Cincinnati-based The World I Knew bring a distinct and unapologetic vibe to the metalcore scene. Fusing together elements of electro, hip-hop and chest-pounding breakdowns, the quintet has released their latest single and music video “Piecefull.”
“‘Piecefull’ is about pretenders,” says vocalist Wesley Merritt. “Those that will pretend to be there for you and have your back as long as things are going well for them, and what happens to them once they’ve been exposed. We take loyalty very seriously, loyalty is everything.”
“Piecefull” starts with Merritt acting as his own hype man before launching into a full-on lyrical beatdown. The video was directed by Josh Emerick and Ross Thiesen, shot in a Columbus, OH at The Continent.
The World I Knew has been striving to create music without boundaries or limitations since their formation in 2014 and the release of their debut single “Fuck a 9-5.” The group’s uncanny ability to seamlessly engage with audiences across the punk/metal/rap/rock scene makes them an attractive group to follow in 2019.
LINKS:
https://www.facebook.com/TheWorldIKnewOfficial
https://www.instagram.com/theworldiknewofficial
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Davey Woodward And The Winter Orphans – Bad Day
Davey Woodward And The Winter Orphans have premiered their new video for the track titled ‘Bad Day’. Capturing that quirky magic of the music, the video for ‘Bad Day’ gives that alt-rock bravado combined with the first-person perspective in a slow energy style grit guitar fiasco that is the signature of creativity. This is a new anthem for a new age. Let’s hope the title doesn’t carry over (lol).
‘Love and Optimism’ is out now, available on limited edition white vinyl and black vinyl, on gatefold CD with a booklet, and also digitally. It can be ordered via Bandcamp.
Check out our other features with Davey Woodward And The Winter Orphans HERE.
ABOUT DAVEY WOODWARD AND THE WINTER ORPHANS
Bristol indie music legend Davey Woodward and The Winter Orphans present ‘Bad Day’, the latest single from their ‘Love and Optimism’ LP. Best known for his bands The Brilliant Corners, The Experimental Pop Band, and Karen, they recorded this album ‘live’ in the studio. A very personal collection, this is Woodward’s most emotional performance, putting Davey solidly amongst the best songwriters of his generation.
Davey Woodward and the Winter Orphans play alt folk, often intimate songs set in Bristol. Sometimes they get into drainpipes and pointy boots ‘New Wave’ mode. ‘Bad Day’ is one of those moments.
‘Nobody visits. I’d like someone to stay
In my single bed with my microwave
I’m having a bad day.‘“Imagine a time when putting together the best cassette compilation ever (Today it’s called a playlist) was the sole purpose of the day. Getting it right would mean the difference between a good day or a bad day. It was also the best way to impress girls and show your mates how hip you were. A time when dreaming, looking cool, and disregarding the rules was everything. Decades later and life catches up, poverty, broken relationships, broken families. You could make a playlist but who would you send it to?” says Davey Woodward.
Ahead of this, the band previewed two singles – ‘Occupy This Space’ and ‘Warm Hands’, which could be a soundtrack to a David Lynch movie. This is pop music for grown-ups loaded with dark mysteries of desire and loathing, melody and lyrics that stick in your head.
‘Love & Optimism’ is the band’s second collective long-play, following their 2018 self-titled debut album, released via Tapete Records. On both set of recordings, the band wanted to capture that elusive live magic and spontaneity that is often lost by today’s modern recording techniques.
Davey Woodward first came to prominence with his 1980s band The Brilliant Corners, part of the jangly indie C86 scene, but with a diverse palette of indie pop, country, rock n roll, post-punk and humour. The mini-albums ‘Growing up Absurd’, ‘Fruit Machine’ and ‘Whats in a Word‘ brought the band to the attention of the music press and wider public, followed by their best-known album ‘Somebody up there likes me’ (1987), several John Peel sessions, indie chart success and regular tours. In 2013, Cherry Red Records released a retrospective of the band’s work ‘Heart on Your Sleeve’ (A decade in pop 1983-1993)’ to much interest.
Woodward’s next band The Experimental Pop Band (1996- 2012) was again championed by Peel and signed to City Slang Records, enjoying critical acclaim in the UK and Europe, and performing at Glastonbury.
In the last decade, Davey has released a handful of solo LPs, including the lofi folk pop album ‘6 miles east of here 5 miles north of nowhere’ (2011). He also recorded with alt guitar band Karen, releasing several EPs on The Environmental Sounds label.
The album was recorded in Summer 2019 prior to the Covid 19 pandemic and the tragic events that led to Black Lives Matter, but strangely it is still relevant to these times. ‘Occupy This Space’ seemingly captures the whole feeling of ‘Lockdown’ and the song ‘Clara’s Ghost’ is partly about the history of Bristol’s involvement in the Slave Trade. Just a few months after it was written, Bristol residents pulled down the Statue of Slave Trader Edward Colston in the center of town, making worldwide headlines.
