“The Other”, the first Solitude in Apathy single taken off their debut EP, was recorded at Vipchoyo Sound Factory studios with Giacomo Salzano of italogaze starwarts Stella Diana.
The song, composed spontaneously during a rehearsal, is built around a single sentence (“In the other, try to see”) and is about the will to understand the other or simply oneself, reaching its epilogue with the inability to truly do it; the same themes underpin the fascinating video directed by Gaetano Massa.
Solitude In Apathy are Santina Vasaturo (vocals, bass), Gennaro Cristiano (guitar) and Diego Niola (drums); the band was formed in Naples in 2016.
Their influences range from shoegaze to darkwave and alternative rock, with a hint of gothic. They have supported bands like Stella Diana and Rome in Monochrome; their debut EP is due out later this year.
LINKS:
https://www.facebook.com/SolitudeInApathy
https://www.instagram.com/solitudeinapathy
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Jaz Mattu – Gosh You Can Talk
Kent, UK born, Jaz Mattu blends rock, pop, and funk with his music to create a truly unique sound. He sings, plays guitar, bass, synths, and drums – but is the first person in his family to pick up a musical instrument, which he did at the age of 13 after seeing Nirvana’s Smells like Teen Spirit video on MTV.
He pleaded with his mother to get him a guitar and for some reason she did. It seemed to keep him out of trouble and off the streets during those “difficult teen years!”
He took a break from music until finishing university and starting his “proper” job as a software engineer, where he sat at his desk on his first day and figured there was no way he could do that job for the next 40 years… and so he decided to get back into music again.
His 4 track Saachrine Times e.p. came out in January 2017 and was the starting point of the Sanguine Man album. The album is available now and contains 14 tracks of quirky pop, music to rock out to and music to reflect over.
Jaz played plenty of jam nights in Kent with his backing band from 2017 onwards and has now started playing in London at venues like The Fiddler’s Elbow, The Dublin Castle and The Water Rats. He’s currently booking more gigs as we speak.
LINKS:
https://www.instagram.com/jazmattuofficial
https://twitter.com/jazmattusounds
https://www.facebook.com/JazMattuOfficial
http://jazmattu.com -
of1000faces – Anaira
of1000faces has premiered the new video for the track titled ‘Anaira’ on Jammerzine. of1000faces, aka Matt Walker, has that wonderfully atmospheric beat-driven sound that announces his music even to the most unfamiliar listener.
The video is a lush mix of retro-sci-fi that compliments the music and gives it that soundtrack quality paying homage to that genre in its first heyday circa the late 1950s. On many levels, it works. It gives you that nostalgic sense while looking forward to hopefully better days. This is what it’s all about.
‘The Infinity LIne’ LP is out now digitally across online stores such as Apple Music and streaming platforms such as Spotify and Bandcamp. The ‘Astronomica’ album is also out on all the same sites, previewed by this sampler video spanning the full album.
ABOUT OF1000FACES
of1000faces is the solo project of Matt Walker, a renowned drummer, and producer who has worked with some of alternative music’s most iconic artists. For 25 years, he has toured and recorded with Morrissey, Smashing Pumpkins, Garbage and Filter, all the while dedicating himself to myriad side projects, independent bands, and film/tv work.
Known for his obsessive writing and recording while on tour, Walker eventually decided to pursue a more singular and personal endeavor. Thus was born of1000faces, the moniker reflecting the project’s inherent premise and, at the same time, a nod to Joseph Campbell’s ‘Hero of 1000 faces’.
“ANAIRA is inspired in part by an epic science-fiction poem called ‘Aniara’ by Harry Martinson, which is about humans turning to space for refuge from a ravaged Earth. The piece is meant to convey a sense of determination and tenuous hope,” says Matt Walker.
“The video is a collage of Soviet Era science fiction films, edited into a series of space-age vignettes. Though the retro-futuristic look of these films is a great match for the music, I think the video’s real message is the vision and tenacity of these pioneering filmmakers.”
