Jammerzine

Jammerzine’s The Week in #Indie for 6/13/2022

Jammerzine has an exclusive interview with Kitty Coen plus the premiere of her new single titled ‘rotten tomatoes’. Also an interview with Bulgaria’s Lunikk plus the premiere of their new video ‘Speechless’. Also an exclusive interview with The Redlines as well as premieres and new music from POESY, Pitou, The Wrecks, Darion Harris, Dan Bauer, and The Erly.

About Kitty Coen

Kitty Coen has an exclusive interview with Jammerzine and has also officially premiered her new single titled ‘rotten tomatoes’, which dropped June 10th (2022).

Kitty is an artist that, quite frankly, will be mentioned very frequently for not only her songwriting but her performance and signature sound. She is, in every sense of the word, a brand. She gets it too. This is what you need to make it in the music industry. That’s how you become memorable.

And within that brand that is all things Kitty Coen, we get a glimpse of her influences, both musical and in life, and we get them wrapped up in her own music.

And, in this interview, we talk with Kitty about said music and the process of creating it. We also dive deep into that rabbit hole of the self and psyche and realize that she is just as creative, humble, and good a person as she is in music. This is a lesson on making it big.

LINKS:
https://www.instagram.com/kittycoen
https://www.facebook.com/kittycoenmusic
https://www.youtube.com/channel/UCrgTmur3d7AZRTJEtFGp5ew
https://twitter.com/kittycoen69
https://open.spotify.com/artist/7MY6uLRlctB9wtKoE6DLef

About Lunikk

Lunikk has released their new video and single titled ‘Speechless‘, from their upcoming album ‘Unreal City’, releasing June 10th. Ahead of that, we get not only a premiere of said video, we get an exclusive interview from a purely dynamic duo that, in my opinion, is one of the faces of the future of #indie music.

‘Speechless’ conveys that part of us all that we almost never convey but always dwell on. A slow builder to the soul with a crescendo that is classic sounding with a modern feel. Lunikk is a band that I am a personal fan of, so I may be a bit bias. But, take into account the amount of new music I listen to, I can honestly say that this is a band I seek out when I want to chill at home or need a soundtrack for my thoughts.

LINKS:
https://www.facebook.com/strangelunikk
https://www.instagram.com/strangelunikk
https://www.youtube.com/channel/UCvMsIaQS7JTaaRpnyb4zrGQ
https://spoti.fi/367GWvl
https://soundcloud.com/strangelunikk
https://twitter.com/strangelunikk

About The Redlines

Jammerzine has an exclusive interview with Brian Seese and Tony Vinski from The Redlines. Having released their new EP titled ‘Kick Out Today’, the band are rapidly showing their signature sound and originality among the music masses.

With a nod to the guitar rock and rock legends of the past with an eye clearly on the future, it’s hard not to acknowledge that the four member, six string concept is alive and well.

In this interview we talk with Brian and Tony about that sound and ‘Kick Out Today’, as well as what’s coming up and more.

LINKS:
https://www.facebook.com/theredlines
https://www.instagram.com/the_redlines
https://twitter.com/The_Redlines
https://theredlines.bandcamp.com

About POESY

POESY has today unleashed her new video for the track titled ‘Multiply’. After getting over that killer electronic bass line, I was astonished by the voice that POESY possesses, or possesses her. New fan, right here. The power and angst conveyed in each signature note is something you have to hear to believe. I can’t explain it. And she fits this song and video perfectly.

POESY is not an artist, she is a universe. You get placed into another world listening to her music. Video aside, this is world building. The video is a guide for those who do not get what I just said. A film-score to a soundtrack. Let this become a part of you, so you can become a part of it.

LINKS:
https://www.poesymusic.com
https://www.instagram.com/poesyofficial
https://www.facebook.com/poesyofficial
https://twitter.com/poesyofficial

About Pitou

Pitou has released her new video and single titled ‘Big Tear’. the first thing you will notice is that Pitou is a singer that feels the lyrics. Knows the song on a deeper level. Embraces it with that same emotion she cultivated when she wrote it. She becomes the music. She is the song. This is that initial carry-away with I get. But, you must remember that first hook that brought you to the play button. The song is that good.

The marriage between musician and music that works perfectly. You don’t move on after a few notes. You can’t fudge the slider around trying to find the hook. The song IS the hook. And that hook has you. The audio equivalent of a David Lynch film. The cool kids all mention him but few remember any film titles. They just heard through the grapevine that he was a good and original director. This is that with the added listen and staying power. Stay a while longer.

LINKS:
https://www.instagram.com/pitouou
https://www.facebook.com/pitoumusic
https://twitter.com/pitoumusic
https://www.pitoumusic.com

About The Wrecks

The Wrecks have released their new album titled ‘Sonder’. After reviewing their single ‘Lone Survivor‘, I thought I had this band pegged. I thought I had them figured out. Now I look like an @$$hole. I really really do. But, that’s ok. There is much more here. Much under the surface. Right now there is an iceberg named Sonder and I just heard the 80% under the surface.

The intricacies within each of the songs delivers a lot more than expected. The little things like an inflection, a guitar note or riff, so on. It’s the details like that where you can really tell if a band cares about their music.

And, while ‘Sonder’ has that ‘polished’ sound, it fits. Like a glove. It’s signature.

LINKS:
https://www.wearethewrecks.com
https://thewrecks.ffm.to/lonesurvivor
https://twitter.com/wearethewrecks
https://www.facebook.com/WeAreTheWrecks
https://open.spotify.com/artist/458aS6ALc3QkzwfR5USt34?si=3SILicsuS1uIcG0gqlKTMw&nd=1
https://www.instagram.com/wearethewrecks
https://www.tiktok.com/@wearethewrecks

About Darion Harris

Darion Harris has released his new single titled ‘Don Juan’. Blending the line between fantasy and reality, Harlem-raised producer and artist Darion Harris seeks to encapsulate a world where fairytales and real-life merge together. His newest offering, ‘Don Juan’ is just an introduction to the playful and exhilarating world of Darion that is yet to be explored.

Currently charting on the Spotify Viral Chart in South Africa with his recent release ‘Mitsubishi Dreams’, ‘Don Juan’ is a track that reflects on Darion’s recent success and boasts newfound confidence. From the visuals to the production and adlibs, ‘Don Juan’ is nothing short of an intense burst of compelling energy. The buoyant yet braggadocious lyrics see Darion deliver witty punchlines over the busy self-produced beat that radiates influences from video game soundtracks. Working in collaboration with Evander Griiim (protégé of Gucci Mane) on a track had always been a dream for Darion Harris, and so this collaborative piece of work further yet validates Darion’s cocky persona throughout this track.

LINKS:
https://www.instagram.com/frvrboyrapunzel
https://open.spotify.com/artist/5CfhjbeYClBdYNJmxTbpXV

About Dan Bauer

Dan Bauer is a multi-instrumentalist and singer-songwriter hailing from New Hampshire. His quirky, soul-searching video single, ‘U.G.L.Y.’ is out now.

We are hooked in by the visuals instantaneously, as the artist can be seen stomping on a bag sharpied with the word ‘drama’. Lamenting statements such as ‘Can’t see why I can’t be….Happy’ is a big tell that the main character is feeling something quite contrary to what he’s showing.

Musically, Bauer displays moments of sensitive falsetto, which are then contrasted by upbeat percussion. According to the artist, the goal of this release is to juxtapose and contrast against his most recent album, The After Life, which has a more traditional set-up of electric guitar/bass/vocals/acoustic guitar/piano. The instrumentation of U.G.L.Y includes ‘acoustic guitar, drums, hand claps, synth sweeps, a funky bassline, piano, a staccato strings solo, and varied backing vocals’.

LINKS:
https://www.danbauermusic.com
https://linktr.ee/danbauermusic

About The Erly

The Erly have released their new single titled ‘You’re Heaven’. Sindependent with the goal being soul, The Erly bash and pop the best of the rhythm into an original cacophony of soul-funk with enough stank and attitude to become a part of your personal groove.

Take what you will from this, but you will remember that this is a party coming from your speakers. And, if your listening through earbuds, you need to punch yourself in the grill because who goes to a f*cking party wearing earbuds. Yes folks, this is that song.

LINKS:
https://theerlyband.com
https://www.facebook.com/theerlyband
https://www.instagram.com/theerlyband
https://open.spotify.com/artist/3QPLdBDMCs5nyauZZMX7IW

Click HERE to watch Season 8 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 7 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.

Jammerzine’s The Week in #Indie for 5/16/2022

In this episode of Jammerzine’s The Week in #Indie we have an exclusive interview with Athena Hiotis from Prism Waves. Also new singles, videos, and albums from Billingsley, Ghost Woman, Monte, Rubber, Beauty In Chaos, Indii G., Otoboke Beaver, and Zack Fletcher.

About Prism Waves

Jammerzine has an interview with Athena Hiotis from Prism Waves. Prism Waves (formerly RÊVE), is a band that is becoming as influential as it is branded. And being branded is a good thing. A lot of new artists don’t realize this, but you are all brands. And Athena is an expert at this from multiple angles of the music business. She is also the head of the artist-centric boutique record label Pop Riot.

In this interview, we talk with Athena about being both the frontperson of a successful band killing it on the scene as well as head of a label, making the scene, as well as everything in between (including our mutual love for Sigourney Weaver and the Alien franchise!). This is an interview with a true talent and a conversation with a genuine person.