LINKS:
https://daveywoodward.bandcamp.com
https://www.facebook.com/daveysongs
https://www.youtube.com/watch?v=8LjUye3GMgM&feature=youtu.be
https://www.allmusic.com/artist/davey-woodward-mn0000527805/biography
https://music.apple.com/us/artist/davey-woodward-and-the-winter-orphans/1412097438
https://open.spotify.com/artist/0Oiv29FDDnrhtM3UiP7Lq2 -
Ender Bender – Honey Lavender Girl
Ender Bender, a newcomer in the indie-pop world, presents his new feel-good single ‘Honey Lavender Girl’, hot on the trail of his debut track ‘Star Killer’. These positive vibing tracks present an enticing taste of the forthcoming ‘EQ’ EP, to be released in late spring.
The new single centers around his life-changing move from LA to Rome, a journey from self-destructive hedonism to a spiritual and artistic renaissance. ‘Star Killer’, on the other hand, explores the ups and downs, the angels and the demons of life in Los Angeles. The accompanying video was designed and directed by Italian artist Tommaso Ragnisco.
Ender Bender is the solo project of Eddie Olguin, a multi-instrumentalist producer now based in Rome, guided by a unique mission of making perfect modern pop-rock. Creating music and spreading bliss in the face of the realization that nothing in life is perfect, the pursuit of this perfect sound is what fuels the Ender Bender fire.
“The idea for this song came about when I decided to walk away from everything I knew, pack my bags and follow my heart. The song encompasses basic feelings that can be associated with such a decision: anxiety, excitement, hope, love, but most importantly, choosing to allow yourself to be happy. The ride was exciting, tumultuous and often scary; but the destination is joy. “There’s a time and a place for everything, and our time is right now,” says Eddie Olguin.
About ‘Star Killer’, Olguin says, “L.A. raised me and made me who I was, both mother and lover, an open highway to my fantasies and, eventually, the butler of my demons. This song is but a humble, yet bittersweet, an ode to this city”.
An artist and a small business owner in Los Angeles, Olguin had the Ender Bender ‘vision”, one night in a hospital in Glendale, California while literally facing the prospects of his own death. He decided that he had to cut ties with the artistic quagmire that is Los Angeles and all of its demons. Soon after, the Universe, in all her giving glory, opened the doors for Eddie to relocate to Rome, Italy in the name of love, sanity and, in this case, music.
Not looking for a scene, but simply in need of certain energy and feeling, Rome ultimately proved to be the perfect place for Eddie to create this music, bringing the Ender Bender project to fruition.
Inspired by music from multiple genres, including light-hearted indie pop, Ender Bender combines new wave and synthpop elements of decades past with forward-thinking indie pop and electro. Here the past meets the future in an addictive sonic stimulant designed in an audio lab somewhere.
Featured image by Roberta Ovatta.
CREDITS
Written by Eddie Olguin
Vocals and all instruments performed by Eddie Olguin
Backing vocals by Roberta Ovatta
Recorded and mixed by Eddie Olguin
Mastered by Justin WeisLINKS:
http://www.enderbender.com
https://www.facebook.com/enderbendersonicdrug
https://soundcloud.com/iamenderbender
https://twitter.com/iamEnderBender
https://www.instagram.com/iamenderbender -
Twister – 64 White Lies
Founded in the UK’s North East (Durham)Twister is a refined, accomplished pop/rock quartet. This young exciting high-energy band is fronted by Stevie Stoker, a charismatic singer who can work a crowd like the professional he is.
Twister’s natural ability to connect with their audience is self-evident at every concert and they are renowned for giving an amazing show at every performance.
With over 90 minutes of rock and pop anthems and a dedicated following, they easily turn heads throughout their home territories and eager to take on the challenge of stages around the rest of the UK and Europe for the ride of their lives.
So far during their time Twister have played with household names including Status Quo, Simple Minds, Texas, Scouting for Girls, Jools Holland, The Joy Formidable and are frequently the headline act in music venues such as the O2 Academies.
They also performed alongside Guns ’n’ Roses Guitarist Ron Thal (Bumblefoot) on his 2015 tour of the UK.
Working their way up through the rounds all over the UK, Twister finished in overall second place out of 12,000 acts in the Surface Festival.
On 64 White Lies, Jake says: “The song reflects a dark side that lies in all of us. Do you like the taste of your own medicine?”
LINKS:
http://officialtwister.co.uk
http://facebook.com/TwisterUK
http://twitter.com/WeAreTwister
http://OfficialTwister.tumblr.com
http://instagram.com/OfficialTwister