In support of their debut album ‘Image’, Belgian post-punk outfit Whispering Sons present their new live video for ‘Alone’, filmed for Belgian national TV following a roundtable on post-punk past and present. Comprised of ten tracks, their album is out now via Cleopatra Records in North America and Smile Records in Europe. Ahead of this release, the band offered a preview of their tracks ‘Stalemate’, ‘Waste’ and the album version of ‘Alone’.
Whispering Sons are Sander Hermans (synth), Fenne Kuppens (vocals), Kobe Lijnen (guitar), Sander Pelsmaekers (drums) and Tuur Vandeborne (bass). The band just wrapped up a tour with The Soft Moon, followed by a series of shows with Gang of Four and headlining a series of European live dates in support of this album.
This is the first major release for this Brussels-based outfit since their ‘Endless Party’ EP in 2015. This new release represents what the band describes as a “giant leap forward”. Together with producer Micha Volders and engineer/co-producer Bert Vliegen, the band used their time in the studio as a means to broaden their sound, enriching it with acoustic drums and a whole range of synthesizers.
This album, recorded over a period of ten days at GAM Studios in Belgium, evokes an atmosphere that is ominous and urging, while capturing the and’s live intensity. Mixed by Bert Libeert (Goose, B, Raving George – Charlotte de Witte) at Jetson Studio and mastered by Frederik Dejongh (Hooverphonic) at Jerboa Mastering, this work is tinged with angst and isolation. Lyrically these songs stem from alienation, distance and inertia.
The songs on ‘Image’ were written after the band collectively moved to Brussels in 2016. Between intense touring, they channeled their new ideas into the music found on this album. Feeding on the dynamics of the city, the tracks unveil feelings of alienation and distance. ‘Image’ is a motionless state, in which observations overshadow actions. It reflects the artificiality of things, yet still desperately clings on to ideals and obsessions, something which is also strengthened by the cover artwork, created of Flor Maesen.
Whispering Sons won Belgium’s prestigious Rock Rally in 2016, the same national contest that launched the career of dEUS. Since then they released several 7 inches – ‘Performance/Strange Identities’ (2016) and ‘White Noise’ (2017), and the ‘Endless Party’ EP. Touring extensively in Europe, they’ve developed a reputation for their animated performances.
The ‘Image’ LP is now available everywhere, and can be ordered via Cleopatra Records on CD and also digitally via Bandcamp.
LINKS:
http://www.whisperingsons.com
https://www.facebook.com/WhisperingSons
https://whisperingsons.bandcamp.com
https://twitter.com/WhisperingSons
https://www.instagram.com/whisperingsons
https://www.youtube.com/channel/UC7AFnJzNQsK_bRA5Dwi3z9w/videos
https://soundcloud.com/whisperingsons
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The Mutineers – Drug For That
Based in Portland, Oregon, The Mutineers are a rock n roll husband-wife duo with country leanings and punk rock tendencies. With Brian Mathusek on guitar and Merry Young on drums, the couple shares vocal duties. Sounding like a cross between Johnny and June with John Doe and Exene, and a bit of Nick Cave and PJ Harvey, their sound esthetic is influenced by such artists as Bruce Springsteen, X, Nick Cave, Loretta Lynn, and Elvis Presley.
“This was written specifically for Merry’s voice. I wrote the first draft of lyrics and she sculpted it to fit her style. Her world-weary delivery is the perfect backdrop to the story. The song contemplates the dual feelings of helplessness and power inside a co-dependent relationship,” says Brian Mathusek.
“The singer is struggling with self-confidence and self-consciousness. She cannot decide if she has been too open or not open enough. I think everyone has someone in their life that they can’t stand, but also can’t live without, whether it’s a lover or a family member or a friend. Knowing when to cut someone off is very difficult. By the end of our song, the narrator has given up and given in to this cycle of love and hate, another lost soul.”
Co-produced alongside Raymond Richards (The Parson Red Heads) at B-Side Recording Studio in Portland, this is the band’s third EP and fifth significant release. Originally founded by Brian Mathusek and Michael Astudillo in 2007 and joined by Merry Young soon afterward, The Mutineers debuted with their ‘Tidal Wave’ EP in 2008, followed by the ‘Nihilisteria’ EP (2009) and ‘From the Dirge to the Dance’ LP (2011). The new fully-arranged recordings diverge from the duo’s previous release ‘Live at B-Side’ (2016), which was recorded without any overdubs.
With this latest effort, The Mutineers have begun a new chapter, collaborating more closely in their songwriting process. Their latest songs feature characters who are flawed, stubborn and struggling with their demons. They wander confused, obsessed, addicted and envious, through the microcosms of Threshold in search of happiness, understanding, and love.
The Mutineers will be touring nationally through the fall. In the past two years, they have given over 120 performances in 30 states. They have shared the stage with such notable artists as The Tallest Man on Earth, Langhorne Slim, Reverend Peyton’s Big Damn Band, Larry, and His Flask, The Devil Makes Three, The White Buffalo, and Murder by Death. When not touring, the couple runs a graphic design and screen printing business, Mutiny Studios.