LINKS:
https://www.prism-waves.com
https://www.facebook.com/prismwavesband
https://twitter.com/PrismWaves
https://www.instagram.com/prism.waves
https://www.popriotmusic.com

About Billingsley

Billingsley has released their new video for the track titled ‘Long Shot’. I have no other way to start this but to say that this is a fun song. Subtly anthemic, partly quirky, and totally engulfing, this song grows on you after you approve it. I could say it’s the hook. I could say it’s the style. It just is. And it stays with you after that first listen.

Billingsley sounds like a fun band. I hope this pandemic ends soon so we can see them live. I get the feeling their shows are a party. And we’re all invited.

LINKS:
http://www.billingsleyrocks.com/
https://www.youtube.com/channel/UC8g-tVt4-8Am9G_EAQ4uYDA
https://www.facebook.com/billingsleyrocks/

About Ghost Woman

Ghost Woman has released his new video for the track titled ‘Clockwork’, from his upcoming eponymous LP releasing on July 1st via Full Time Hobby.

Set in an old 8mm home movie styling, we get a solid slow burn of 2:26 filled with retroblasting Eazy Ryder style road trip goodness. The song is the real star of the video, in my opinion. Drenched in it’s own style of true grit and guitar, there is no filler from a highway killer of a track trying to find a home before it realizes it doesn’t need one. Only that place in your head or your heart. Minimalism as an audio artform has now been perfected.

LINKS:
https://www.ghost-woman.com
https://www.fulltimehobby.co.uk
https://orcd.co/ghostwoman

About Monte

Monte has released their new video for the single titled ‘I Hate Me More’. Thrash punk in all of it’s original glory from the heart to the masses with conformity getting the first f*ck you and a no-holds-barred with every lyric, Monte gets right to the point with music that should make a solid comeback, but until then, we have Monte holding that flag. Admit it, this is how we all feel but are too afraid to say anything.

LINKS:
https://www.monteofficial.com
https://www.instagram.com/monte.music
https://www.facebook.com/MONTEtheofficial

About Rubber

Rubber has today released their new video for the single titled ‘Fries & Wings’. Filmed in a location filled with character and characters, we get a sense of unity via soul, funk, R&B, and heart. Philly has a new sound and it’s Rubber.

The #Indie scene is filled with both originality and unoriginal. Rubber places firmly in the former. Amassed with talent vocally, lyrically, and musically, ‘Fries & Wings’ is but a taster of what I want to expect from a dynamic duo of this caliber. Groove now has an anthem.

LINKS:
https://rubber.biglink.to/dMeD
https://www.rubbermusic.com
https://www.instagram.com/rubbermusic
https://www.tiktok.com/@rubbermusic
https://www.youtube.com/channel/UCNdDcVTeScKezl_EaKSAfOg
https://twitter.com/rubbermusic
https://www.facebook.com/rubberofficial

About Beauty In Chaos

Beauty In Chaos has released their new video titled ‘Afterlife’, featuring Tish Ciravolo and from their latest album ‘Behind the Veil’, out now via 33.3 Music Collective.

If ‘Orion‘ is the yin, then ‘Afterlife’ is the yang. We get the bookends of the creative spectrum from a music collective that is as diverse in scope as it is in spectrum. Beautifully shot and contrasted by the locations within the video, those act as the visual accompaniment with the musical and lyrical changes within the song.

That feeling of the last second realization of the meaning of life and personal value of existence along with the unknown of what is next is presented as a soft musical soliloquy to what is, what was, what could have been, and what’s next. Transcendental within the soundscape with hints of clarity in the delivery, ‘Afterlife’ is a love letter to life and a warning to those of use who fail to appreciate it.

LINKS:
https://www.beautyinchaosmusic.com
https://jam2.me/beautyinchaos
https://www.facebook.com/beautyinchaosmusic
https://www.instagram.com/beautyinchaosofficial
https://twitter.com/_BeautyInChaos
https://www.beautyinchaosmusic.com/music-store
https://www.beautyinchaosmusic.com/bic-blog
https://soundcloud.com/33-3-music-collective
https://beautyinchaos.bandcamp.com
https://open.spotify.com/artist/2TwN2egUCb7rbS0Bfkdsd0?si=JcmKLf5MR5iMN6L2KzzInw

About Indii G.

Indii G. has released his new EP titled ‘Riverhouse’, as well as the new video for the track ‘Soul’ via Epitaph Records.

Indii G. has been solidly establishing himself for a couple years now. With ‘Riverhouse’, he takes root in the music industry as someone who is clearly sticking around. This is the deep end of the pool, and he has no problem staying afloat. A brilliant mix of chillwave, hip hop, soul, and pop, ‘Riverhouse’ spans a gamut of sonically colorful landscapes and takes ownership of his digital destiny with bits of different genres underlying his true talent: himself.

LINKS:
https://withkoji.com/@Indii_G
https://youtube.com/channel/UC6XbVy8jdgdG1Enx8ElERUw
https://www.instagram.com/the_indii_g
https://twitter.com/the_indii_g

About Otoboke Beaver

Otoboke Beaver has today released their new album titled ‘Super Champon’. Energetic Japanese genre-stitching originality with sheer adorable rebellion that has such a feeling of pure energy and synergy that you can’t help but instantly fall in love with this band as well as anything they release.

While I think the songs are too short, do they really need to be when you think about it? They are just long enough to become addict to them and short enough to leave you wishing they were longer. How the f*ck does an artist or band get in your head like that? To be able to instantly turn you into a fan? I know how. They get to your head through your heart.

LINK:
https://www.otobokebeaver.com

About Zack Fletcher

It’s always impressive when a musician is able to match melody and landscape. Records influenced by geography have the power to transport us from our current context into a new world. And that’s precisely what Zack Fletcher’s newest album, Ohio Reveries, aims to do. With glittering arrangements and vulnerable lyrics, Fletcher brings the flora and fauna of Ohio to a wider audience.

Fletcher is no lightweight when it comes to crafting gorgeous guitar music. His 2020 instrumental guitar collection Vignettes and 2019 folk masterpiece Moths in the Attic received praise from numerous indie publications, calling his music “captivating,” “beautifully crafted,” and “pristinely executed.” Listeners will soon learn that those same descriptions apply to Fletcher’s newest collection as well.

LINKS:
https://www.zackfletchermusic.com
https://linktr.ee/zfletchermusic
https://www.instagram.com/zfletchermusic
https://www.facebook.com/zackfletchermusic

Click HERE to watch Season 8 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 7 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.

The Best #Indie of 2021

Jammerzine’s The Best #Indie of 2021 is a collection of music from independent artists around the world that were featured on Jammerzine in the year 2021.

The selection is based on traffic statistics and staff voting for the best and most diverse selection to represent the independent music scene based on the impression and influence Jammer Direct and Jammerzine have as a brand.

The order of the list in no way reflects any ranking whatsoever. Each artist was selected based on their impact, creativity, and originality in no particular order.

Best of 2021 Artist List

  • Space Summit – Life This Way
  • Kepa Lehtinen – Face Plant
  • Murdocco – Rainy Day
  • Maddox Jones – Somewhere There’s a Plan (Believe it)
  • Human Drama – I’m Looking
  • ToBy – Are We Ridin
  • Sweet Imperfections – Gently Not Judgingly
  • Yelpy – Heartbeats
  • Royals – Gone
  • Starrgazy – Flying
  • Foxxglove – Bad Timing
  • Joe Symes and the Loving Kind – Shine Tonight
  • Reptaliens – I Feel Fine
  • Solemn Brigham – Dirty Whip
  • Beauty In Chaos – Orion
  • The Darkness – It’s Love, Jim
  • Robert Taira Wilson – Blackbird
  • High Street – Bad Blood
  • WYSE – Not That Sorry
  • Chuck Wright’s Sheltering Sky – Army Of Me

About Space Summit

Space Summit is a collaboration between the ubiquitous Marty Willson-Piper (ex-the church) and Minneapolitan Jed Bonniwell. Writing the music together, Marty handles the luminescent electric guitars and the bass whilst Jed is in charge of lead vocal duties and lyrics. The album is produced by Marty and producer/engineer Dare Mason who also plays keyboards. Phoebe Tsen sings harmony vocals, Olivia Willson-Piper plays the strings and Eddie John the drums. All the usual suspects from recent Noctorum and MOAT projects make an appearance, with the exception of Phoebe who lives in Borneo, yes, really!

Space Summit’s music was conceived in cyberspace – and was recorded in America, Borneo, Sweden and the UK. The music created on Space Summit’s debut album by Jed and Marty is simultaneously modern and classic dreampop –the subtle shading of dark and light with layered, sonic textures on every track. This album is one of the fascinating results of Marty’s Sessioneer Series, where he works with discovered collaborators from around the globe on new musical ideas.

Space Summit started as discussions around music and guitar technique in 2013 and eventually flourished into songwriting and musical collaboration. Marty would provide some musical sketches, chords or riffs – Jed would then add lyrics and additional musical ideas, and each song would continue to evolve back and forth until a complete demo had been created – finally taking the songs into the studio to record them with other musicians. With touring coming to a halt in 2020, the lockdown provided the time needed to bring this album to completion.

LINKS:
https://spacesummitband.com
https://www.facebook.com/spacesummit
https://www.instagram.com/spacesummitband

About Kepa Lehtinen

A new musical excursion from Kepa Lehtinen …Face Plant is a six-track mini-album of original contemporary classical music written for piano, contrabass, and theremin. . The theremin is a century-old electronic instrument that’s played by hand gestures rather than direct contact.

