Urn has also completed the writing process on their sixth album which is tentatively entitled “;”(Semicolon) and have been in talks with Thom Hazaert (Thom Hazaert Company/Ellefson Music Productions) to produce the upcoming album with a potential 2018 release date. The band also is in the process of booking tours that will have them return to Canada and Mexico in 2018.
“Many fans had given feedback that this song was one of their more favorites off of the album, so we wished to honor them by doing this video. We also wished to showcase our guitarist, Christopher Migdalski’s lead work on this song, as he has been a role model for those afflicted with Parkinson’s Disease and how to overcome disabilities to still pursue his life dream. Our hope is that this will inspire those to continue on in their battle and achieve whatever dreams/goals that they have.”
– URN
SOURCE: Official Bio
LINKS:
http://www.urnband.com
http://www.facebook.com/urnband
http://www.twitter.com/urncentral
http://www.instagram.com/urnband
You Might also like
-
Lethal Injektion – Believer
Tucson, AZ based, West Coast Metal band Lethal Injektion has followed up on their highly praised sophomore LP, Judgment Night, with a stunning reinterpretation and music video of the Imagine Dragons hit single, “Believer.”
Lethal Injektion is the newest Rap/Metal sensation, based out of Tucson Arizona. The band was put together with Tucson’s hottest top-tier artists to make an undeniable sound & movement.
Jacob Ryan, is a successful independent rap artist under the rap name The Raskal, who most recently won West Coast Artist Of The Year @ The Under Ground Music Awards in New York in December 2015. The Raskal has also had major write-ups in The Source, allhiphop.com, World Star Hip Hop, along with other big features.
Jonathan Russell is most known for his amazing talents as the vocalist in his own band, Stands With Fists. Stands With Fists has had a lot of independent success as well doing several huge events such as Knot Fest & KFMA’s Fall Ball just to name a few. Jacob reached out to Jonathan back in July, with an idea and concept never before seen or done in Tucson. A fusion of hardcore passionate hip-hop lyrics, blended with high energy, aggressive metal tones, and rhythms. The one thing missing was a band to make it all come together.
Using his deep connections in the Tucson metal scene, Jonathan reached out to a young talented group of musicians to finalize this new super group. Guitarists Lawrence McIntyre & Jesse Espich team up with drummer James Ringstrom, and bassist Luis Rodriguez to provide a unique, yet marketable sound to accompany Jonathan’s wide vocal range and dynamic melodies, as well as Jacob’s gritty yet clever rhymes and distinct voice. Their debut single “Strength Through Struggle” has done amazing numbers, and is available on all major digital music outlets.
The band released their follow up single and very first music video “Voices” on their YouTube channel Friday January 15, 2016. The band then followed up with their first studio recorded EP “Sex Is Power”, which made an immediate impact charting as high as #8 on Itunes for new releases for the Rock Genre, and stayed at #1 on Amazon for new alternative metal release for the first 2 weeks. Be on the lookout for their second full-length album “Judgement Night” under the home umbrella RuffLife Recordz, released September 15, 2017.
LINKS:
http://www.lethalinjektionmusic.com
http://www.facebook.com/lethalinjektionmusic
http://www.twitter.com/LInjektion
http://www.instagram.com/lethalinjektion -
Grieves – A-Okay
‘Running Wild’ has a modernized sound that is lush and intoxicating, pairing punchy drums with thick layers of synths and warm bass lines. Whether dark and moody or upbeat and jazzy, Grieves navigates the soundscape, penning verses that range from vulnerable and confessional to carefree.
Recorded in Stockholm alongside Swedish producer Chords (aka rapper Jens Eric Resch Thomason), the fifteen tracks on ‘Running Wild’does exactly what the album title would imply.
Tracks like ‘Gutz’ and ‘No Sleep’ are classic Grieves ruminations on anxiety and romantic bust-ups, then others such as ‘Faded’ and ‘RX’ experiment with fluttering trap beats, whilst ‘What it Dew’ and ‘5,000 Miles’ offer the rich guitar tones and humming organs more commonly found in classic soul.
The record offers a clear openness, both sonically and thematically which presents a new side to Grieves and his creativity as an artist. It showcases his dueling impulses to have a good time while staying true to himself. This artistic progression in Grieves offers a refreshing development in his overall sound, lyricism, and a unique journey for the listener.
When asked if he always knew he would end up being a rapper, Grieves can only laugh. “Oh no, not really, I was in bands and stuff, but grew up listening to Punk. It wasn’t until I got a little older that Hip-Hop really started to happen for me.”
When Grieves first heard artists such as Mobb Deep and Wu-Tang Clan, he remembers being drawn to their sound. “Hearing all the samples from records that I heard my dad play when I was a kid… You start to hear the connections. When I discovered people like Atmosphere, it was like hearing somebody speak their truth in a way that related to me. That’s when I first started to think about Hip-Hop as a way to really talk about what was happening in my life. Hard to believe that now, over a decade later, that’s actually what I’m still doing.”
