With a raucous beat and hook-driven chord progression, The G-O-D solidify their place in the new #indie scene with their latest track “Mad Bad And Dangerous To Know”. You would think with a title like that, that very title would be impossible to fit into a song, but you have to listen to the genius way that very title fits seamlessly into the chorus in a way that will have you singing it to yourself hours after hearing it for the first time.
The video itself is a documentation of the time you will have at a G-O-D show, with fun, funk, and rhythm to be had by all. The G-O-D is, as much as they are relevant; fun. This is a cool band to follow, with the mersey-cool-funk-beat of Si Wolstencroft and the guitar-powered-sarcastically-fun-vocals of Chris Bridgett. It’s time to meet your new music maker in The G-O-D.
Check out their music HERE.
LINKS:
https://www.facebook.com/pg/TheG.O.Dmcr
https://twitter.com/TheGODmcr
https://theg-o-dmcr.bandcamp.com
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Paris Street Rebels Release Double Single ‘I Don’t Wanna Die Young’ / ‘Freakshow’ (The Week in #Indie Segment)
Willed into existence in the year 2017, Paris Street Rebels take the best parts of the transatlantic Punk explosion of the 1970s and combine it with towering melodies and 21st-century working class outrage.
The 4 piece hail from the tough mining town of Ballingry, Fife, Scotland. The mines have long shut down and ‘Thatcher’ is still a dirty word, the band looks to music as an escape, an antidote and a means to elevate themselves and others like them from the indignity of a story left untold, a destiny unfulfilled.
Informed and inspired by their own lives and the records that shaped them a pact was formed in between the chord changes and a promise was made.
Beyond the confines of their beginnings, Paris Street Rebels’ ultimate goal is to unite the forgotten people, the misfits, the lost, the persecuted, the afraid and everyone in between.
To give something back to an age where musicians and artists only exist to take. To give the world what it’s been missing ever since Rock ‘n’ Roll lost its teeth.
‘I Don’t Wanna Die Young’ is a meditation on suicide and it’s uncomfortable place within celebrated Rock ’n’ Roll myth, in an age where mental illness is finally losing its stigma and hope is still out of fashion. This is the band’s attempt to put that last part right.
‘Freakshow’ is a schizophrenic anthem penned in desperation. The need to escape to an almost mythical promised land where authenticity trumps artifice and drives the narrative whilst simultaneously realizing that this can only be achieved by changing the place and time you’re in.
Built from old smashed up Punk LPs and broken bottles it’s designed to excite and leave a nasty scar.
Paris Street Rebels are:
Grant ‘G’ Malcolm – Vocals/guitar
Kevin Murphy Jnr – Vocals/guitar
Jordan ‘Jazz’ McLean – Bass/vocals
Cameron ‘Cammy’ Gaudin – DrumsLINKS:
https://www.facebook.com/ParisStreetRebelsUK
https://www.instagram.com/parisstreetrebels
https://soundcloud.com/paris-street-rebels/freakshow
https://open.spotify.com/artist/3DZsxCsiAA7eRRsRLKzx4f -
Jammerzine’s The Week in #Indie for 7/5/2021
Exclusive interviews with Boy Breaking Glass and Chase Potter. Exclusive premieres and new music, videos, and albums from ROE, The Quilts, Ceiling Demons, Dolly Ave and Charlie Curtis-Beard, José Junior, Occurrence, Robert Taira Wilson, Amusement Parks on Fire, and Evidence.
About Boy Breaking Glass
Jammerzine has an exclusive interview with Boy Breaking Glass bassist Joe Mantell. Their new album, ‘Desolations’, premiered on Jammerzine on June 24th and was released on the 25th. The album is a darkly decadent set of songs that really capture the overall sound of Boy Breaking Glass will making a solid set of tracks that have that flow to it that lets you know this is an album that you can listen to all they way through. However, each song has its own unique personality.
High points are throughout with a lot going on in the background. Listen to the guitars, you will hear layers of sonic goodness flow throughout, with an almost goth level vocal set that gives ‘Desolations’ the bulk of its personality.
Check out our other features with Boy Breaking Glass HERE.