Nobody uses theremin like I do. It is not a solo instrument anymore. Because theremin responds to even the slightest movement (even to the player’s breath) it has become the organic sonic cornerstone of my music. It is the element that makes the soundscape really come to life ”

Face Plant “I am 50 years old skateboarder. I have always loved the expression ”Face Plant” (an instance of falling face-first into or onto something.) If you skate on the limits of your skills you are going to fall at some point. It is going to hurt.”

Kontula Kontula (2018) is my most beloved composition. (740 000 streams on Spotify) ”Kontula ” is a new solo remake of the piano version of the theme.

LINKS:
https://www.facebook.com/kepalehtinenartist
https://twitter.com/KepaLehtinen

About Murdocco

Mariana Murdocco, who goes by her surname, ‘Murdocco’ is a force to be reckoned with when it comes to her style and musical output. With her velvety and sultry tones, Murdocco’s songs allude to personal experiences where she transmits deep emotions, immersing you into her world.

Using the piano and often heavy bass lines, she delivers a melodic, quirky and unique sound. Speaking of her upcoming release Murdocco says “I hope that my single ‘Rainy Day’ will inspire you to speak up and say all that you’ve been holding back, without fears or taboos. Let it out, you ought to say it!”.

Originally from Uruguay, Murdocco is a London-based singer-songwriter, her original productions are a fusion of live instruments and Electronica, citing Bjork and The Knife as influences.

Murdocco started in Barcelona with her ever-evolving band ( Jose Martinez on guitar), she released a number of EPs produced by David Okuniev, which was much more Rock orientated. This solo project has taken her down a different path where she finds herself being much more experimental and free to explore other genres. This is the first of a number of releases that will be coming out over the forthcoming months.

Welcome to Murdocco’s world.

LINKS:
https://open.spotify.com/artist/2G0cbBExtt6UIrbC1uqaLC?si=ZWdCeb5PQp2m_m2sWsahhg
https://music.apple.com/gb/artist/murdocco/1540358146
https://soundcloud.com/murdocco/rainy-day-1/s-RZ44Sjzz8yh
https://www.facebook.com/MurdoccoMusic

About Maddox Jones

Northampton’s very own claim to fame, Maddox Jones returns with his new single ‘Somewhere There’s A Plan (Believe It)’. Jumping straight from his support slot with Thomas Headon at ReviveLive last week, Maddox Jones brings a level of reassurance to his listeners with this feel-good, future-retro pop song that will loom large inside those much-loved summertime playlists.

As former frontman of The Departure (Parlophone Records) and no stranger to touring with The Killers, Feeder and Placebo, the new pop direction that he now brings harbours a certain snappy groove that shows the versatility and joy he can bring to his music. It has really captured 70-style funk and the uplifting sounds of The Brothers Johnson, Daft Punk and Caribou.

“There’s some uncertainty with things opening up and whether the timing is right for that, maybe this song will bring comfort to someone who’s still waiting to re-engage with the world, that things might be hard right now but they will eventually be ok again. The song also has a playful side, reminding us to find joy in the small things: “Let this melody from my head take you somewhere else instead”.

Written and produced alongside David Crawford over the past year, ‘Somewhere There’s A Plan (Believe It)’ features good friends of Jones who brought a certain level of maturity to the track. Lewis Cardinal sits in on bass and guitar, whilst Christian Pinchbeck (Girlhood) is strapped on the saxophone to spark lift-off. In addition, Louis Souyave (who worked on Jones’ ‘Headspace’ EP) sprinkles his production magic over the tune, elevating it to perfection.

Maddox Jones made his solo debut in 2020 with the synth-heavy electronica of his ‘Headspace’ EP. Well-received as that EP was, Jones is never one to sit still creatively – and he proved the worth of his songwriting nous with 70,000+ Spotify plays of last single “Can’t Wait For The Summer”. With ‘Somewhere There’s A Plan (Believe It)’ ready to go, 2021 is shaping up to be just the tonic for the East Midlands singer-songwriter and his growing army of fans.

Maddox Jones will also be releasing a short-film animation to accompany the release directed by Alex Gwyn Davies.

“The video is about escaping the matrix of expectations that most of us seem to end up via school, family, media etc. The typical 9-5 doing something you don’t necessarily care about, living to blow off steam for a couple of days at the weekend and maybe on holiday. Then ultimately, finding a catalyst that can interrupt that and tasting freedom”

With a debut album imminent, his work has been praised far and wide by SPIN, American Songwriter, the BBC, and many more media outlets across the globe.

LINKS:
https://twitter.com/itsmaddoxjones
https://www.facebook.com/itsmaddoxjones
https://www.instagram.com/itsmaddoxjones/

About Human Drama

Human Drama is a band that has endured and ultimately triumphed. Musical troubadours who have weathered countless storms, both personal and professional, while continuing to create their unique brand of music.

Their latest offering is Blurred Images, ten songs that were written and released as stand-alone singles, now gathered together into one collection by Los Angeles based Sunset Blvd. Records.

The album documents the latest musical offerings of singer/songwriter/guitarist Johnny Indovina, reflections of both his life and the world around him. It’s the latest of Human Drama’s concept albums (The World Inside, Songs of Betrayal, Broken Songs for Broken People) created by a band and a songwriter that prefer to work in this genre. Joining Indovina on Blurred Images are original band members Mark Balderas on keyboards and Steve Fuxan on bass guitar, along with guitarist Timothy Grove and drummer Greg Collister. Also appearing on the album is original Human Drama guitarist Michael Ciravolo, Pinky Turzo on backing vocals, Christie Guerrero on backing vocals and Gerardo Pozos on violin.

LINKS:
https://www.humandrama.net
https://humandrama.bandcamp.com
https://www.facebook.com/johnny.indovina.7
https://twitter.com/JohnnyIndovina
https://instagram.com/johnnyindovina
https://www.youtube.com/channel/UCZF4F-IRFJXU5GJeQDfr4cg/featured
http://sevendaysinmexico.com/

About ToBy

ToBy has released “Are We Ridin,” his newest single and the first taste of his upcoming debut album L’Esprit, which will be released on October 15, 2021 via Magnetic Moon Records. Out now on all DSPs, the driving and energetic track features an industrial inspired beat that is matched nicely with ToBy’s brash flow and braggadocious lyrics, topped off with a chorus that will easily get stuck in one’s head. A new video for the track is also out today, which features ToBy in a custom motorcycle suit destroying columns of art, while also previewing a more melodic and somber cut from L’Esprit at the very end. The two songs in the video perfectly encapsulate the range of emotions and moods that L’Esprit and ToBy bring to the table.

Blending elements of modern rap music, introspective pop, and indie rock, L’Esprit follows a narrative and a character that is loosely based on ToBy himself and is his most personal work to date. It details specific instances in ToBy’s life involving depression, anxiety, grief, lost romance, and self doubt. The intent of writing about these experiences on L’Esprit is to connect with listeners who have similar stories to himself.

“I believe in unity through specificity; by sharing our unique nuanced specific experiences we stand to become much closer to one another because we are not as different as we want to believe,” says ToBy. “The more specific we can get with our lives and our stories, the more it will resonate with a community because all of our lives are pretty specific. I think by encapsulating my specific experience and journey as a person and an artist who thinks heavy shit, I can connect with someone who may need that and who might feel a little more alone because they are trapped in their head and believes no one else thinks like them.”

L’Esprit is also an ode to ToBy’s late grandma who passed away from cancer in 2020. ToBy was extremely close to his grandma, as she helped raise him and always supported his musical journey when others in ToBy’s life did not. “Making music growing up in Miami was not very easy. It was a very judgmental environment. It was my parents wanting the best for me, they were immigrants from Haiti and didn’t understand why anyone would want to be a rapper,” says ToBy. “They didn’t approve and I was combating a lot of criticism from them. My grandma however I felt she really knew me and understood where my head was at. She would often step up and defend me in those conversations and would tell my mom to let me do what I want to do. She never got a chance to hear the songs from this album, but she was always very proud of me.”

“L’Esprit is French for The Spirit. It’s supposed to have many meanings but The Spirit literally would mean the spirit of someone who has passed,” continues ToBy. “What was really hard about this album is that I named it before my Grandma passed away. A lot of it was coming together while my Grandma’s health declined from the cancer, so it was a way for me to anticipate the inevitable.”

“I recorded a conversation between my grandma and I and it was about six minutes. I took a look at the songs I did have done already and I sequenced them in an order to tell a story that loosely mirrored my own experience with relationships, anxiety, and depression; life shit that everyone goes through but my own lens,” he continues. “I used her recording to narrate that journey. There’s a narrative throughline through the record and she is the guide so to speak for the listener, kind of like how she was mine in real life.”

The 11-track album showcases ToBy’s versatility as an artist perfectly. On L’Esprit, ToBy bounces from different genre and mood effortlessly, while the record as a whole still remains a cohesive body of work. Standouts include the emotional, indie rock influenced ballad “Boyfriend,” (“’Boyfriend’ is one of the best songs I’ve ever made. We had the idea in the studio to make a really big rock opera section closer to when we had to turn the album in, and it turned out amazing and I’m in love with,” says ToBy).

There is also the late 2010’s Soundcloud rap inspired “2FUKKINCOCKY,” the most bombastic song on the record (“I have never rapped harder in my life and I am so proud of the rapping on that song,” adds ToBy), and the sparse and melodic “Ghost,” which details the pain and anxiety ToBy has felt as well as lost love in his life over and acoustic guitar and trap drums (“‘Ghost’ might be my favorite song on the album. When we got the master back, it didn’t sound like me and that’s what I look for whenever I pick and choose songs that I am really into that I made; I look for songs that don’t sound like me. It’s a testament to the work that my producers and engineers put into the record,” chimes in ToBy).

