Vandebilt {ˈvændəbɪlt, pronounced in three syllables ‘Van’, ‘Duh’ & ‘built’} is a four piece dance-floor inspired indie disco band from Sunderland, in the North-East of England.
Taking their name from the Paul McCartney song “Mrs. Vandebilt”, the band are not one for gimmicks or Instagram inspired fads or the rush of the industry and take inspiration from the song of their name – don’t worry, no need to rush. Their music is honest, positive and centered around the band’s experiences of love, lust, and loss as well as frequent experiences of north-east working clubs.
LINKS:
https://tippingpoint.lnk.to/vandebilt-dreamincolour
https://www.facebook.com/vandebiltmusic
https://www.instagram.com/vandebiltmusic
https://twitter.com/Vandebiltmusic
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Aisles – Club Hawaii (Live from Estudio del Sur)
Aisles have been regarded as Neo-Prog, but their approach to music goes far beyond. Their soulfully crafted combination of rock, progressive rock, art rock, fusion, world music and other styles illustrates the band’s unique liberal and eclectic music vision, reaching their own sound by forming an identity which makes it unmistakably unique to anyone’s ear, and a spirit in which prevails above all, the desire to create.
SOURCE: Official Bio
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Drew Davies – Mrs Taylor
Last week we brought you the review for Drew Davies’ new single titled ‘Mrs Taylor’ and told you how special the meaning behind the music is. This time around we concentrate on the video, which just dropped.
The video perfectly encapsulates said meaning with a symbolic journey via car and foot through what I think is one of the more beautiful countrysides in this world. The scenes are cut to the beat which punctuates the track and enhances the driving tone of the song as a whole. Topped by interesting guitar and chord changes that give soul and take score, ‘Mrs Taylor’ is one of those beat-centric anthems for the #indie scene.
ABOUT ‘MRS TAYLOR’
London-based rock soloist Drew Davies has announced his single ‘Mrs. Taylor’ set for release on 1 November. The track is lifted from his upcoming debut EP via AD1. The EP was mixed by Steve Honest (Oasis, Eurythmics) and mastered by John Webber (David Bowie, Super Furry Animals). Davies has been featured by the likes of Clash Magazine, Atwood Magazine and Music News amongst others. He has seen radio play from BBC Radio York’s Introducing with Jericho Keys, BBC Wales, Radio X, and as a previous member of The Mercy House, the band saw support from Kerrang, Classic Rock Magazine, Metal Hammer, MTV and BBC Radio 6 and Radio X. He has toured extensively in the UK and Europe, had music featured on the Rock Band video game, played Download Festival, London’s Scala and the iconic Troubadour.
ABOUT DREW DAVIES
Hailing from South Yorkshire, Davies comes from a long line of singers and musicians. He has spent the better part of the last decade treading the boards of venues and festivals across the UK and Europe with various bands, working in musical collaborations, writing for other artists and singing in session gigs to get by. Through successes, setbacks and everything in between, he has poured himself into his musical labors and has now produced his most personal work to date.
Pulling from a wide array of influences, Drew Davies is inspired by everything from 50’s rock n’ roll to electronica, citing acts such as The National, Scott Walker, Vangelis and Tom Petty. From this palette of familiar reference points, he has created a genre-bending and timeless sound that bears semblance to the likes of Sam Fender, Future Islands, and The War On Drugs.
On ‘Mrs Taylor’ Davies displays impressive vocal polish, bringing the lyrics colorfully to life against a full musical arrangement. Propelled by energetic instrumentals, the songwriting and hooks are brilliantly written and expertly executed. Thematically, the track traverses melancholic subject matter, but Davies tackles it with gusto and positivity choosing to highlight memory of life, rather than a reminder of our inevitable mortality.
Davies gives some background to the track:
Mrs Taylor is a song about childhood. Growing up in the South Yorkshire countryside it wasn’t always easy to get around. My oldest friend’s mother Mrs Taylor used to ferry us around a lot and take care of us if we ever got into scrapes. When I learned of her passing I immediately started writing lyrics and music; ‘Mrs Taylor’ was written then and there as an ode to childhood and to those who took care of me in those formative years.
LINKS:
https://www.drewdaviesmusic.com
https://www.facebook.com/drewdaviesmusic
https://www.twitter.com/drewdaviesmusic
https://www.instagram.com/drewdaviesmusic
https://drewdaviesmusic.bandcamp.com -
Phil Rudd – Head Job
Phil Rudd solidifies his rock roots and firmly asserts his reason in rock history with his new video for the title track off of his album “Head Job”. The album has recently been re-released as to get all of the legal BS that can sometimes happen out of the way and now it is time to get down to business. And this song, along with the album “Head Job” is all about getting busy with it’s classic yet timeless sound that Phil helped to create.
About Phil Rudd
Described by Malcolm Young, co-founder of AC/DC, as “the real deal”, Phil Rudd, the band’s long-term drummer, played in several Melbourne bands such as Buster Brown and The Coloured Balls before joining up with the rock giants in 1975.Rudd powered the band to super-stardom with his dogged consistency and unshakable back-beat on classics like ‘It’s A Long Way To The Top (If You Want To Rock ’N’ Roll)’ ‘TNT” and ‘Dirty Deeds Done Dirt Cheap’, becoming an indelible part of AC/DC history.
To the untrained ear, Phil Rudd’s drumming may seem rudimentary, but his style and groove have earned him the adoration of generations of his peers. Rammstein’s Christoph Schneider said in the October 2010’s Modern Drummer, “AC/DC were my absolute heroes because they are simple and easy to copy, though soon you find they are not so easy to copy.” The magazine’s May 2010 issue also honored the rocker with the feature ’50 Reasons To Love Phil Rudd’.
Rudd has appeared on all but three of AC/DC’s 18 studio albums, which have sold more than 200 million copies worldwide. When the blockbusting album ‘Highway to Hell’ went multi-platinum worldwide, Rudd said he ‘‘went straight down the road to buy my first Ferrari’’ sparking a lifelong love of luxury cars. Rudd showcased eleven of his luxury cars in Christchurch, New Zealand as part of an earthquake appeal fundraiser, his current collection includes a rare 1991 Ferrari F40, a brand new Ferrari 599, two Lamborghinis, a 2010 Rolls Royce Ghost, 2011 Bentley Mulsanne, and Bentley super sport, Audi R8 V10, a 2011 Aston Martin DBS, and 2010 Mercedes SLS AMG. The cars have a combined worth of approximately $3m. Rudd’s airport hangar is also home to his MD 520N helicopter.
With the lavish rock star lifestyle firmly in place, Phil Rudd recorded and released his first debut album ‘Head Job’ with Kiwi musicians Allan Badger and Geoffrey Martin in 2014. The album was released via Universal Music Group in Australia & New Zealand but further promotional plans were scuppered by well-publicized legal problems in New Zealand.