he Week in #Indie

Wolfhounds Premieres ‘Can’t See The Light’ Video (The Week in #Indie Segment)

Wolfhounds drop their new video for the track titled ‘Can’t See The Light’. Trippy and psychedelic in all the right places, ‘Can’t See The Light’ gives the guitars a chance to fight each other over a steady/strong bassline and thumpy percussion, while the vocals act as the ringleader in this psycho-circus of music. Let the video act as a Rorschach test for your musical preferences.

‘Can’t See The Light’ is available everywhere, including Apple MusicSpotifyand Bandcamp.

Check out the full episode of The Week in #Indie HERE.

Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.

ABOUT WOLFHOUNDS

London-based C86 legends Wolfhounds have announced their new album ‘Electric Music’, set for release on July 3 via A Turntable Friend Records. Ahead of this, they present a lead single ‘Can’t See the Light’, a powerful track that opens fire on side one of the forthcoming record with captivating video by David Janes.

“Musically, ‘Can’t See The Light’ has a discordant guitar line – perhaps carrying echoes of John Barry’s The Persuaders theme – until it reaches a desperate crescendo; this feeling is captured brilliantly by David Janes’ claustrophobic and darkly psychedelic video,” says Wolfhounds’ frontman David Callahan.

A spitball of melancholy fury, this is an explosive tune about how anger turns inward after the low expectations of a country’s myriad self-defined gatekeepers have crippled the ambitions of those who want change for the better. With a bass-heavy rush, ‘Can’t See The Light’ builds desperately to a semi-tonal release of noise, sounding simultaneously claustrophobic and liberating.

“All tunnels eventually emerge into the sun (as David Janes’ accompanying paranoid and sick-a-delic video shows) but while you’re underground it can seem like darkness is perpetual and inevitable,” says Callahan.

Always ahead of the times, The Wolfhounds have never nailed the spirit of now more succinctly and devastatingly than on this new single and other songs on the new album.

Originally formed as teenagers in 1984, The Wolfhounds released four critically acclaimed LPs before initially disbanding in 1990. By that time, they released music on the legendary and influential C86 cassette via NME, recorded three John Peel sessions for BBC Radio One, and toured the UK and Europe extensively as headliners and as support for My Bloody Valentine, The House of Love and The Wedding Present. The band’s acknowledged and audible influence stretches from Nirvana to the Manic Street Preachers, and all the way to Fontaines DC – but musically they remain ahead of all.

The band reformed in 2006 at the request of St Etienne’s Bob Stanley to celebrate 20 years since the release of C86, and inflicted a severe guitar noisefest on an unsuspecting indiepop crowd at London’s ICA. Since 2012, they have been recording and releasing new material, including ‘Middle Aged Freaks’ (2015) and ‘Untied Kingdom or (How to Come to Terms With Your Culture)’ (2017), repeatedly showing that they can still blow any act half their age offstage. In 2018, Wolfhounds released ‘Hands in the Till – The complete John Peel sessions’, a 12-track album released via A Turntable Friend Records.

The Wolfhounds are back and better than ever with their new ‘Electric Music’ LP – probably their greatest album yet.
 The band has become truly (hyper-)active again, performing at several pop fests (including Berlin and New York) and stand-up comedian Stewart Lee’s All Tomorrow’s Parties, as well as regular club dates in the UK and Europe. Stewart Lee also wrote the extensive sleevenotes for the record.

The band continues to be more relevant and adventurous than ever and, despite their indie roots, have more in common with the likes of Richard Dawson and Sleaford Mods than their old jangly peers. Electric Music grabs their home country’s woes by the horns and gives them the kicking they deserve!

CREDITS

Recorded, engineered and mixed at Cosmic Audio, Epping, by Ant Chapman
Additional home and phone recordings by Andy Golding and David Callahan
Mastered by Rory Attwell
Formulated and promulgated in Essex and London
Produced by the Meerkats

David Callahan – vocals, guitar, samples
Andy Golding – vocals, guitar, banjolele, bulbul tarang, keyboards
Richard Golding – bass guitar
Pete Wilkins – drums
Rhodri Marsden of Scritti Politti plays the bassoon
Extra vocals from Katherine Mountain Whitaker.
Sleeve by Andy Royston
Sleeve notes by Stewart Lee
Videos by David Janes www.brtlby.com

LINKS:
https://thewolfhounds.bandcamp.com
https://www.facebook.com/TheWolfhounds
https://twitter.com/TheWolfhounds
https://open.spotify.com/artist/0Fxh7lSWIVOt1oX0A10ifB
https://music.apple.com/us/artist/wolfhounds/202918429

The Academy of Sun Release ‘The Parts That Need Replacing’ Video (The Week in #Indie Segment)

The Academy of Sun has just dropped their new video for the track titled ‘The Parts That Need Replacing’. As we said in our original review of the single, ‘…delivers sustenance within that creative void’. The video adds to that in the fact that the visuals are timed and beautifully representative of the music that is the single. Almost an art-house accompaniment, the video adds that visual something that lends more of a creative touch as a separate stand-alone and not so much of a bonus to the song. Music for the senses.

