“Our Time Is Now” is the third album of original music by Twilight Fields of North Bay, Ontario, Canada. This is the song-based project of Allister Thompson (known in ambient music circles as The Gateless Gate).
Twilight Fields’ music is very much a throwback to the spiritually intense days of “big music” when bands like The Waterboys, The Church, and Big Country weren’t ashamed to try to make philosophical statements with their music.
This particular album mainly deals lyrically with the importance of and our need for unconditional love to navigate sorrow and loss in an increasingly confused world, whether it’s love between partners, siblings, parent and child, or human and other beings and the natural world.
It combines elements of the gentle psychedelia of late sixties/early seventies Beach Boys with influences from Kiwi and Aussie pop (The Go-Betweens, Crowded House), the smarter end of Brit-pop (James, Doves), and classic seventies singer-songwriters, along with sonic touches from post-punk, psych, post-rock, shoegaze, dream pop and progressive rock.
The album contains a cover of The Moody Blues’ 1986 classic “I Know You’re Out There Somewhere” that mixes the mellotronic style of early Moodies with a hint of shoegaze.
About Twilight Fields
Twilight Fields is from Northern Canada and makes “ambient rock” with influences from progressive rock, ambient, dream-pop, psych-folk, and shoegaze. This music asks big questions about life and loss. Look for party-rock elsewhere.
LINKS:
https://www.facebook.com/twilightfields
http://twilightfields.bandcamp.com
https://twitter.com/tfieldsband
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Vullnet Neziri Ft. Curtisay – Someday I’ll Be Somebody
It’s still rare these days to hear a song with a positive message, much less a good song with a positive message. So a big thanks goes to Vullnet Neziri and Curtisay for making positive messages cool again. This song delivers via lyrics and hooks how you can make your dreams come true if you stay true to them, and it does it in a way that it sticks in your head after you’ve heard the song. That’s what it takes, nowadays, to get a message, any message, across. If only more people used that power for good. Bravo!
About Vullnet Neziri
Finding the heart of a song and bringing it life for eager ears is not a skill all are able to master; those that can though make a vivaciously memorable proposition.Macedonia born singer Vullnet Neziri is one with that ability.
With an instinctive love for music since a child, his vocal craft and charm, as well as musical ability, has blossomed into an ear-grabbing proposition which saw Vullnet chosen and featured on THE VOICE OF ALBANIA in 2013.
There was a recognized maturity to his voice and style which took attention; an essence which has grown and been further honed in the subsequent busy time since that success as Vullnet built towards the release of his debut single in 2015.
Written by Academy Award and Grammy Award-nominated, Golden Globe-winning songwriter Diane Warren, ‘You Got Me’ shone with Vullnet’s harmonic prowess and emotive expression, eventually peaking at No.9 on the Official European Independent Music Chart.
Its warm fusion of country rock and pop was met with increasing success and support whilst also providing a potent teaser for his debut album which is currently in the works.
Featuring songs written by a variety of top songwriters and producers, the album will be a multi-flavored proposal revealing the depth of Vullnet’s musical tastes and styles.
Vullnet followed up that release with Rollercoaster in 2016 and as we roll into 2017, he releases his third single ‘Someday I’ll Be Somebody’.
The new release is a collaboration with a Jamaican rapper Curtisay written by Diane Warren. The video was shot on location in Jamaica and Italy. It was previously a hit for Justin Bieber.
LINKS:
https://facebook.com/Vullnetneziri1
https://twitter.com/VullnetN -
The Vex – Education Kills
‘Education Kills’, the new video for the track of the same name by the U.K. juggernaut know as The Vex, contains three of my personal guilty pleasures. A gnarly, gritty, dirty bass, buzzsaw attacking guitars, and a penchant for rebellion. The Vex not only combines these very guilty pleasures in such a sublime and cheeky way as to make an anthem for the angst but conveys the musical attitude that they live that angst. By doing that, they show that they are at the heart of indie music.
Whether these guys get signed or not, they will be huge. You heard it here first. As a matter of fact, I put that in here so we show up first on Google when it happens. No shame in my game. And no shame in the future of The Vex. Education kills, but take the risk in learning that.
About ‘Education Kills’
An electrifying injection of no-holds-barred punk rock, ‘Education Kills’ is a tribute to the extraordinary bravery of Malala Yousafzai, shot in the head by the Pakistan Taliban while campaigning for women’s rights to education. With this now Nobel Laureate in mind, The Vex’s treatise on the evil that men do is set to overdriven punky-reggae riffage and a fiercely anthemic chorus.About The Vex
Though hailing from London’s outer fringes, where the capital unceremoniously bleeds into Kent, The Vex actually came into being some 1,500 miles away, with an Eighties pop superstar playing his part. While on tour in Moscow with a previous band, the schisms in the group were made apparent by an offer of management from one Adam Ant. The faction that opposed the deal broke away to form The Vex, playing their debut gig at Moscow’s BlastFest, where the only thing that wasn’t ice-cold was, typically, the band’s beer rider.Back in the UK, Josh (guitar/vox), Jacko (guitar/vox), Andrew (bass) and Joshua (drums) soon honed a sound inspired by the classic roots and rock of both Kingston, Jamaica, and London, England. Dealing in dirty guitars and big beats, played with passion and precision, the quartet’s heavy rocksteady sonics became a draw on both sides of the Thames, their ferocious shows earning them a rep as one of the best live bands on the circuit. The Vex hit hard and they cut deep. Spin this EP and hear for yourself.