LINKS:
https://www.facebook.com/boybreakingglass
https://www.instagram.com/boybreakingglass
https://www.boybreakingglass.com
https://soundcloud.com/boybreakingglass
https://open.spotify.com/artist/1G8WUXQWNCoPlQoQjVJy0z
https://www.youtube.com/channel/UCFCutOs2JSQq0BpanzR7atAAbout Chase Potter
Jammerzine has an exclusive interview with Brooklyn, NYC artist Chase Potter. Fresh from the release of his new album titled ‘Hitchhike To Oblivion’ (playlist & videos below), Chase is poised to promote his new album in a time where the clubs and venues are filling back up and people are shaking off that feeling of hibernation.
‘Hitchhike To Oblivion’ is an album with a unique signature sound. One the surface it reminds me of those golden days of AM radio circa 1977 with those golden pop hooks and intricate songwriting. Where Chase excels is taking that sound and making it his own in such a way that you know its him from that initial listen.
In this interview, we hear about the creation of the album and how he got that vintage sound from the comfort and isolation of his home. We also get a glimpse of what’s coming next for Chase in these waning days of the pandemic.
LINKS:
https://www.chasepottermusic.com
https://chasepotter.bandcamp.com
https://www.facebook.com/chasepottermusic
https://www.youtube.com/chasepottermusic
https://instagram.com/chase_potter_music
https://open.spotify.com/artist/6tU8jCJzWhhZEFJXdiFUNP?si=Xqxv7ToUSAaA9svwytl97wAbout ROE
ROE has premiered her new single titled ‘Cruel’. Delicately raucous from the start and a reinvention of the self into, what I think, is her true self.
Hitting close to the mark with content describing what we’ve all been through, ‘Cruel’ is a thank you for self-realization and a fuck you to that gaslighting narcissist we all know and are thinking about when we heard ‘Cruel’. And, if you haven’t gone through what I’m talking about, I’m sure you’ll agree it’s a really catchy fucking song.
LINKS:
https://roeofficial.com
https://www.facebook.com/RoeMusicOfficial
https://www.instagram.com/roemusic
https://twitter.com/Roe_musicAbout The Quilts
The Quilts has released their new single and video titled ‘Time’. It’s 8 AM as this goes live. Fourteen years ago the journey that became the song ‘Time’ began. The song shows the beautiful patina that nourished this track musically, lyrically, spiritually. And it shows. It shows in all of its pits, holes, and chips. Because that’s what makes us beautiful. That patina that inherently binds to us and shows our flaws and strengths.
Having to go through a similar issue with my father at the time of this writing as guitarist Steven Altonen did with his (in my case, Parkinson’s and Dementia), I feel a bond to this song that one gets when relating to a fellow musician and artist because those are the people who turn our pain and lives into expression for all. They interpret and share with art. As much as a canvas is for art, silence is for music. ‘Time’ fills the space with feeling and love.
LINKS:
https://thequiltsband.com
https://www.instagram.com/the_quilts
https://www.thequiltsmusic.bandcamp.com
https://www.youtube.com/channel/UC2C4-c9ntSTWJUWdXRa_LWA
https://open.spotify.com/album/4t9bXyLqGTxlNY0li7YtE9?highlight=spotify:track:1n6grPdUG8ecGFcJCCJUgzAbout Ceiling Demons
Ceiling Demons have released their new video for the track titled ‘From The Womb To The Grave’. Dark with a flare and urban with a dare, Ceiling Demons break the ceiling of the establishment and lash out at the mainstream with a rebellious anthem of unity against conformity and a realization of the self. Much needed.
LINKS:
https://linktr.ee/ceilingdemons
https://www.facebook.com/CeilingDemons
https://twitter.com/ceilingdemons
https://www.instagram.com/ceilingdemonsAbout Dolly Ave and Charlie Curtis-Beard
Dolly Ave has released her new video for the track titled ‘Play With It’ featuring Charlie Curtis-Beard. Suave to a fault and trendy to an advantage, ‘Play With It’. Dolly and Charlie have that special chemistry that will make you want to watch for that aspect alone, but the song itself also has that driving hook that gives a stellar soundtrack to the video. This is what happens when talented multimedia artists do a collab, and TikTok is quickly becoming the premiere gladiator school for creating unique and much needed talent. Dolly and Charlie are the first generation. And it shows. Brilliant.