LINKS:
https://twitter.com/itstobyseason
https://www.facebook.com/ItsToBySeason
https://www.instagram.com/itstobyseason
https://www.tiktok.com/@itstobyseason

About Sweet Imperfections

Sweet Imperfections is led by singer songwriter Bri Schillings and a collective of Southern California’s most talented musicians and writers. From a child Bri was drawn to music early, feeling the connectivity and energy between nature and sound. Following this magnetic pull, she found herself picking out melodies she had heard on different instruments and remembers feeling that awe and magic, as if she had unlocked a secret door to a magical world where she felt safe, understood, beautiful, inspired, and where she learned what love was. Her relationship continued to bloom, she explored any instrument she could and found each instrument had its own voice and would write its own song. She loves sitting down with music and saying ”Let’s go on an adventure’ and let heart, hand and voice flow”.

She began with Violin but quickly moved to cello and its warm earthy tones. She attributes her ability to play by ear while playing a string instrument and she acquired an audio-graphic memory. With no real musical training besides Elementary and High school Music class, Bri continued to develop her instrumental voice, writing all original pieces without boundaries or limitations. Bri started journaling daily from the age of 11 and at 12 years old she began weaving her writings into her music. At the age of 15 she wrote her first complete song on the piano called, Waking Up. It is as if that 15 year old me was sending a message to my future self. “Music is my first language,” she says, “It connects us and conveys the feelings I cannot express through words alone. It has been my greatest form of communication”.

Bri is as fun as she is funky and as playful as she is deeply connected and spiritual. She feels that music has the power to heal through what she calls “soul vitamins”, Bri has a profoundly strong connection to music and feels, “The freedom I discovered when I began to sing and write original songs not only became an outlet for the most challenging times in my life, it was my best friend, when there was no one else to turn to, music held me, inspired me, healed me, music loved me and taught me how to love myself. I write, sing and play songs that are born from the heart. They are not just of me but through me and I want music to be the conduit of heart vibrations that heal myself and hopefully others”.

Bri’s seductive and powerful voice will hold you in a warm embrace and take you on a journey where the heart and the soul meet.

LINKS:
https://sweetimperfectionsmusic.com
https://www.facebook.com/Briahnnag
https://www.instagram.com/brischillings_music

About Yelpy

Born in Dublin, Ireland Yelpy remembers where it all began. On his 15th birthday he and his dad were in a music shop getting his sister a keyboard when his dad asked, completely out of the blue “how would you like a guitar for your birthday?”. Until that moment he had never given music much thought, but little did he know that music would become Yelpy’s one true passion.

He played that first guitar morning, noon and night and within a year was forming his first rock band “Awakened”. Awakened played quite a lot together all through Yelpy’s school years. In fact he says playing music was the only thing that kept him sane, as school was never really his strong suit.

After leaving school Yelpy started college, although it wasn’t just any old college, no instead he attended Europe’s famous Rock School in Ballyfermot, Dublin. There he met lots of like-minded people and formed his second band “Whover” (pronounced WHO-VER). Whover was a great experience for Yelpy. They toured all over Ireland and played on TV and radio. It gave Yelpy his first real taste of being a “rock star” and he loved it. While in Whover Yelpy worked with three of the most talented musicians he has ever know and they taught him a lot.

As Whover ran its course Yelpy began to play more and more with his two sisters Ruth and Niamh until they finally made it official and formed “Yellow Room”. As Yellow Room Yelpy and his sisters played all over Ireland and again on TV and radio. They got to play with some of Ireland’s greatest talent such as John Spillane, Brian Downey, Maria Doyle Kennedy, The Revs, Mickey Joe Heart, Liam O’Maonlai and many more. They also released two albums “Outside” and the self-titled “Yellow Room”. After the second album Yelpy decided it was time to peruse a solo career as a singer/songwriter and move to LA.

Currently Yelpy is preforming in LA in such venues as The Roxy, The Viper Room, The House Of Blues and The Rolling Stone whilst also managing to find the time to record his debut solo album. Being based in LA has also given him the opportunity to write and produce music for film and TV.

LINKS:
http://www.yelpy.net
https://www.facebook.com/YelpyPage
https://twitter.com/Yelpy
https://instagram.com/yelpy

About Royals

Royals are a five piece pop punk based out of Southampton. Formed in 2019, the band got off to a quick start releasing several singles and music videos followed by their debut EP ‘Painted Gold’. The band headed into the studio in late 2019 with Neck Deep’s Seb Barlow to record a line of singles ready for release in 2020. The first of those singles was ‘Out Of Reach’ which was released to an amazing reception. The song was featured in Spotify’s ‘New Punk Tracks’ playlist and added to Idobi Radio’s rotation.

The band followed this up with ‘Fair-Weather Friend’ which was also featured on Spotify’s ‘New Punk Tracks’ playlist as well as ‘Pop Punk’s Not Dead’ and it also earned them a place on Alt Press’ ‘Top 10 Rising UK Pop Punk Bands’ list.

LINKS:
https://www.royalsofficialuk.com
https://www.facebook.com/RoyalsOfficialUK
https://www.twitter.com/royalsbanduk
https://www.instagram.com/royalsofficialuk
https://www.youtube.com/channel/UCdxK48ctaYPF-IPdGaKJNzg

About Starrgazy

Starrgazy is the musical partnership of vocalist Lucie Hill and multi-instrumentalist Benjamin Wesley Morgan, based in Cornwall, UK.

Having briefly crossed musical paths in 2015, Lucie and Benjamin discovered a shared love for the ethereal sounds of dreampop and post-punk. However, their schedules conspired against them and the pair continued on their respective musical journeys for the next 5 years, both knowing that their paths would cross again at a more auspicious time.

Fast forward to 2020 and the duo reconnected during a period of lockdown. A tentative song idea, sent via email as an ice-breaker, snowballed into a prolific period of remote-writing, and Starrgazy was born.

Starrgazy have developed a distinctive sound, taking inspiration from a wide range of sources: the timeless dreampop of Mazzy Star and Cocteau Twins; Angelo Badalamenti’s Twin Peaks soundtrack; the brittle tonality of post-punk and new-wave; and the musical haze of shoegaze.

LINKS:
https://starrgazy.com
https://www.facebook.com/starrgazy
https://twitter.com/starrgazy
https://www.instagram.com/starrgazy
https://soundcloud.com/starrgazy

About Foxxglove

Foxxglove is a dark and alternative pop artist from Wales, UK. She was chosen for the PRS Foundation backed artist development scheme: Forté Project in 2019, and in 2020 Foxxglove received support from the BBC’s launchpad scheme for artists. She has also performed at Swn Festival and supported the fast-rising UK rockers Holding Absence.

I would love to know your thoughts on the track. I think you’ll really enjoy it and would love you to consider it for a feature/review.

‘Bad Timing’ is a heart wrenching alt-pop ballad gives the listener a deeply personal insight into her life “This song is about a specific relationship, where the person broke my heart in an emotionally manipulative and frustrating manner. He fought for my attention at the start, led me on and ended up gaslighting me.” says Foxxglove.

LINKS:
https://www.facebook.com/Foxxgloveuk
https://foxxgloveuk.bigcartel.com
https://twitter.com/foxxgloveuk
https://www.instagram.com/foxxgloveuk

About Joe Symes and the Loving Kind

Joe Symes and the Loving Kind are a three-piece rock band based in Liverpool, UK.

The band has not long finished a two-and-a-half-year tour, playing major venues across the UK and parts of Europe, supporting major acts such as The Christians, Dodgy, XTC, Republica, Bloc Party, Starsailor, and Steve Cradock (Ocean Colour Scene/Paul Weller), as well as headlining Noel Gallagher’s High Flying Birds After-show Party on the main stage of the Liverpool 02 Academy 1 twice; all in promotion of their critically acclaimed second album Phase II: an album that has gained airplay on radio stations all over the UK – primarily being a six week feature on BBC Introducing – and the rest of the world, as well as reviews, magazine interviews, and endorsements by celebrities from the world of show business such as Michael Keaton (Beetlejuice, Batman, Jackie Brown), Robin Weigert (Deadwood, Sons of Anarchy), Michael Shiflett (Lincoln, Killing Kennedy, Evan Almighty), Matthew Modine (Birdy, Full Metal Jacket, Pacific Heights), Andy Moore (Emmerdale), and John McArdle (Brookside, Emmerdale, And the Beat Goes On), to name a few.

LINKS:
https://joesymesandthelovingkind.co.uk
https://twitter.com/JoeSymesandTLK
https://www.facebook.com/Joe-Symes-and-the-Loving-Kind-206169176086266/
https://www.youtube.com/channel/UCza-xfDuCsWphAK782F4AiQ
https://www.instagram.com/joesymesandthelovingkind
https://www.reverbnation.com/1joesymes
https://soundcloud.com/joesymesandthelovingkind

About Reptaliens

Oregon natives Bambi and Cole started Reptaliens in the mid-2010s as a multi-faceted vehicle for their most adventurous urges. Across their first two Captured Tracks albums —FM-2030 (2017) and VALIS (2019)—they established themselves as dedicated dreamers and deep thinkers, filling their wooly, homespun synth-pop with meditations on outré science fiction and philosophy. With some help from friends, they’ve been able to tackle big questions and explore vast sound worlds. Tapping Julian Kowalski (guitar), Bryson Hansen (synth), and Tyler Vergian (drums) for their previous albums and shows, Reptaliens have bewitched crowds during extended national tours with STRFKR, Turnover, and Turnstile.

