ‘What it Dew’ and ‘5,000 Miles’ offer the rich guitar tones and humming organs more commonly found in classic soul.
The record offers a clear openness, both sonically and thematically which presents a new side to Grieves and his creativity as an artist. It showcases his dueling impulses to have a good time while staying true to himself. This artistic progression in Grieves offers a refreshing development in his overall sound, lyricism, and a unique journey for the listener.
When asked if he always knew he would end up being a rapper, Grieves can only laugh. “Oh no, not really, I was in bands and stuff, but grew up listening to Punk. It wasn’t until I got a little older that Hip-Hop really started to happen for me.”
When Grieves first heard artists such as Mobb Deep and Wu-Tang Clan, he remembers being drawn to their sound. “Hearing all the samples from records that I heard my dad play when I was a kid… You start to hear the connections. When I discovered people like Atmosphere, it was like hearing somebody speak their truth in a way that related to me. That’s when I first started to think about Hip-Hop as a way to really talk about what was happening in my life. Hard to believe that now, over a decade later, that’s actually what I’m still doing.”
While his previous efforts such as 2011’s ‘Together/Apart’, and 2014’s ‘Winter & The Wolves’ might have leaned heavily in the direction of darkness- taking on subjects such as addiction, heartbreak, and poverty, the new record introduces some much-needed levity to the proceedings.
At a time when the notion of the “album” is often summarily ditched in favor of records that are little more than a collection of previously released singles, ‘Running Wild’ is very much an album, and intentionally so. “I really wanted this to be a real record,” says Grieves, “I wanted it to work front to back.”
“I’ve been touring for over ten years at this point, people have seen my show. They get who I am as a person and an artist, the serious and the lightheartedness. Until now I haven’t felt comfortable releasing a record that divulges this, to project what you’re experiencing live, and what you have come to expect from the records, all in one!”
Coinciding with the tour, Grieves has also dropped his next video from the album for the track ‘A-Okay.’ The video centers around a character who seems unable to cut loose and enjoy the good times and the company he ‘s surrounded by.
Grieves said, “Life is way too short to be mad at other people’s enjoyment. Go out and live a little, rent a hot tub boat, get your butt touched, whatever… Just smile!”
SOURCE: Official Bio
LINKS:
https://rhymesayers.com/artists/grieves
https://twitter.com/Grievesmusic
https://www.facebook.com/Grievesmusic
https://www.instagram.com/grieves