LINKS:
https://www.dollyavemusic.com
https://open.spotify.com/artist/3CRylfSfibkfnjCMLhWmIk
https://instagram.com/dollyave
https://youtube.com/dollyave
https://facebook.com/dollyavemusic
https://twitter.com/dollyave
https://tiktok.com/@dollyaveAbout José Junior
José Junior has premiered his new video for the track titled ‘Forever’. Think R.E.M. with a fresh creative streak and you have a proper hint as to what José Junior is made of in this video and track. That 80’s music swing with chimey bell-toned guitars and vocals with a subtle angst. What you also have is just a damn good song with a classic MTV styled video to take us back while looking ahead. This is what music is supposed to be.
LINKS:
https://linktr.ee/josejuniormusic
https://www.facebook.com/josejuniormusic
https://josejunior.bandcamp.com
https://www.instagram.com/josejuniormusic
https://twitter.com/josejuniormusic
https://www.youtube.com/channel/UChRpqJ02LH5nyht7KbjOd2Q
https://soundcloud.com/josejuniormusicAbout Occurrence
Occurrence has released their new video for the track titled ‘I Have So Much Love To Give’. An updated and twisted rendition of ‘Little Red Riding Hood’, the video gives an artistic and interpretive visual of the song while the song itself keeps the flow in check with a modern gritty electronic flow filtered throw retro organs and angelic head voice that fills the speaker in an unassuming yet commanding way.
LINKS:
https://www.occurrencemusic.com
https://www.instagram.com/occurrencemusic
https://twitter.com/occurrencemusic
https://www.facebook.com/occurrence
https://youtube.com/occurrencemusic
https://occurrence.bandcamp.comAbout Robert Taira Wilson
Robert Taira Wilson has officially premiered his new video for the track titled ‘Blackbird’ on Jammerzine. If you read our review of the original track from June, you will get a perspective of our take from the music. The video offers a visual construct of what we said. Introverted. Introspective. Reflective. All of that and more with brilliant sketch style animations with geometric shapes representing bondage and cages that fade through the looking glass showing a better world and an alternative that could be. This is magic.
Check out our other features with Robert Taira Wilson HERE.
LINKS:
https://www.roberttairawilson.co.uk
https://www.youtube.com/user/ROBERTTAIRAWILSON
https://www.instagram.com/roberttairawilson
https://www.facebook.com/roberttairawilson.music
https://www.twitch.com/roberttairawilsonAbout Amusement Parks on Fire
Amusement Parks on Fire have released their long awaited album titled ‘An Archaea’ on jammerzine.com. APOK is one of those bands that long ago found their sound, but now we have a more evolved APOK. A more experimental APOK. We get an album a long time in the making and, more importantly, we get an album from a band that knows what an album means. A set of songs meant to inspire and take you on a journey. Or with you on a journey. The hooks are unexpected and prominent. The guitars make you want to play guitar. The surreal, at times, and vivid at others, doesn’t detract the overall sound. It enhances it. This is a concept as much as it is an album. To listen to the album go to jammerzine.com and search Amusement Parks on Fire.
LINKS:
https://apof.co.uk
https://www.facebook.com/amusementparksonfire
https://twitter.com/APOFAbout Evidence
Evidence has released his new album ‘Unlearning Vol 1’ on jammerzine.com. I could say something easy like ‘this record is groundbreaking’, but, that would be a bit dismissive and cliché. I will say this, however; this record is ground-defining. Some genres are hard to sound fresh in. Personally, I find this the case with rock and hip hop. A lot of green pastures for ground these days. ‘Unlearning Vol 1’ is scorched earth with a lot of heart. That’s what I respect about Evidence. His music comes from the heart as well as the mind. The music is more than just a backdrop. Its an interaction with his lyrics. Bashing and cascading and intertwining with each word and beat with stellar syncopation. Each word is a voice. Each beat is an outlet. Unlearning is a book that no one needs to read but everyone will remember. To listen to the album go to jammerzine.com and search Evidence.
LINKS:
https://www.rhymesayers.com/evidence
https://www.facebook.com/misterevidence
https://twitter.com/evidence
https://instagram.com/evidenceClick HERE to watch Season 7 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’. -
ReMission International Releases TOS2020 (Trentemøller Remix) (The Week in #Indie Segment)
ReMission International has just shed light on Trentemøller’s take on the multinational COVID-19 relief track titled ‘TOS2020’. Trentemøller gives an obvious departure from both the original track from The Mission as well as the first collaboration released last month. More subdued and introverted while containing the obvious Trentemøller style, this remix is an introversion-conversion meant for personal reflection and as a valve for the emotions in this isolation that we all face and desperately feel.