By contrast, and somewhat by necessity, Multiverse brings those lyrical concerns closer to home. “I didn’t get lost in these worlds like I normally do writing lyrics,” says Bambi. “It was way more reflective of the world around me.” And so past source material like cults and Stockholm Syndrome gave way to more immediate muses—like the pair’s frequent recording companion, a Labrador/pit bull mix named Hambone. Meanwhile, the music grew in a fresh direction, a jangle-prone timeless form of subtly psychedelic guitar-pop, finding occasional dark cul-de-sacs but ultimately tending toward the light and breeze.

Recording at home on the sleepy west side of Portland, with deer and woodpeckers regularly popping into their tree-lined backyard, the duo played all of the instruments themselves this time. The result is a departure that in fact only emphasizes the band’s melodic gifts. While Bambi’s distinctive bass-playing is more direct and driving, her airy vocals preserve Reptaliens’ soft-focus otherworldliness. Even when she’s singing about something as relatable as losing touch with her mind and body during isolation on “I Feel Fine,” there’s still an uncanny edge to her delivery. And so lines about sniffing glue and melting into the couch become reality-bending evocations of normal lockdown anxieties.

With mixing duties divided between Mikaelin “Blue” Bluespruce (Solange, Blood Orange, Mariah Carey) and Ross Brown from Kansas City bands Shy Boys and Fullbloods, Multiverse is a crisp pop record packed with surprising flourishes, from the crunchy chorus of “I Can’t Hide” to the smoky, serpentine guitar solo on “Jump.” On the recording front, Bambi and Cole applied lessons learned from making their 2020 EP, Wrestling, a synth-steeped darkwave detour that was the duo’s introduction to working alone from start to finish.

Those releases represent just two of the creative planes nested comfortably within the wider Reptaliens sphere, a prismatic notion that inspired the album’s title. Striking out into refreshing new directions at every turn, like its creators, Multiverse indeed feels like a symbolic crossroads. And one that only yields more possibilities with each visit.

LINKS:
https://reptaliens.bandcamp.com
https://twitter.com/reptaliensband
https://www.instagram.com/reptaliens.rule.earth

About Solemn Brigham

Solemn is uniquely equipped to animate each of these relics with the specificity they deserve. The rapper, whose work with his fellow North Carolinian, L’Orange, as the duo Marlowe has been critically acclaimed, is one of the most vocally acrobatic working today, able to contort himself into a dizzying array of different flows and inflections, accomplishing alone the sort of musical variety that sprawling collectives try and fail to achieve.

Across its 14 songs, South Sinner Street argues for Solemn Brigham as one of the most exciting artists in underground hip-hop, a technical virtuoso who also happens to be one of the genre’s most surprising, most deeply personal songwriters. The album evokes the feeling of climbing onto a house’s roof to survey the nearly-burning city around you, with all the peril that entails––but also all the possibility.

LINKS:
https://smarturl.it/SouthSinnerStreet
https://solemnbrigham.bandcamp.com/album/south-sinner-street
https://www.facebook.com/SolemnBrigham
https://www.instagram.com/solemnbrigham
https://twitter.com/SolemnBrigham

About Beauty In Chaos

“Orion” is the new video/single from Beauty In Chaos. This track and its accompanying otherworldly video feature the captivating Whitney Tai. BIC’s curator Michael Ciravolo says “Musically, Orion continues on the path set by “Stranger”, the final track on ‘The Storm Before The Calm’. Whitney’s lyrics and soaring voice were a perfect match for this track and sets the tone beautifully for our next record!”

Tai adds “When Beauty In Chaos reached out to me with the opportunity to co-write on a song for their upcoming album, I was immediately hypnotized by the glacial, meandering and crystalline use of guitars against this haunting and dark verbed-out atmosphere. My mind went down the rabbit hole of the past two years that our globe has faced. “Orion” is the ego of destruction. It’s about breaking free from the manipulators mind and severing the ties of deception. A story of an a-type personality, “the hunter”, and how the roles narcissism and exploitation torment the fears and strengths of the human psyche”.

As for this new video, Ciravolo says “We try to make each of our videos different from the others, while being true to the singer and the lyrics. “Orion” is like nothing we have done before; it has a very cinematic ‘big-screen’ look to it… and was really a lot of fun to make!”

LINKS:
https://www.beautyinchaosmusic.com
https://www.facebook.com/beautyinchaosmusic
https://www.instagram.com/beauty.inchaos
https://twitter.com/_BeautyInChaos
https://www.beautyinchaosmusic.com/music-store
https://www.beautyinchaosmusic.com/bic-blog
https://soundcloud.com/33-3-music-collective
https://beautyinchaos.bandcamp.com
https://www.whitneytaimusic.com
https://www.facebook.com/WhitneyTaiMusic
https://twitter.com/Whitneytai
https://instagram.com/whitneytai
https://play.google.com/music/preview/A57is65aslv7gv4qdy74gwoeivq?u=0#
https://listen.tidal.com/artist/6337137
https://www.bandsintown.com/WhitneyTai
https://www.youtube.com/channel/UCCazKu-G82KhrvCpRiHDiCg
https://www.vevo.com/artist/whitney-tai
https://open.spotify.com/user/whitneytai
https://itun.es/us/D8HW6
https://soundcloud.com/whitney-tai

About The Darkness

“It’s Love, Jim” is an all-out, high intensity, rock ‘n’ roll barrage. The video reflects the unimaginable effects of an intimate encounter of the alien kind. It captures archive footage of the band conducting a séance as a yearning otherworldly spirit unleashes its inescapable powers through Justin, Dan, Rufus and Frankie, as well as some unsuspecting cattle outside. Justin says, “This song (herein referred to as “she/her”) is all about an extra-terrestrial goddess of other worldly beauty. She’s fast, powerful, not of this earth. Her sensual symphony nestles in your ear and lays mind eggs that seep confidence liquid into your brains. You’ll feel invincible all day long, and everything will go right after you hear it. Yeah, so it’s really catchy and should be number 1 all around the world please.”

“It’s Love, Jim” is the latest single from The Darkness’ opus Motorheart. The track follows the release of “Jussy’s Girl” that oozes rock n’ roll extravagance, the high-octane riffola “Nobody Can See Me Cry” and the growling, pounding title track that pays homage to a devoted sex robot.

Billboard raves, Motorheart “is filled with what one would hope to find on a Darkness album: blazing guitar riffs, tongue-in-cheek lyrics and Hawkins’ signature soaring falsetto,” and declares that the “album helps solidify the band’s legacy as one of the United Kingdom’s preeminent rock acts of the past two decades,” while Alternative Press gushes, “On their seventh album, the four-piece are back at it, creating joyous, defiant rock that pummels and shakes.”

With a back catalogue overflowing with sonic gold and a live reputation that most bands can only dream of attaining, The Darkness will be showcasing the live potency of Motorheart on their extensive 22-date UK headline tour kicking off in November followed by a European run at the top of next year. A true spectacle to behold, fans will be treated to brand new songs from the album as well as hits from across their award-winning, platinum-selling back catalogue. Stay tuned for North American 2022 tour dates to be announced.

LINKS:
https://www.thedarknesslive.com
https://www.facebook.com/thedarknessofficial
https://twitter.com/thedarkness
https://www.instagram.com/theactualdarkness
https://www.youtube.com/user/TheActualDarkness

About Robert Taira Wilson

Robert Taira Wilson is an English singer-songwriter whose music mixes folk with modern alternative songwriting. He is currently based in Tokyo and, in recent years, has released both solo and collaborative records.

‘Due to the pandemic, I’ve taken the time away from performing to write a body of new material. For every time you may have felt disowned or dislocated, removed or redundant. This song delves deep into that moment and cries out for escape and healing. A departure from my usual sound, the song features an arpeggiated electric guitar in place of the accustomed acoustic. Written and recorded entirely from my home studio “Blackbird” will be my first release since 2019’s ‘Shine Shine Child’ EP.’

LINKS:
https://www.roberttairawilson.co.uk
https://www.youtube.com/user/ROBERTTAIRAWILSON
https://www.instagram.com/roberttairawilson
https://www.facebook.com/roberttairawilson.music
https://www.twitch.com/roberttairawilson

About High Street

High Street is a hard rock, heavily blues-influenced group that originated in Chicago. Now based in Los Angeles, the band is igniting their generation to partake in the most authentic, stripped-down, and honest type of rock and roll there is. Led by lead guitarist and songwriter Erik Findling and lead vocalist Noxigen, the band is delivering a fresh spin on classic rock with modern day influences.

It all started back in the late 2000s in the attic of Erik Findling’s Chicago household. The young middle-schooler – who first picked up a guitar at the age of 4 – and his older brother, Kurt, on drums, assembled a group with some of their musically-inclined classmates. Their attic rehearsal space looked out onto the corner of High Street, inspiring the band’s name.

As young teens, they started out as a classic rock cover band with hopes of playing a few parties around the neighborhood – never imagining this would be the beginning of a long and exciting journey. At the age of 11 Erik started creating original music opening the door to many new opportunities. With Erik’s exceptional creativity, three EPs of original music were soon recorded by prominent producers in Chicago, such as Sean O’Keefe – known for his work with Fall Out Boy and Plain White T’s. The Chicago club circuit quickly took notice and booked them all around the city at venues such as the renowned Double Door, Subterranean, and Hard Rock Chicago. This was the beginning of a new chapter for the band that would take them to the next level.

