With the release date of his upcoming album ‘Missive To An Angel From The Halls Of Infamy And Allure’ right around the corner (October 18th, 2019) and his upcoming shows with his original band Bauhaus, David J is a man who obviously has his plate full. And that plate has been full for a while now. With cofounding credits to both Bauhaus and Love and Rockets, among other things, David has a more than ample solo career spanning three decades and fourteen albums (including singles compilations) and the soon-to-be fifteenth aforementioned ‘Missive’ album.
In today’s Jammerzine Exclusive interview, we get to talk with David about the new album as well as his frequent collaborations and his signature musical style. We also get a glimpse as to where he is taking his solo career (you will be surprised!) and other things you do not want to miss.
Check out our review of David J’s single ‘Migena And The Frozen Roses’ HERE.
Check out our review of David J’s video ‘The Auteur (Redux/The Starlet’s Cut)’ featuring Rose McGowan HERE.
LINKS:
http://www.davidjonline.com
https://www.facebook.com/mcnightshade
https://twitter.com/davidjhaskins
https://www.instagram.com/davidjhaskins
https://davidjofficial.bandcamp.com
https://www.youtube.com/user/aviddj1919/videos
https://www.patreon.com/davidj
https://open.spotify.com/artist/2EftfRcBC3whzGDBGOwIVG
https://itunes.apple.com/us/artist/david-j/3032724
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Jammerzine’s The Week in #Indie for 5/16/2022
In this episode of Jammerzine’s The Week in #Indie we have an exclusive interview with Athena Hiotis from Prism Waves. Also new singles, videos, and albums from Billingsley, Ghost Woman, Monte, Rubber, Beauty In Chaos, Indii G., Otoboke Beaver, and Zack Fletcher.
About Prism Waves
Jammerzine has an interview with Athena Hiotis from Prism Waves. Prism Waves (formerly RÊVE), is a band that is becoming as influential as it is branded. And being branded is a good thing. A lot of new artists don’t realize this, but you are all brands. And Athena is an expert at this from multiple angles of the music business. She is also the head of the artist-centric boutique record label Pop Riot.
In this interview, we talk with Athena about being both the frontperson of a successful band killing it on the scene as well as head of a label, making the scene, as well as everything in between (including our mutual love for Sigourney Weaver and the Alien franchise!). This is an interview with a true talent and a conversation with a genuine person.
LINKS:
https://www.prism-waves.com
https://www.facebook.com/prismwavesband
https://twitter.com/PrismWaves
https://www.instagram.com/prism.waves
https://www.popriotmusic.comAbout Billingsley
Billingsley has released their new video for the track titled ‘Long Shot’. I have no other way to start this but to say that this is a fun song. Subtly anthemic, partly quirky, and totally engulfing, this song grows on you after you approve it. I could say it’s the hook. I could say it’s the style. It just is. And it stays with you after that first listen.
Billingsley sounds like a fun band. I hope this pandemic ends soon so we can see them live. I get the feeling their shows are a party. And we’re all invited.
LINKS:
http://www.billingsleyrocks.com/
https://www.youtube.com/channel/UC8g-tVt4-8Am9G_EAQ4uYDA
https://www.facebook.com/billingsleyrocks/About Ghost Woman
Ghost Woman has released his new video for the track titled ‘Clockwork’, from his upcoming eponymous LP releasing on July 1st via Full Time Hobby.
Set in an old 8mm home movie styling, we get a solid slow burn of 2:26 filled with retroblasting Eazy Ryder style road trip goodness. The song is the real star of the video, in my opinion. Drenched in it’s own style of true grit and guitar, there is no filler from a highway killer of a track trying to find a home before it realizes it doesn’t need one. Only that place in your head or your heart. Minimalism as an audio artform has now been perfected.
LINKS:
https://www.ghost-woman.com
https://www.fulltimehobby.co.uk
https://orcd.co/ghostwomanAbout Monte
Monte has released their new video for the single titled ‘I Hate Me More’. Thrash punk in all of it’s original glory from the heart to the masses with conformity getting the first f*ck you and a no-holds-barred with every lyric, Monte gets right to the point with music that should make a solid comeback, but until then, we have Monte holding that flag. Admit it, this is how we all feel but are too afraid to say anything.