The ‘Tower of Strength’ begins with the power of music.
Check out our other features with TOS2020 HERE.
Check out our other features with Trentemøller HERE.
Check out our other features with Wayne Hussey HERE.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.ABOUT TOS2020 & TRENTEMØLLER REMIX
TOS2020 – the remake of The Mission’s anthemic hit ‘Tower Of Strength’ released to raise money for COVID-related charities worldwide – is out now, along with two new videos – for the Trentemøller remix and a new lyric video featuring many of the artists involved. All proceeds to charities personally chosen by each contributor.
From #TOS2020 creator Wayne Hussey: “This new video for the beautiful Trentemøller remix of ‘Tower Of Strength 2020’ was directed by James Sharples. The live footage is taken from a Mission video and shows us setting up before a gig, and it deliberately ends on a hopeful note to remind us that in the not too distant future we can all get together to make and enjoy loud music in a room again.”
“At the moment the money raised by TOS2020 is close to £100k, which is fantastic. It won’t stop once it’s out and will continue to raise money as long as orders are placed and streaming and publishing revenues come in. The funds will continue to accumulate, which is exactly what we wanted…. I want to keep thanking everyone for their support – it’s a hard time financially for people and there’s a long road ahead. The digital bundle contains 5 awesome tracks for just £2.99, it all helps those that need it most and the proceeds will be divided and distributed equally among all the beneficiaries. Thank you.”
The full version video, directed and edited by Savannah Perry, offers insight into the TOS2020 ‘Beholden To The Front-Line Workers Of The World mix’, revealing who sings which lines, who plays which guitar solo, drums, etc. throughout the song. Earlier, Vincente Cordero / Industrialism Films presented another video for the TOS2020 single.
Collaborators include: Andy Rourke, Billy Duffy, Budgie, Evi Vine, Gary Numan, James Alexander Graham, Jay Aston, Julianne Regan, Kevin Haskins, Kirk Brandon, Lol Tolhurst, Martin Gore, Michael Aston, Michael Ciravolo, Midge Ure, Miles Hunt, Rachel Goswell, Richard Fortus, Robin Finck, Steve Clarke, Tim Palmer, Trentemøller
BACKGROUND FROM WAYNE HUSSEY:
“When Covid-19 hit I started receiving messages asking ‘why don’t you re-issue Tower Of Strength for the front line workers?’ The song had apparently been adopted as an anthem by some NHS workers, and it got me thinking that I would like to contribute something to the greater cause at this unprecedented time and the only thing I could really contribute is music. So in conjunction with my good friend Michael Ciravolo, I came up with the idea of recording a new version of Tower Of Strength for charity by enlisting the help of musician friends and acquaintances.”
Produced by Wayne Hussey and co-produced and mixed by Tim Palmer. Except * remix by Trentemøller and ** remix by Albie Mischenzingerzen.COLLABORATORS INCLUDE:
Andy Rourke, Billy Duffy, Budgie, Evi Vine, Gary Numan, James Alexander Graham, Jay Aston, Julianne Regan, Kevin Haskins, Kirk Brandon, Lol Tolhurst, Martin Gore, Michael Aston, Michael Ciravolo, Midge Ure, Miles Hunt, Rachel Goswell, Richard Fortus, Robin Finck, Steve Clarke, Tim Palmer, Trentemøller.
From TOS2020 collaborators:
“Being given the chance to do some good to raise money for people and animals struggling in these frightening times by singing one of the best songs ever written was such an easy thing to say yes to. An absolute honour to be involved.”
– Gary Numan“Today as we face an unprecedented crisis with COVID 19, we have to be united in purpose to help humanity and especially the disenfranchised and impoverished among us, survive. Music can be a powerful way to join us all together and help those that need it most now.”
– Lol Tolhurst“I’ve seen and heard Tower of Strength played often and I’ve experienced its effect and the impact it has on others. It’s an anthemic song of hope, comfort and joy, with a message that now seems more relevant than ever. I hope this project, in which I am privileged to be involved, brings a little light into the shade and allows us all to, albeit momentarily, focus on an ‘afterwards’.”
– Julianne Regan“You get a message from Wayne Hussey asking if you can put a vocal (alongside a great list of singers, musicians and friends) on a reworking of a massive track in the repertoire of The Mission to aid COVID-19 charities around the globe – you say yes and get it done as well as you can.”