Nevertheless, just as they were really gaining momentum, Erik – the youngest member of the group – watched the band dissolve as the other members went off to college. Alas, the band was no more. However, on his own, Erik went on a personal path to develop as an artist, exploring new genres of music such as jazz and classical. He’s performed at hotspots across L.A. and

Chicago, even performing at the GRAMMYs official after party in 2017. Shortly after moving out to Los Angeles, Erik found the inspiration to revive High Street permanently. This time, a fresh set of talent has been assembled to pick up right where they left off to continue the High Street legacy on a larger scale.

LINKS:
https://highstreetofficial.com
https://www.facebook.com/wearehighstreet
https://twitter.com/wearehighstreet
https://www.instagram.com/highstreetofficial
https://www.youtube.com/channel/UCFNScAQ1guueLH-ZpUeNp3A
https://music.apple.com/us/artist/high-street/132822397
https://open.spotify.com/artist/2OTfUunQxEgHg500ywjx9w?si=sJCX_949TfmG_-5zAD9oxg&dl_branch=1
https://soundcloud.com/highstreetofficial

About WYSE

Harboring an emotional, and musical, intelligence that belies her young years, Portsmouth’s Wyse has succeeded in carving out a niche all of her own. As beautiful as it is cathartic, her music is impossible to pigeonhole, but then again why would you want to?

Anomalies is Wyse’s second EP, following 2018’s Switch of My Controller, and finds the Portsmouth-based songstress in a bolder, wiser and much more confident form than before. Five tracks of richly varied alt-rock, it’s Wyse making good on the promise of her earlier releases.

“Every song on this project has its own vibe, set of musical influences, and story” she explains “I wanted each song to reflect a different side of my creative personality, and achieving this whilst maintaining cohesion throughout was a brilliant challenge.”

And wherever, and whatever, that might be, you can guarantee that Wyse will approach it with the same sense of self-confidence and individuality she has Anomalies.

LINKS:
https://www.wyseupyourlife.com
https://www.facebook.com/wyseupyourlife
https://twitter.com/wyseupyourlife
https://www.instagram.com/wyseupyourlife

About Chuck Wright’s Sheltering Sky

Long-time bassist for multi-platinum rockers Quiet Riot, Chuck Wright, proudly presents the release of the first single from his new solo album. Wright has also worked alongside such rock music luminaries as Alice Cooper, Greg Allman, Ted Nugent, various members of Guns N’ Roses and Kiss to name a few, and now embarks on his first-ever solo excursion.

The first single is a hard-rocking, intense interpretation of Björk’s 1995 hit “Army of Me” and is accompanied by a video that represents Wright’s exploration into disorder and parallels with the recent chaotic state of world affairs. The visuals include a 3D animation of an “army” of Ruth Bader Ginsburgs, the late Supreme Court Justice, feminist icon, and steadfast advocate for women’s rights and gender equality. “I chose to recognize the late Justice Ginsburg in this video as she was such a formidable presence on and off the bench. She challenged the status quo knocking down legal obstacles to women’s equality and inspired an army of believers.”

The track “Army Of Me” features several of Wright’s musical peers including the late Pat Torpey (Mr. Big) on drums, guitarist Lanny Cordola (House of Lords), and Sven Martin (Jonathan Davis Band) on keyboards along with songstress Whitney Tai, the recent “Best Vocalist” winner at The Intercontinental Music Awards.

The full-length album from Chuck Wright’s Sheltering Sky, coming in 2022, features over 30 guest performers including members of Mr. Big, Skid Row, Tesla, Dream Theater, Great White, Asia, Jefferson Starship, acclaimed solo artists Allen Hinds, Toshi Yanagi, and many others. Wright is finally stepping out on his own with a wide range of genres, from Jazz Fusion, Prog, Funk to in-your-face Hard Rock, which was in itself one of the things that led him to want to forge his own way and create this unique collection of songs within his “Sheltering Sky” project.

LINKS:
https://facebook.com/ChuckWrightOfficial
https://instagram.com/chuckwrightbass
https://twitter.com/chuckwrightbass

Jammerzine’s The Week in #Indie for 8/23/2021

In this episode of The Week in #Indie we feature exclusive interviews with Sahaj Ticotin from Ra, Paul Holden, and Spacette. Plus new music, videos, and premieres from Seether, Glenn Hodge Banned, Sour Ops, Jamilla & The Other Hereos, Jasmine Thakral, Me, I’m Counting, and Monica Aben.

About Ra

Jammerzine has an exclusive interview with a legend of loud in the form of Sahaj Ticotin from the rock band Ra. As the world cautiously opens up and the venues begin to fill, Ra are set to take their music on the road with fellow acts Awake At LastREDDSTARSeptember MourningAny Given Sin and Killakoi on select dates. The tour begins this Friday (August 20th) (dates & ticket info HERE).

In this interview we talk with Sahaj about the new tour and their latest album, ‘Intercorrupted’, Ra’s musical history and where Ra is headed musically.

Ra is a band that, in my opinion, came out at the right time. I remember the late ’90s. I also remember, it was getting a bit boring in regards to music. Ra was my ‘Holy Sh*t!’ moment. That glorious mix of middle eastern and modern western that is ‘Do You Call My Name‘ made me play the guitar in front of my stereo again. Their genre-redefining at the turn of the century turned the century into a place that could survive creatively. ‘Intercorrupted’ is a continuation of such and sees the band take a more accessible and melodic approach. Where could the band be headed next? Actually, there is an answer in the interview.

LINKS:
https://www.facebook.com/OfficialRA
https://www.instagram.com/officialraband
https://twitter.com/ratheband
https://twitter.com/raband
https://raband.net
https://www.youtube.com/channel/RaOffficial

About Paul Holden

Jammerzine has an exclusive interview with UK artist Paul Holden. With the new release of his EP titled ‘Say It To The Sun’, Paul enters a new chapter in his musical career.

The EP, ‘Say It To The Sun’, is a perfect gateway drug for those looking for new and original music. Paul has a style that is a lucid combination or rock and pop with hints of electronica. The power, though, is the songwriting. The songs are solid. Hooks and memorable melodies throughout, each song has its own signature that everyone can pick a favorite from.

In this interview, we talk to Paul about his new EP and how he came to be in the #indie music scene.

LINKS:
https://www.instagram.com/paulholdenmusic
https://twitter.com/PaulHoldenMusic
https://www.facebook.com/PaulHoldenMusicUK

About Spacette

Jammerzine has an exclusive interview with Spacette. As a bonus, we may also have the very first review of their new EP ‘You Don’t Have To Rise To Shine’.

No copy and paste premieres here, folks! Why did I say that? Because bands and artists put their hearts and souls into these tracks and they deserve the best promotion they can get. And this is none more evident than in Spacette. As you will hear in the interview, this artist brought back precious memories I didn’t realize I had. They have that sound. That sound of home. Lazy summer days of childhood I thought once gone relived to a new soundtrack to those memories. ‘120 Minutes’ on MTV with that goth girl I wanted as a girlfriend.

Those songs I thought I just heard I now listen to because of Spacette. They have this style that, while all their own, take what I love to the next level. Every song is as much orchestrated as it is recorded. Written from the heart and that heart is on their sleeves. Melodic harmonies carefully laid over breezy tracks with a style that was long ago realized but still getting honed.

In this interview we talk with Spacette’s Jordan Heimburger about said music as well as the beginnings, future plans and more.

LINKS:
https://www.facebook.com/thespacette
https://instagram.com/thespacette
https://twitter.com/thespacette
https://www.breakfastmusicgroup.com/spacette
https://www.youtube.com/channel/UCh-P3xRZ19LhkwMsoFD951A
https://soundcloud.com/thespacette
https://open.spotify.com/artist/12b5wgJhtLzY755wmf8UBr?si=5XnI_f6EQ-am5VtCx12mOg&dl_branch=1

About Seether

Seether has released their new video for the track titled ‘Wasteland’, from their EP ‘Wasteland – The Purgatory EP ‘ & ‘Si Vis Pacem, Para Bellum’.

Visually desolate and sonically cinematic and droning, Seether again shows their longevity with that signature sound that literally spans decades. The drone that I love is that unique chord progression fitting just under that weary vocal set that gives a feeling. That feeling can be unique to each of us but, to me, its a subtle mix of dread and longing. That part of me I keep to myself. I don’t know if that is the effect that Seether wants but its what I get. And that’s enough to keep me interested.

The video features snake wrangler and conservationist Danielle Wall, along with The National frontman Matt Berninger’s brother Tom Berninger.

Shot amongst ruins of desert homes near Joshua Tree, lead singer Shaun Morgan explains: “We were trying to figure out how to make some kind of statement about the evils of social media and it evolved from one idea to the video it is now. After spending such a long period of time without any kind of personal contact with the other band members, the live performance element was especially important to us – it was good for us mentally and emotionally, but it was also important to visually show that we’ve come out the other side after such a difficult time.”

Seether is set to release their new compilation titled ‘Vicennial – 2 Decades of Seether’ on October 15th via Craft Recordings.

LINKS:
https://www.seether.com
https://www.facebook.com/seether
https://open.spotify.com/artist/6B5c4sch27tWHAGdarpPaW?si=mS6Y9WP8RYO1DmvcekiK2Q
https://itunes.apple.com/us/artist/seether/92713141
https://twitter.com/Seether
https://www.instagram.com/seether
https://www.youtube.com/channel/UC0lhr4dvpfKJ0C3TPFXu3ww

About Glenn Hodge Banned

Glenn Hodge Banned will release his new album titled ‘The Long Run’ this Friday (August 20th). At that first listen, ‘Long Run’ gives the impression of an alt-folk with a tinge of soul, but when you go deeper, you find that Glenn may be one of the last troubadours. He has a keen sense of the music of the past, but he makes that, and more, his own. I would maybe compare him to early Bob Dylan. Not in style but in career milestones. He is at the beginning of his own long run. We get a span of emotions and stories that he lived through each track while being told through the mind and heart of a musical poet.