LINKS:
https://www.monteofficial.com
https://www.instagram.com/monte.music
https://www.facebook.com/MONTEtheofficialAbout Rubber
Rubber has today released their new video for the single titled ‘Fries & Wings’. Filmed in a location filled with character and characters, we get a sense of unity via soul, funk, R&B, and heart. Philly has a new sound and it’s Rubber.
The #Indie scene is filled with both originality and unoriginal. Rubber places firmly in the former. Amassed with talent vocally, lyrically, and musically, ‘Fries & Wings’ is but a taster of what I want to expect from a dynamic duo of this caliber. Groove now has an anthem.
LINKS:
https://rubber.biglink.to/dMeD
https://www.rubbermusic.com
https://www.instagram.com/rubbermusic
https://www.tiktok.com/@rubbermusic
https://www.youtube.com/channel/UCNdDcVTeScKezl_EaKSAfOg
https://twitter.com/rubbermusic
https://www.facebook.com/rubberofficialAbout Beauty In Chaos
Beauty In Chaos has released their new video titled ‘Afterlife’, featuring Tish Ciravolo and from their latest album ‘Behind the Veil’, out now via 33.3 Music Collective.
If ‘Orion‘ is the yin, then ‘Afterlife’ is the yang. We get the bookends of the creative spectrum from a music collective that is as diverse in scope as it is in spectrum. Beautifully shot and contrasted by the locations within the video, those act as the visual accompaniment with the musical and lyrical changes within the song.
That feeling of the last second realization of the meaning of life and personal value of existence along with the unknown of what is next is presented as a soft musical soliloquy to what is, what was, what could have been, and what’s next. Transcendental within the soundscape with hints of clarity in the delivery, ‘Afterlife’ is a love letter to life and a warning to those of use who fail to appreciate it.
LINKS:
https://www.beautyinchaosmusic.com
https://jam2.me/beautyinchaos
https://www.facebook.com/beautyinchaosmusic
https://www.instagram.com/beautyinchaosofficial
https://twitter.com/_BeautyInChaos
https://www.beautyinchaosmusic.com/music-store
https://www.beautyinchaosmusic.com/bic-blog
https://soundcloud.com/33-3-music-collective
https://beautyinchaos.bandcamp.com
https://open.spotify.com/artist/2TwN2egUCb7rbS0Bfkdsd0?si=JcmKLf5MR5iMN6L2KzzInwAbout Indii G.
Indii G. has released his new EP titled ‘Riverhouse’, as well as the new video for the track ‘Soul’ via Epitaph Records.
Indii G. has been solidly establishing himself for a couple years now. With ‘Riverhouse’, he takes root in the music industry as someone who is clearly sticking around. This is the deep end of the pool, and he has no problem staying afloat. A brilliant mix of chillwave, hip hop, soul, and pop, ‘Riverhouse’ spans a gamut of sonically colorful landscapes and takes ownership of his digital destiny with bits of different genres underlying his true talent: himself.
LINKS:
https://withkoji.com/@Indii_G
https://youtube.com/channel/UC6XbVy8jdgdG1Enx8ElERUw
https://www.instagram.com/the_indii_g
https://twitter.com/the_indii_gAbout Otoboke Beaver
Otoboke Beaver has today released their new album titled ‘Super Champon’. Energetic Japanese genre-stitching originality with sheer adorable rebellion that has such a feeling of pure energy and synergy that you can’t help but instantly fall in love with this band as well as anything they release.
While I think the songs are too short, do they really need to be when you think about it? They are just long enough to become addict to them and short enough to leave you wishing they were longer. How the f*ck does an artist or band get in your head like that? To be able to instantly turn you into a fan? I know how. They get to your head through your heart.
LINK:
https://www.otobokebeaver.comAbout Zack Fletcher
It’s always impressive when a musician is able to match melody and landscape. Records influenced by geography have the power to transport us from our current context into a new world. And that’s precisely what Zack Fletcher’s newest album, Ohio Reveries, aims to do. With glittering arrangements and vulnerable lyrics, Fletcher brings the flora and fauna of Ohio to a wider audience.
