“Until it’s Gone” is the new Void Vator music video that showcases the Los Angeles quartet’s high energy rock and metal show. Void Vator will be bringing their show on the road this summer 2018 on the Southwest Express tour from LA to Houston and back.”
Void Vator is a heavy metal rock band based in Los Angelas, CA. made up of Lucas Kanopa (Guitar, Vocals), Erik Kluiber (Guitar), Sam Harman (Bass), and German Moura (Drums). Originally formed in 2014, Void Vator began writing material and performing throughout LA before being approached by legendary rock music producer Ulrich Wild to sign with his then startup WURMGROUP. The band released their debut EP, Dehumanized, in 2017.
LINKS:
http://www.voidvator.com
http://www.facebook.com/voidvator
http://www.instagram.com/voidvator
http://www.youtube.com/voidvator
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Lover – Fallen Famous
Where dissatisfaction is bohemian and vaguely Marxist in origin, Lover is here to show you the beauty in the darkness.
With a morbid longing for the picturesque at all costs – are you ready to explore a life no one thought could exist outside literature?
Lover is:
- Sarah bradbury
- Jamie moore
- Florence sabeva
- Alex villar
- Simon lacon
- Federico bianco
The bones of the band were formed towards the end of 2015, and they started on their debut album, ‘Human Geography’ in early 2016.
The album was completed just before they embarked on a mini UK tour supporting earl slick/bernard fowler’s station to station tour.
Whilst on tour the band started building a following and garnered great feedback from the public and industry insiders alike.
2017 is the year that lover decide whether you’re allowed to be part of their world or not.
About Fallen Famous:
The song came from a strong image of a run-down mansion and a group of young people wearing now tattered fancy clothes living there in faded grandeur in a post-apocalyptic world – almost playing at being the celebrities they once admired (and contributed to destroying). Like a sexier version of miss haversham and her house… the story is hard to pin down but it is something around the way we lionize and then tear down our heroes in today’s mass media culture – a micro version of how, as a race, we seem intent on destroying our home planet…LINKS:
https://facebook.com/LoverTheBand
https://twitter.com/LoverTheBand -
Kris Halo Pierce Ft. Kim Cameron – Rescue Me
Rescue Me is the first single and Music Video from the upcoming album, Hypothetical Lifeforms, from the genre-bending producer, Kris “Halo” Pierce. Based on a jam session that was aired live on Facebook with Kim Cameron and touring keyboardist, Federico Colloca, the lyrics have a topical reference to current events without tokenizing the subject. Rescue Me exists in two forms on the album: like a playlist friendly edit and then reprised as a full length, extended jam in the denouement portion of the album. The music video was shot in Key West, Islamorada, Miami Beach, and Ft. Lauderdale, and is visually tied to themes from the upcoming, children’s animated film, Seaper Powers: In Search of Bleu Jay’s Treasure, on which Pierce serves as a sound designer, music producer/supervisor, and post-production mixer.
KRIS HALO PIERCE (AKA DJ Halo/Haunted Echo) is a multi-award winning, genre-crossing producer and author with placements at MTV, Interscope, ViacomCBS, Sony Creative, Cleopatra Records, Distortion Productions, and TagWizz (Music Mash: Alexa Skills); just to name a few. His sound is often referred to as Balearic Beat and Cinematic Ambient, but he’s best known for his work with the Electro-Pop artist, Kim Cameron, which has been recognized by the Global Music Awards, Latitude Film Awards, the European Independent Film Award, and the Orlando Film Festival, in addition to being remixed by the Grammy Award-winning, Bimbo Jones Duo. He stars as Steve the Starfish (in addition to writing original music) in the upcoming children’s animated film, Seaper Powers, and there was also that time he performed on America’s Got Talent (8 million viewers). He’s even worked on Broadway (Gettin’ The Band Back Together). He owns and operates Halo Askew Entertainment (BMI) – a multi-platform, boutique publishing company based in New Jersey.
DJ Halo released numerous albums under the name Haunted Echo. Most notably, singles ShapeTracer and Runaway which received promotional sponsorship and publication by ViacomCBS.
LINKS:
https://open.spotify.com/artist/19b7jJlFKtIjnDUyAPs2Wy?si=7qIC_1LUQ5K48rYWqoE4bw
https://krishalopierce.bandcamp.com
https://facebook.com/haloaskew
https://twitter.com/haloaskew
https://instagram.com/haloaskew
https://tiktok.com/haloaskewKim Cameron
About Kim Camerons and Side FX band~ Originally from the Los Angeles area, Kim Cameron moved to a number of states in the US with her family before settling in Nebraska where she earned her college degree in broadcast journalism. Growing up, she had played the clarinet in her school orchestra and marching band as a child and eventually landed musical theatre roles and sang in choirs in her young adult years. After college, she worked as a radio personality in Lincoln, NE, and later worked for information technology companies in their media departments. While continuing to work in the corporate world, she moved to Miami Beach where she began her musical path by joining a local cover band in the early 90s.