While his previous efforts such as 2011’s ‘Together/Apart’, and 2014’s ‘Winter & The Wolves’ might have leaned heavily in the direction of darkness- taking on subjects such as addiction, heartbreak, and poverty, the new record introduces some much-needed levity to the proceedings.
At a time when the notion of the “album” is often summarily ditched in favor of records that are little more than a collection of previously released singles, ‘Running Wild’ is very much an album, and intentionally so. “I really wanted this to be a real record,” says Grieves, “I wanted it to work front to back.”
“I’ve been touring for over ten years at this point, people have seen my show. They get who I am as a person and an artist, the serious and the lightheartedness. Until now I haven’t felt comfortable releasing a record that divulges this, to project what you’re experiencing live, and what you have come to expect from the records, all in one!”
Coinciding with the tour, Grieves has also dropped his next video from the album for the track ‘A-Okay.’ The video centers around a character who seems unable to cut loose and enjoy the good times and the company he ‘s surrounded by.
Grieves said, “Life is way too short to be mad at other people’s enjoyment. Go out and live a little, rent a hot tub boat, get your butt touched, whatever… Just smile!”
SOURCE: Official Bio
LINKS:
https://rhymesayers.com/artists/grieves
https://twitter.com/Grievesmusic
https://www.facebook.com/Grievesmusic
https://www.instagram.com/grieves -
Mayflower Madame – Sacred Core
Mayflower Madame returns with a new video for their single titled ‘Sacred Core’. With a root in the gaze and a finger on the pulse of the alt, the Madame gives a dark and brooding opus with equal parts introspection and extroversion combining to make an almost holy sounding trinity of mind, motion, and music. The soul is sacred and the id is core from the hearts of Mayflower Madame. Inhale, ingest, intake, and introvert.
‘Prepared for a Nightmare’ was released on vinyl and CD on June 12. It is available through Bandcamp in all formats, as well as digitally via iTunes and Spotify.
Check out our other articles about Mayflower Madame HERE.
ABOUT MAYFLOWER MADAME & ‘SACRED CORE’
Norwegian psychedelic post-punk outfit Mayflower Madame presents the third single ‘Sacred Core’ off their new second album ‘Prepared for a Nightmare’, released via French label Only Lovers Records in collaboration with Portland’s Little Cloud Records and Parisian label Icy Cold Records,
“Sacred Core is a song about getting lost, drifting away and trying to find the way back to your safe haven – guided by swirling, hypnotic guitars and an insistent, heavy beat. Compared to the shoegazey post-punk of the album’s previous singles “Vultures” and “Swallow”, this track digs deeper into haunting, psychedelic territories, yet still maintaining our trademark dark and atmospheric sound,” says frontman Trond Fagernes.
The accompanying video was directed by Astrid Serck, who also created the videos for previous singles ‘Swallow’ and ‘Vultures’.
“To me, the song is like an open landscape – it’s grounded, but at the same time moving. I wanted to capture that feeling visually with footage from windmill fields and beaches, where there’s constant movement – like rhythm, as opposed to the solid ground. A contrast between motion and stillness. Something to hold on to as well as something loose and vibrating,” says Astrid Serck.“The core is what you hold on to. The motion is what you can let go. The sunbeams are blinding you, like a sacred light. The ceiling of a church is another symbol of sanctity. The moon is dancing, in disturbing ways, on the screen. In the video, there is also an abandoned house, left with the door open. It´s a metaphor for the feeling of something that is lost, you can go back there, but only the memories are left. In addition, there’s live footage of the band filmed from shows in Oslo and San Diego.”
‘Prepared For a Nightmare’ presents a dark and distinctive blend of post-punk, shoegaze and psychedelia. Here, the band delves deeper into their own distinctive blend of psych-noir and post-punk with elements of shoegaze and noise-rock.
Hailing from Oslo, Mayflower Madame is Trond Fagernes (vocals, guitars, bass), Håvard Haga (guitars) and Ola J. Kyrkjeeide (drums). Formed in 2011, they first rehearsed in a desolate industrial building, sharing space with a carwash company. Their hazy, smoke-laden sound was conceived naturally amidst these gritty surroundings. They soon recorded a four-track demo and became ‘Unsigned Band of the Week’ on a major Norway stations.
After a few years of touring, Mayflower Madame finally released their debut album ‘Observed in a Dream’ in 2016, followed by the ‘Premonition’ EP in 2018. Through eight tracks of theatrical psych-gaze exploration and dark romanticism, the album conveyed the wintry feeling of their home country – icy and gloomy, haunting, and majestic.
Mayflower Madame has shared the stage with bands like Killing Joke, Moon Duo, Night Beats, Psychic Ills, Froth, The Underground Youth, Crocodiles, Cosmonauts, and La Femme. They have also toured North America, the UK, and Europe.
LINKS:
https://www.facebook.com/mayflowermadame
https://mayflowermadame.bandcamp.com
https://www.instagram.com/mayflowermadame
https://www.youtube.com/user/MayflowerMadame/videos