Fletcher is no lightweight when it comes to crafting gorgeous guitar music. His 2020 instrumental guitar collection Vignettes and 2019 folk masterpiece Moths in the Attic received praise from numerous indie publications, calling his music “captivating,” “beautifully crafted,” and “pristinely executed.” Listeners will soon learn that those same descriptions apply to Fletcher’s newest collection as well.
LINKS:
https://www.zackfletchermusic.com
https://linktr.ee/zfletchermusic
https://www.instagram.com/zfletchermusic
https://www.facebook.com/zackfletchermusicClick HERE to watch Season 8 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 7 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’. -
I Like Trains Premiere ‘The Truth’ Video (The Week in #Indie Segment)
I Like Trains drops their new video for the track titled ‘The Truth’. Almost in a style set in its own noir, I Like Trains begs the question ‘Is that the best you can do?’. Set in these unique and trying times, I like Trains gives that tell-all to the truth with a hard-hitting ode to social questioning in a time of social distancing. And it works.
While the single is available across digital platforms now, the full ‘KOMPROMAT’ album will be released on August 21 on black vinyl LP, limited edition silver vinyl LP and CD, as well as digitally.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.ABOUT I LIKE TRAINS & ‘THE TRUTH’
Leeds-based trailblazers, I LIKE TRAINS present ‘The Truth’, an eye-opening lead track that forebodes their potent, hard-hitting new album ‘KOMPROMAT’, written as an instinctive gut reaction to a world that has changed beyond all recognition. This is a record that digs beneath populism’s rise, from the divide and conquers tactics that caused Brexit in the UK, to Trump’s ascent in America and the subsequent reign of lies and misinformation, to discover the grubby hands that have engineered it all.
The British quintet will release their fourth studio album via Schubert Music’s newly founded Atlantic Curve label in late summer. This is the band’s first record since 2012’s ‘The Shallows’, which focused on how the internet and smart technology is re-wiring the human mind and affecting our concentration spans. Now, with ‘KOMPROMAT’, it’s clear that this same technology, in the wrong hands, has taken an even more sinister turn. The game has changed – and I LIKE TRAINS have changed with it.
The accompanying deep-fake karaoke video was directed by the previous co-conspirator Michael Connolly, a Leeds born artist and designer. “The track is relentless and I wanted the film to feel the same. Claustrophobia and confusion were my watchwords. I combined deep-fakes, distorted visuals, and digital cut-up techniques to create an intense level of disorientation. It sums up the last four years in geopolitics for me,” says Connolly.
‘The Truth’ was the last track to come together during the group’s recording sessions – a summation of the way in which facts are bent and, in many cases, utterly dismantled. Over a burring build of disco-inflected post-punk that recalls LCD Soundsystem and early DFA Records, “The truth is no longer concerned with the facts”.
“I’d been writing this list on my phone for a couple of months, adding a couple of lines
to it every so often. I’d read a news article or a tweet and I’d make reference to it. I decided to dig out this list in the last couple of days in the studio [for this track]. It’s pretty much the order I wrote it in – it came together on the fifth take and it was a pretty cathartic process,” says the group’s vocalist and lyricist David Martin.Formed in 2004, I LIKE TRAINS is made up of David Martin (vocals/guitar), Alistair Bowis (bass), Guy Bannister (guitar/synths), Simon Fogal (drums) and Ian Jarrold (guitar). They have never shied away from confronting the possibility of humanity’s collapse. Earlier records, like the towering Godspeed-influenced ‘Progress Reform’ (2006) and ‘Elegies to Lessons Learnt’ (2007) took tales of tragic characters and events from history and applied them to the modern-day, while ‘He Who Saw The Deep’ (2010) looked uneasily ahead to the climate change battle we are on the verge of losing.
While ‘KOMPROMAT’ sounds like none of those records, it contains DNA from all of them. I LIKE TRAINS has essentially gone back to go forwards in some ways, returning to some of the primary influences that inspired the band’s formation: Joy Division, The Birthday Party, Gang of Four, Television and The Velvet Underground.
“An I LIKE TRAINS record doesn’t really start to take shape until there’s a theme. That point came following Edward Snowden’s NSA leaks in 2013,” says David Martin.
