The Mojo Slide has officially released their new single and video titled ‘To Kill A Monkey’. The swagger only found in the legends of rock from The Rolling Stones to Stone Temple Pilots come together in the form of ‘To Kill A Monkey’ with little effort from a band that effortlessly takes it to a new level. On all levels.
Check out our other features with The Mojo Slide HERE.
ABOUT THE MOJO SLIDE & ‘TO KILL A MONKEY’
‘To Kill a Monkey’ is the 4th track from their current album, Manic Panic. Their music is described as “filthy-blues rock n roll” and To Kill A Monkey embodies this, with 3 raucous minutes of no-nonsense, stomping blues rock!
To Kill a Monkey follows previous singles Good Times, Not in My Name and Good Man Down – all picking up huge plays on the radio including Janice Long’s show on BBC Wales, Johnny Doom on Kerrang! Radio, Wyatt Wendels at Planet Rock, Rock Radio UK, Roger McCormick on Brooklands Radio, BBC Cambridgeshire, 2XS Rocks, Nevis Radio, and Total Rock to name but a few.
On the single, the band says: “It’s one of the very first songs we wrote – we actually wrote it nearly 10 years ago! But it’s taken this long to be released. It’s a live favorite – we often finish our gigs with it as it gets the crowd going. It’s a dirty blues rock ‘n’ roll number – a real foot-stomper!”
They go on to talk about the new video to the track: “We pride ourselves on our videos – so it’s been a little frustrating filming our own lyric videos in a lockdown. But this song is a bit random and we wanted to make sure that was shown in the video we did :-). Yes, the drummer is playing on the toilet, in a morph suit. And yes, we have a guest musician playing harmonica is a Trump mask. It was certainly good fun doing it”.
LINKS:
https://themojoslide.com
https://facebook.com/themojoslide
https://instagram.com/themojoslide
https://twitter.com/themojoslide
https://soundcloud.com/themojoslide
https://reverbnation.com/themojoslide
https://open.spotify.com/artist/4wGCmOPDaqWJO5HGzcsMdF?si=eAE22NXQSzKj0Tkfuo_z2w
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Ben Walsh – She Gives Me Love
Ben Walsh is a rare kind of musician these days. Born and raised in the Australian beach-town-slash-hippie-enclave of Byron Bay, his long blond hair and flat-brimmed hat make him easy to identify as a music-maker. But perhaps nothing tells you as much about Walsh as his smile: a big, broad, toothy grin that seems to make his whole face open up. He smiles often and he smiles easy and talking to him, you get the sense that his facial muscles may actually be more comfortable smiling than they are at rest. He’s the kind of person where you feel like he could connect with anyone and form a true friendship within the first 5 minutes of talking to them – and as life so often imitates art, that’s exactly what he seeks to do with his music.
SOURCE: Official Bio
Photo by C.D. Hale.
LINKS:
http://benwalshofficial.com
https://www.instagram.com/benwalshmusic
https://twitter.com/benwalshmusic
https://facebook.com/iambenwalsh
https://youtube.com/benwalshmusic
https://music.apple.com/au/album/she-gives-me-love-single/1490064441
https://play.google.com/store/music/album/Ben_Walsh_She_Gives_Me_Love?id=Bdhad4rprh5uwdrn562gsumujue -
T.E. Yates – Burning Bungalow
Most musicians boast of exploding onto their local scene in a glittering blaze of media hype and spontaneous applause. The unassuming, unusual and enigmatic T.E. Yates, however, snuck in through an open window.
His name was not on the top line of event posters but rather a discreet artist signature in the bottom corner; his first gig flyers and album covers were ones he designed for other bands, not himself. He’s performed in front of huge crowds but always as a hired hand or supporting player, a multi-instrumentalist in the shadows – mandolin, banjo, harmonica, even musical saw – you may have heard him on the tracks of other artists without even knowing it. But now T.E. Yates has stepped out of the shadows, taking center-stage with a formidable backing band (both onstage and on record) comprising members of Victorian Dad, The Bedlam Six, Ottersgear, Gorilla Riot, and Honeyfeet.
Even when performing solo the man doesn’t travel light, his weird and wonderful drawings regularly making an appearance between songs, baffling and delighting audiences in equal measures.
His debut album “Silver Coins And White Feathers” is by turns moving, catchy and ambitious, brimming with influences from all across the genre spectrum, the subject matter ranging from astronomy to the Suffrage movement – a real treat for music lovers of all persuasions.“Nick Drake’s ‘Hazy Jane’ with a touch of Roy Orbison”
– BBC Radio ManchesterLINKS:
https://www.facebook.com/T.E.Yates.Official
https://twitter.com/teyates
https://soundcloud.com/t-e-yates
https://open.spotify.com/artist/6vfksH96y3ZbDe6SLRX6mT
https://teyates.bandcamp.com
https://vimeo.com/user24745797
https://debtrecords.net
https://www.youtube.com/watch?v=Rrn1R2iL89k&index=1&list=PL–NzcS5ylP3JYe2k6gDEcqZQVsszD-Lp -
Otis Mensah – Sanctified
Otis Mensah is “a young story-teller-rapper-poet with a talent for drawing the poetic from the everyday happenings in his life.” The alternative hip-hop artist has risen from a new wave; age and era, embodying a contemporary, poetic take on hip-hop music. The music he creates sheds light on existential commonalities discovered through introspection with often off-kilter lyrics, accompanied by a sentimental vibe.
As an emerging artist, Otis has been independently releasing music, booking shows and has played around the UK & Europe including his debut performance at Glastonbury Music Festival on the BBC Introducing stage. Otis has also played as support for the likes of Killah Priest, Open Mike Eagle, Brother Ali, Lowkey, Milo, Arrested Development, The Sugarhill Gang, P.O.S, Abstract Orchestra, The Mouse Outfit, iTCH (The King Blues), and The Skints.
‘Sanctified is the stirring new release from experimental hip-hop prodigy Otis Mensah. It speaks of his restless striving to convey his truth through artistic self-expression, tempered by the burden of self-doubt and depression. Drawing deeply on the spiritual imagery of his youth, Mensah describes his obsessive yearning to realize his own potential, and face down his demons ‘in the lunar light dancing by the river.’ Produced by Elijah Bane, with music visuals from GRIT multimedia, Sanctified sees Mensah shift up another gear on his continual quest to connect with his audience through his vulnerable and honest form of experimental hip-hop’ Pink Wafer.
As an artist he perseveres in, connecting to an audience that relates to his writing and shares a mutual interest for thought-provoking lyricism and expressionism.
LINKS:
https://otismensah.bandcamp.com
https://twitter.com/otismensah
https://www.instagram.com/otismensah
https://soundcloud.com/otismensah/oh-jane-prod-the-intern
https://www.facebook.com/itsOtisMensah