The Impersonators came into being after the demise of Finnish pop/rock band Carmen Gray in 2013 when Tommi Tikka, the other half of Carmen Gray’s songwriting team, joined forces with lyricist Antti Autio to write some new songs.
While Carmen Gray had recorded for major labels, such as Sony and Warner, The Impersonators’ story was going to be different from the get-go. With this particular group, Tikka wanted to have complete artistic control over the songs he recorded to avoid generic and sterile production typical for modern pop/rock.
For quite a while, Tikka auditioned musicians for the new group. However, after three failed attempts to put together a lineup that did justice to the new songs, he decided to make The Impersonators a group of two songwriters rather than a group of four or five musicians. Hence began the search for a great producer rather than the right musicians.
Finally, in early 2017, Tikka teamed up with Janne Saksa, a seasoned professional in making records, who became Tikka’s collaborator in the studio and took over the head producer’s reins from him. Together, they’ve arranged and produced the group’s two singles “You Are The One” and “Burning Blue.”
The best way to describe the sound of The Impersonators is to call it sixties-flavored “alternative pop/rock”. Their goal is to nurture and cultivate the creativity, spirit, and warmth that graced the pop records of yesteryears.
LINKS:
https://impersonatorsmusic.com
https://www.facebook.com/ImpersonatorsBand
https://twitter.com/1mpersonators
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Atmosphere – Stopwatch
Atmosphere has just released another new music video for “Stopwatch”, directed by Ryen McPherson and produced by activist art collective, INDECLINE, best known for their poignantly satirical murals and installations.
It’s a different place than it was two years ago when Atmosphere released their last record, Fishing Blues. Their seventh album, Mi Vida Local, reflects the ways in which the world–and their place in it–has changed. The idyllic domesticity of the past few records has morphed into anxiety over keeping loved ones safe during turbulent times. The easygoing collaboration between Ant and Slug has started to feel more like the life-or-death intimacy of two men trapped together on a lifeboat. At times, Mi Vida Local is a heavy album, (“I might be the last generation of grandparents,” goes a key line from “Virgo”), but it’s far from grim.
As the name implies, Mi Vida Local is intensely focused on the place it was created–the south side of Minneapolis–where Slug and Ant work tirelessly in their “beautiful basements”, refining their sound without interruption, save for a handful of Minneapolis friends that showed up to contribute. The album pairs complex subject matter with equally deep beats–ones that show a clear lineage back to the psychedelic funk landmarks from an earlier era where America was going through a post-utopian hangover, and prove that there won’t ever be a time where boom-bap beats don’t sound perfectly of the moment.
Mi Vida Local might be the best album Atmosphere’s ever made. It’s definitely the one they needed to make right now, and one listener’s need to hear just as urgently. If it’s sometimes an album about how the fight to find happiness never really ends–even after you get the house and the kids and the artistic freedom to make dad-rap records–it’s also about discovering that there’s happiness to be found just in fighting.
SOURCE: Official Bio
LINKS:
https://rse.lnk.to/MiVidaLocal
https://rhymesayers.com/artists/atmosphere
https://www.facebook.com/Atmosphere
https://twitter.com/atmosphere
https://www.instagram.com/atmosphere -
Stone Temple Pilots @ Rock on the Range 2018
Wicked Garden
Vasoline
Down
Meadow
Big Empty
Plush
Interstate Love Song
Roll Me Under
Dead & Bloated
Trippin’ on a Hole in a Paper Heart
Sex Type Thing