LINKS:
https://www.facebook.com/GlennHodgeBanned
https://www.instagram.com/glennhodgebanned
https://www.glennhodgebanned.com

About Sour Ops

Sour Ops has premiered their new single titled ‘Now You’re Gone’. More than a typical pop song, Sour Ops (aka Price Harrison), has a penchant for framing the hook and surrounding it with melody. Almost a throwback to the songwriters of old, ‘Now You’re Gone’ takes a modern spin with strings and a buildup of instrumentation to take the listener on a ride through a piece of the artist’s life. Short but sweet, now its gone. Good thing the play button is back.

LINKS:
https://sourops.com
https://www.facebook.com/souropsband
https://www.instagram.com/sour_ops
https://sourops.bandcamp.com
https://open.spotify.com/artist/2CXkDwD1GR0RvSgTcgGsUt?si=MTJ2k6CzR8-cUM2C0cb3sw

About Jamila and the Other Heroes

Jamila & The Other Heroes have released their new video for the track titled ‘Border Syndrome احلام بلا حدود’. As if written, produced, and released as divine intervention, this video could not have come out at a better time. The rights of freedom are being tested once again around the world to different degrees, and Jamila & the Other Heroes are just that; heroes. For saying what they say and putting it to music. This song and video are an anthem and a statement.

Musically, this is sonic art. Global in sound and universal in spectrum, ‘Border Syndrome احلام بلا حدود’ isn’t a cry for freedom, its an announcement. It is coming. Peacefully. Inevitably. Beautifully.

LINKS:
https://www.jamilaandtheotherheroes.com
https://www.facebook.com/jamilaandtheotherheroes
https://instagram.com/jamilaandtheotherheroes
https://open.spotify.com/artist/4SXSjuoWAU7XTyXF9JZcHe

About Jasmine Thakral

Jasmine Thakral has premiered her new video for the track titled ‘Running in a Haze’. Coming off as a lazy summer song there is a deeper essence just under the surface. That feeling of longing and loneliness brought on by the lockdown has hit us all. Lucky, though, that there has been a steady stream of creativity coming out of the #indie scene as a result. ‘Running in a Haze’ is the latest. Making its own mark of such, the song, and visualizer, bring a calmness and a realization that we’ve all been through a lot. But what makes us survive is our introspection. Our ‘staring into the abyss and we find ourselves’ realization. Jasmine personifies that with her beautiful voice and steadfastly stoic track. Bravo.

LINKS:
https://jasminethakral.com
https://www.facebook.com/JasmineThakralMusic
https://www.instagram.com/jasminethakral
https://www.tiktok.com/@jasminethakral
https://www.youtube.com/channel/UCTDwtqsPzpKCtK-ALkKVFRw

About Me, I’m Counting

Me, I’m Counting has released his new EP titled ‘MACAU’. While the titled track builds that slow grind of musical suspense it drives forth into what you would think to expect of ‘MACAU’ the EP. What you actually find, however, is a set of distinctive soundscapes showcasing different parts of the mind. Is it the mind of Nick (a.k.a. Me, I’m Counting)? Is it what your mind is interpreting? That’s the beauty of music. It’s, in the end, inside the mind of the listener. ‘MACAU’ is an electronic jazz session. A free-for-all with you having a front row seat. Sonic theater for the soul set to various b.p.m.s and mood sets. Get out of it what you will. That will say more about you.

LINKS:
https://meimcounting.bandcamp.com
https://www.instagram.com/me.im.counting

About Monica Aben

Monica Aben has premiered her new video for the track titled ‘Kids in LA’. time makes the heart grow fonder. I totally get what Monica was saying here. Being a child of the 80s I can’t help but watch ‘Knight Rider’ every time it comes on. Or getting a box of Nerds just for the memories. Monica puts this to music that is as fond as it is memorable itself. Monster hook and anthemic growl compliment Monica’s gorgeous and earnest vocals talking about times gone by and the abyss that is a memory. This makes us forever young.

LINKS:
https://www.monicaaben.com
https://www.instagram.com/monicaaben
https://www.facebook.com/monicaabenmusic
https://twitter.com/monicaaben

Click HERE to watch Season 7 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.

An Interview with J67

Jammerzine has an exclusive interview with Julie Infanti and Pete Denton from the pop duo known as J67. J67 is one of those groups that, through subtle genre hopping, are able to get their sound down to what they want while keeping it appealing to multiple fanbases and fans of different kinds of music.

Hailing from the Mediterranean island of Cyprus, J67 make music for the world with a sharp sense of musical styles and songwriting that is as diverse as it is appealing. Check out their double singles below for a proper introduction.

And, in this interview, we talk with Julie and Pete about their music, the indie scene in Cyprus, adjusting their schedule to a post COVID world, and how J67 got it’s beginnings. Enjoy!’

About J67

Both originating from the UK, Julie Infanti and Pete Denton are a female/male vocal/guitar duo, based in Cyprus.

Before coming together, Julie was performing in Cyprus and the UK and Pete in bands in the UK. Pete also had a stint at band management, working with David Arden (son of Don Arden and brother of Sharon Osbourne) David was an integral part of the Don Arden management team and Jet Records in the 60’s and 70’s and Pete learned a lot from David. Pete met David through his sister Sharon when she expressed an interest in Pete’s son’s (Pete Denton jnr) 1st band “Cube”.

Pete later became a member of The Kooks. Jules & Pete, began performing together in 2019 in bars (including “Hard Rock Cafe”) and hotels all over the east of Cyprus. Back in the summer of 2020, whilst performing, they were approached by the musical instrument manufacturer “Roland/Boss” and offered an Artist Sponsorship Agreement, which in turn led to the addition of some incredible new sound equipment for the duo courtesy of Roland/Boss.

Towards the end of 2020 and into 2021 Jules & Pete began writing their own original material and decided on the name J67 to promote this new project.

Their debut double A side single ‘Heaven’ and ‘Good Times’ written by Julie & Pete is to be released through Blind Dog Records on June 25th and will be available for download across all major platforms. In a typical year Jules & Pete and J67 will perform to over 18,000 people.

LINK:
https://www.facebook.com/J67newmusic

Jammerzine’s The Week in #Indie for 7/19/2021

Exclusive interviews with Hybrid, Alphanaut, and Order of the Static Temple. Also, exclusive premieres and new music from Ciaran Whyte, Joe Symes and the Loving Kind, Me, I’m Counting, Run Remedy, Skumlove, Space Summit, and The Convenience.

José Junior Releases ‘Forever’ Video (The Week in #Indie Segment)

José Junior has premiered his new video for the track titled ‘Forever’. Think R.E.M. with a fresh creative streak and you have a proper hint as to what José Junior is made of in this video and track. That 80’s music swing with chimey bell-toned guitars and vocals with a subtle angst. What you also have is just a damn good song with a classic MTV styled video to take us back while looking ahead. This is what music is supposed to be.

Watch the full episode HERE.

LINKS:
https://linktr.ee/josejuniormusic
https://www.facebook.com/josejuniormusic
https://josejunior.bandcamp.com
https://www.instagram.com/josejuniormusic
https://twitter.com/josejuniormusic
https://www.youtube.com/channel/UChRpqJ02LH5nyht7KbjOd2Q
https://soundcloud.com/josejuniormusic

Click HERE to watch Season 7 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.

Dolly Ave and Charlie Curtis-Beard Release ‘Play With It’ Video (The Week in #Indie Segment)

Dolly Ave has released her new video for the track titled ‘Play With It’ featuring Charlie Curtis-Beard. Suave to a fault and trendy to an advantage, ‘Play With It’. Dolly and Charlie have that special chemistry that will make you want to watch for that aspect alone, but the song itself also has that driving hook that gives a stellar soundtrack to the video. This is what happens when talented multimedia artists do a collab, and TikTok is quickly becoming the premiere gladiator school for creating unique and much needed talent. Dolly and Charlie are the first generation. And it shows. Brilliant.

Watch the full episode HERE.

LINKS:
https://www.dollyavemusic.com
https://open.spotify.com/artist/3CRylfSfibkfnjCMLhWmIk
https://instagram.com/dollyave
https://youtube.com/dollyave
https://facebook.com/dollyavemusic
https://twitter.com/dollyave

Click HERE to watch Season 7 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.

An Exclusive Interview with Boy Breaking Glass (The Week in #Indie Segment)

Jammerzine has an exclusive interview with Boy Breaking Glass bassist Joe Mantell. Their new album, ‘Desolations’, premiered on Jammerzine on June 24th and was released on the 25th. The album is a darkly decadent set of songs that really capture the overall sound of Boy Breaking Glass will making a solid set of tracks that have that flow to it that lets you know this is an album that you can listen to all they way through. However, each song has its own unique personality.

High points are throughout with a lot going on in the background. Listen to the guitars, you will hear layers of sonic goodness flow throughout, with an almost goth level vocal set that gives ‘Desolations’ the bulk of its personality.

Check out our other features with Boy Breaking Glass HERE.

Watch the full episode HERE.

LINKS:
https://www.facebook.com/boybreakingglass
https://www.instagram.com/boybreakingglass
https://www.boybreakingglass.com
https://soundcloud.com/boybreakingglass
https://open.spotify.com/artist/1G8WUXQWNCoPlQoQjVJy0z
https://www.youtube.com/channel/UCFCutOs2JSQq0BpanzR7atA

Click HERE to watch Season 7 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.