LINKS:
http://sidefxband.net/about.aspx
https://twitter.com/sidefxband
https://www.instagram.com/kimcameron_sidefx -
MIS+RESS – The History Of Fishes
MIS+RESS, the solo ambient project of Brian Wenckebach, best known as a member of Brooklyn shoegaze darlings Elika and experimental electronica outfit Thee Koukouvaya, is releasing his debut album via Somewherecold Records. This album has also become a 2017 favorite of electronic mastermind and radio host Ulrich Schnauss.
This self-titled 10-track offering is quite remarkable, oscillating between the atmospheric opaque reverie of such bands as Land Observations, the mysterious edge of Michael Brook and Daniel Lanois, and fantastic imagined music boxes for grown-ups.
MIS+RESS is the solo project of musician, artist, mixing and mastering engineer, father, and educator Brian Wenckebach. He has worked with a number of established artists and labels including Showtime Television Networks, Polyvinyl Records, Ulrich Schnauss, Asobi Seksu, Noveller, Thisquietarmy, Dead Leaf Echo and Nadja, and also re-mastered Blind Mr. Jones’ classic album ‘Tatooine’.
Wenckebach first began recording music to analog tape in 1995 and, by the end of the decade, had started to move towards computer sequencing. The Durutti Column, Land Observations, Daniel Lanois and Harold Budd number among his musical influences, along with Loscil, Nils Frahm, William Basinski, Noveller, Rafael Anton Irisarri, Susumu Yokota, and Tim Hecker.
A long-term professional used to the comforts of his work with Electric Blue Studios in Brooklyn, this album marks a departure from the studio setting. It was recorded in Toms River, New Jersey with an electric guitar and four effects pedals in a make-shift studio he set up in his sister-in-law’s abandoned childhood bedroom.
Rather than relying solely on atmosphere and texture, MIS+RESS creates songs with genuine emotional content. They are clever and intricate, dreamy yet broken. They paint a sonic canvas full of gorgeous landscapes, littered with machines languishing in obsolescence. This debut album evokes memories of a past/future you didn’t/won’t have. This is post ambient, instrumental guitar. No frills and no hiding.
“This is much simpler and more direct in the sense that I utilized a very limited palette (simply guitar with a few effects). My other projects have emphasized vocals and electronics and had hundreds of layers,” explains Brian Wenckebach. “Electronics used to feel rebellious to superimpose on shoegaze/dreampop. Now, it is commonplace. The danger is gone. I figured I would go in the opposite direction.”
MIS+RESS’ album is the latest release on Somewherecold Records, whose blossoming collection of dreampop, nugaze and ambient offerings includes albums from Ummagma (Canada-Ukraine) with Robin Guthrie of Cocteau Twins and Dean Garcia of Curve, The Corrupting Sea (Fort Worth, Texas), The Beremy Jets (Malmo, Sweden), and Yellow6 (Leicester, UK.
This MIS+RESS album is a limited edition with only 100 copies available on CD and 50 on cassette, available exclusively through Somewherecold. They are available for pre-order now via the label’s Bandcamp.
“It’s like opening the gates of heaven, and getting lost in its circular ‘trippyness’ – its optimism, haziness and watery imagery”
– Last Day Deaf“Looking for that late summer ambient guitar album – delivering not only a generous range of delicate tones and scapes, but also a rich palette of actually hummable melodies and sequences? Brian Wenckebach’s new solo record provides exactly that and may establish him as a Chicagoan Vini Reilly- highly recommended!”
– Ulrich Schnauss“Like distant clarion calls hailing through the twilight fog”
– The Sunday Experience“Waves of joy and bubbles of bliss, winds of hope and breaths of truth. MIS+RESS is our new best find. Calming, chakra aligning enlightenment as far as music goes and the fact that it is just a few minutes shows that Wenckebach doesn’t require much time to show that he’s capable of delivering a masterpiece”
– The Record StacheLINKS:
http://www.facebook.com/mis.plus.ress
http://soundcloud.com/misplusress
http://twitter.com/MisPlusRess
http://misplusressswc.bandcamp.com
http://vimeo.com/misplusress