LINKS:
https://www.facebook.com/thevexofficial
https://soundcloud.com/thevexofficial
https://www.instagram.com/the.vex
https://twitter.com/thevexofficial -
Rude Audio – To The Sun
Rude Audio is proud to announce their new ‘Rude Redux’ EP, slated for release on October 8, 2018, through Zirkus Records. Featuring five tracks, this new release sees the band refine their trademark sound, and fusing their love of woozy dub with throbbing electronics. Here, house music, flecked with Arab and Indian vibes, also shamelessly cavorts with dub.
Ahead of this release, Rude Audio present the lead track ‘To The Sun’, complete with a new virtual reality-inspired video, directed by Ali Ingle. This week, Andrew Weatherall also just premiered two tracks from the new EP on his radio show.
Rude Audio is a South London-based collective with a history of putting on fantastic underground parties, releasing the occasional dubby Balearic opus, engineering for the disparate likes of Paul Weller, Lemon Jelly, and Royal Blood and generally mooching about anywhere that doesn’t have bouncers or operate a dress code.
The core of the collective are Mark Ratcliff (whose releases have been played by the likes of Andrew Weatherall, Laurent Garnier, Kris Needs, Don Letts, Graeme Park and Rob de Bank, as well as BBC Radio 6’s Nemone and Gideon Coe), Owain Lloyd (mixing engineer for everyone from Oakenfold and Weller to Niall Horan) and Dave [The Rave] Brennan (ex-The End recordings and key player at tech house dons’ label, Bombis).
The EP represents a progression from Rude Audio’s latest ‘Rudest’ EP. More hooks, more chug, and more Middle Eastern and Indian influences, while retaining an underlying commitment to the dubby end of the spectrum. Inspired by the more open-minded dancefloors proliferating in the south and east London, where world music might brush up against techno, dub and indie dance, the ‘Rude Redux’ EP operates between 108 and 120 BPM – fast enough to dance to, slow enough to let the music breathe.
Inspired by the new, eclectic, lower BPM spirit found on more discerning south and east London dancefloors in recent years, the ‘Rude Redux’ EP has allowed Rude Audio to bury into its abiding love of dub, leftfield house, and middle eastern sounds and weld everything to a chunky four-to-the-floor anchor.
The Rude Audio sound takes dub and house as its starting point and heads out into analog electronic waters, where the chuggy, Balearic spirit of the early 90s progressive house meets its more modern, low slung counterpart – think A Love From Outer Space, indie dance and nu disco.
“Whenever we are producing and getting excited by our output, we always insist that things sound as good as early Future Sound Of London singles and remixes. More broadly, we continue to be inspired by the more open and eclectic dancefloors of the early 90s and their spiritual counterparts today. Long may the Balearic spirit continue to resonate,” says Mark Ratcliff.
This EP includes a remix by Rich Lane, one of the best underground remixers and producers in the UK electronic music. His tunes are spun by all the key players in the new Balaeric scene – Andrew Weatherall, Sean Johnson, Daniel Avery and Logan Fisher. His sound has spread across dancefloors such as A Love From Outer Space with some of his recent remixes already considered classics.
“Rich Lane’s remix of ‘Steady State’ is our favorite remix of the last 5 years, and his remix of our own ‘To The Half Moon’ is right up there alongside it, in our humble opinion,” says Ratcliff.
Rude Audio continues their residency at Flaxonptootch in Kentish Town, London, the first Thursday of every month, where art shows mutate into parties later in the evening. He is joined by an extra special guest this September.
Rude Audio will host a launch party for the EP in mid-October supported by some special guests, more detail to follow.
“Absolutely loving this, thats brand new and extremely good for you”
– Don Letts, BBC 6“This is indeed amazing – this is Rude Audio”
– Andrew Weatherall“Insofar as modern players on the electronic music scene go, Rude Audio number among the most dynamic, stirring the pot to concoct blends that transcend sub-genre, weaving brilliant ethnic hues into their musical fabric”
– Big Takeover Magazine“Rude Audio might not be a household name in the electronic music world, but it may just become one if they continue making music of this caliber… a seamless hypnotic Balaeric spell”
– Overblown MagazineLINKS:
http://www.rudeaudio.net
http://www.facebook.com/rudeaudio
http://www.rudeaudio.net/blog
http://twitter.com/RudeAudio
http://soundcloud.com/rudeaudio
http://www.youtube.com/user/ThatDirtyEcho/videos