The Rogue Network is a blast of contemporary blues/soul music.
Influenced by the blues/soul sounds of the 70s but on a background of fat guitar riffs, driving grooves and analog synths the music hits a perfect marriage of modern dynamism and retro groove/soul.
The Rogue Network is the creation of singer/songwriter Gerallt Williams. He’s originally from North East Wales and now spends most of his time in Manchester.
While the nucleus of the Rogue Network is Gerallt, he is backed up by an array of talented rogues, ensuring the live performances are always full of energy and depth.
The Rogue Network was formed in 2015 and has established itself as a band/artist that’s trying to create it’s own unique sound.
In a music scene saturated with many similar bands/artists, the Rogue Network has established it’s own unique sound, style and identity.
On the song, Gerallt says:
‘Supply and Demand’ is a song about the modern-day drug dealers who are taking to the internet’s dark web to sell and distribute narcotics. They are young, innovative, skilled, and quick to realise that people who live in urban, down-trodden societies are keen to spend their money on drugs as a means to relieve the pressures of everyday life. Good businessmen squeeze the market, regardless of the consequences. It’s easy money”.
LINKS:
https://facebook.com/theroguenetwork
https://instagram.com/theroguenetwork
https://twitter.com/THEROGUENETWORK
https://youtube.com/channel/UCyxVGC4z3qqrtQVa5UVsueA
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Kaiser Chiefs – LIVE Full Concert 2017
Track list:
- We Stay Together
- Everyday I Love You Less and Less
- Everything Is Average Nowadays
- Ruffians on Parade
- Why Do You Do It to Me?
- Never Miss a Beat
- Modern Way
- Good Clean Fun
- Hole in My Soul
- The Angry Mob
- I Predict a Riot
- Parachute
- Press Rewind
- Coming Home
- Oh My God
Ricky Wilson – vocals
Simon Rix – bass
Andrew White – guitar
Nicolas (Peanut) Baines – keyboard
Vijay Mistry – drums -
The Mootekkis – Against the Ropes
This booze-loving Tokyo-based 5-piece – Australian, American and 3 Japanese – garage rock’n’roll band was formed midway through 2008 by Jude (guitar) and Mike (vox) and two years later were featured on the front cover of Japanzine after winning the magazine’s nation-wide battle of the bands with their 2010 EP track “Hey…What You Want?”.
More recently a number of their tracks from 2014 debut album “Heckling the Dawn” have been used for the Skateboarding Japan podcast while their tune “The Whiskey” is the theme music for drinkers and skaters delight podcast Got Faded Japan.
Prior to this, in August 2012 they embarked on a 10-day tour of New York where they played Manhattan hot spots Bowery Electric and Piano’s as well as New Haven’s Elm Bar and a handful of basement and loft parties in Brooklyn – before this trip 2 members had never been outside Japan.
Brooklyn’s Ishmael Osekre, an organizer of the festival Aputumpu, had this to say after seeing The Mootekkis at a Bushwick loft party: “This was pure rock’n’roll in a way that most people around here haven’t seen for a long time…it was just amazing.”
The Mootekkis have had the good fortune of having a lot of good people behind them. In 2013 they crowdfunded their debut album and in 2014 they finished in the top 10 of Tokyo’s 126 bands trying to earn a spot at Summer Sonic thanks to immense local and foreign support.
They’re truly humbled and wholly committed to giving rock’n’roll lovers something new with decades of respect for what has come before.
The Mootekkis are:
Mike (vocals)
Jude (rhythm/lead)
Koji (rhythm/lead)
Yo’cchan (bass)
Takahiro (drums)LINKS:
https://www.facebook.com/themootekkis
https://twitter.com/themootekkis
https://themootekkis.bandcamp.com -
Counterfeit Culture – Apothecary (ft. Ricky Armellino)
In this day and age, we’re constantly bombarded by an onslaught of overwhelming influences from the entertainment industry and the media. It’s inescapable. Standing out from the pack becomes a bold proposition and an even bolder move. That’s where Counterfeit Culture comes in. Not only do the New Jersey quartet—Nick Broglio [vocals], Patrick Robertson [guitar], Elijah Pagan [bass], and Chris Smith [drums]—shake up heavy music, but they also shake up pop culture at large, ripping conventions to shreds with an artful amalgam of intricate metallic musicianship and alternative-inspired melodies. Their 2017 Deathwish EP introduces an infectious ideology.
“The name Counterfeit Culture basically says that we live in a society where TV shows, movies, magazines, and web sites tell us how to dress, how to act, and how to live our lives,” says Patrick. “Society tries to force you to be a certain way. We’re saying that’s wrong, and you can be whoever you want to be and live life however you want.”
The members initially met in 2015 while still in high school. They quickly built a local buzz, performing with top-notch acts such as Suicide Silence, Whitechapel, Like Moth To Flames, The Plot In You, Erra, Thy Art Is Murder, Invent, Animate, and much more. In 2017, they worked with producer Ricky Armellino [Currents, This Or The Apocalypse] and mixer Taylor Larson [Periphery, Darkest Hour] on what would become Deathwish.
“We take inspiration from multiple genres,” the guitarist goes on. “Of course, we’re a heavy band, and we’ve got those down-tuned breakdowns. At the same time, there are melodic riffs and singing with layers of vocal harmonies. It’s this mix between alternative and metal.”
The single “Apothecary” illuminates the nuances of that style. Snapping from precise polyrhythmic pummeling into hypnotic harmonies, it consciously speaks up against domestic violence lyrically and in its cinematic music video.
“The lyrics are about pretending to be someone you’re not and trying to sell yourself as someone you’re not,” explains Nick. “The music video tells that story of domestic abuse. We gave it a visual representation. It’s a girl in this abusive relationship, making it seem normal. Obviously, she’s in pain, but she doesn’t show it.”
Elsewhere, “X” tackles the horrors of drug addiction through a tightly woven sonic assault, “Second Soul” examines “the self-destructive death of one’s former self.” The band separates itself from their contemporaries through both the integration of melody and a fashion-conscious image, eschewing the typical “black t-shirt and jeans,” as Patrick puts it.
Drawing inspiration from remaining outsiders since growing up through and through, Deathwish is as real as heavy music gets. “When people hear this EP, I hope they think about how they’re living their lives and open their eyes,” Patrick concludes. “You don’t have to just do things the way your favorite actor does. Take our songs as inspiration to live your life how you want to live.”
“The songs come from an honest place,” Nick leaves off. “They talk about my past. I felt myself change as a person. I want other people to know that change is possible.”
LINKS:
https://www.facebook.com/CounterfeitCultureNJ
https://www.instagram.com/counterfeitculturenj
https://twitter.com/CCNJOfficial