– Kirk Brandon“I did it coz Wayne asked me to and I love Wayne.”
– Billy Duffy“Being asked to contribute to making a piece of music isn’t overly taxing for a musician. I’m just pleased Wayne didn’t ask me to perform brain surgery or fly a jumbo jet, something which takes some form of skill.”
– Midge Ure“My positive of the pandemic has been connecting to kindred spirits. Honoured to lend a hand.”
– Budgie“I would like it known that, if asked, I would do absolutely anything for Wayne Hussey. Tower Of Strength is utter perfection: it is daring in its intent and supremely executed in both its original recording and every single time I have seen it performed live. To be asked to contribute to this new version was a very emotional experience for me. So many intense memories came flooding back as I sang, there were tears, I can assure you of that.”
– Miles Hunt“Direct Relief is an organisation that helps people in times of emergency like natural disasters or in times of poverty by getting medical equipment and supplies to where they are needed most. At the moment they are obviously heavily focused on Covid-19.”
– Martin Gore (on Direct Relief, his nominated charity)“Love and gratitude.”
– Robin Finck“I jumped at the opportunity to be a part of this project – I always loved this song and asked Wayne if I could take a crack at John Paul Jones’ string arrangement, which I have always admired. Hopefully, my take on it does it justice.”
– Richard Fortus“The power we have collectively is transformative … I love and admire Wayne and the band and the warmth and intention behind this release. I know the power of this song and I feel so honoured to have been invited to join so many celebrated artists, this is a beautiful star in the darkest of times and I know the difference it will make.”
– Evi Vine“To be amongst these amazing artists that I’m a huge fan of and have so much respect for is a true honour, especially for such an important cause. The sacrifice that all the amazing NHS staff and key workers have made is truly humbling and inspiring. To be part of an incredible group of people that want to give something back and show their gratitude is something I’m extremely proud of.”
– James Alexander Graham“When I was asked by Wayne to be part of this fantastic charity project, I immediately said yes! If I could contribute to supporting the hard work fighting COVID-19 by making a remix of Tower Of Strength, that was a way for me to make a small difference. I’m very honoured to be a part of this.”
– Trentemøller“I signed on for this project because I felt that it would be a great way to raise a lot of funds for those in need at this time. When I heard all the names of artists who were collaborating, I knew that it would turn out very special. I’m very grateful to be given the opportunity to contribute to this marvellous project.”
– Kevin Haskins“When Wayne emailed me with the idea of contributing vocals to this project I jumped at the chance. Tower of Strength is such an anthemic song it’s only fitting that this has been done to support the various charities. It’s an honour for me to be a small part of the process and what a stellar line up of people involved.”
– Rachel Goswell“Not every day do you get the chance to play on one of your favourite songs with some of your favourite artists, and to have it be for all the right reasons and for an amazing cause.”
– Michael Ciravolo“So honoured to be part of this wonderful project. It’s also interesting that three of the original performers on our – Gene Loves Jezebel – very first recording, ‘Shaving My Neck’ are reunited by chance some 37 years later: Julianne Regan, J.P, and myself. Hats off to Wayne and the Mission for giving this rendition for charity during this pandemic.”
– Michael Aston“Absolutely buzzed and honestly flattered to be asked to not only add my voice to this wonderful recording but also give something back to our much loved and beleaguered NHS. The perfect song for these difficult and challenging days.”
– Jay AstonTOS2020 nominated charities currently include:
NHS UK
St. Jude’s Children’s Hospital, Memphis
Music Venue Trust UK
Covenant House, New Orleans
Disasters Emergency Committee
MusiCares
Plan International
Direct Relief
Alzheimer’s Scotland
Liberty Hill Foundation
The Shrewsbury Ark
Memorial Sloan Kettering Center, NYC
Prostate Cancer UK
The Teddy Bear Clinic
Red Rover
Help Musicians UK
Crew Nation
Venice Family Clinic
The Anthony Walker Foundation
Projeto Cáo Communitário
The City Of San Francisco Covid-19 FundLINKS:
http://www.themissionukband.com
https://www.facebook.com/themissionuk
https://twitter.com/the_mission_uk
https://www.instagram.com/p/CDjpRLuH8jv
https://www.beautyinchaosmusic.com/tos2020