‘The Parts That Need Replacing’ is out now, available across online stores and streaming platforms such as Spotify. The full album ‘The Quiet Earth’ will be released in the summer of 2020 on CD, as well as digitally.

Check out our exclusive interview with The Academy of Sun’s Nick Hudson HERE.

Watch the full episode of The Week in #Indie HERE.

Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.

ABOUT THE ACADEMY OF SUN

Formed in Brighton nine years ago, The Academy of Sun is a four-piece comprised of Nick Hudson (piano, synths, Hammond organ, harmonium, vocals, percussion, synths), Kianna Blue (bass, synths), Guy Brice (guitars) and Ash Babb (drums).

Together, they present dystopian fantastic creations that combine the deeply personal and the poetically arcane. Dark yet buoyant, this is a controlled explosion of psychedelic and dark power pop with atmospheres couched in vast and expansive landscapes and cinematic arrangements.

The video for this single was directed and edited by Nick Hudson with cinematography by Samuel Horn. It features Wolfgang Storm with dinner guests Mark Walter, Gillian Rodgers and TAOS frontman Nick Hudson in what seems to be a red-brushed-culinary spread of grisly delight held in a gothic lair.

“The Parts That Need Replacing’ was written to sate my desire to ‘reconsecrate’ 16th Century Hungarian countess and noblewoman Elisabeth Bathory, whose reputed cannibalism and serial murders were most likely reputation-staining fantasies dreamed up by the church out of institutional jealousy. How could a woman possess such vast wealth and estates AND resist conformity with the church’s ways of being. Same tarring-brush as used on Jeanne D’Arc and Gilles de Rais. Usually, Bathory is immortalized in doom and black metal, so I wanted this reconsecration to take place by feeding these myths, scenarios, and allegations of bloodbaths, black magic, and eternal life into the medium of a hyper-catchy, high-energy pop song,” says Nick Hudson.

“The video, just as the song, alludes to various parts of the Elisabeth Bathory mythos – the alleged bathing in blood to replenish her youth, the cannibalism, the occult, and gnostic preoccupations, the aristocratic sensibilities, etc., whilst also ‘queering’ Bathory by having her played by the 23-year-old musician and artist Wolfgang Storm. The local butchers are getting fairly accustomed to my infrequent but memorable extra-curricular requests for off-cuts. As the song states “the best special effects are those you cannot see”… we shot it in one, fevered, orgiastic and insanely fun day. The dinner sequence was as deranged to shoot as it looks to be in the resultant video.”

Following 2017’s ‘Codex Novena’ LP, a hypnotic, doomy opus that found its way onto both Dangerous Minds and Sweeping The Nation end-of-year lists, ‘The Quiet Earth’ offers a colossal meditation on dystopia, irradiated landscapes and extreme states of human emotion. This 15-track collection of post-punk, chamber ballads and darkly prog studio epos was recorded at Church Road Studios with Paul Pascoe, whose work includes the last 2 albums by Barry Adamson (Magazine / Nick Cave and the Bad Seeds).

Nick Hudson’s musical juggernaut has been active in various incarnations since 2012, always transcending expectations. The Academy Of Sun has collaborated with Massive Attack’s Shara Nelson, members of NYC’s Kayo Dot, David Tibet of Current 93, Asva and Matthew Seligman (Bowie, Tori Amos, Morrissey). Hudson has also collaborated with Wayne Hussey of The Mission, as well as Canadian queercore icon GB Jones.

Known for explosive and psychedelic live shows, The Academy Of Sun has performed in a medieval castle in Italy, a boat on the Thames, an abandoned railway carriage in Offenbach, colossal churches, The London College of Fashion, The Old Market theatre in Brighton, the MS Stubnitz in Hamburg, Brighton Dome, and a string of L.A. shows in 2019. Having toured 3 continents, highlights include appearances with Mogwai, Toby Driver and Keith Abrams from Kayo Dot, and Timba Harris (Mr. Bungle, Amanda Palmer).

LINKS:
https://www.facebook.com/TheAcademyOfSun
https://nickhudsonindustries.bandcamp.com
https://www.twitter.com/theacademyofsun
https://www.instagram.com/The_Academy_Of_Sun
https://www.youtube.com/user/NickHudsonMusic
https://open.spotify.com/artist/5CxsNgEPz9v8iBgO52VUUd

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