Jammerzine’s The Week in #Indie for 7/5/2021

Exclusive interviews with Boy Breaking Glass and Chase Potter. Exclusive premieres and new music, videos, and albums from ROE, The Quilts, Ceiling Demons, Dolly Ave and Charlie Curtis-Beard, José Junior, Occurrence, Robert Taira Wilson, Amusement Parks on Fire, and Evidence.

About Boy Breaking Glass

Jammerzine has an exclusive interview with Boy Breaking Glass bassist Joe Mantell. Their new album, ‘Desolations’, premiered on Jammerzine on June 24th and was released on the 25th. The album is a darkly decadent set of songs that really capture the overall sound of Boy Breaking Glass will making a solid set of tracks that have that flow to it that lets you know this is an album that you can listen to all they way through. However, each song has its own unique personality.

High points are throughout with a lot going on in the background. Listen to the guitars, you will hear layers of sonic goodness flow throughout, with an almost goth level vocal set that gives ‘Desolations’ the bulk of its personality.

Check out our other features with Boy Breaking Glass HERE.

LINKS:
https://www.facebook.com/boybreakingglass
https://www.instagram.com/boybreakingglass
https://www.boybreakingglass.com
https://soundcloud.com/boybreakingglass
https://open.spotify.com/artist/1G8WUXQWNCoPlQoQjVJy0z
https://www.youtube.com/channel/UCFCutOs2JSQq0BpanzR7atA

About Chase Potter

Jammerzine has an exclusive interview with Brooklyn, NYC artist Chase Potter. Fresh from the release of his new album titled ‘Hitchhike To Oblivion’ (playlist & videos below), Chase is poised to promote his new album in a time where the clubs and venues are filling back up and people are shaking off that feeling of hibernation.

‘Hitchhike To Oblivion’ is an album with a unique signature sound. One the surface it reminds me of those golden days of AM radio circa 1977 with those golden pop hooks and intricate songwriting. Where Chase excels is taking that sound and making it his own in such a way that you know its him from that initial listen.

In this interview, we hear about the creation of the album and how he got that vintage sound from the comfort and isolation of his home. We also get a glimpse of what’s coming next for Chase in these waning days of the pandemic.

LINKS:
https://www.chasepottermusic.com
https://chasepotter.bandcamp.com
https://www.facebook.com/chasepottermusic
https://www.youtube.com/chasepottermusic
https://instagram.com/chase_potter_music
https://open.spotify.com/artist/6tU8jCJzWhhZEFJXdiFUNP?si=Xqxv7ToUSAaA9svwytl97w

About ROE

ROE has premiered her new single titled ‘Cruel’. Delicately raucous from the start and a reinvention of the self into, what I think, is her true self.

Hitting close to the mark with content describing what we’ve all been through, ‘Cruel’ is a thank you for self-realization and a fuck you to that gaslighting narcissist we all know and are thinking about when we heard ‘Cruel’. And, if you haven’t gone through what I’m talking about, I’m sure you’ll agree it’s a really catchy fucking song.

LINKS:
https://roeofficial.com
https://www.facebook.com/RoeMusicOfficial
https://www.instagram.com/roemusic
https://twitter.com/Roe_music

About The Quilts

The Quilts has released their new single and video titled ‘Time’. It’s 8 AM as this goes live. Fourteen years ago the journey that became the song ‘Time’ began. The song shows the beautiful patina that nourished this track musically, lyrically, spiritually. And it shows. It shows in all of its pits, holes, and chips. Because that’s what makes us beautiful. That patina that inherently binds to us and shows our flaws and strengths.

Having to go through a similar issue with my father at the time of this writing as guitarist Steven Altonen did with his (in my case, Parkinson’s and Dementia), I feel a bond to this song that one gets when relating to a fellow musician and artist because those are the people who turn our pain and lives into expression for all. They interpret and share with art. As much as a canvas is for art, silence is for music. ‘Time’ fills the space with feeling and love.

LINKS:
https://thequiltsband.com
https://www.instagram.com/the_quilts
https://www.thequiltsmusic.bandcamp.com
https://www.youtube.com/channel/UC2C4-c9ntSTWJUWdXRa_LWA
https://open.spotify.com/album/4t9bXyLqGTxlNY0li7YtE9?highlight=spotify:track:1n6grPdUG8ecGFcJCCJUgz

About Ceiling Demons

Ceiling Demons have released their new video for the track titled ‘From The Womb To The Grave’. Dark with a flare and urban with a dare, Ceiling Demons break the ceiling of the establishment and lash out at the mainstream with a rebellious anthem of unity against conformity and a realization of the self. Much needed.

LINKS:
https://linktr.ee/ceilingdemons
https://www.facebook.com/CeilingDemons
https://twitter.com/ceilingdemons
https://www.instagram.com/ceilingdemons

About Dolly Ave and Charlie Curtis-Beard

Dolly Ave has released her new video for the track titled ‘Play With It’ featuring Charlie Curtis-Beard. Suave to a fault and trendy to an advantage, ‘Play With It’. Dolly and Charlie have that special chemistry that will make you want to watch for that aspect alone, but the song itself also has that driving hook that gives a stellar soundtrack to the video. This is what happens when talented multimedia artists do a collab, and TikTok is quickly becoming the premiere gladiator school for creating unique and much needed talent. Dolly and Charlie are the first generation. And it shows. Brilliant.

LINKS:
https://www.dollyavemusic.com
https://open.spotify.com/artist/3CRylfSfibkfnjCMLhWmIk
https://instagram.com/dollyave
https://youtube.com/dollyave
https://facebook.com/dollyavemusic
https://twitter.com/dollyave
https://tiktok.com/@dollyave

About José Junior

José Junior has premiered his new video for the track titled ‘Forever’. Think R.E.M. with a fresh creative streak and you have a proper hint as to what José Junior is made of in this video and track. That 80’s music swing with chimey bell-toned guitars and vocals with a subtle angst. What you also have is just a damn good song with a classic MTV styled video to take us back while looking ahead. This is what music is supposed to be.

LINKS:
https://linktr.ee/josejuniormusic
https://www.facebook.com/josejuniormusic
https://josejunior.bandcamp.com
https://www.instagram.com/josejuniormusic
https://twitter.com/josejuniormusic
https://www.youtube.com/channel/UChRpqJ02LH5nyht7KbjOd2Q
https://soundcloud.com/josejuniormusic

About Occurrence

Occurrence has released their new video for the track titled ‘I Have So Much Love To Give’. An updated and twisted rendition of ‘Little Red Riding Hood’, the video gives an artistic and interpretive visual of the song while the song itself keeps the flow in check with a modern gritty electronic flow filtered throw retro organs and angelic head voice that fills the speaker in an unassuming yet commanding way.

LINKS:
https://www.occurrencemusic.com
https://www.instagram.com/occurrencemusic
https://twitter.com/occurrencemusic
https://www.facebook.com/occurrence
https://youtube.com/occurrencemusic
https://occurrence.bandcamp.com

About Robert Taira Wilson

Robert Taira Wilson has officially premiered his new video for the track titled ‘Blackbird’ on Jammerzine. If you read our review of the original track from June, you will get a perspective of our take from the music. The video offers a visual construct of what we said. Introverted. Introspective. Reflective. All of that and more with brilliant sketch style animations with geometric shapes representing bondage and cages that fade through the looking glass showing a better world and an alternative that could be. This is magic.

Check out our other features with Robert Taira Wilson HERE.

LINKS:
https://www.roberttairawilson.co.uk
https://www.youtube.com/user/ROBERTTAIRAWILSON
https://www.instagram.com/roberttairawilson
https://www.facebook.com/roberttairawilson.music
https://www.twitch.com/roberttairawilson

About Amusement Parks on Fire

Amusement Parks on Fire have released their long awaited album titled ‘An Archaea’ on jammerzine.com. APOK is one of those bands that long ago found their sound, but now we have a more evolved APOK. A more experimental APOK. We get an album a long time in the making and, more importantly, we get an album from a band that knows what an album means. A set of songs meant to inspire and take you on a journey. Or with you on a journey. The hooks are unexpected and prominent. The guitars make you want to play guitar. The surreal, at times, and vivid at others, doesn’t detract the overall sound. It enhances it. This is a concept as much as it is an album. To listen to the album go to jammerzine.com and search Amusement Parks on Fire.

LINKS:
https://apof.co.uk
https://www.facebook.com/amusementparksonfire
https://twitter.com/APOF

About Evidence

Evidence has released his new album ‘Unlearning Vol 1’ on jammerzine.com. I could say something easy like ‘this record is groundbreaking’, but, that would be a bit dismissive and cliché. I will say this, however; this record is ground-defining. Some genres are hard to sound fresh in. Personally, I find this the case with rock and hip hop. A lot of green pastures for ground these days. ‘Unlearning Vol 1’ is scorched earth with a lot of heart. That’s what I respect about Evidence. His music comes from the heart as well as the mind. The music is more than just a backdrop. Its an interaction with his lyrics. Bashing and cascading and intertwining with each word and beat with stellar syncopation. Each word is a voice. Each beat is an outlet. Unlearning is a book that no one needs to read but everyone will remember. To listen to the album go to jammerzine.com and search Evidence.

LINKS:
https://www.rhymesayers.com/evidence
https://www.facebook.com/misterevidence
https://twitter.com/evidence
https://instagram.com/evidence

Click HERE to watch Season 7 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.
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