Director/Animator: Michael Oshins
Illustrator: Nicholas Sutton Bell
Grip: Molly Pelavin
“Fire” is available on iTunes!
http://itunes.apple.com/us/album/fire-single/id781958502
For lyrics and chords: http://handandfootheartandsoul.blogspot.com/2013/12/fire-chords-and-lyrics.html
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The World I Knew – Piecefull
Cincinnati-based The World I Knew bring a distinct and unapologetic vibe to the metalcore scene. Fusing together elements of electro, hip-hop and chest-pounding breakdowns, the quintet has released their latest single and music video “Piecefull.”
“‘Piecefull’ is about pretenders,” says vocalist Wesley Merritt. “Those that will pretend to be there for you and have your back as long as things are going well for them, and what happens to them once they’ve been exposed. We take loyalty very seriously, loyalty is everything.”
“Piecefull” starts with Merritt acting as his own hype man before launching into a full-on lyrical beatdown. The video was directed by Josh Emerick and Ross Thiesen, shot in a Columbus, OH at The Continent.
The World I Knew has been striving to create music without boundaries or limitations since their formation in 2014 and the release of their debut single “Fuck a 9-5.” The group’s uncanny ability to seamlessly engage with audiences across the punk/metal/rap/rock scene makes them an attractive group to follow in 2019.
LINKS:
https://www.facebook.com/TheWorldIKnewOfficial
https://www.instagram.com/theworldiknewofficial -
Campbell L Sangster – Odds are Stacked
Campbell L Sangster is the solo project of singer/ songwriter aka Lin Sangster from Liverpool. Previous bands include Bad Anorak 404, Kit and Send no Flowers. Sangster’s recent work on soundtracks for film and video projects fed into the songwriting process for ‘Odds Are Stacked’, influencing the approach to the song and lending a visual quality both lyrically and musically.
Campbell L. Sangster’s forthcoming debut album is scheduled for release later this year, and in the meantime more music can be accessed through Soundcloud.
About the Film:
This film is an exploration of female masculinity, past, present and future. Tinged with 50s America and moments of the contemporary, Campbell performs alongside The Drakes – a posing gallant band of butches, bois, studs, transmen & genderqueers.Edie Sedgwick lives on in the body and soul of a sun worshipping, silver-clad mother, desperate for sun rays.
Meanwhile, her budding gymnast daughter becomes mesmerised by the arrival of Buffy – a woman in her 70s – physically strong and utterly focussed in her bespoke one piece swimming suit. With the spirit of Esther Williams and verve of an assassin, we watch as she dives agelessly, effortlessly.
Back and forth, stronger, stronger, air bubbles reaching the surface as each stretch reaches forward, more powerful than the last. The look of the young girl as she watches, watches as this swimmer hypnotizes her.
As the song reaches its climax, the swimmer exits the water; she leaves as she had arrived – controlled but assuaged. The young girl is left to wonder, a stronger spirit, the imprint of the mysterious woman remaining with her forever.
About the Director:
Mike Matthews is a passionate and accomplished director. He has most recently directed successful commercial campaigns for Mullenlowe, VCCP, Leo Burnett and M&C Saatchi. He is exclusively represented by Fat Lemon.Credits:
Director: Mike Matthews @ Fat Lemon
Producer: Kelley Ralph
Production Company: Fat Lemon
Executive producer: Cabell Hopkins
Cinematography: Dave Miller
1st AD: Jerome Franc
Focus Puller: Chris Stephens
Drone: Sam Moore
Gaffer: Darren Jackson
Production Designer: Mark Harriott
Costume Designer: Mark Harriott
Wardrobe Supervisor: Bex Harvey
Make-up: Tricia Woolston
Editor: Kev Palmer @ Ten Three Editing
Colorist: Matt Turner @ Absolute Post
Post Production: Absolute Post -
The Morelings – Same Century
Founded by Matthew William and Kedra Caroline, The Morelings hit the Philly scene as a three-piece in August of 2014 and later recorded their debut studio project with Philadelphia producer Kyle “Slick” Johnson in the fall of that year.
Issued in January of 2015, the three-song EP, No Sign, consists of “dark dream-pop guitars, ethereal vocals, and dilated atmospheres” (Going Solo). The following summer, they toured the East Coast and Midwest as a duo and, meanwhile, were invited to contribute a cover of “Lonesome Tonight” to a New Order tribute album called Dreams Never End, about which Philebrity has said, “you’ll never settle for the original version again.”
With positive reception, The Morelings released three captivating music videos for each song of their EP, establishing a firm visual aesthetic. In June of 2015, the Morelings began working on their first full-length album, Same Century, with Philadelphia producer Jeff Zeigler (The War on Drugs, Nothing, Kurt Vile). They have since expanded their act to a five-piece, delivering live performances reflective of the rich, layered studio sound for which they have become known.
SOURCE: Official Bio
LINKS:
http://www.themorelings.com
https://themorelings.bandcamp.com
https://soundcloud.com/the-morelings
http://instagram.com/themorelings
https://twitter.com/themorelings
http://themorelings.tumblr.com