Wicked Garden
Vasoline
Down
Meadow
Big Empty
Plush
Interstate Love Song
Roll Me Under
Dead & Bloated
Trippin’ on a Hole in a Paper Heart
Sex Type Thing
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We Are Parasols – Dim
A throbbing beat. Machines on a march. Guitars can be a drill or sing like an angel. A voice like a computer caught in a human throat. A whisper. A howl. Synthesizers are sometimes smooth and glassy, sometimes jagged and bloody. A walk on the shore can easily turn into an apocalyptic landscape, depending on your perception.
Influenced by Curve, Wire, Cocteau Twins, Depeche Mode, Gazelle Twin, Skinny Puppy, Nine Inch Nails and Bloody Knives, their new offerings on ‘Inertia’ features tracks ranging from the analogue postpunk near-industrial enigma of projects like Clan of Xymox and The Tear Garden to electronic dark reverie similar to Delerium and Gazelle Twin classics to the stripped back melancholy served up by This Mortal Coil.
Dubbing their own music as ‘industrialgaze’ and ‘darkwave’, We Are Parasols is comprised of D (vocals and bass), Jerman (guitars, piano, synthesizers, programming, and samples), and Alec Eye (drums, programming, and synthesizers).
“I have a stronger desire — or, really, a need — to continue to make and perform music. So that deep need often overrides the fears I have about creating and sharing our art, and performing live,” says D.
We Are Parasols began as a shoegaze-electronic hybrid band. Their debut full-length ‘Infrastructure’ was followed by their ‘bite_your_tongue’ EP, a more minimal ambient release. The song ‘No Movement’ off the band’s debut album, which was about an android sex worker, ultimately spawned the musical world of their new album ‘Inertia’.
‘Inertia’ combines industrial, shoegaze, dream pop and darkwave with sci-fi in order to tell a dystopian, possibly humanist, probably anti-human, story about violence, technology, politics, control, and an android feminist anti-hero known only as a synthetic sexual tasked android body.
There are 13 tracks on the cassette version of the EP, which comes with a full-color 4-panel J-Card featuring all the lyrics, as well as a digital download (a poster is also available). While these same 13 tracks are available through online stores and streaming platforms everywhere, the Bandcamp edition includes a special bonus track – ‘hush (Piano Version)’ – especially for lovers of early 4AD output.
LINKS:
http://nomovementrecords.com/weareparasols
http://www.facebook.com/weareparasols
http://twitter.com/WeAreParasols
http://soundcloud.com/weareparasols
http://www.youtube.com/user/PredatorFriendly/videos
http://www.instagram.com/weareparasols
http://weareparasols.bandcamp.com
http://open.spotify.com/artist/7dmvcoPsZ4Vy4Fy4WALQMP
http://itunes.apple.com/us/artist/we-are-parasols/id1044013285 -
Discrepancies – Rock the Show
Comprised of Garrett Weakley (Bass), Addison Bracher (Guitar/vocals), Steve Declue (Drums), and Antonio Metcalf (Vocals) have formed an undeniably powerful sound. The 4 blend together many genres to create an innovative soundscape that is guaranteed to grab your interest.
Their Release of their Debut Album, The Awakening, was met with a lot of love and success. The first single “Raising The Bar” hit 30,000 views in less than 2 days and continued to rise afterward. The second single “Art Of War” had a strong release and the video for it was featured on Alternative Press, Metal Injection, and more! “Art of War” is currently on a radio cycle and so far is being played nationally in the US.
Together, the four want to connect with people on a deep level and allow for people to be inspired to form their own opinions free from judgment. Together, the four are Discrepancies.
LINKS:
http://www.discrepanciesmusic.com
https://www.facebook.com/Discrepancies
https://twitter.com/Discrepanciestv
https://www.instagram.com/discrepancies -
Satellite Ravens – Changes
Hatched in Arizona and with wings affixed in California, Satellite Ravens is as close to a one-man band as you can get without the spectacle of someone with cymbals strapped to their knees and an array of whistles around their neck. The creator is a multi-instrumentalist, Carson Rohde; his vehicle, the many-headed psychedelic funk gull, Satellite Ravens; the album, a mind-expanding zoo of colorful characters from this world and beyond, from yesterday and tomorrow. The hippy vibes are back for a new generation and lift-off is available any time you’re ready.
With Rohdes’ behemoth-like bass guitar skills very much to the fore, “The Equinox” has the shuffling, staggering drums of the 90’s Madchester scene, but with the Day-Glo smarts of US bands like MGMT and early Flaming Lips. From the swooning joy of Suffocated, with its Ween-esque mischievousness to the pseudo-mystical Chili Peppers dream-funk of Encircled, each track builds into an ever-expanding universe, twisting back on itself and latching onto new rhythms, writhing gleefully as it morphs into an entirely new animal. If Space Rock to you is Hawkwind or Spacemen 3, think again – this is the real sound of the cosmos: playful; intriguing but also joyful.
Rather like the deliberately distressed Yes-like album cover, Satellite Ravens have their tongue somewhat in their cheek, but this belies their huge musical talent and often intriguing lyrical content. With elements of jazz, classical, funk, 80s rock and 90s underground psych, this is an album which grows in magnificence with each subsequent listen. Prepare to follow Satellite Ravens in orbit.
LINKS:
https://soundcloud.com/satellite_ravens
https://open.spotify.com/artist/4DWM8jTdcf2wyyWt3a7SzV
https://www.youtube.com/channel/UCuJAay056LCLnCks9ua9Duw?view_as=subscriber
https://www.facebook.com/satellite.ravens
https://twitter.com/satelliteravens
https://www.instagram.com/satellite.ravens
https://satelliteravens.com