“We didn’t set out to write a record about current affairs, but the path we set out on converged drastically with that daily discourse. The album inadvertently became about populist politics across the world. Brexit, Trump, Cambridge Analytics and covert Russian influence ended up at the centre of it all”.
At the time, Martin started writing about low-key, insidious intrusions on our privacy. As global events unfolded, however, so did the importance of those themes: the perception of what is true and what isn’t truly being challenged on a daily basis and how that confusion could be used to manipulate populations into thinking and voting in certain ways.
Several years ago, British filmmakers Ben Lankester and Matt Hopkins released the feature documentary ‘A Divorce Before Marriage’, which follows the band members over three years, capturing their struggles first-hand. Then, as now, one thing is for sure – while I LIKE TRAINS often look back and also to the future, ‘The Truth’ speaks very much of the here and now.
LINKS:
https://iliketrains.co.uk
https://www.facebook.com/iLiKETRAiNSmusic
https://twitter.com/iLiKETRAiNS
https://www.instagram.com/iLiKETRAiNSmusic
https://soundcloud.com/iliketrains
https://music.iliketrains.co.uk
https://www.youtube.com/user/iLiKETRAiNSofficial -
BOAT Premieres ‘Loneliness Kills’ Video (The Week in #Indie Segment)
BOAT drops their new video for the track titled ‘Loneliness Kills’. Besides being the perfect track for the hiatus breaching band’s comeback, the song is just plain simply catchy as hell. Not having missed a step in the evolution of the music, BOAT keeps a timely pattern and relevance with a wonderfully quirky video filled with personality and that smile making certain something that makes us bright on the inside. Especially in times like these.
Check out the full episode of The Week in #Indie HERE.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.ABOUT BOAT
Such fitting words for perilous times, but those words help launch Tacoma / Seattle indie rock legends BOAT’s fantastic comeback record, Tread Lightly. Returning after a seven-year on hiatus, Tread Lightly was released May 1st via Magic Marker Records.
But don’t call it a comeback, as they never really broke up. They just spent some time focusing on other things. According to frontman David Crane, the band’s friendship has always been the greatest component of its existence, so even though they weren’t making music, the crew of BOAT sailed on.
“We all have busy lives, but just generally enjoy hanging out with one another and eating pizza and playing songs,” Crane says. “I focused on Unlikely Friends, J. Long focused on his work at KEXP and recording bands, J. Goodman focused on his other band Brackets, and M. McKenzie continued to be mysterious. Things really picked up when J. Long and I started sending each other demos. He creates crazy drum loops, and I make a song around them, and send them back. He adds extra melodies on keyboards and vocals, and chops them up and sends them back to me for more layers. “
Considering their close bond, it isn’t surprising that Tread Lightly doesn’t sound like a band coming back after nearly a decade. The album’s dozen crunchy but harmonically honey-coated songs swiftly and succinctly hit that Superchunk/Shins/Billy Joel/Ben Folds/Presidents Of The United States sweet spot you didn’t realize you’ve been missing.
And speaking of Presidents…if you listen closely, you’ll discover a President tucked away in “Zombie State Of Mind,” Mr. Chris Ballew in all his glory.
“He is awesome,” declares Crane. “He gave us a bunch of different ideas, and we just put them all together. Listening back to the Presidents of the USA albums, he does so many cool little vocal things that I didn’t even realize until after he contributed to our song. He’s just a true Seattle artist. Much respect for Ballew!”
Yet if you listen close enough, you’ll discover that the ominously titled Tread Lightly actually contains positive, uplifting, and empowering messages about life and getting older. Lead single “So Many Reasons Your Hair Turns Grey” will make you laugh, but when you think about the lyrics a little harder, you’ll completely appreciate it on a different level. The songs on Tread Lightly offer something more cerebral–healing vibes from someone who’s been through trauma and wants to help the world heal, yet leaves you thinking and finding comfort/wisdom in. Crane agrees. “I think more than almost any other album, this one captures what is going on in my mind. It was subconscious, but I think the record kind of plays like a diary to me. Maybe a 40-year-old’s diary?
LINKS:
https://www.facebook.com/BOAT-99933840627/
https://boat.bandcamp.com
https://www.instagram.com/sloppypopstagram
https://twitter.com/boat_music