In collaboration with Clovis IV, a visual storyteller, The Mutineers have continued exploring the visuals associated with their song themes, helping express their music, in still images and now on a music video. Clovis started working in the visual arts in the early 90’s. Connected to the worlds of music and media, he has continued to express the stories of artists & individuals in still and moving images. Be it as a photographer or designer, Clovis has worked with many artists, including New Model Army, Thievery Corporation, Faith and the Muse, Concrete Blonde and Flesh For Lulu.
LINKS:
http://www.themutineersmusic.com
https://www.facebook.com/mutineersmusic
https://twitter.com/TheMutineers
http://mutineersmusic.bandcamp.com
https://www.instagram.com/themutineers -
The Membranes – A Strange Perfume
With sixteen epic, powerful and darkly romantic songs on offer, this is The Membranes’ eighth studio album overall and the second since they reformed in 2010 when former support band My Bloody Valentine convinced them to return to the stage for the ATP festival. This album is a game changer in the tradition of Manchester bands like Joy Division.
This album features appearances from vocalist Kirk Brandon (Theatre of Hate, Spear of Destiny) and 84-year-old folk singer Shirley Collins, one of England’s premier folk singers of the ’60s revival. Renowned nature TV presenter Chris Packham also contributes, as does the legendary Jordan, who practically invented the punk look in 1975. Half the tracks also feature the 20-piece BIMM Choir, offsetting a sound laden with dark drones and an atmosphere of melancholic epic power.
The album was recorded at 6DB Studio in Manchester with Ding Archer, a former band member with PJ Harvey, The Pixies and producer of the last nine albums by The Fall. John Robb wrote all the parts for the choir. This release follows up their acclaimed album ‘Dark Matter/Dark Energy’, the band’s best selling release, which received rave reviews and ample radio play on BBC 6 Music and internationally.
‘What Nature Gives… Nature Takes Away’ is about the beauty and violence of nature. This is a very diverse work with dark, brooding cinematic choir-driven songs. Imagine the sound of Hieronymus Bosch paintings to discordant wild songs about crows, demon flowers, strange perfumes, voluptuous petals, voluminous oceans, treacherous seasons and the poetry of life and death set to spooked pulsing musical pieces, ranging from epic choir-driven postpunk songs to dark dub workouts, from throbbing dirty disco dark wave pulses to grinding heavy bass-driven pieces, from apocalyptic visions to choir-driven epic swirls.
“This is the pinnacle of our long and strange journey. This album is steeped in the powerful forces of nature and an underlying emotional undertow that is dark and brooding bass driven postpunk with the epic swirl of the choir and diversity of sounds that takes you on a trip. I put my life into this album musically, lyrically and emotionally,” says John Robb.
“The Membranes was born of postpunk in the late 1970s – a time when a generation inspired by punk rock created music on their own terms. We were immersed in that scene and that world and when we reformed we picked up on those themes and ideas and the diverse fellow travelers that we were contemporaries of like Joy Division, Bauhaus, Einsturzende Neubauten, Nick Cave, PiL, Big Black, and newer bands like Godspeed You Black Emperor, Mogwai, Ulver, and Wardruna – bands who fuck with the template to create an atmosphere and mood.”
Formed in 1978 in Blackpool, The Membranes played classic bass-driven northern post-punk and were part of the same world as bands like The Fall, Sisters Of Mercy, Echo and The Bunnymen and Cabaret Voltaire, all inspired by 1977 to launch their own idiosyncratic journeys. The band released a remarkable series of records that combined their small town frustration with a love of heavy bass and distortion. This ultimately became a prime influence and the precursors to such American noiseniks as Steve Albini, Swans and Sonic Youth.
John Peel and music press favourites, a continual frenzy of releases, public acclaim and touring worldwide with national TV appearances, the band went on hiatus in 1990 until finally reforming in 2010.
The Membranes are Peter Byrchmore (guitar), Nick Brown guitar), Rob Haynes (drums), and John Robb (vocals and bass), a renowned TV and radio pundit, editor of Louder Than War, a key UK music site and national magazine, and curator of the Louder Than Words festival. In autumn, John Robb will also release ‘The Art Of Darkness’, a book on the darker side of post-punk, adding to his collection of best-selling books on punk rock.
As of June 7, ‘What Nature Gives … Nature Takes Away’ will be available on vinyl and CD, and digitally from stores such as iTunes and streaming platforms like Spotify. There is also a deluxe double vinyl ultra limited edition of 150 copies. This summer, cosmetics company Lush will release a Membranes perfume called ‘A Strange Perfume’ after the album’s opening track. In the meantime, the band will tour the UK in support of their new LP.
LINKS:
http://www.themembranes.co.uk
https://www.facebook.com/themembranes
https://www.twitter.com/membranes1
https://www.instagram/themembranes
https://membranes.bandcamp.com