Following his ‘Astronomica’ album and video for lead track ‘Astronomica’, ‘The Infinity Line’ is the second long-play in his expansive instrumental ‘Monomyyth’ trilogy. An eclectic instrumental album with ambient DNA, it is less passive than its predecessor, the dynamic scope widened, and the general mood darker and more evocative.
CREDITS
Music by Matt Walker
Album cover artwork by: Gregor Huber
Photos by Derick Smith / Treatment by Brian Doherty
‘The Infinity Line’video by Patrick Buhr
‘Astronomica’ video by Matt Walker
‘ANAIRA’ video by Chris Zabriskie and Matt WalkerLINKS:
https://www.facebook.com/of1000facesofficial
https://of1000faces.bandcamp.com
https://www.instagram.com/of1000faces
https://www.youtube.com/channel/UCElZpAW9ogHNEctHNAtQvjg
https://open.spotify.com/artist/4TeOaeln68u2IRu2Ps9Rlz
https://music.apple.com/us/artist/of1000faces/598669309 -
Grieves – A-Okay
‘Running Wild’ has a modernized sound that is lush and intoxicating, pairing punchy drums with thick layers of synths and warm bass lines. Whether dark and moody or upbeat and jazzy, Grieves navigates the soundscape, penning verses that range from vulnerable and confessional to carefree.
Recorded in Stockholm alongside Swedish producer Chords (aka rapper Jens Eric Resch Thomason), the fifteen tracks on ‘Running Wild’does exactly what the album title would imply.
Tracks like ‘Gutz’ and ‘No Sleep’ are classic Grieves ruminations on anxiety and romantic bust-ups, then others such as ‘Faded’ and ‘RX’ experiment with fluttering trap beats, whilst ‘What it Dew’ and ‘5,000 Miles’ offer the rich guitar tones and humming organs more commonly found in classic soul.
The record offers a clear openness, both sonically and thematically which presents a new side to Grieves and his creativity as an artist. It showcases his dueling impulses to have a good time while staying true to himself. This artistic progression in Grieves offers a refreshing development in his overall sound, lyricism, and a unique journey for the listener.
When asked if he always knew he would end up being a rapper, Grieves can only laugh. “Oh no, not really, I was in bands and stuff, but grew up listening to Punk. It wasn’t until I got a little older that Hip-Hop really started to happen for me.”
When Grieves first heard artists such as Mobb Deep and Wu-Tang Clan, he remembers being drawn to their sound. “Hearing all the samples from records that I heard my dad play when I was a kid… You start to hear the connections. When I discovered people like Atmosphere, it was like hearing somebody speak their truth in a way that related to me. That’s when I first started to think about Hip-Hop as a way to really talk about what was happening in my life. Hard to believe that now, over a decade later, that’s actually what I’m still doing.”
While his previous efforts such as 2011’s ‘Together/Apart’, and 2014’s ‘Winter & The Wolves’ might have leaned heavily in the direction of darkness- taking on subjects such as addiction, heartbreak, and poverty, the new record introduces some much-needed levity to the proceedings.
At a time when the notion of the “album” is often summarily ditched in favor of records that are little more than a collection of previously released singles, ‘Running Wild’ is very much an album, and intentionally so. “I really wanted this to be a real record,” says Grieves, “I wanted it to work front to back.”
“I’ve been touring for over ten years at this point, people have seen my show. They get who I am as a person and an artist, the serious and the lightheartedness. Until now I haven’t felt comfortable releasing a record that divulges this, to project what you’re experiencing live, and what you have come to expect from the records, all in one!”
Coinciding with the tour, Grieves has also dropped his next video from the album for the track ‘A-Okay.’ The video centers around a character who seems unable to cut loose and enjoy the good times and the company he ‘s surrounded by.
Grieves said, “Life is way too short to be mad at other people’s enjoyment. Go out and live a little, rent a hot tub boat, get your butt touched, whatever… Just smile!”
SOURCE: Official Bio
LINKS:
https://rhymesayers.com/artists/grieves
https://twitter.com/Grievesmusic
https://www.facebook.com/Grievesmusic
https://www.instagram.com/grieves